Trivia: It is hardly necessary to enumerate the accomplishments, patriotic services, charitable donations, awards, medals, and honorariums pertaining to Bob Hope, a man for whom the word "legend" seems somehow inadequate. Never mind that he was born in England; the entertainer unquestionably became an American institution.Hope's father was a stonemason and his mother a one-time concert singer; when he was two, his parents moved him and his brothers to Cleveland, where relatives awaited. Since everyone in the Hope clan was expected to contribute to the family's income, he took on several part-time jobs early in life. One of these was as a concessionaire at Cleveland's Luna Park, where Hope had his first taste of show business by winning a Charlie Chaplin imitation contest. (He later claimed he'd gotten his brothers to strong-arm all the neighborhood kids to vote for him). At 16, Hope entered the work force full-time as a shoe salesman for a department store, then as a stock boy for an auto company. At night, he and a friend picked up spare change singing at local restaurants and saloons, and, for a brief time, he was an amateur boxer, calling himself "Packy East." Picking up dancing tips from older vaudevillians, Hope decided to devote himself to a show business career, first in partnership with his girlfriend Mildred Rosequist, then with a pal named Lloyd Durbin. Comedian Fatty Arbuckle, headlining a touring revue, caught Hope and Durbin's comedy/dancing act and helped the boys get better bookings. Following the accidental death of Durbin, Hope found another partner, George Byrne, with whom he developed a blackface act. After several career reversals, Hope and Byrne were about to pack it in when they were hired to emcee Marshall Walker's Whiz Bang review in New Castle, PA. As the more loquacious member of the team, Hope went out on-stage as a single and got excellent response for his seemingly ad-libbed wisecracks. It was in this and subsequent vaudeville appearances that Hope learned how to handle tough audiences by having the guts to wait on-stage until everyone in the crowd had gotten his jokes; he was still using this technique seven decades later. Dropping his blackface makeup and cannibalizing every college humor magazine he could get his hands on, Hope took on yet another partner (Louise Troxell) in 1928 and started getting choice vaudeville bookings on the Keith Circuit. A year later, he was given a movie screen test, but was told his ski-slope nose didn't photograph well. With material from legendary gagster Al Boasberg, Hope appeared as a single in The Antics of 1931, which led to a better theatrical gig with Ballyhoo of 1932, in which he was encouraged to ad-lib to his heart's content. He then went back to vaudeville and squeezed in his first radio appearance in 1933 before being hired as the comedy second lead in an important Jerome Kern Broadway musical, Roberta. During the long run of this hit, Hope met and married nightclub singer Dolores Reade, who became still another of his on-stage partners when the play closed and Hope yet again returned to vaudeville. He scored a major success in Ziegfeld Follies of 1936, which spotlighted his talent for sketch comedy, and then co-starred with Ethel Merman and Jimmy Durante in Red, Hot and Blue. In 1937, he was brought to Hollywood for Paramount's The Big Broadcast of 1938, in which he duetted with Shirley Ross in the Oscar-winning song "Thanks for the Memory," which became his signature theme from then on. Hope's first few years at Paramount found him appearing in relatively sedate comedy leads, but with The Cat and the Canary (1939) he solidified his screen persona as the would-be great lover and "brave coward" who hides his insecurities with constant wisecracking. In 1940, Hope was teamed with Bing Crosby and Dorothy Lamour for Road to Singapore, the first of the still-uproarious "Road" series that featured everything from in-jokes about Bob and Bing's private lives to talking camels. While continuing to make money at the box office, Hope was also starring in his long running NBC radio program, which was distinguished by its sharp topical humor and censor-baiting risqué material. But it was not so much his show business earnings as his profitable real estate deals and holdings that formed the basis of Hope's immense personal fortune. In the midst of all his media clowning during World War II, Hope worked tirelessly as a U.S.O. entertainer for troops in the U.S. and abroad -- so much so that he was unable to make any films at all in 1944. In 1950, Hope inaugurated a long-term television contract with NBC, which resulted in more than 40 years worth of periodic specials that never failed to sweep the ratings. He also later hosted (and occasionally starred in) an Emmy-winning '60s anthology series, Bob Hope Presents The Chrysler Theatre. With his film box-office receipts flagging in the early '50s (audiences didn't quite buy the idea of a 50-year-old man playing a 30-ish girl chaser), Hope took the advice of writer/directors Norman Panama and Melvin Frank and attempted a dramatic film role as Eddie Foy Sr. in The Seven Little Foys (1955). He succeeded in both pulling off the character and in packing a relatively maudlin script with humanity and humor. Hope's last "straight" film part was as New York City Mayor Jimmy Walker in Beau James (1957), in which he again acquitted himself quite nicely. Having long taken a percentage of profits on his Paramount releases, Hope became his own producer in 1957, which at first resulted in such fine pictures as Alias Jesse James (1959) and The Facts of Life (1960, with frequent co-star Lucille Ball). But the quality of Hope's films took a depressing downward spiral in the '60s, and even hard-core Hope fans were hard-pressed to suffer though such dogs as Boy, Did I Get a Wrong Number! (1966) and The Private Navy of Sgt. O'Farrell (1968). It has been theorized that Hope was too wealthy and much too busy with a multitude of other projects to care about the sorry state of his films. Besides, even the worst of the Hope pictures posted a profit, which to him evidently meant more than whether or not the films were any good. His last feature film appearance was a 1985 cameo in Spies Like Us, a spoof of the road pictures he made with Crosby. In 1991, he again traveled overseas to entertain U.S. troops -- this time in Saudi Arabia during the first Gulf War. Though Hope's only onscreen appearances through the remainder of the decade would prove archival in origin, generations of fans would later show their appreciation for his enduring career in the 2003 television special 100 Years of Hope and Humor. Hope proved too frail to attend the celebration in person, though his friends and family assured the public that the star was indeed overwhelmed at the outpouring of public affection.On Sunday, July 27, 2003, the world lost one of its most beloved comic talents when Bob Hope died of pneumonia in Taluca Lake, CA. He was 100.

Trivia: Junoesque Swedish leading lady Anita Ekberg got her start in the U.S., where she was elected "Miss Sweden" in the Miss Universe pageant. Along with other Miss Universe contestants, Ekberg played an Amazonian extraterrestrial in 1953's Abbott and Costello Go to Mars. She also displayed her obvious attributes in such Technicolor shows as Artists and Models (1956) and Hollywood or Bust (1957), and proved an apt foil for the leering one-liners of Bob "Cherchez la Femme" Hope in Paris Holiday (1957) and Call Me Bwana (1963). Though never taken completely seriously as an actress, Ekberg was given better opportunities to emote in the Italian films of Federico Fellini, notably as the principal "wish dream" in La Dolce Vita (1961). Anita Ekberg would repeat her La Dolce Vita role in Fellini's 1986 filmic autobiography Intervista. Ekberg retired from acting in 2002; she died in 2015 at age 83.

Trivia: Born Elizabeth Edith Enke, on April 16, 1927, in Kingston, PA, Edie Adams was a graduate of both the Juilliard School of Music and the Columbia School of Drama. She began her career in television, utilizing her singing and comedic talent as a regular on the popular Ernie Kovacs Show in the early '50s. Adams and Kovacs were married in 1955 and remained together until his death in 1962. Before appearing in films, she starred on Broadway in Wonderful Town (1953) and Li'l Abner (1956). Her first major film role was playing Miss Olsen in Billy Wilder's 1960 comedy The Apartment. The film work that followed cast Adams in mostly secondary roles that highlighted her talent for comedy and displayed her spirited presence. Other films include: Lover Come Back (1961), Call Me Bwana (1963), It's a Mad, Mad, Mad, Mad World (1963), Under the Yum Yum Tree (1963), Love With the Proper Stranger (1963), The Best Man (1964), Made in Paris, The Oscar (1966), The Honey Pot (1967), Up in Smoke (1978), and Raquet (1979). Adams also appeared in the documentary Kovacs in 1971. She spent her last few decades making periodic guest appearances on such television programs as Designing Women, Fantasy Island and The Love Boat, and died of pneumonia and cancer in 2008.

Trivia: Lantern-jawed, mustachioed, phlegmatic British actor Lionel Jeffries was trained at RADA following military service. In films from 1949, Jeffries hit his stride in the 1960s, playing a variety of ineffectual cops, bumbling bureaucrats, petty criminals and absent-minded professors. He was shown to best advantage in such films as Wrong Arm of the Law (1962) First Men in the Moon (1963) and Spy with a Cold Nose (1966). He was also adept at more sober-sided characterizations, such as the Marquis of Queensbury in The Trials of Oscar Wilde (1960). In 1971, Lionel Jeffries turned to directing with The Railway Children, the first of several efforts aimed at the family trade: his other directorial assignments in this vein included Baxter (1972) The Amazing Mr. Blunden (1972), The Water Babies (1978) and Wombling Free (1978). Jeffries died at age 83 in February 2010.

Trivia: British actor Percy Herbert was launched on a stage career through the auspices of theatrical legend Dame Sybil Thorndike. In his earliest screen appearances, Herbert specialized in talkative cockneys; as he grew older, the Bow-Bells dialect lapsed and he often as not was seen as a Scotsman or American. An ideal "military" type, Herbert was well cast in such films as The Baby and the Battleship (1955), Bridge on the River Kwai (1957), and, best of all, Tunes of Glory (1960). He was also a perennial in British-based horror and fantasy films, notably Curse of the Demon (1957), Enemy from Space (1957) and a brace of Harryhausen pictures, Mysterious Island (1961, as a hammy Confederate soldier) and One Million Years BC (1966). In 1967, Percy Herbert was seen as deputy McGregor on the 90-minute TV western Cimmaron Strip.

Trivia: Black character actor, onscreen from 1934.

Trivia: American character actor Robert Nichols appeared in numerous Hollywood and British films during the 1950s. He was particularly prolific during the 1950s. Nichols has also worked on stage and in television.

Trivia: Served for three years in the U.S. Coast Guard. Was named Athlete of the Decade (1960s) by the Associated Press. His favorite beverage---equal parts iced tea and lemonade, of which there are multiple alcoholic variations---is officially named for him. Won 61 times on the PGA Tour, including seven major titles, and 10 times on the PGA Champions (formerly Senior) Tour. Cofounded The Golf Channel in 1995 and served as its chairman. Received the Presidential Medal of Freedom in 2004.