Trivia: Though perhaps best-known internationally for playing tough-guy roles in Romper Stomper (1993), L.A. Confidential (1997), and Gladiator (2000), New Zealand-born actor Russell Crowe has proven himself equally capable of playing gentler roles in films such as Proof (1991) and The Sum of Us (1992). No matter what kind of characters he plays, Crowe's weather-beaten handsomeness and gruff charisma combine to make him constantly watchable: his one-time Hollywood mentor Sharon Stone has called him "the sexiest guy working in movies today."Born in Wellington, New Zealand, on April 7, 1964, Crowe was raised in Australia from the age of four. His parents made their living by catering movie shoots, and often brought Crowe with them to work; it was while hanging around the various sets that he developed a passion for acting. After making his professional debut in an episode of the television series Spyforce when he was six, Crowe took a 12-year break from professional acting, netting his next gig when he was 18. In film, he had his first major roles in such dramas as The Crossing (1990) and Jocelyn Moorhouse's widely praised Proof (1991) (for which he won an Australian Film Institute award). He then went on to gain international recognition for his intense, multi-layered portrayal of a Melbourne skinhead in Geoffrey Wright's controversial Romper Stomper (1992), winning another AFI award, as well as an Australian Film Critics award. It was Sharon Stone who helped bring Crowe to Hollywood to play a gunfighter-turned-preacher opposite her in Sam Raimi's The Quick and the Dead (1995). Though the film was not a huge box-office success, it did open Hollywood doors for Crowe, who subsequently split his time between the U.S. and Australia. In 1997, the actor had his largest success to date playing volatile cop Bud White in Curtis Hanson's L.A. Confidential (1997). Following the praise surrounding both the film and his performance in it, Crowe found himself working steadily in Hollywood, starring in two films released in 1999: Mystery, Alaska and The Insider. In the latter, he gave an Oscar-nominated lead performance as Jeffrey Wigand, a real-life tobacco industry employee whose personal life was dragged through the mud when he chose to blow the whistle on his former company's questionable business practices.In 2000, however, Crowe finally crossed over into the public's consciousness with, literally, a tour de force performance in Ridley Scott's glossy Roman epic Gladiator. The Dreamworks/Universal co-production was a major gamble from the outset, devoting more than 100 million dollars to an unfinished script (involving the efforts of at least half a dozen writers), an untested star (stepping into a role originally intended for Mel Gibson), and an all-but-dead genre (the sword-and-sandals adventure). Thanks to an aggressive marketing campaign and mostly positive notices, however, the public turned out in droves the first weekend of the film's release, and kept coming back long into the summer for Gladiator's potent blend of action, grandeur, and melodrama -- all anchored by Crowe's passionate man-of-few-words performance.Anticipation was high, then, for the actor's second 2000 showing, the hostage drama Proof of Life. Despite -- or perhaps because of -- the widely publicized affair between Crowe and his co-star Meg Ryan, the film failed to generate much heat during the holiday box-office season, and attention turned once again to the actor's star-making role some six months prior. In an Oscar year devoid of conventionally spectacular epics, Gladiator netted 12 nominations in February 2001, including one for its lead performer. While many wags viewed the film's eventual Best Picture victory as a fluke, the same could not be said for Crowe's Best Actor victory: nudging past such stiff competition as Tom Hanks and Ed Harris, Crowe finally nabbed a statue, affirming for Hollywood the talent that critics had first noticed almost ten years earlier.Crowe's 2001 role as real-life Nobel Prize-winning schizophrenic mathematician John Forbes Nash Jr. brought the actor back into the Oscar arena. The film vaulted past the 100-million-dollar mark as it took home Golden Globes for Best Picture, Supporting Actress, Screenplay, and Actor and racked up eight Oscar nominations, including a Best Actor nod for Crowe. The film cemented Crowe as a top-tier leading man, and he would spend the following years proving this again and again, with landmark roles in Master and Commander: The Far Side of the World, Cinderella Man, A Good Year, 3:10 to Yuma, Robin Hood, and State of Play.

Trivia: An actor whose remarkable versatility has often been described as chameleon-like, Kevin Spacey has made an art of portraying a gallery of morally ambiguous characters ranging from the mildly shady to the all-out murderous. His reputation as one of the best-respected actors of his generation was bolstered by an Oscar, a Tony, and an award as Best Actor of the Decade from England's Empire magazine in 1999.The son of a technical procedure writer and a secretary, Spacey was born in South Orange, NJ, on July 26, 1959. His family moved a great deal thanks to his father's job, eventually settling for a time in Los Angeles. It was there that Spacey -- who had previously done a stint at military school -- attended Chatsworth High School, where he was very active in the theater. After an attempt at standup comedy, Spacey went to Juilliard, though his time was cut short after his second year, when he decided to quit school and begin his career.He made his theatrical debut in 1981 with Shakespeare in the Park, performing alongside the likes of Mandy Patinkin and John Goodman. The actor continued to be a fixture on the theater scene throughout the decade, performing both on Broadway and in regional productions. It was through the theater that he got his first big break: While auditioning for a Tom Stoppard play, Spacey was approached by director Mike Nichols, who cast him in his production of David Rabe's Hurlyburly. The actor's work in the play led Nichols to cast him as a subway mugger in his 1986 Heartburn. Two years later, the director and actor worked together again in Working Girl, in which Spacey had a small but memorable role as a sleazy businessman.By this time, Spacey was starting to work steadily in film, although he maintained his stage work, winning a 1990 Tony Award for his role in the Broadway production of Lost in Yonkers. He also did a substantial amount of television work, appearing on the series Wiseguy as deranged criminal Mel Proffitt. Criminal or morally questionable activities were to figure largely in Spacey's subsequent portrayals: His first starring role in a film was as the husband of a murdered woman in the 1992 Consenting Adults. The same year, he won acclaim for his portrayal of a foul-mouthed, leech-like real estate agent in James Foley's screen adaptation of the David Mamet play, Glengarry Glen Ross. Spacey landed his next memorable film role as yet another foul-mouthed jerk in the 1994 Swimming With Sharks, which he also co-produced. He was nominated for an Independent Spirit Award for his portrayal of an abusive studio executive, and he gained further recognition the same year for his entirely different role in The Ref, in which he played one half of a constantly arguing married couple. However, it was with his performance in the following year's The Usual Suspects that Spacey fully stepped into the spotlight. As the enigmatic, garrulous "Verbal" Kint, Spacey was one of the more celebrated aspects of the critically lauded sleeper hit, winning a Best Supporting Actor Oscar for his work. The actor won additional acclaim the same year for his role as a serial killer in the stylish and unrelentingly creepy thriller Seven. Spacey went on to make his directorial debut the following year with Albino Alligator. A New Orleans-based crime drama starring Matt Dillon, Faye Dunaway, and Gary Sinise, the film won some positive reviews, though it made little impact at the box office. In addition to directing, Spacey kept busy with acting, appearing the same year in A Time to Kill and Al Pacino's documentary Looking for Richard. The actor went on to star in Clint Eastwood's highly anticipated 1997 adaptation of John Berendt's Midnight in the Garden of Good and Evil and then had a sizable role in the big-budget The Negotiator in 1998. The same year, he also lent his voice to the computer-animated A Bug's Life and starred in the screen adaptation of Hurlyburly. While doing steady film work, Spacey also continued to appear on the stage, winning raves for his performance in an adaptation of Eugene O'Neill's The Iceman Cometh, first on the London stage in 1998, and then on Broadway the following year. Also in 1999, Spacey won an Academy Award as Best Actor for American Beauty, director Sam Mendes' dark comedy about a man experiencing a mid-life crisis. Following up Beauty with starring roles in The Big Kahuna and Ordinary Decent Criminal, Spacey would later appear as a mental patient who claims to be from a distant planet in K-PAX. K-Pax proved to be a minor flop, as did the actor's other major film in 2001, Lasse Hallstrom's adaptation of The Shipping News. Although Spacey drew positive notices for his portrayal of a man trying to start a new life in Newfoundland, the film, which also starred Julianne Moore, Cate Blanchett, and Judi Dench, quickly sank at the box office and received only a lukewarm reception from critics.Spacey maintained a busy schedule throughout 2003, appearing in three disparate projects that reflected his extraordinary versatility. Besides cropping up as himself in the third Austin Powers outing, Austin Powers: Goldmember, he played the title character of The Life of David Gale, the story of a University of Texas professor whose anti-capital punishment stance assumes very personal meaning when he is convicted of rape and murder and lands on death row; the picture received a critical drubbing and faded quickly from view. That year, Spacey also starred in The United States of Leland, playing the father of a fifteen-year-old (Ryan Gosling) who murders an autistic child.2004 marked a key year for Spacey. The actor -- who had dreamed of portraying crooner Bobby Darin since childhood, and spent years striving to produce a biopic of the late singer through his production house, Trigger Horse Productions, ultimately realized that goal in December '04. In addition to starring Spacey as Darin, the biopic, entitled Beyond the Sea, enlisted Kate Bosworth as Sandra Dee, John Goodman as Steve Blauner, and Brenda Blethyn as Polly Cassotto. Beyond earned a decidedly mixed critical reception.In 2005, Spacey cut back on his acting schedule and devoted more attention to his role as artistic director of the legendary Old Vic Theatre in London -- a position he had assumed in 2003, under ten-year contract. In a Charlie Rose appearance c. 2005, the actor openly discussed his desire to use his position to revive a series of theatrical classics and reestablish The Vic as one of the world's premier stage venues. Unfortunately, Spacey's work here also earned some derision; under his aegis, The Vic mounted Arthur Miller's Resurrection Blues in May 2006 - an effort helmed by Robert Altman - and it drew vicious critical pans, one from a reviewer who demanded that Spacey resign. Although Spacey listened to the complaints about the Altman effort, (shelving the production during the theater's busy summer tourist season), he vowed to continue his efforts at the Vic unabated.Summer 2006 also saw the actor appearing in the highly anticipated big-budget extravaganza Superman Returns, playing Lex Luthor to Brandon Routh's Superman/Clark Kent and Kate Bosworth's Lois Lane. With a powerhouse supporting cast that includes Frank Langella (Good Night, and Good Luck.), and Eva Marie Saint (North by Northwest), the picture predictably opened up to spectacular box office (becoming one of summer's top grossers) and enthusiastic critical notices. Those who did criticize the film singled out Spacey's interpretation of the Luthor role.About a month prior to the Superman debut, Spacey signed with Warner Brothers to co-star in Joe Claus (originally titled Fred Claus), a Christmas comedy that reteamed Wedding Crashers director David Dobkin with funnyman Vince Vaughn, and enlisted Paul Giamatti (American Splendor, Sideways) as a co-star. Additional roles in the years that followed further reflected Spacey's penchant for the offbeat, such as his portrayal of an envious military man caught up in psychic phenomena in the satire The Men Who Stare at Goats (2009), corrupt lobbyist Jack Abramoff in the acerbic comedy Casino Jack (2010) and a sadistic boss with a taste for humiliation in Horrible Bosses (2011). Meanwhile, at about the same time, Spacey took on the role of one of Shakespeare's most iconic villains in the Old Vic's production of Richard III - for which he earned considerable critical praise. In 2013, Spacey returned to television on Netflix's House of Cards, playing ruthless congressman Frank Underwood, earning Spacey nominations from the Emmys, SAGs and Golden Globes. In 2015, he earned both a Special Olivier Award for his work as the artistic director of the Bristol Old Vic, and was awarded an honorary knighthood from Queen Elizabeth II (though, as he's not a British or Commonwealth citizen, he's not entitled to be called "Sir.")

Trivia: With classic, square-jawed good looks, Australian actor Guy Pearce brings to mind the leading men of Hollywood's Golden Age; however, the actor is a thoroughly modern one, using his talents to play characters ranging from flamboyant drag queens to straight-arrow Los Angeles policemen. Pearce was born October 5, 1967, in Cambridgeshire, England. His father, who was a member of the Royal Air Force, moved his family to Australia when Pearce was three. Following the elder Pearce's tragic death in a plane crash, Pearce's mother decided to keep her family in Australia when young Pearce was eight, and it was there that he grew up. Interested in acting from a young age, he wrote to various members of the Australian television industry requesting a screen test when he was 17. His efforts proved worthwhile, as he was invited to audition for a new soap called Neighbours. Pearce won a significant part on the show and was part of it from 1986 to 1990. Following his stint on Neighbours, Pearce found other work in television and made his screen debut in the 1992 film Hunting. He acted in a few more small films and in My Forgotten Man, a 1993 TV biopic of Errol Flynn, before coming to the attention of film audiences everywhere in the 1994 sleeper hit The Adventures of Priscilla, Queen of the Desert. As the flamboyant and often infuriating Adam/Felicia, Pearce gave a performance that was both over the top and immensely satisfying. The role gave him the international exposure he had previously lacked and led to his casting in Curtis Hanson's 1997 adaptation of James Ellroy's L.A. Confidential. The film was an all-around success and drew raves for Pearce and his co-stars, who included Kevin Spacey, Danny DeVito, Kim Basinger (who won a Best Supporting Actress Oscar for her performance) and fellow Australian Russell Crowe.After the success of L.A. Confidential, Pearce went on to make the independent A Slipping Down Life, which premiered at Sundance in 1999. He followed that with the highly original but fatally unmarketable Ravenous (1999), Antonia Bird's tale of chaos and cannibalism which cast Pearce alongside the likes of David Arquette and Robert Carlyle. Though his role in the following year's military drama Rules of Engagement would offer a commendable performance by the rising star, it was another film that same year that would cement his status as one of the most challenging and unpredictable performers of his generation. Cast as a vengeance seeking, tattoo-covered widower whose inability to form new memories hinders his frantic search for his wife's killer, Pearce's unforgettable performance in the backwards-structured thriller Memento drove what would ultimately become one of the biggest sleepers in box office history. Pearce was now officially hot property on the Hollywood scene, and producers wasted no time in booking him for as many upcoming blockbusters as they could. A memorable performance as the villain in The Count of Monte Cristo found Pearce traveling back in time for his next film, and his subsequent role in The Time Machine would find him blasting so far into the future that mankind had reverted to the days of prehistoric times. A trip to the land down under found Pearce next appearing as a hapless bank robber in the critically panned crime effort The Hard Word, and the popular actor would remain in Australia for the elliptical drama Till Human Voices Wake Us (2002). In 2004, Pearce played a lion hunter in the family-oriented epic Two Brothers.Yet despite his increasing prominence as an international movie star, Pearce continued to display a flair for unusual, often demanding roles that would send lesser actors running. His performance as an outlaw tasked with killing his own brother in John Hillcoat's The Proposition earned Pearce a well-deserved AFI nomination for Best Lead Actor in 2005 (an honor he would share with his co-star Ray Winstone, though the award ultimately went to Hugo Weaving for Little Fish), and on the heels of an appearance as Andy Warhol in George Hickenlooper's Factory Girl he could be seen as famed magician Harry Houdini in Gillian Armstrong's Death Defying Acts -- a role which found a second AFI award slipping though his fingers. Though Pearce's turn as a military man in 2008's The Hurt Locker found him in fine form, it was Jeremy Renner who stole the show in Katherine Bigelow's multiple Oscar-winner and, curiously enough, the actor's next AFI nomination would come from his appearance in the Adam Sandler fantasy/comedy Bedtime Stories. A brief reunion with Hillcoat in The Road preceded a grim turn as a grieving father in the harrowing 2009 true crime drama In Her Skin, and in 2010 Pearce lost yet another AFI award to a talented co-star when Joel Edgarton took home the Best Supporting Actor award for his memorable performance in Animal Kingdom (which found Pearce cast in the role of an honest cop reaching out to a troubled youth). As if to balance out all of the awards disappointment in recent years, Pearce nabbed an Emmy for his performance opposite Kate Winslet in the made-for-cable drama Mildred Pierce following a brief appearance as KIng Edward VIII in the Oscar-winning historical drama The King's Speech, with additional roles in Don't Be Afraid of the Dark and Lockout proving that respected actors can still have a bit of fun on the big screen from time to time. Meanwhile, after an almost unrecognizable appearance in Ridley Scott's quasi-Alien prequel Prometheus, Pearce prepared to team up with his frequent collaborator Hillcoat once again, this time as a special agent determined to get his piece of the bootlegging pie in Lawless, which also starred Tom Hardy and Shia LeBeouf. He played the main antagonist, Aldrich Killian, in Iron Man 3, and earned an AACTA nomination for Best Lead Actor for his work in the dystopian film The Rover (2014).

Trivia: Long-time character actor James Cromwell has spent much of his career on stage and television, only occasionally appearing in feature films until the early '90s, when his film work began to flourish. The tall, spare actor first became known to an international audience with his role as the taciturn but kindly Farmer Hoggett, the owner of a piglet that wants to be a sheepdog, in the smash hit Babe (1995). His work in the film earned Cromwell an Oscar nomination for Best Supporting Actor, as well as numerous opportunities for steady work in Hollywood.The son of noted director John Cromwell and actress Kay Johnson, he originally aspired to become a mechanical engineer, attending both Vermont's Middlebury College and the Carnegie Institute of Technology (now Carnegie Mellon University). But after a summer spent on a movie set with his father, the acting bug bit, and Cromwell decided to become an actor. He started out in regional theater, acting and directing in a variety productions for ten years, and he was a regular performer at the Mark Taper Forum in Los Angeles. Cromwell made his television debut in the recurring role of "Stretch" Cunningham on All in the Family in 1974, and he subsequently spent the rest of the decade and much of the 1980s on television, as a regular on such shows as Hot L Baltimore and The Last Precinct. Cromwell also appeared in such miniseries as NBC's Once an Eagle and in such made-for-television movies as A Christmas Without Snow (1980). Cromwell made his feature film debut in the comedy Murder By Death (1976). His film work was largely undistinguished until Babe; following the film's success, he began appearing in more substantial roles in a number of popular films, including The People Vs. Larry Flynt (1996), in which he played Charles Keating; Star Trek: First Contact (1996), which cast him as the reluctant scientist responsible for Earth's first contact with alien life forms; and L.A. Confidential (1997), in which he gave a marvelously loathsome performance as a crooked police captain. Adept at playing nice guys and bottom-dwelling scum alike, Cromwell next earned strong notices for his portrayal of a penitentiary warden in The Green Mile (1999).The respected character actor continued strongly into the next decade with appearances in Clint Eastwood's Space Cowboys as well as the live-on-TV production of Fail Safe in 2000. He enjoyed a recurring role on E.R. in 2001. He played the president in the 2002 Jack Ryan movie The Sum of All Fears. In 2003 he took on a recurring role in the respected HBO drama Six Feet Under, and also appeared in the award-winning HBO adaptation of Angels in America. In 2006 he acted opposite Helen Mirren playing Prince Philip in The Queen, and played another head of state for Oliver Stone when he portrayed George Herbert Walker Bush in the biopic W. In 2011 he was the loyal butler to the main character in the Best Picture Oscar winner for that year, The Artist.

Trivia: One of the more underrated actors in Hollywood, tall, soft-spoken David Straithairn has earned almost consistent critical appreciation for his work in a number of films, most notably his many collaborations with director John Sayles. Born in San Francisco on January 26, 1949, Straithairn gained an entrance into acting via his days at Williams College. It was there that he met fellow student Sayles, and the two had their first collaboration with Return of the Seacaucus Seven. The 1980 film, which told the story of a group of friends reuniting after college, inspired a number of similar efforts, including The Big Chill. Following his debut, the actor -- whose additional performing experience came from his training at the Ringling Brothers Clown College -- appeared in supporting roles in a number of films, including Silkwood (1983) and Dominick and Eugene (1988). He continued to collaborate with Sayles, acting in The Brother From Another Planet (1984), Matewan, (1987), and Eight Men Out (1988). Straithairn was also introduced to television audiences with his role as bookstore owner Moss Goodman on the popular dramedy series Days and Nights of Molly Dodd.In the 1990s, Straithairn had prominent roles in a number of critically acclaimed films and television miniseries. In addition to his continuing work with Sayles, in 1991's City of Hope and Passion Fish (1992), the actor lent his talents to such films as Bob Roberts (1992), Sneakers (also 1992), The River Wild (a 1994 film which reunited him with Silkwood co-star Meryl Streep), and Losing Isaiah (1995). He also appeared in miniseries such as the 1991 O Pioneers! and In the Gloaming (1997), in which he played the father of an AIDS-stricken Robert Sean Leonard. In 1997, Straithairn had a memorable turn as a high-class pimp with a dodgy mustache in the wildly lauded L.A. Confidential and after a supporting role in Simon Birch (1998), once again collaborated with Sayles, this time playing a fisherman with a past in the 1999 Limbo. He remained one of the most respected character actors of his generation appearing as the father in the remake of The Miracle Worker, and starring in the drama Blue Car as a manipulative teacher. In 2005 he garnered an Oscar nomination and the biggest high-profile success of his career playing Edward R. Murrow in George Clooney's Good Night, and Good Luck. He followed up that success with appearances in such films as We Are Marshall, The Bourne Ultimatum, Howl, and Temple Grandin. In 2012 he was cast in Steven Spielberg's long-planned biopic Lincoln as William Seward.

Trivia: Kim Basinger was hardly the first successful model to head to Hollywood in hopes of a career on the big screen, but few have managed to achieve the same degree of public acclaim and professional recognition that she has earned. Born in Athens, GA, on December 8, 1953, Kim Basinger was raised in a family of entertainers; her father had been a jazz musician and her mother a dancer who was part of the "water ballet" chorus in a handful of Esther Williams musicals. Basinger's parents enrolled her in dance classes at an early age to help her overcome a strong case of shyness; in time, she discovered she enjoyed both dancing and singing, and began contemplating a career in show business. She began competing in beauty contests as a teenager, and won the Junior Miss Georgia pageant, which took her to the national competition in New York City. By this time a striking and statuesque blonde beauty, Basinger was spotted by a representative of the prestigious Ford Modeling Agency and offered a contract; while she had hoped to make her mark as a cabaret singer, she wisely decided moving to the Big Apple was a step in the right direction. Before long, Basinger was earning 1,000 dollars per day through modeling jobs, and had signed on as the Breck Shampoo girl; in her spare time, she studied acting and picked up occasional singing gigs.In 1976, Basinger decided to take a more serious stab at acting, and moved to Los Angeles. Within a year, she made her television debut as a female police detective in the pilot for a short-lived crime drama entitled Dog and Cat; in 1978, she landed the starring role in the made-for-TV movie Katie: Portrait of a Centerfold, appropriately playing a beautiful Southern girl who comes to Los Angeles in search of stardom. After being cast as Lorene Rogers in a TV remake of From Here to Eternity (a role she reprised in a subsequent series based upon the film), Basinger finally made her way to the big screen in the low-budget drama Hard Country. But while it (and Basinger) received good reviews, her screen career didn't take off in a big way until 1983, when she was cast opposite Sean Connery in the James Bond adventure Never Say Never Again. She also posed for a well-publicized layout in Playboy which, coinciding with the film's release, certainly didn't hurt her growing popularity.While Basinger's career took off after Never Say Never Again, and she appeared in several major hits (including The Natural, 9 1/2 Weeks, and Batman, the latter of which led to a brief romance with pop star Prince), quality roles tended to elude her. But she generally fared well with the material given to her, and shined in several smaller films, including Fool for Love and Nadine. In 1991, Basinger was cast opposite Alec Baldwin in the comedy The Marrying Man, and the two hit it off -- so much so that some accused their romance of interfering with the production. The couple rode out the negative publicity, however, and married in 1993. (It was Basinger's second marriage after divorcing Ron Britton in 1989.)The next several years were difficult for Basinger. Her decision to not appear in the film Boxing Helena after verbally committing to the project led to her being sued by the film's producers, who won an eight-million-dollar judgment against her. Although the ruling was eventually overturned on appeal, legal bills forced Basinger to declare bankruptcy. And after several undistinguished projects, the actress went three years without working, during which she and Baldwin had a child. However, Basinger's 1997 comeback in L.A. Confidential suggested her time away had been well spent; playing a high-priced call girl with a close resemblance to Veronica Lake, Basinger's assured performance won her an Oscar as best supporting actress. This triumph was followed by another three-year sabbatical, which was followed by her divorce from Baldwin and a pair of box-office flops, I Dreamed of Africa and Bless the Child. In 2002, Basinger re-teamed with L.A. Confidential director Curtis Hanson, and won rave reviews for her gritty performance as a troubled single mother in the acclaimed urban drama 8 Mile. A committed vegetarian, Basinger also became an outspoken animal-rights activist In her offscreen life during the '90s.In 2001 she had a very public and ugly divorce from Alec Baldwin, but her career continued with appearances in the well-reviewed drama The Door in the Floor the thriller Cellular in 2004, and the horror film While She Was Out as well as the Bret Easton Ellis adaptation The Informers in 2008.

Trivia: Perhaps no Hollywood actor continually stirs up more of a gleeful admixture of feelings in his viewers than Danny DeVito. Singlehandedly portraying characters with mile-long, obnoxious jerk streaks that are nonetheless somehow loveable, DeVito -- with his diminutive stature, balding head, and broad Jersey accent -- made an art form out of playing endearingly loathsome little men.Born November 17, 1944, in Neptune, NJ, Daniel Michael DeVito Jr. survived a Catholic school upbringing and started his career from the ground up, laboring as a cosmetician in his sister's beauty parlor. Working under the name "Mr. Danny," DeVito decided to enter New York's American Academy of Dramatic Arts for the purpose of acquiring additional makeup expertise. However, he soon discovered his true theatrical calling and made his screen debut with a small part in the 1968 drama Dreams of Glass. After a few discouraging experiences within the film industry, DeVito decided to concentrate on stage work. During this time, he met actress Rhea Perlman, whom he later married in 1982. In 1972, the actor made his way back into films with a role in Lady Liberty, a comedy starring Sophia Loren. His first notable film part came three years later, when he reprised his stage role of Martini, a sweet-natured mental patient, in Milos Forman's screen version of One Flew Over the Cuckoo's Nest. Produced by DeVito's old friend Michael Douglas and co-scripted by Lawrence Hauben and Bo Goldman, the film won wide acclaim and nine Oscar nominations, eventually gleaning five statuettes (including Best Picture). Despite the adulation surrounding the film, DeVito's screen career remained lackluster, but he skyrocketed to fame three years later with his role as the obnoxious dispatcher Louie on the long-running television sitcom Taxi. From there, DeVito's career swung upward and he spent the next decade playing similarly repugnant characters with enormous success. He reunited with Douglas for Romancing the Stone (1984) and its 1985 sequel, Jewel of the Nile, teamed up with co-star Joe Piscopo and director Brian De Palma (as a scam artist on the run) in Wise Guys (1986), and signed with Disney's R-rated offshoot, Touchstone, for two comedies, the 1986 Ruthless People, and the 1987 Barry Levinson-directed Tin Men.Throw Momma from the Train (1987) marked DeVito's premier directorial outing. A madcap farce directed from a script by Benson and Soap scribe Stu Silver, Momma cast DeVito as Owen, a dim-bulb student living under the thumb of his loudmouthed mother, who is enrolled in a writing course taught by failing novelist Larry Donner (Billy Crystal). Stumbling into a repertory screening of Strangers on a Train one night, Owen has the not-so-bright idea of emulating the film, by bumping off Larry's conniving ex-wife in exchange for having Larry rub out his momma -- without asking Larry first.Throw Momma from the Train opened during the Christmas season of December 1987 and received mixed reviews. The picture nonetheless became a massive hit, grossing upwards of 57 million dollars, and thus paving the way for future DeVito-directed efforts. The War of the Roses (1989) recast DeVito with his Romancing the Stone and Jewel of the Nile co-stars, Michael Douglas and Kathleen Turner, but could not have been any more different in terms of theme, content, tone, or intended audience. Co-adapted by Warren Adler and Michael Leeson (from Adler's novel), this acerbic, black-as-coal comedy tells the story of Oliver and Barbara Rose, a seemingly happy and well-adjusted married couple whose nuptials descend into a violent hell when Barbara announces that she wants a divorce -- and Oliver refuses to give her one. DeVito plays the cherubic lawyer who relays their story to another client, and famously reflects, "If love is blind, then marriage must be like having a stroke." The picture instantly grossed dollar one, garnered legions of fans, and delighted critics across the board.Ida Random produced Momma, and DeVito's Taxi collaborator, James L. Brooks, produced War, but by the early '90s, DeVito gained additional autonomy by branching out into production duties himself, with the establishment of his own Jersey Films. Some of Jersey's more successful endeavors were 1994's Pulp Fiction (on which DeVito served as executive producer), Reality Bites (1994), Get Shorty (1995), Gattaca (1997), Out of Sight (1998), and Living Out Loud (1998). In the meantime, DeVito continued to act in a number of movies throughout the late '80s and '90s, his most notable being Twins (1988, in which he played the "twin" of Arnold Schwarzenegger), the disappointing Jack the Bear (1993), the delightful Other People's Money (1991, for which he took on the role of corporate monster Larry the Liquidator), Barry Sonnenfeld's Get Shorty, the screen adaptation of Roald Dahl's Matilda (1996, which he also directed and produced), L.A. Confidential (1997), and Living Out Loud. For the last of these DeVito won particular acclaim, impressing critics with his touching, sympathetic portrayal of a lonely elevator operator. In 1999, he added to his already impressive resumé with a role in Milos Forman's biopic of Taxi co-star Andy Kaufman, Man on the Moon, and a supporting turn in Sofia Coppola's The Virgin Suicides.Despite solid performances in a series of recent high-profile hits and decades of big-screen success, the millennial turnover found DeVito's star somewhat clouded as such efforts as Screwed (2000), What's the Worst That Could Happen? (2001), Death to Smoochy (2002), and Duplex (2003) failed to live up to box-office potential. DeVito fared only slightly better as producer of the critically acclaimed 2003 television series Karen Sisco and the ugly Get Shorty sequel, Be Cool. He also acted as executive producer for the acclaimed Zach Braff dramedy Garden State and could be spotted in director Tim Burton's imaginative fable Big Fish. As 2005 rolled around, audiences could spot DeVito in films such as The OH in Ohio, as well as on television as the actor found himself accepting a role in the quirky, taboo-busting series It's Always Sunny in Philadelphia.During 2006, DeVito balanced a full plate of work, temporarily retiring from the director's chair, but juggling small roles in no less than three A-list features. These included Brad Silberling's 10 Items or Less, a drama about the unlikely friendship that evolves between a has-been Hollywood star (Morgan Freeman) and a supermarket checkout clerk (Paz Vega); Jake Paltrow's directorial debut, The Good Night, a slice-of-life dramedy starring Gwyneth Paltrow and Penélope Cruz; and the holiday comedy Deck the Halls. The latter starred DeVito and Matthew Broderick as neighbors who go to "war" with competing decorations at Christmastime to see who can be the first to make his house visible from space. The film co-starred Kristin Davis and Kristin Chenoweth. Meanwhile, Jersey Films geared up to produce the 2007 Freedom Writers, directed by Richard LaGravenese -- a kind of retread of Stand and Deliver and Dangerous Minds, with Hilary Swank as a teacher determined to break through to her difficult students. Also in 2007, DeVito starred in Randall Miller's violent black comedy Nobel Son, DeVito joined longtime friend and collaborator Michael Douglas with a supporting role in the 2009 Solitary Man, then in 2012 voiced Dr. Seuss's title character in the classic animated fable The Lorax. DeVito and Perlman have three children.

Trivia: Beckel is a supporting actor onscreen from the '70s.

Trivia: Fair-haired Australian actor Simon Baker (occasionally billed as Simon Baker-Denny, and not to be confused with the Native American performer of the same name) specialized in playing suave, cultured, and sophisticated types, with many assignments as a romantic lead. He debuted as a performer in his native country, with roles on such popular Oceanian series as E Street (1989), Heartbreak High (1994), and Naked (1995), but made the Hollywood leap opposite fellow Aussie import Russell Crowe with a small supporting role in the Curtis Hanson-directed post-noir blockbuster L.A. Confidential (1997). Taking the success of this as a cue, Baker then accepted a lead in the similar, albeit less-favorably received, outing Judas Kiss (1998). He starred opposite Val Kilmer and Carrie-Anne Moss in Red Planet (2000), and opposite Hilary Swank in The Affair of the Necklace (2001), but achieved far greater recognition and acclaim in the lead role on the CBS drama series The Guardian (2001-2004). He played Nick Fallin, a coke-addled attorney who finds redemption via child advocacy, until the series was canceled after three seasons. Successive projects included a turn in the big-budget horror sequel The Ring Two (2005); a role as Anne Hathaway's prospective suitor (whom she rejects in favor of her career) in David Frankel's The Devil Wears Prada (2006); and a part as one half of an interracial couple in Something New, opposite Sanaa Lathan. Meanwhile, at about the same time, Baker played Jeff Breen, a professional thief, on the short-lived CBS crime series Smith, starring Ray Liotta. In fall 2008, Baker headlined the new detective series The Mentalist, playing an investigator with razor-sharp obervational skills. He also took on the lead role -- as a parent who opens up a nasty Pandora's box when he searches for his missing daughter -- in director Dror Soref's supernatural horror outing Not Forgotten (2008). He earned an Emmy nomination in 2009 for his work on The Mentalist, and he appeared in the 2011financial drama Margin Call.

Trivia: Born on May 20, 1958, in Austin, TX, Matt McCoy would ultimately perform in over 40 different film and television roles from 1985 and throughout the 2000s. Though McCoy took on a few small roles with relative success in Fraternity Vacation (1985) and Weekend Warriors (1986), his most recognizable performance wouldn't come until 1988, when he starred as an intrepid yet bumbling police officer in Police Academy 5: Assignment Miami Beach (1988), a role which he would reprise in Police Academy 6: City Under Siege (1989). After the demise of the Police Academy franchise, McCoy went on to star in several television productions, including the acclaimed Miracle Landing (1990), an episode of Star Trek: The Next Generation, and a feature-length television "reunion" of the characters from the Archie comic book series. In the following years, the actor put in solid performances in several moderately well-received movies, perhaps the most notable of which being his role as the unwitting husband in Curtis Hanson's psychological thriller The Hand that Rocks the Cradle. In 1993, McCoy starred alongside Pamela Anderson in her film debut, the erotic drama Snapdragon. Though McCoy went on to play several lead roles, the films in which he appeared were generally too unremarkable to merit any significant critical or mainstream recognition. This would change somewhat after a tiny role in another one of Curtis Hanson's films -- the Oscar-winning police detective film L.A. Confidential (1997). While his L.A. Confidential performance did not help him land true movie-star status, it certainly helped his small-screen endeavors. In 1999, McCoy starred in an episode of the long-running cop drama NYPD Blue, and later that year took on the leading role in Imminent Danger, a made-for-television feature co-starring Connie Sellecca. Shortly afterward, McCoy donated his talents for a supporting role in Citizen Baines, a CBS political drama featuring James Cromwell. In 2003, McCoy could be seen in the ill-conceived crime comedy National Security along with Martin Lawrence.

Trivia: The son of an actor of the same name, Paul Guilfoyle has appeared in several major film productions, portraying a wide variety of supporting characters. He is a member of the prestigious Actor's Studio, as well as being a longtime resident of New York. He also has numerous stage credits to his name. However, the actor is best known for his role in the crime drama CSI: Crime Scene Investigation. He joined the show in its first season in 2000 as L.V.P.D Captain James "Jim" Brass, and continued to work on the show throughout the 2000s and early 2010s.

Trivia: New York native Ron Rifkin made his Broadway debut in the original 1960 production of Neil Simon's Come Blow Your Horn. He made his film debut in the chain-gang adventure film The Devil's 8 in 1969, followed by the sci-fi actioner Silent Running (1971). Rifkin was much more prolific on the stage throughout his career, in some cases leading to film adaptations (as in The Sunshine Boys [1975]). But he sure had a knack for showing up on television's most popular shows over a period of three decades. During the '70s, he appeared on Soap, The Bob Newhart Show, and Mary Tyler Moore. During the '80s, he appeared on Falcon Crest, Knots Landing, and Hill Street Blues. During the '90s, he appeared on ER, Law & Order, and The Outer Limits. He also had parts in the Woody Allen films Husbands and Wives and Manhattan Murder Mystery. After winning an Obie and Drama Desk award for his portrayal of Holocaust survivor Issac Geldhart in the Jon Robin Baitz play Substance of Fire, Rifkin reprised his role in the 1996 feature film version. The next year, he earned a starring role on the short-lived ABC drama Leaving L.A. On the big screen, he appeared in Curtis Hanson's crime drama L.A. Confidential followed by F. Gary Gray's action thriller The Negotiator. In 1998, he earned his first Tony award for Best Supporting Actor in the Broadway revival of Cabaret. Some of his TV movies from this time include Norma Jean and Marilyn and Flowers for Algernon. In 2001, Rifkin was cast on the ABC spy drama Alias as the calculating and sinister commanding officer Arvin Sloane. Transitioning to the Emmy-winning ABC crama series Brothers and Sisters after Alias went off the air in 2006, Rifkin stuck with the show for 5 years, and later landed a recurring role on NBC in Law & Order: Special Victims Unit.

Trivia: When supermodel Amber Smith decided to leave the catwalks and exotic tropical beaches and head for Hollywood, she was not prepared to be told that she was too tall or too beautiful for many of the roles she desired. It wasn't until Paul Mazursky cast her as a philandering husband's love object in Faithful that the leggy and voluptuous actress got her first break. A native of Tampa, FL, Smith started modelling at age 16. With little more than her determination and a strong resemblence to Rita Hayworth, she went to Paris to learn about modelling and to find work. It took four years and a dye-job (changing her blonde hair to red) to change her luck. In addition to working for Vogue and other fashion magazines, Smith became a popular swimsuit model for Sports Ilustrated, appearing in two consecutive issues of their celebrated Swimwear Edition. Smith was then chosen to be the Vargas Girl of the 1990s by Esquire Magazine. In 1995, Smith posed for a Playboy magazine spread. The acting bug bit after she appeared in two European made-for-television specials: Inferno and one made just for her called Forever Amber. After her appearance in Faithful, she continued to appear in major feature films. In television, Smith made guest appearances on such series as Friends and Just Shoot Me.

Trivia: Moved to Australia with his parents in the 1970s and remained there until he returned to the U.S. for college. Held odd jobs before making it as an actor, including a gig teaching an SAT-prep class. First professional acting role was a cameo appearance as a bum on a 1994 episode of The Nanny. Most famous for playing Dr. Paul Zeltzer on Scrubs and Dr. Tom Gazelian on Cougar Town. Is a cofounder of Circle X Theatre Company in Los Angeles.

Trivia: Though a multihyphenate ad extremis who racked up a litany of influential accomplishments in the theater, modern art, and film worlds, distinguished Tomas Arana is perhaps best known for his contributions to cinema as a character actor, where he initially specialized in portrayals of period figures from ancient times. Over the course of his career Arana set himself apart from the pack by refusing to limit himself to productions from one country; he seemed equally at home working in the U.S., Italy, and Japan.A native of San Francisco, Arana received formal, classical training in stage work at the American Conservatory Theatre, then hitchhiked all over Europe, working as an itinerant artist and collaborating with giants including Andy Warhol, Robert Rauschenberg, and Joseph Beuys. Upon returning to the States, Arana began signing for film roles; memorable studio parts included Lazarus in Martin Scorsese's The Last Temptation of Christ (1988), Leginov the cook in The Hunt for Red October (1990), and Quintus in Ridley Scott's Best Picture winner Gladiator (2000). As time rolled on, Arana also turned up in independent films such as the porn star coming of age drama This Girl's Life (2003) and the natural horror shlockfest Frankenfish (2004). International directors with whom he collaborated include Liliana Cavani, Carlo Verdone, and Michele Soavi. Theatrically, Arana made headlines by serving as producer and starring in numerous productions with the Naples-based theatrical ensemble Falso Movimento.

Trivia: Jim Metzler has appeared on stage since the 1970s, and in films from 1981's Four Friends. Bright, handsome and possessed of above-average talent, Metzler has proven a valuable asset to such so-so films as 976 Evil (1988) and Circuitry Man (1990). The actor has been offered better opportunities on TV; he was top billed as Dr. Andy Fenton in the 1983 series Cutter to Houston, and was seen as science teacher Dan Braden in the 1985 weekly The Best Times. Jim Metzler also co-starred as James Huntoon on the hit 1985 miniseries North and South and its 1986 sequel.

Trivia: Bakke is a lead actress onscreen from the late '80s.

Trivia: A filmmaker fascinated by themes of deception and deceptive characters, the gifted screenwriter-turned-director Curtis Hanson chalked up an enviable track record of finely tuned sleepers ("small movies") an astonishing 30 years prior to his official recognition by Hollywood, with the Best Director-nominated L.A. Confidential (1997). Hanson thus proved that Tinseltown isn't always prompt at acknowledging and exploiting the talents of its finest. Born March 24, 1945, in Reno, NV, Hanson made his directorial bow with The Arousers, a crime thriller that stars Tab Hunter as a PE teacher moonlighting as a serial killer. The film earned excellent reviews -- and a devoted cult following -- as an impressive B-picture that transcends its source material. Hanson more or less limited himself to screenwriting duties for the next 15 years or so, with a particularly outstanding behind-the-scenes turn on Daryl Duke's The Silent Partner (1978). Hanson loosely adapted Partner from the novel Think of a Number by Anders Bodelsen, and dramatically improved on that source material. With an absolutely ingenious premise, this shocking, gripping, and ultraviolent thriller went down among cineastes as one of the best "unknown" English-language suspensers of all time. It also netted a Genie for Best Picture in its native Canada, and drew raves for its twin lead performances by Elliott Gould and Christopher Plummer. Scriptwriting duties on Sam Fuller's White Dog (1982) followed a few years later, as did directorial work on the undistinguished teen sex comedy Losin' It (1982), which stars an early, undiscovered Tom Cruise. But the Cruise film tanked, and the Fuller effort suffered a direr fate: unjust allegations of racism buried White Dog for years and obstructed its release in the U.S. Hanson scripted Carroll Ballard's 1983 Never Cry Wolf for Disney, and it drew high praise from critics. For his next major directorial assignment, Hanson helmed The Bedroom Window (1987), a Hitchcock-inspired romantic thriller about a man (Steve Guttenberg) who gets involved with a mysterious woman (Isabelle Huppert) who turns his life upside down. The effort mirrored the twists and turns of The Silent Partner but (inexplicably) never quite caught on with critics or the public.Hanson stuck to his genre roots, and peppered his next film, 1990's yuppie suspenser Bad Influence, with Hitchcock influences (particularly from Strangers on a Train). The story of an outwardly successful but inwardly faltering Los Angeles marketing analyst (James Spader), who falls under the spell of a charming but psychotic drifter (Rob Lowe), Influence became a moderate success, both critically and financially, but suffered from bitter mean-spiritedness that alienated many viewers, and abandoned its Iago-like "corruption premise" at midpoint to become a more conventional nail-biter. Of much greater success was The Hand That Rocks the Cradle, Hanson's 1992 thriller about a Laurie Dann-like babysitter (Rebecca DeMornay) who slowly wreaks murderous, vengeful havoc on her employers.Murderous psychopaths were also a key facet of Hanson's adventure thriller The River Wild two years later. Starring Meryl Streep as a woman whose white-water-rafting vacation with her family turns deadly after they encounter an ingratiating psychotic (Kevin Bacon), the film engaged audiences and received decent -- if not stellar -- critical notices.However successful his prior films, Hanson's 1997 L.A. Confidential eclipsed the critical acclaim of its predecessors. Hanson, who wanted to make a film about Los Angeles for years, called it his "most personal project to date." The lavish care he took in both adapting the screenplay (with writing partner Brian Helgeland [Mystic River]) from James Ellroy's novel, and in capturing the look and atmosphere of 1950s L.A., reflected this. A tough, gorgeous throwback to old-school Hollywood filmmaking, it avoided most of the clichés associated with noir detective films, and in doing so, elevated the standards of post-noir. With excellent performances from Russell Crowe, Guy Pearce, Kevin Spacey, and Kim Basinger, the film received lavish praise, and critics widely hailed it as one of the best films of the year. It was nominated for a number of Academy Awards, including Best Director and Best Picture. The Titanic Oscar juggernaut sank its chances, though Hanson and Helgeland did take home Best Adapted Screenplay statues. The director didn't craft his next film until three years later, when he abandoned the thriller arena, switching gears for the bittersweet ensemble film Wonder Boys. Based on Michael Chabon's novel of the same name about a middle-aged professor (Michael Douglas) experiencing problems in both his personal and professional life, the film deftly marries Hanson's gift for on-location atmosphere with his theretofore-untested skill at scruffy human comedy. Perhaps underestimating the film's critical appeal, Paramount buried Wonder Boys with a February 2000 release, where it was eclipsed by both late-release Oscar heavies (The Cider House Rules, American Beauty) as well as lighter fare (My Dog Skip, The Whole Nine Yards). At the behest of Douglas, the studio withheld the film from the video shelves in favor of an Oscar-baiting re-release later that year, which did little for the film's box-office tally but nabbed it three nominations (and eventually one win for Bob Dylan's theme song, "Things Have Changed").Hanson may not have seemed the obvious choice to helm the semi-autobiographical big-screen debut of the zeitgeist-tapping rapper Eminem, but his touch proved essential to the success of the burgeoning actor's tale 8 Mile. Again shooting on-location -- this time in the cold, grimy environs of Detroit -- Hanson imbued the film with a handheld verisimilitude and further demonstrated his affinity for nonjudgmental coming-of-age tales. What's more, he coaxed stellar performances out of both Eminem (insisting that the musician endure weeks of acting lessons before shooting) as well as a startlingly glamour-free Kim Basinger. The film powered past the 100-million-dollar mark in the fall of 2002, ensuring that Hanson would have his pick of projects for some time to come.Indeed, Hanson's name cropped up time and again in the trades for the next several years, which rumored his involvement in project after project. He emerged with 2005's comedy-drama In Her Shoes, starring Cameron Diaz and Toni Collette as sisters of opposite personality who reassess their family history, in part via a newly established connection with their grandmother (Shirley MacLaine). Hanson's next project was the gambling drama Lucky You, directed for Warners, and scripted by Eric Roth. Over the coming decades, Hanson would helm projects like Too Big to Fail and Chasing Mavericks, though for the latter, he eventually ceded directing duties to Michael Apted due to health reasons. Hanson died in 2016, at age 71.