Trivia: The son of an Oklahoma carpet layer, James Garner did stints in the Army and merchant marines before working as a model. His professional acting career began with a non-speaking part in the Broadway play The Caine Mutiny Court Martial (1954), in which he was also assigned to run lines with stars Lloyd Nolan, Henry Fonda, and John Hodiak. Given that talent roster, and the fact that the director was Charles Laughton, Garner managed to earn his salary and receive a crash course in acting at the same time. After a few television commercials, he was signed as a contract player by Warner Bros. in 1956. He barely had a part in his first film, The Girl He Left Behind (1956), though he was given special attention by director David Butler, who felt Garner had far more potential than the film's nominal star, Tab Hunter. Due in part to Butler's enthusiasm, Garner was cast in the Warner Bros. TV Western Maverick. The scriptwriters latched on to his gift for understated humor, and, before long, the show had as many laughs as shoot-outs. Garner was promoted to starring film roles during his Maverick run, but, by the third season, he chafed at his low salary and insisted on better treatment. The studio refused, so he walked out. Lawsuits and recriminations were exchanged, but the end result was that Garner was a free agent as of 1960. He did quite well as a freelance actor for several years, turning in commendable work in such films as Boys' Night Out (1962) and The Great Escape (1963), but was soon perceived by filmmakers as something of a less-expensive Rock Hudson, never more so than when he played Hudson-type parts opposite Doris Day in Move Over, Darling and The Thrill of It All! (both 1963).Garner fared rather better in variations of his Maverick persona in such Westerns as Support Your Local Sheriff (1969) and The Skin Game (1971), but he eventually tired of eating warmed-over stew; besides, being a cowboy star had made him a walking mass of injuries and broken bones. He tried to play a more peaceable Westerner in the TV series Nichols (1971), but when audiences failed to respond, his character was killed off and replaced by his more athletic twin brother (also Garner). The actor finally shed the Maverick cloak with his long-running TV series The Rockford Files (1974-1978), in which he played a John MacDonald-esque private eye who never seemed to meet anyone capable of telling the truth. Rockford resulted in even more injuries for the increasingly battered actor, and soon he was showing up on TV talk shows telling the world about the many physical activities which he could no longer perform. Rockford ended in a spirit of recrimination, when Garner, expecting a percentage of the profits, learned that "creative bookkeeping" had resulted in the series posting none. To the public, Garner was the rough-hewn but basically affable fellow they'd seen in his fictional roles and as Mariette Hartley's partner (not husband) in a series of Polaroid commercials. However, his later film and TV-movie roles had a dark edge to them, notably his likable but mercurial pharmacist in Murphy's Romance (1985), for which he received an Oscar nomination, and his multifaceted co-starring stints with James Woods in the TV movies Promise (1986) and My Name Is Bill W. (1989). In 1994, Garner came full circle in the profitable feature film Maverick (1994), in which the title role was played by Mel Gibson. With the exception of such lower-key efforts as the noir-ish Twilight (1998) and the made-for-TV thriller Dead Silence (1997), Garner's career in the '90s found the veteran actor once again tapping into his latent ability to provoke laughs in such efforts as Space Cowboys (2000) while maintaining a successful small-screen career by returning to the role of Jim Rockford in several made-for-TV movies. He provided a voice for the popular animatedfeature Atlantis: The Lost Empire (2001) and appeared in the comedy-drama The Divine Secrets of the Ya-Ya Sisterhood (2002). Garner enjoyed a career resurgance in 2003, when he joined the cast of TV's 8 Simple Rules, acting as a sort of replacement for John Ritter, who had passed away at the beginning of the show's second season. He next appeared in The Notebook (2004), which earned Garner a Screen Actors Guild nomination and also poised him to win the Guild's Lifetime Achievement Award. His last on-screen role was a small supporting role in The Ultimate Gift (2007). In 2008, Garner suffered a stroke and retired acting. He died in 2014, at age 86.

Trivia: When asked why he decided upon becoming an actor, Joe Santos tended to trot out the tried-and-true rationale "because I failed at everything else." While attending Fordham University, Santos excelled at football, but lost interest in the sport after a few semi-pro years. By the time he was 30, Santos had been remarkably unsuccessful in a variety of vocations, including railroad worker, tree cutter, automobile importer and tavern owner. While working a construction job in New York, Santos was invited by a friend to sit in on an acting class. This seemed like an easy way to make a living, so Santos began making the audition rounds, almost immediately landing a good part on a TV soap opera. This gig unfortunately led nowhere, and for the next year or so Santos drove a cab for 10 to 11 hours a day. The novice actor's first big break was a part in the 1971 film Panic in Needle Park, which he received at the recommendation of the film's star (and Santos' frequent softball partner) Al Pacino. With the plum part of Sergeant Cruz in the four-part TV drama The Blue Knight (1973), Santos inaugurated a fruitful, still-thriving career in "cop" roles, the best and longest-lasting of which was detective Dennis Becker on the James Garner series The Rockford Files (1974-80). Joe Santos' other series-TV credits include the top-billed part of deadbeat dad Norman Davis in Me and Maxx (1980), Hispanic nightclub comic Paul Rodriguez' disapproving father in AKA Pablo (1984), and Lieutenant Frank Harper in the 1985-86 episodes of Hardcastle and McCormick. One of his final roles was a recurring gig on The Sopranos. Santos died in 2016, at age 84.

Trivia: Tough-guy American actor James Luisi could usually be found playing cops or plainclothes detectives. Luisi spent four (1976-80) years in the role of Lt. Doug Chapman on TV's The Rockford Files, later repeating the characterization (now promoted to Captain) in two Rockford TV-movies of the mid-1990s. On daytime TV, he was seen as Phil Wainwright in Another World. James Luisi's TV resumé also included the roles of garage owner Harry Foreman in Harris and Company (1979) and police lieutenant Marciano in Renegades (1983).

Trivia: American actor Bruce Kirby made his Broadway bow at age 40 in the 1965 production Diamond Orchid. More stage work followed, and then movie assignments, commencing with the all-star Catch 22 (1970), and continuing into the 1980s with such productions as Sweet Dreams (1985) and Throw Momma from the Train (1987). Kirby's TV career has embraced both series successes (1989's Anything But Love, as Jamie Lee Curtis' father), ignoble failures (1976's Holmes and Yoyo, as Henry Sedford), and a few projects which never sold (Kirby was in two busted pilots for something called McNamara's Band). In 1984, Kirbyreturned to Broadway to understudy Dustin Hoffman as Willy Loman in the revival of Death of a Salesman. Bruce Kirby, sometimes billed as Bruce Kirby Sr., was the father of actor Bruno Kirby, who formerly billed himself as B. Kirby Jr.

Trivia: Energetic dancer, singer, and actress Rita Moreno was born Rosa Dolores Alverio in Puerto Rico to a family of independent farmers. She moved to New York City with her mother at age five and went on to become one of the few people to win an Oscar, a Tony, an Emmy, and a Grammy throughout her long career. At age 13, she took her vibrant stage presence and star quality to Broadway, and by the next year she had made it to Hollywood, where MGM studio executives suggested she change her name to Rita.Mostly appearing in musicals, her most notable roles of the '50s include Zelda Zanders the Zip Girl in Singin' in the Rain and Tuptim in The King and I. During this close-minded time period in American cinema, she was showcased for her "exotic" qualities in films like Pagan Love Song, Latin Lovers, and The Fabulous Señorita. She also starred in the costume drama The Vagabond King as well as various adventures and Westerns, usually providing the musical entertainment. Her big breakthrough came in 1961 with her role as the spitfire Anita in West Side Story, winning her an Oscar and a Golden Globe for Best Supporting Actress. During the '60s, she took her talents back to the stage and got married, but she did appear in the films Carnal Knowledge with Jack Nicholson and Popi with Alan Arkin. As a mother during the '70s, she turned to television and got involved with the PBS children's series The Electric Company, which led to a Grammy award for her recording contribution to the soundtrack album. She also won Emmy awards for her work on The Rockford Files and The Muppet Show. Meanwhile, she reprised her Tony-winning Broadway role of entertainer Googie Gomez for the 1976 film version of The Ritz. In the '80s, she appeared in the TV sitcom 9 to 5, the detective series B.L. Stryker, and several made-for-TV movies. In the '90s, she provided the voice for the title character in the PBS educational program Where on Earth Is Carmen Sandiego? She started making features again, taking supporting roles in independent comedy dramas, including Slums of Beverly Hills. In 1997, she turned to confrontational drama as Sister Peter Marie Reimondo on the HBO prison drama Oz. Since 2000, she has been a leading advocate of osteoporosis awareness and has appeared in the John Sayles ensemble feature Casa de los Babys in 2003.In 2007, Moreno appeared in a cameo role on the hit series Ugly Betty, playing the title character's aunt. Later that same year, she joined the cast of the drama series Cane, a show about a Latin family and their trials and tribulations running a family owned business. In 2011 she was cast as one of the leads on the sitcom Happily Divorced alongside Fran Drescher.

Trivia: Born in New York City while his father Noah Beery Sr. was appearing on-stage, Noah Beery Jr. was given his lifelong nickname, "Pidge," by Josie Cohan, sister of George M. Cohan "I was born in the business," Pidge Beery observed some 63 years later. "I couldn't have gotten out of it if I wanted to." In 1920, the younger Beery made his first screen appearance in Douglas Fairbanks' The Mark of Zorro (1920), which co-starred dad Noah as Sergeant Garcia. Thanks to a zoning mistake, Pidge attended the Hollywood School for Girls (his fellow "girls" included Doug Fairbanks Jr. and Jesse Lasky Jr.), then relocated with his family to a ranch in the San Fernando Valley, miles from Tinseltown. While some kids might have chafed at such isolation, Pidge loved the wide open spaces, and upon attaining manhood emulated his father by living as far away from Hollywood as possible. After attending military school, Pidge pursued film acting in earnest, appearing mostly in serials and Westerns, sometimes as the hero, but usually as the hero's bucolic sidekick. His more notable screen credits of the 1930s and '40s include Of Mice and Men (1939), Only Angels Have Wings (again 1939, this time as the obligatory doomed-from-the-start airplane pilot), Sergeant York (1941), We've Never Been Licked (1943), and Red River (1948). He also starred in a group of rustic 45-minute comedies produced by Hal Roach in the early '40s, and was featured in several popular B-Western series; one of these starred Buck Jones, whose daughter Maxine became Pidge's first wife. Perhaps out of a sense of self-preservation, Beery appeared with his camera-hogging uncle Wallace Beery only once, in 1940's 20 Mule Team. Children of the 1950s will remember Pidge as Joey the Clown on the weekly TV series Circus Boy (1956), while the more TV-addicted may recall Beery's obscure syndicated travelogue series, co-starring himself and his sons. The 1960s found Pidge featured in such A-list films as Inherit the Wind (1960) and as a regular on the series Riverboat and Hondo. He kicked off the 1970s in the role of Michael J. Pollard's dad (there was a resemblance) in Little Fauss and Big Halsey. Though Beery was first choice for the part of James Garner's father on the TV detective series The Rockford Files, Pidge was committed to the 1973 James Franciscus starrer Doc Elliot, so the Rockford producers went with actor Robert Donley in the pilot episode. By the time The Rockford Files was picked up on a weekly basis, Doc Elliot had tanked, thus Donley was dropped in favor of Beery, who stayed with the role until the series' cancellation in 1978. Pidge's weekly-TV manifest in the 1980s included Quest (1981) and The Yellow Rose (1983). After a brief illness, Noah Beery Jr. died at his Tehachapi, CA, ranch at the age of 81.

Trivia: American actor Richard Crenna started out as a radio performer at age 11, demonstrating an astonishing range for one so young. The momentum of his career was unaffected by an army hitch and time spent earning an English degree at the University of Southern California. But even though he was by then in his twenties, Crenna found himself still playing adolescents, notably squeaky-voiced high schooler Walter Denton on the radio comedy Our Miss Brooks. That he was able to play characters of virtually any age was overlooked by movie and TV casting directors, who could see Crenna only in callow-juvenile roles. After making an excellent impression as ballplayer Daffy Dean in the 1953 film Pride of St. Louis, for example, Crenna wasn't cast in another film until the 1955 movie version of Our Miss Brooks--in which, at 29, he was Walter Denton once more. The following year, Crenna decided "to sorta let Walter Denton die," and took a decidedly mature role in the sleazy exploitation film Over-Exposed (1956). It was a fully grown Crenna who took on the role of Luke McCoy on the Walter Brennan TV series The Real McCoys, which ran from 1957 through 1963 and which gave Crenna his first opportunities as a director. After McCoys, Crenna found himself facing potential career standstill again, since it seemed that now he was typed as the rubeish Luke McCoy. This time, however, the actor had impressed enough producers with his dogged work ethic and the range displayed in guest-star appearances. In 1964, Crenna was cast in a prestigious TV drama For the People as assistant DA David Koster, and though the program lasted only one season, Crenna was firmly established as a compelling dramatic actor. Still, and despite solid Richard Crenna film performances in The Sand Pebbles (1966), Body Heat (1981) and The Flamingo Kid (1985), the actor has never completely escaped the spectre of Walter Denton. Crenna was able to conjure up the old adenoidal Denton voice on talk shows of the 1980s and 1990s, and in the action-film spoof Hot Shots: Part Deux, the actor, with an absolute straight face, portrayed Colonel Denton Walters!