Trivia: Richard Carlson received his M.A. at the University of Minnesota and taught there briefly before working in the theater as an actor, director, and writer. He appeared on Broadway, then was brought to Hollywood in 1938 by David O. Selznick, who hired him as a writer assigned to work on the film The Young at Heart; Janet Gaynor, the film's star, urged that he appear in the movie, which became his debut. After that, he had lead and costarring roles in many films of the '30s, '40s, and '50s. Typecast early in his career as a diffident juvenile, he had trouble breaking out of the mold and landing more mature roles; he tended to appear in monster flicks and B-movies in the '50s. He turned to directing in that decade, beginning with Riders to the Stars (1954), which he also wrote and in which he acted. Besides acting and directing, he also became a magazine writer and wrote scripts for TV. Carlson starred in the TV series I Led Three Lives and McKenzie's Raiders and appeared in episodes of numerous others.

Trivia: As a teenager, redheaded Lucille Bremer danced with the Philadelphia Opera Company, then worked as a Radio City Music Hall Rockette in New York. She was still in the chorus when MGM producer Arthur Freed hired her for films. Grooming her for stardom, Freed awarded Bremer a supporting role in Meet Me in St. Louis, then twice teamed her with Fred Astaire in Yolanda and the Thief (1944) and Ziegfeld Follies (1945). An undeniably talented dancer, Bremer's somewhat aloof screen personality precluded big-time stardom; by 1948, she was out of films altogether. After her Hollywood career folded, Lucille Bremer married a Mexican millionaire, and for several years operated a successful children's clothing shop.

Trivia: Born and raised in the Greenwich Village section of New York, Douglas Fowley did his first acting while attending St. Francis Xavier Military Academy. A stage actor and night club singer/dancer during the regular theatrical seasons, Fowley took such jobs as athletic coach and shipping clerk during summer layoff. He made his first film, The Mad Game, in 1933. Thanks to his somewhat foreboding facial features, Fowley was usually cast as a gangster, especially in the Charlie Chan, Mr. Moto and Laurel and Hardy "B" films churned out by 20th Century-Fox in the late 1930s and early 1940s. One of his few romantic leading roles could be found in the 1942 Hal Roach "streamliner" The Devil with Hitler. While at MGM in the late 1940s and early 1950s, Fowley essayed many roles both large and small, the best of which was the terminally neurotic movie director in Singin' in the Rain (1952). Fowley actually did sit in the director's chair for one best-forgotten programmer, 1960's Macumba Love, which he also produced. On television, Fowley made sporadic appearances as Doc Holliday in the weekly series Wyatt Earp (1955-61). In the mid-1960s, Fowley grew his whiskers long and switched to portraying Gabby Hayes-style old codgers in TV shows like Pistols and Petticoats and Detective School: One Flight Up, and movies like Homebodies (1974) and North Avenue Irregulars (1979); during this period, the actor changed his on-screen billing to Douglas V. Fowley.

Trivia: Herbert Heyes was somewhere between the ages of 10 and 13 when he first trod the boards as a member of the Baker Stock Company in Portland, Oregon. By 1910, Heyes was playing leads in the touring company run by actor/manager James K. Hackett. He was firmly established on Broadway when, in 1916, he was hired by Fox Films to play opposite Theda Bara in a series of steamy romances (Under Two Flags, Salome, etc.). Returning to New York, Heyes remained a busy stage and radio actor into the 1940s. He resumed his film career in the early 1940s, playing such character parts as department store magnate Mr. Gimbel in Miracle on 34th Street (1947), Ronald Reagan's prospective father-in-law in Bedtime for Bonzo (1951), and his favorite screen role, manufacturer Charles Eastman in George Stevens' A Place in the Sun (1951). Heyes' dignified demeanor kept him in demand throughout the 1950s for minor but pivotal roles like President Thomas Jefferson in The Far Horizons (1955) and General Pershing in The Court Martial of Billy Mitchell (1955). Herbert Heyes was the father of writer/director Douglas Heyes, of Maverick and Twilight Zone fame.

Trivia: The best way to physically describe actor Ralf Harolde is to note his striking resemblance to Zeppo Marx. However, Harolde projected a far more sinister image than Marx, beginning with his film debut as the "gentlemanly" villain in Bebe Daniels' Dixiana (1930). Often cast as a low-life crook, he played an escaped convict who hid behind his wife and children in Picture Snatcher (1933) and the erstwhile kidnapper of little Shirley Temple in Baby Take a Bow (1934). He also showed up in such minor roles as a Tribunal prosecutor in Tale of Two Cities (1935) and a tuxedoed society gangster in Laurel and Hardy's Our Relations (1936). Harolde's film career came to a screeching halt when, in 1937, he was involved in a traffic accident that resulted in the death of fellow actor Monroe Owsley. When he re-emerged on screen in 1941, it was clear that the tragedy had taken its toll: Harolde's facial features had taken on a gaunt, haunted look, and his hair had turned completely white. Remaining active until the mid-1950s, Ralf Harolde still had a few good screen characterizations left in him, most notably the sleazy sanitarium doctor in Murder My Sweet (1944).

Trivia: Morgan Farley made his first Broadway appearance in 1918 as one of the supporting players in Booth Tarkington's Seventeen. He gained prominence in the 1920s, starring in such stage productions as Candida and An American Tragedy. After a brief flurry of film activity in 1929-1930, he returned to the stage where he remained until interrupting his career to serve in WWII. Back in films as a character actor and dialogue coach in 1946, Morgan Farley went on to essay minor roles in such films as Joseph L. Mankiewicz's Julius Caesar (1953), in which he was seen in the expository part of Artimedorus. He made his last screen appearance in 1967.

Trivia: American actor Trevor Bardette could truly say that he died for a living. In the course of a film career spanning three decades, the mustachioed, granite-featured Bardette was "killed off" over 40 times as a screen villain. Entering movies in 1936 after abandoning a planned mechanical engineering career for the Broadway stage, Bardette was most often seen as a rustler, gangster, wartime collaborator and murderous backwoodsman. His screen skullduggery carried over into TV; one of Bardette's best remembered video performances was as a "human bomb" on an early episode of Superman. Perhaps being something of a reprobate came naturally to Trevor Bardette -- or so he himself would claim in later years when relating a story of how, as a child, he'd won ten dollars writing an essay on "the evils of tobacco," only to be caught smoking behind the barn shortly afterward.

Trivia: At age one he debuted onscreen (playing John Barrymore as a baby) in The Beloved Rogue (1927), then appeared in a number of films as a toddler. He stayed onscreen through his childhood and adolescence, becoming one of Hollywood's favorite child stars. He appeared in many Our Gang comedy shorts and more than 100 feature films. He was less successful as a teenage actor and young adult, and he retired from the screen in the early '50s. He went on to teach and write books about acting, edit Equity magazine, perform on Broadway, in stock, and on TV, write and direct for TV, produce an Oscar-nominated short film (The Boy and the Eagle), and produce industrial shows; he wrote the book Twinkle, Twinkle, Little Star (But Don't Have Sex or Take the Car) (1984), an insider's account of the hazards of being a child star. He was married to actress Jane Powell from 1988 until his death, at age 89, in 2015.