Trivia: The daughter of legendary sex symbol Jayne Mansfield and former Mr. Universe Mickey Hargitay, Mariska Hargitay appears born to play the type of larger-than-life roles that would make her a Hollywood idol. Instead, from her breakthrough performance as a vulnerable single mother on ER to her starring turn as a somber detective on Law & Order: SVU, the talented actress has built her career by portraying real-life characters and keeping out of the spotlight. Raised in Los Angeles, Hargitay was a child of divorce before she celebrated her first birthday. In 1967, her mother died tragically when her car collided with a truck outside of New Orleans. Hargitay, then only three years old, was asleep in the backseat of the vehicle, but escaped uninjured. Days later, she moved in with her father and stepmother, Ellen Siano, a flight attendant. Hargitay participated in scores of activities throughout grade school, including cheerleading, student government, and athletics. She also developed a passion for performing: at 18, after being crowned 1982's Miss Beverly Hills, she enrolled in the University of California at Los Angeles' prestigious undergraduate theater program. Hartigay began her professional acting career while she was still a student with a bit part in Bob Fosse's Dorothy Stratten biopic Star 80 (1983). In 1985, she appeared in the B-movie Ghoulies and agreed to portray a teenage parolee inCBS' short-lived series Downtown. Roles in the teen comedies Welcome to 18 (1986) and Jocks (1987) quickly followed. In 1988, the actress joined her dad in the biopic of his own career, Mr. Universe. That same year, Hargitay earned the recurring role of Carly Fixx on television's Falcon Crest. The next several years found Hargitay acting in B-movies, such as a martial arts film called The Perfect Weapon (1991), and a handful of television films, such as Blind Side (1993) and Gambler V: Playing for Keeps (1994). She earned a small role in Mike Figgis's Leaving Las Vegas (1995) and replaced Gabrielle Fitzpatrick as Dulcea in Mighty Morphin Power Rangers: The Movie (1995), but her scenes were eventually re-shot with Fitzpatrick in the role. Throughout the late '80s and early '90s, Hargitay also appeared in numerous popular television shows -- In the Heat of the Night, Baywatch, Wiseguy, thirtysomething, Booker, Seinfeld, Ellen, The Single Guy -- and in quite a few failed series -- Tequila and Bonetti, Key West, Can't Hurry Love, Prince Street, and Cracker. In subsequent years, producer Dick Wolf tapped the actress for his Law & Order spin-off, Law & Order: Special Victims Unit (1999). As NYPD Detective Olivia Benson, Hargitay became a familiar and a celebrated face: She earned several award nominations for her performance on the show, as she stuck with the popular show for over ten years.In addition to working in film and television, Hargitay found time for the theater -- appearing on the Los Angeles stage in Salad Days, Women's Work, and Porno -- and read Rochelle Majer Krich's crime story Regrets Only on a mystery-themed audiobook. She also established her own charity, Spirit of the Dolphin, which gives abused children the chance to swim with dolphins in Hawaii. In 2007, Hargitay served as the National Ambassador for Lee National Denim Day to raise money and awareness for breast cancer. In terms of off-camera activity, Hargitay's successful pregnancy at the age of 42 (with her husband, SVU co-star Peter Hermann) made headlines as well.

Trivia: Often cited as the founding father of gangsta rap, Ice-T has also crafted a successful film career from his hardened street persona. Despite the fact that his early roles stuck closely to his public image as a thuggish West Coast pimp, T has since proved both his versatility and his sense of humor by appearing as everything from a mutant kangaroo (Tank Girl [1995]) to, in a surprisingly effective about-face, a police officer (New Jack City [1991]). Born Tracy Marrow in Newark, NJ, in 1958 and later adapting his better-known persona as a tribute to pimp-turned-author Iceberg Slim, T was sent at age 12 to live in Califorina with an aunt after his father died of a heart attack (his mother had died four year earlier, also of a heart attack). Ice-T soon began to develop an obsession with rap music, and after serving a two-year stint in the Army, he began recording and appeared in the films Breakin' and Breakin' 2: Electric Boogaloo (both 1984). Following a near death auto accident in 1986, T devoted his life to music and released his debut album, Rhyme Pays, the following year. T gained positive accolades for his first major film role in 1991's New Jack City, in which he played a dedicated police officer, and the irony was not lost on fans the following year when he caused a stir with a song entitled "Cop Killer." After sticking close to the streets in Ricochet (1991), Trespass (1992), and Surviving the Game (1994), T took a sci-fi detour with Tank Girl and Johnny Mnemonic (both 1995). Generally appearing in straight-to-video schlock from the mid-'90s on, Ice-T could be seen as a naval pilot in Stealth Fighter (1999) and stealing a magic flute from a vengeful green meanie in Leprechaun in the Hood (2000). Though his appearances in such films grew nearly too frequent to count, T occasionally appeared in such theatrical releases as 3000 Miles to Graceland and Abel Ferrara's 'R Xmas (both 2001). After offering curious insight into the life of a pimp in the documentary Pimps Up, Ho's Down, T continued to expound on the life of a hustler in Pimpin' 101 (2003). He also took on a recurring role on the Law & Order spin-off Law & Order: Special Victims Unit and later joined the cast as a regular in the show's second season, soon becoming a popular fixture on prime time TV. T would also enjoy success on the reality circuit, starring in the candid reality show Ice Loves Coco with his wife, Nicole "Coco" Austin.

Trivia: Never acted in a play as a child; he read The Fervent Years, about the founding of the Group Theatre, his freshman year of college and dropped out to pursue acting. Attended a summer program at the Lee Strasburg Institute. Made his Broadway debut in 2006 in Shining City, opposite Brian F. O'Byrne. Worked with the Second Stage Theatre in shows like subUrbia and Boy's Life. Attended culinary school and had an internship at the Michelin starred restaurant.

Trivia: Perhaps most famous for his dramatic work on TV series like Law & Order: Special Victims Unit, Christopher Meloni has also been praised for his comedic appearances on screens of all sizes. His resumé proves him a versatile actor, indeed, with experience on television, in feature films -- both comedic and dramatic -- and even on-stage. (He acted in the 2001 Williamstown Theatre Festival.)He was born on April 2, 1961, in Washington, D.C., and earned his degree in 1983 at the University of Colorado in Boulder. Having grown interested in acting in college, he next studied at the Neighborhood Playhouse in New York City with Sandford Meisner. First noted for his role that began in 1990 on the hit series The Fanelli Boys on NBC, Meloni's accomplished television background consists of appearances on NYPD Blue (1993), the HBO's prison series Oz (1997), and numerous other series and TV movie roles. His lengthy list of supporting appearances on film includes major features like 12 Monkeys (1995), Bound (1996), and Fear and Loathing in Las Vegas (1998). In 1999, he played one of Julia Roberts' husbands-to-be in Runaway Bride. Building upon his Oz experience, he starred in the PBS feature Shift in 2001, in a dramatic role as a prison inmate lovesick over a woman whom he only knows via telephone, and who doesn't know his whereabouts. Also in that year, he played a crazy 'Nam vet chef -- who provided some of the most accessible laughs of the absurd comedy -- at summer camp in David Wain's Wet Hot American Summer.In the years to come Meloni would appear in films like Nights in Rodanthe, Carriers, and Harold and Kumar Go to White Castle, as well as the series True Blood.

Trivia: Launching his career as a standup comic, American performer Richard Belzer entered the 1970s as a member of an odd New York-based comedy troupe called Channel One. Anticipating the home video explosion by over a decade, Channel One staged satirical, scatological routines lampooning the banalities of television -- and staged them in front of TV cameras, which transmitted the routines to little TV monitors, which in turn were watched by the live audience. Some of the best sketches were assembled into an X-rated comedy feature, The Groove Tube (1970), which featured Belzer, Ken Shapiro, and a brash newcomer named Chevy Chase. For the next decade, Belzer played the comedy-club circuit, popped up as a talkshow guest, and appeared in occasional films like Fame (1982). He joined still another comedy troupe in 1983, which appeared nightly on the syndicated interview program Thicke of the Night. The host was Allan Thicke, and Belzer's comic cohorts included such incipient stars as Charles Fleischer, Chloe Webb and Gilbert Gottfried. Thicke of the Night was one of the more notorious bombs of the 1983-84 season, but it enabled Belzer to secure better guest-star bookings, and ultimately a hosting job on his own program, debuting in 1986 over the Lifetime Cable Service. It was on this series that wrestler Hulk Hogan, demonstrating a stranglehold on Belzer caused the host to lose consciousness -- which prompted a highly publicized lawsuit instigated by Belzer against the Hulkster. In the early 1990s, Richard Belzer could be seen as a non-comic regular on the TV series Homicide. His Homicide character, John Munch, would become one of the longest-running fictional creations on TV appearing in more than a half-dozen other television shows, most notably Law & Order: Special Victims Unit.

Trivia: Met her husband onstage during a theater production, which is the same way her parents met. Considers her parents the most influential people in her career. Appeared on Broadway in Getting Away With Murder in 1996. Won a Robby Award (a California theater award) for her performance in The Violet Hour with South Coast Repertory in 2002.

Trivia: For many fans, the image of fair-haired actress Stephanie March includes a pair of black horn-rimmed glasses, which she wore for the role of Assistant District Attorney Alexandra Cabot on the series Law & Order: SVU. The role was one of the Texas native's first TV gigs, and she remained with the series from 2000 to 2004, then rejoined the series in 2009. March made her Broadway debut opposite Brian Dennehy in Death of a Salesman, and later appeared in a filmed version of the show. She also appeared in a number of other projects, like the Angelina Jolie spy movie Mr. and Mrs. Smith, before reprising the role of Alexandra Cabot for the Law & Order spinoff Conviction. March continued to make memorable guest appearances in shows like Grey's Anatomy, 30 Rock and Happy Endings. She had a supporting role in the film Innocence in 2014.

Trivia: Maryland-born Lance Reddick began his acting career in the late '90s with small appearances in projects like Great Expectations and What the Deaf Man Heard. Eventually, Reddick was cast in the role of John Basil on the hard-hitting prison drama Oz in 2000, making him a recognizable face to thousands of fans. He would soon follow this role with another starring TV appearance, playing Lt. Cedric Daniels, on the critically acclaimed hit The Wire. This would lead to still more success for Reddick, who would go on to play Matthew Abaddon on the sci-fi series Lost and Special Agent Philip Broyles on the cult hit Fringe.

Trivia: Jonathan Kimble Simmons was originally a singer, with a degree in music from the University of Montana. He turned to theater in the late 1970s and appeared in many regional productions in the Pacific Northwest before moving to New York in 1983. He appeared in Broadway and off-Broadway shows and also did some television -- his early roles included the portrayal of a white supremacist responsible for multiple murders in an episode of Homicide: Life on the Street. In that same vein, Simmons first gained wide exposure as Vern Schillinger, the leader of an Aryan Brotherhood-type organization in prison in the HBO series Oz. Parlaying his small-screen notoriety into feature film opportunities, Simmons had a small part in the 1997 thriller The Jackal and played a leading role in Frank Todaro's low-budget comedy Above Freezing, a runner-up for the most popular film at the 1998 Seattle Film Festival. Also in 1997, Simmons increased his television prolificacy by taking on the role of Dr. Emil Skoda, the consulting psychiatrist to the Manhattan district attorney's office in the series Law and Order. By 1999, Simmons was showing up in such prominent films as The Cider House Rules and the baseball drama For Love of the Game, directed by Sam Raimi. The director again enlisted Simmons for his next film, 2000's The Gift. After a supporting turn in the disappointing comedy The Mexican, Simmons teamed with Raimi for the third time, bringing cigar-chomping comic-book newspaperman J. Jonah Jameson screaming to life in the 2002 summer blockbuster Spider-Man. In 2004, he would reprise the role in the highly anticipated sequel, Spider-Man 2. That same year, along with appearing alongside Tom Hanks in the Coen Brothers' The Ladykillers, Simmons continued to be a presence on the tube, costarring on ABC's midseason-replacement ensemble drama The D.A.His career subsequently kicking into overdrive, the popular character actor was in increasingly high demand in the next few years, enjoying a productive run as a voice performer in such animated television series' as Justice League, Kim Possible, The Legend of Korra, and Ultimate Spider-Man (the latter of which found him reprising his role as J. Jonah Jameson), as well as turning in memorable performances in Jason Reitman's Juno, Mike Judge's Extract, and as a hard-nosed captain in the 2012 crime thriller Contraband. Meanwhile, in 2005, he joined the cast of TNT's popular crime drama The Closer as Assistant Chief Will Pope -- a role which no doublt played a part in the cast earning five Screen Actors Guild Award nominations for Best Ensemble Cast. Simmons continued to work steadily in movies, returning to the Spider-Man franchise in 2007. That same year he co-starred as the father of a pregnant teen in Juno, which led to him being cast regularly by that film's director Jason Reitman in many of his future projects including Up In the Air and Labor Day. It was Reitman who got Simmons the script for Whiplash, Damien Chazelle's directorial debut. The actor took the part of an abusive, but respected music teacher and the ensuing performance garnered Simmons multiple year-end awards including a Best Supporting Actor nomination from the Academy.

Trivia: Best known for playing mean Uncle Frank in the Home Alone series, Kansas-born Gerry Bamman began his acting career in the '80s with roles in a number of films including Cocktail and The Secret of My Success. He continued to work consistently throughout the '90s and 2000s, and became a familiar face to a new generation of fans with a recurring role on Law & Order as lawyer Stan Gillum.

Trivia: Dann Florek was a working actor for 15 years, on stage, in movies, and on television before he became a television star on Law and Order. Born in Flat Rock, MI (near Detroit) in 1950, he was a physics major at Eastern Michigan University until he discovered his affinity for acting and theater. He moved to New York in the early 1970s and became a member of The Acting Company at The Juilliard School. Florek's New York theater credits included work in productions of A Midsummer Night's Dream, Love's Labour's Lost, and Death of a Salesman. He later performed in many productions staged at the La Jolla Playhouse and the Old Globe Theater in San Diego. Florek's film credits include Sweet Liberty, Hard Rain, Angel Heart, and The Flintstones, and he has made appearances on NYPD Blue, Wings, The Pretender, and The Practice. Additionally, he played Abraham Lincoln in the short-lived Fox Network series The Secret Diary of Desmond Pfeiffer. It was as Dave Meyer on L.A. Law that Florek first came to the attention of television viewers, but it was his four seasons on Law and Order that made him a star. He became a familiar and popular actor as Lieutenant (and later Captain) Donald Cragen, the head of the detective squad on whose investigations the series focuses from week to week. Florek also directed several episodes of the series after leaving the cast of the show in 1993, and is an active member of the Directors Guild of America. In 1999, he joined the cast of Law and Order: Special Victims Unit, reprising and greatly expanding his role of Captain Cragen, now head of a detective unit specifically assigned to the investigation of sex crimes. Equally skilled at comedy and drama (although more familiar for his work in the latter), Florek is one of a new generation of triple-threat actor/directors to emerge from television in the 1980s and 1990s. Florek continued to work on Law & Order until 2010.

Trivia: Canadian director Ted Kotcheff cut his teeth on live television in his native country, then moved on to British TV in 1957. While a resident of England, Kotcheff directed his first film, Tiara Tahiti (1962), using his full name William T. Kotcheff. Despite an engaging premise about rival hotel owners in Tahiti and a cast including James Mason and John Mills, Tiara Tahiti wasn't a major success. Kotcheff made up for this setback with his next British film, Life at the Top (1963), the cynical sequel to 1959's Room at the Top. For Outback (1971), Kotcheff took cast and crew to Australia for the fascinating tale of a schoolteacher's experience with a primitive Australian tribe. Back in Canada in 1974, Kotcheff all but single-handedly turned that country's film industry around with The Apprenticeship of Duddy Kravitz, the freewheeling tale of a Jewish lad (played by a pre-star Richard Dreyfuss) aggressively climbing up the social ladder in mid-'40s Montreal. Though based on a Mordecai Richler novel, it was the most autobiographical of Kotcheff's works, and his best to date; Duddy Kravitz also represented the first true box-office hit to emanate from Canada since the silent era. Between this film and Kotcheff's next adaptation of Richler, 1985's Joshua Then and Now, the director bided his time in less personal, purely commercial-minded efforts like Fun with Dick and Jane (1977) Who is Killing the Great Chefs of Europe? (1978), and the mother of all Rambo epics, First Blood (1982). Since Joshua Then and Now, Ted Kotcheff's career has boomed, but his "signature" as a director has been barely recognizable in such factory efforts as Switching Channels (1988) (the most recent remake of The Front Page) and the two puerile Weekend at Bernie's comedies.