Trivia: Tall and handsome in a meat-eating sort of way, Ben Affleck has the looks of a matinee idol and the résumé of an actor who honed his craft as an indie film slacker before flexing his muscles as a Hollywood star. A staple of Kevin Smith films and such seminal indies as Dazed and Confused, Affleck became a star and entered the annals of Hollywood legend when he and best friend Matt Damon wrote and starred in Good Will Hunting, winning a Best Original Screenplay Oscar for their work.Born in Berkeley, California on August 15, 1972 to a schoolteacher mother and drug rehab counselor father, Affleck was the oldest of two brothers. His younger brother, Casey, also became an actor. When he was very young, Affleck's family moved to the Boston area, and it was there that he broke into acting. At the age of eight, he starred in PBS's marine biology-themed The Voyage of the Mimi, endearing himself to junior high school science classes everywhere. The same year he made Mimi, Affleck made the acquaintance of Matt Damon, a boy two years his senior who lived down the street. The two became best friends and, of course, eventual collaborators. After a fling with higher education at both the University of Vermont and California's Occidental College, Affleck set out for Hollywood. He began appearing in made-for-TV movies and had a small role in School Ties, a 1992 film that also featured Damon. Further bit work followed in Richard Linklater's Dazed and Confused (1993) and Kevin Smith's Mallrats (1995). Around this time, both Affleck and Damon were getting fed up with the lack of substantial work to be found in Hollywood, and they decided to write a screenplay that would feature them as the leads. Affleck's brother Casey introduced them to Gus Van Sant, who had directed Casey in To Die For. Thanks to Van Sant's interest, the script was picked up by Miramax, and in 1997 the story of a troubled mathematical genius living in South Boston became known as Good Will Hunting. Before the film's release, Affleck starred in Smith's Chasing Amy that same year; the tale of a comic book artist (Affleck) in love with a lesbian (Joey Lauren Adams), it received good reviews and showed Affleck to be a viable leading man. The subsequent success of Good Will Hunting and the Best Original Screenplay Oscar awarded to Affleck and Damon effectively transformed both young men from struggling actors into Hollywood golden boys. Having won his own Golden Boy, Affleck settled comfortably into a reputation as one of the industry's most promising young actors. His status was further enhanced by widespread media reports of an ongoing relationship with Gwyneth Paltrow.The following year, Affleck could be seen in no less than three major films, ranging from his self-mocking supporting role in the Oscar-winning period comedy Shakespeare in Love to the thriller Phantoms to the big-budget box-office monster Armageddon. In 1999, Affleck continued to keep busy, appearing in a dizzying four movies. He could be seen as a dull bartender in 200 Cigarettes, an errant groom in Forces of Nature, a stock market head hunter in The Boiler Room, and a supporting cast member in Billy Bob Thornton's sophomore directorial effort, Daddy and Them. Finally, Affleck reunited with Smith and Damon for Dogma, starring with the latter as a pair of fallen angels in one of the year's more controversial films. In 2000, he would appear as an ex-con trying to mend his ways in Reindeer Games, with Charlize Theron. Re-teaming with Armageddon cohort Michael Bay again in 2001 for another exercise in overbudgeted excess, Affleck flew into action in Pearl Harbor. Despite unanimous lambasting from critics, Pearl Harbor blasted to number one at the box office, earning $75.2 million on its Memorial Day weekend opening and beginning a summer-2001 trend of high profile films with precipitous box-office runs. Following a self-mocking return to the Smith collective in Jay and Silent Bob Strike Back (2001) and spearheading, along with Damon, the innovative HBO series Project: Greenlight, Affleck returned to the Hollywood machine with roles in Changing Lanes and The Sum of All Fears (both 2002). Filling the shoes of Harrison Ford as a green version of Ford's famous Jack Ryan persona, The Sum of All Fears contemplated a radical group's plan to detonate a nuclear weapon at a major sporting event during a time of particularly sensitive public distress at such an idea. With the massive success of Spider-Man in the summer of 2002 prompting numerous comic-book superhero revivals, Affleck would next suit up for the role of Daredevil. As a lawyer turned into a true public defender following a mishap involving radioactive waste, Daredevil's incredibly enhanced senses enable him to get the jump on New York City evil-doers and with his athletic physique and heroically protruding chin Affleck seemed just the man to suit-up for the job. If Affleck's turn as a blind crimefighter found dedicated comic book fans turning up their noses in disgust, the lukewarm performance of that particular effort would hardly compare to the critical lashing of his subsequent efforts Gigli, Paycheck, and Jersey Girl. A notorious flop that couldn't be mentioned to movie lovers without fear of derisive laughter, Gigli alone would have likely sunken the career of a lesser star. Though Hollywood gossip rags were indeed talking about Affleck, it was more the result of his turbulent relationship with singer and Gigli co-star Jennifer Lopez than it was anything to do with his acting career. Just when it seemed that the ubiquitous "Ben and Jen" gossip that fueled the tabloids couldn't get more tiresome, the celebrity power-couple broke up their frequently discussed engagement to the surprise of only the most optimistic {E! Channel viewer. Wed to Alias star Jennifer Garner in 2005, Affleck subsequently skewered Hollywood materialism in the showbiz comedy Man About Town before making a cameo in pal Smith's eagerly-anticipated sequel Clerks II. By this point Affleck was certainly no stranger to Hollywood controversy, a fact that likely played well into his decision to strap on the famous red cape to portray original television Superman George Reeves in the 2006 Tinseltown mystery Hollywoodland. As the 2000's rolled onward, Affleck would appear in a number of films that garnered a lukewarm reception, like Smokin' Aces, He's Just Not That Into You, and State of Play. He would reverse that trend with a vengeance in 2007, directing and writing the critically acclaimed crime thriller Gone Baby Gone. He followed that up by directing and starring in The Town, and that film put Affleck squarely back into audiences' good graces. He immediately got to work on his next big project, working both behind and in front of the camera once again for the political thriller Argo which garnered strong reviews, solid box office, and a slew of year-end awards and nabbed Affleck his second Oscar, as a producer of the film, when it won Best Picture at the Academy Awards, even though Affleck was not nominated for Best Director. He appeared in Runner, Runner, opposite Justin Timberlake, in 2013 and played the accused husband in the hit 2014 film Gone Girl. Affleck was announced as the next Batman in Batman v Superman: Dawn of Justice and is scheduled to reprise the role in later Justice League films.

Trivia: With her blue eyes, pillow lips and sex-kitten-on-helium voice, Joey Lauren Adams looks and sounds like Melanie Griffith's long-lost little sister. Adams, however, is an actress in her own right, having done solid work in a number of films, including Dazed and Confused and Chasing Amy.Hailing from North Little Rock, Arkansas, where she was born January 6, 1971, Adams began acting early in her life, performing at local church productions. She left home for Los Angeles while still a teenager, and got her first break with roles on various television shows. She won a limited amount of fame--or notoriety, depending on one's point of view--for her work on Married with Children, on which she played the woman who relieved Bud Bundy of his virginity.Work on the short-lived series Vinnie & Bobby and Top of the Heap followed before Adams broke into film in 1993. That year, she had supporting roles in The Program, Coneheads and Dazed and Confused, the last of which featured her as one of Parker Posey's high school cronies. The next year, she appeared in the independent films S.F.W. and Sleep with Me, and then had a secondary role in Mallrats (1995), her first collaboration with then-boyfriend Kevin Smith. It was Smith who gave Adams her true film breakthrough when he cast her as the female lead in Chasing Amy. The 1997 film--a look at the relationship between a comic book artist (Ben Affleck) and his "ideal" woman (Adams), who happens to be a lesbian--won favorable reviews and effectively put Adams on the Hollywood map. In 1999 she had a lead role in another independent film, the drama A Cool Dry Place with Vince Vaughn, and also starred in her first big-budget Hollywood feature, the hit Adam Sandler comedy Big Daddy.The actress entered the new millennium without slowing down, appearing in a wide variety of low-profile films and independent features such as Anne Heche's 2001 project Reaching Normal and the 2002 crime thriller Beeper with Harvey Keitel. In 2004's The Big Empty, she starred alongside Jon Favreau, who she would rejoin for 2006's (un)romantic comedy The Break-Up. Supporting mainstream stars Jennifer Aniston and Vince Vaughn bolstered the actresses profile, while her performance as Aniston's best friend and ally in her hilariously messy break-up won audiences over.The actress co-starred with Nathan Fillion and Benjamin Bratt in the 2009 slice-of-life drama Trucker, and worked in the second season of The United States of Tara the following year. Adams took on a supporting role as psychiatrist Dr. Jane Sheppard in the 2011 psychological thriller Apart, and continues to be active in film and television.

Trivia: A puppy-eyed professional skateboarder turned actor, Jason Lee has proven himself as versatile and engaging onscreen as he once did as a skater who turned 360-degree flips on the half-pipe. Discovered by director Kevin Smith, who gave him his first break with a lead role in Mallrats (1995), Lee went on to win over critics and audiences with his portrayals of men who often harbored some degree of endearing immaturity and/or sweet-natured dorkiness. In the process, he created a reputation for himself as one of the more talented and underrated actors to emerge from the 1990s indie scene, eventually beginning to earn mainstream acceptance with his casting in such successes as Smith's Dogma (1999) and Cameron Crowe's Almost Famous (2000).A native of Orange, CA, Lee began skateboarding when he was 13. Five years later he had gone professional, traveling the world, appearing in a number of popular skateboarding videos, and, along with a friend, founding the company Stereo Skateboards and Stereo Sounds Clothing. Deciding to retire from skateboarding before he became too old for the sport and went to seed, Lee made his first foray into acting in 1993 with a walk-on role in Allison Anders' Mi Vida Loca. Two years later he auditioned for and won the lead role of Brodie, a wise-ass slacker, in Kevin Smith's Mallrats (1995). Although the film received a critical thrashing, Lee did earn positive notices for his work in it, and was further rewarded with a lead part in Smith's Chasing Amy (1997). Cast as comic-book artist Banky, best friend and partner of Ben Affleck's Holden, the actor earned an Independent Spirit Award for his smart-assed yet deeply felt portrayal, and subsequently crossed over into more mainstream work with a bit part in the Will Smith suspense thriller Enemy of the State (1998) and a lead in the flop romantic comedy Kissing a Fool (1998), in which he starred with David Schwimmer and Mili Avital.Lee again collaborated with Smith for the writer/director's Dogma (1999), playing the satanic Azrael alongside a cast that included Ben Affleck, Matt Damon, Linda Fiorentino, Chris Rock, and Alan Rickman. His work in the high-profile film was complemented that same year by his well-received portrayal of a sweet-natured computer mogul in Lawrence Kasdan's ensemble comedy Mumford. The following year Lee appeared in one of his biggest films to date, Cameron Crowe's much lauded Almost Famous, portraying the lead singer of the '70s rock band Stillwater. Crowe and Lee would also re-team for Vanilla Sky in 2001. Edging ever closer to the elusive leading man status, Lee would subseqently appear in the ill fated Big Trouble before taking the lead opposite Tom Green in Stealing Harvard. Though Big Trouble and Stealing Harvard both performed abysmally at the box-office, the likable Lee could still hold out for romantic comedy success with the release of A Guy Thing in early 2003. A third strike in terms of hitting box-office gold, the undaunted former skateboard pro soldiered on into the cold wilderness for the horrors of Dreamcatcher before re-teaming with faithful cohort Smith for the one-two punch of Jersey Girl and Flectch Won in late 2003. Over the coming years, Lee would tontinue to gain notoriety, popularly starring on the TV series My Name is Earl, Memphis Beat, and Up All Night, and appearing in movies like Cop Out and the Alvin and the Chipmunks franchise.

Trivia: This actor from New Jersey is best known as the vocal half of the onscreen comedy duo of Jay and Silent Bob, immortalized by Kevin Smith's independent classic Clerks (1994). Jay (Mewes) and Silent Bob (Smith), an idiosyncratic pair of suburban drug dealers, provide brief comic moments throughout Clerks, and Jay's ramblings are interrupted only by a rare moment of wisdom from Silent Bob. Although Smith's films do not share an ongoing story, they all occur in the same continuity, with Jay and Silent Bob as the one constant fixture. The criminal background of Jay and Silent Bob was toned down for the studio-produced Mallrats (1995), and the pair was played more for slapstick laughs. Mewes made a rare appearance as a character other than Jay in the film Drawing Flies (1996), an independent backed by Kevin Smith's View Askew Productions; he would reprise the role of Jay in the indie hit Chasing Amy. Jay and Silent Bob also appear in a series of comedic short films, directed by Smith, that were aired on MTV in 1998 and are featured extensively in Smith's action-oriented religious satire, Dogma (1999). In 2001 the dynamic duo of humor re-teamed, this time for their very own feature film, Jay and Silent Bob Strike Back.

Trivia: One of the most unique voices to emerge during the American independent filmmaking renaissance of the 1990s, Kevin Smith was born in New Jersey on August 2, 1970. Smith later attended the New School for Social Research's creative writing program, dropping out after administrators contacted his parents to report that their son had been caught launching water balloons out of his dormitory window. He subsequently enrolled in the Vancouver Film School, but again ended his stay after just four months. Returning home to New Jersey, Smith accepted a job in a local convenience store and began plotting his next move. Inspired by the success of director Richard Linklater's 1991 low-budget hit Slacker, he contacted former film-school comrade Scott Mosier, and together the duo began discussing producing their own feature.After rounding up just over 27,000 dollars -- collected from parents, credit-card advances, and the sale of Smith's beloved comic book collection -- they shot Clerks, a hilariously scabrous look at American consumer culture steeped in Smith's own experiences behind the cash register. Shooting each night in the same convenience store where the director worked by day, they completed production in just three weeks and began promoting the feature on the festival circuit. In 1994, Clerks debuted at the Sundance Film Festival, becoming the breakout hit of the event. Suddenly Smith, with his flair for raunchy yet heavily stylized dialogue, colorful characterizations, and keen cultural perceptiveness, was the toast of the indie community, swiftly acquiring Creative Artists Agency representation and a distribution deal with Miramax. After winning a court battle to replace the often-vulgar movie's NC-17 rating with a more commercially palatable R, Clerks hit the arthouse circuit, where it recouped its initial investment many times over and became a critical smash. Soon Smith was at work on the 1995 comedy Mallrats, the second chapter in his self-described "New Jersey trilogy." Despite reprising a number of characters from the previous film -- including the director's own onscreen alter ego, Silent Bob -- Mallrats was both a commercial and critical disaster, and while members of his avid cult audience remained enthusiastic, he publicly "apologized" for making the movie at the 1995 Independent Spirit Awards ceremony. In 1997, Smith resurfaced with Chasing Amy, the final film in the trilogy and his most mature effort to date. Unlike its predecessor, the film won wide critical acclaim, with many critics praising Smith's insightful exploration of love and loss.In 1999, Smith was back in the spotlight with Dogma, a film centering on the last living descendent of Jesus Christ, a woman named Bethany (Linda Fiorentino) who works as a clerk in an abortion clinic. Unsurprisingly, the film, which had its world premiere at the Cannes Film Festival, garnered more than its share of controversy even before being released theatrically. Dogma's distributor, the Disney-owned Miramax Pictures, announced that they would not release the picture and intended to sell it to another distributor. They did so, as Smith all the while maintained that the film -- which also starred Alanis Morissette as God -- was about the importance of faith, rather than an attempt to ridicule it.Scaling down his themes somewhat, Smith dedicated his next film, Jay and Silent Bob Strike Back, to the stoner duo who appeared on the sidelines in each of his first four efforts. Prepped for a wide, late-August 2001 release, the 20-million-dollar road comedy seemed affable in terms of overall concept, until a sneak preview left representatives of the Gay and Lesbian Alliance Against Defamation (GLAAD) up in arms over the film's derogatory language and recurring gay-sex jokes. Stopping short of issuing an apology, Smith again defended his right to portray uncouth characters: Jay and Silent Bob's homophobia, he argued, further illustrated their idiocy. Unconvinced, Smith's detractors compelled him to tack on a closing-credit anti-defamation comment and make a 10,000-dollar goodwill donation to the Matthew Shepard Foundation. Little of this mattered to critics or fans, as JASBSB garnered mixed-to-poor reviews and decent (if precipitous) opening weekend box-office totals, proving that Smith had indeed cultivated a core audience.After another turn in front of the camera in 2003's Daredevil, Smith returned to directing with 2004's Jersey Girl. The film had plenty of buzz surrounding it because it was one of two films starring über-couple Ben Affleck and Jennifer Lopez slated for release. However, when the other film Gigli became a failure of nearly-Ishtarian proportions and the celebrity-duo called off their wedding, that buzz turned into a stigma. Attempting to remove some of the Gigli-residue on the film, Smith retired to the editing room and excised much of Lopez's role in the film. Nonetheless, Jersey Girl was largely panned and became a box-office failure.In dire need of a hit in the wake of Jersey Girl, Smith returned to the work that ignited his career by turning out a sequel to that opus, Clerks II. Released in July 2006, the movie picks up on the lives of Dante and Randall , the two slackers from the first film, who lose their jobs at the convenience store and video rental when a fire burns the strip mall to ashes. The buddies are forced to don uniforms and man the counters at Mooby's, a fast-food restaurant whose supremely irritating bovine mascot also appeared in Smith's Dogma. Smith took a supporting role in Catch and Release as the slovenly, yet philosophical roommate of a woman (Jennifer Garner) mourning the loss of her fiancé in 2007, and directed comedy drama Zack and Miri Make a Porno in 2008 The film featured Seth Rogen and Elizabeth banks as a longtime friends who agree to make a pornographic film to get out of debt. Smith took a supporting role in Catch and Release as the slovenly, yet philosophical roommate of a woman (Jennifer Garner) mourning the loss of her fiance. The director went a different direction for Red State, a horror film with resounding political undertones. Released in 2011, the film followed the aftermath suffered by teens and their families following a kidnapping spearheaded by a fanatical religious group.

Trivia: Born May 25th, 1976, Manhattan native Ethan Suplee began to realize his love for acting early in life through school plays and drama projects. Lacking a sense of direction after graduating from high school, Suplee was prompted by friend and fellow actor Giovanni Ribisi to attend acting classes; Suplee took his friend's advice. Frustrated at his teacher's lack of promotion and encouragement, Suplee dropped out after one year and soon landed his first major role, as a recurring character on the television sitcom Boy Meets World in 1994. After making his feature debut in Mallrats, Suplee stuck mainly to the big screen, with diverse roles in such films as Desert Blue and the controversial American History X (both 1998). Frequently appearing in later Kevin Smith efforts, as well as comedies like Road Trip (2000) and Evolution (2001), Suplee also appeared in the drama Blow (2001), and with Denzel Washington in both Remember the Titans (2000) and the emergency room hostage drama John Q. (2001). Suplee found success on the small screen on My Name is Earl (2005), when he took on the role of Lee's dimwitted friend. In 2009 Suplee appeared in the critically acclaimed drama Brothers, and later joined the cast of the USA Network's sitcom Wilfred in 2011.

Trivia: The younger brother of actor Ben Affleck, Casey Affleck spent the last few years of the 1990s working his way out of his brother's muscular shadow. The younger Affleck, who remarkably bears almost no resemblance to his older brother, was born August 12, 1975, in Falmouth, MA. He made his television debut in the 1987 American Playhouse special Lemon Sky and three years later played the young Robert Kennedy in the TV miniseries The Kennedys of Massachusetts. The young actor's film debut came in 1995, with Gus Van Sant's To Die For, in which he had a supporting role as one of Joaquin Phoenix's slacker friends. The next year, he appeared in the largely unseen Race the Sun, and in 1997 benefited from the Power of Ben with roles in two of his brother's films. In the first, Chasing Amy, Affleck was little more than a blip on the screen, but in the second, Van Sant's Good Will Hunting, he had a decidedly more substantial part as one of Matt Damon's South Boston homeboys. Following the astounding, Oscar-winning success of Hunting, Affleck landed substantial roles in two films with casts featuring Who's Who lineups of Hollywood's Young and Hot: Desert Blue (1998), in which he starred with Christina Ricci, Kate Hudson, and Brendan Sexton III; and 200 Cigarettes (1999), in which he appeared as a soft-hearted punk alongside Desert Blue co-stars Ricci and Hudson, along with Paul Rudd, Courtney Love, Janeane Garofalo, and brother Ben. Although the film basically flopped, it did little to hurt the actor's career and the same year he attained added credibility with an unbilled appearance in the summer smash American Pie. The next few years found the younger Affleck in some notable more noticeable roles with his work in Hamlet, Committed, and Drowning Mona (all 2000). In 2001 he would get his largest billing yet, as well as his induction into the teen horror craze, with Soul Survivors.A re-teaming with Good Will Hunting co-horts Van Sant and Damon in 2002's deliberate independent drama Gerry was bookended by sizable supporting roles in director Steven Soderbergh's carefree crime comedies Ocean's Eleven and Ocean's Twelve, and in 2005 the younger Affleck would prove without question his ability to carry a dramatic feature with his subtle portrayal of an aimless twenty-something hindered by familial obligations in Steve Buscemi's Sundance-nominated drama Lonesome Jim. In 2006 Casey would star opposite Zach Braff in director Tony Goldwin's romantic comedy re-make The Last Kiss. 2007 would prove to be a turning point for the actor. In addition to reprising his character for the third installment of the Ocean's Eleven franchise, Affleck earned strong reviews for two drama that year. He headlined brother Ben Affleck's directorial debut, an adaptation of Dennis Lehane's Gone Baby Gone, bring to life the character of Patrick Kenzie, a private eye with close ties to the mean streets of Boston. But his work as the title coward in The Assassination of Jesse James by the Coward Robert Ford brought him numerous good reviews even though the film failed to make much of a splash at the box office. His work earned him a number of year-end accolades including nominations from the Academy and the Screen Actors Guild for Best Supporting Actor (even though he is the lead).After these critical successes he was poised for a breakthrough, but he was away from the big screen for three years, not returning to movies until 2010 as the star of the Jim Thompson adaptation The Killer Inside Me, and as director/producer/screenwriter/editor of I'm Still Here, a mockumentary that satirized celebrity meltdowns starring Joaquin Phoenix. He was part of the ensemble in Tower Heist the next year, and followed that up by voicing a part in ParaNorman in 2012.

Trivia: Recognized as one of the more important players in the 1990s independent film scene, Guinevere Turner began her career as the star, co-writer, and co-producer of Rose Troche's groundbreaking lesbian ensemble film Go Fish (1994). A native of Boston, where she was born May 23, 1968, Turner gained a substantial dose of art house recognition for her work on Go Fish, which ultimately became touted as one of the seminal gay and lesbian films of the '90s, as well as one of the most important independent films of that decade. Following Go Fish, Turner starred in another noteworthy independent, Cheryl Dunye's The Watermelon Woman (1996). Although the film received only lukewarm reviews, it became caught up in controversy when actor Alec Baldwin cited it in his much publicized defense of NEA funding. Turner subsequently appeared in a number of diverse films, including the S&M comedy Preaching to the Perverted (1997) and Kevin Smith's Dogma (1999). In 2000, she again made headlines as the co-writer of Mary Harron's controversial adaptation of Brett Easton Ellis' American Psycho; Turner also had a supporting role in the film.

Trivia: Saucer-eyed actress Illeana Douglas has been regularly appearing in major films since 1987, when she debuted in the Shelley Long comedy Hello Again. The granddaughter of actor Melvyn Douglas and actress-turned-Congresswoman Helen Gahagan, Douglas was born July 25, 1965, in Massachusetts.After her film debut, the actress worked for years in relative obscurity, at one point dubbing a chilling scream for The Last Temptation of Christ. She frequently appeared in other Martin Scorsese films, most notably Goodfellas (1990) and 1991's Cape Fear. Her collaboration with the director also took place offscreen, as the two dated for years.Following roles in a number of films, including Household Saints (1993) and Quiz Show (1994), Douglas was cast in Gus Van Sant's 1995 To Die For. She won some measure of recognition and critical praise for her role as Nicole Kidman's sarcastic sister-in-law, and the following year landed the lead in Allison Anders' Grace of My Heart. Although Douglas was again praised for her work -- here portraying a Carole King-like singer/songwriter -- the film did poorly among critics and at the box office.The actress went on to do a number of made-for-TV films, including the satirical Weapons of Mass Distraction in 1997. In 1999 she had a full plate, doing both television work (appearing as a prostitute on the Fox series Action) and more film work. She appeared with Kevin Costner in Message in a Bottle before going on to make the independent film Happy, Texas, the supernatural thriller Stir of Echoes with Kevin Bacon, and Can't Stop Dancing, a comedy in which she acted alongside Margaret Cho and Janeane Garofalo.She had a fine turn in the well-reviewed indie Ghost World, and a small turn in the infamous turkey The Adventures of Pluto Nash. She had major roles in Dummy and Factory Girl, and in 2007 she joined the cast of the hit ABC series Ugly Betty. In addition to her acting career, she has directed, written, and starred in a number of shorts and web series.

Trivia: Brian O'Halloran is a classic example of a guy who was in the right place at the right time. As a semi-pro stage actor, O'Halloran auditioned for a role in an independent film being shot on a starvation budget, and launched a successful collaboration with a man who would become one of America's most talked-about filmmakers. Born and raised in New Jersey, Brian O'Halloran's father was an automotive engineer, and when he was young O'Halloran hoped to follow in his dad's footsteps. However, when O'Halloran was 15, his father passed away, and Brian became disenchanted with his original career choice. O'Halloran soon discovered acting, and became an active figure in his high school's theater department; when he moved on to college, O'Halloran remained active in student and community theater while taking acting classes, but late in his college career O'Halloran took a break from performing arts and took a job at a supermarket. After a couple of disenchanting years in retail, O'Halloran decided to get back into acting, and after diving back into stage work in 1993 he auditioned for a role in an independent film being shot in New Jersey by a first-time writer and director. The writer/director was Kevin Smith, and the film, Clerks, became one of the biggest independent film success stories of the decade, grossing over three million dollars on a production budget of 27,000 dollars and becoming a perennial favorite on home video. O'Halloran's performance as the cranky and often befuddled Dante Hicks was the linchpin of the movie, and he became a member of Smith's stock company, playing supporting roles (usually as characters with the surname Hicks) in Mallrats, Chasing Amy, Dogma, and Jay and Silent Bob Strike Back for the director. O'Halloran also reprised the role of Dante by providing the voice for the character on the short-lived animated television series Clerks, as well as the commissioned-for-The Tonight Show with Jay Leno short The Flying Car. In 2006 O'Halloran tackled the role yet again in a the eagerly anticipated Clerks II. Kevin Smith's associate Bryan Johnson cast O'Halloran in the leading role of his first film, the controversial Vulgar, and O'Halloran has also wrapped roles in two independent films outside of Smith's View Askew universe, Groupies and Drop Dead Roses.

Trivia: One who graduated from obscure actor to Hollywood icon in just a few years, Matt Damon became an instant sensation when he co-wrote and starred in Good Will Hunting with longtime buddy and collaborator Ben Affleck. A native of Cambridge, Massachusetts, where he was born on October 8, 1970, Damon grew up in prosperous surroundings with his tax preparer father, college professor mother, and older brother. At the age of ten, he befriended Affleck, a boy two years his junior who lived down the street. Educated at Cambridge's Rindge and Latin School, Damon landed his first role in a Hollywood production before the age of 18, with a one-scene turn in Mystic Pizza (1988). Not long after, Damon gained acceptance to Harvard University, where he studied for three years before dropping out to pursue his acting career. During his time there, he had to write a screenplay for an English class, that served as the genesis of Good Will Hunting. Arriving in Hollywood, Damon scored his first big break with a plum role in School Ties opposite Affleck. As the film was a relative flop, Damon's substantial role failed to win him notice, and he was back to laboring in obscurity. It was around this time, fed up with his Hollywood struggles, that Damon contacted Affleck, and the two finished writing the former's Harvard screenplay and began trying to get it made into a film. It was eventually picked up by Miramax, with Gus Van Sant slated to direct and Robin Williams secured in a major role, opposite Damon as the lead. Before Good Will Hunting was released in late 1997, Damon won some measure of recognition for his role as a drug-addicted soldier in Courage Under Fire; various industry observers praised his performance and his dedication to the part, for which he lost forty pounds and suffered resulting health problems. Any praise Damon may have received, however, was overshadowed the following year by the accolades he garnered for Good Will Hunting. His Oscar nomination for Best Supporting Actor, Best Screenplay win alongside Damon, and strong performance in the film virtually guaranteed industry adulation and steady employment, a development that became readily apparent the following year with lead roles in two major films. The first, John Dahl's Rounders, cast Damon as a card shark with a serious gambling addiction, who risks his own personal safety when he becomes entangled with a reckless loser buddy (Edward Norton). Damon's second film in 1998, Steven Spielberg's Saving Private Ryan, brought him even greater recognition. As Ryan's title character, Damon headlined an all-star line-up and received part of the lavish praise heaped on the film and its strong ensemble cast. The following year, Damon signed for leads in two more highly anticipated films, Anthony Minghella's The Talented Mr. Ripley and Kevin Smith's Dogma. The former cast the actor against type as the title character, a psychotic bisexual murderer, with a supporting cast that included Cate Blanchett, Jude Law, and Gwyneth Paltrow. Dogma also allowed Damon to cut against the grain of his nice-guy persona by casting him as a fallen angel. One of the year's more controversial films, the religious comedy reunited him with Affleck, as well as Smith, who had cast Damon in a bit role in his 1997 film, Chasing Amy. Damon next delivered noteworthy performances in a pair of low-grossing, low-key dramas, The Legend of Bagger Vance and All the Pretty Horses (both 2000), before appearing in director Steven Soderbergh's blockbuster remake of the Rat Pack classic Ocean's Eleven the following year. 2002 found the actor vacillating between earnest indie projects and major Hollywood releases. Behind the camera, Damon joined forces with filmmaker Chris Smith for the Miramax-sponsored Project Greenlight, a screenplay sweepstakes that gave the winner the opportunity to make a feature film and have the process recorded for all to see on an HBO reality series of the same name. Toward the end of 2001, Damon scored a box office triumph with director Doug Liman's jet-setting espionage thriller The Bourne Identity. With this effort, Damon proved once again that he could open a film with just as much star power as his best friend and colleague. Better yet, Bourne reinforced Damon's standings with the critics, who found his performance understated and believable. The press responded less favorably, however, to Damon's reunion project with Van Sant, the experimental arthouse drama Gerry (2003). Also in 2003, Damon starred opposite Greg Kinnear in the Farrelly Brothers' broad comedy Stuck On You, as the shy half of a set of conjoined twins.In 2004, Damon reprised the role of Jason Bourne in The Bourne Supremacy. As the actor's biggest leading-man success to date, it reinforced Damon's continued clout with audiences. Staying on the high-powered sequel bandwagon, he reunited with Brad Pitt and George Clooney for the big-budget neo-rat pack sequel Ocean's Twelve later that year. 2005 was somewhat lower-key for the actor, as he toplined Terry Gilliam's disappointing The Brothers Grimm and joined the sprawling ensemble of Syriana. After working seemingly non-stop for a few years, Damon claimed only a call from Martin Scorsese would get him to give up his resolve to take some time off. Sure enough, that call came. The Departed, an American remake of the Hong Kong mob-mole thriller Infernal Affairs, co-starred Jack Nicholson and Leonardo DiCaprio. Playing the squirmy, opportunistic cop to DiCaprio's moral, tormented mobster, Damon underplayed his part to perfection while holding his own opposite his two co-stars. Damon then took the lead role in the Robert De Niro-directed CIA drama The Good Shepherd. In 2007, the actor once again returned to box office franchises for the sequels Ocean's Thirteen and The Bourne Ultimatum, the latter of which netted him -- by far -- the largest opening-weekend take of his career to that point. 2009 was another great year for the hard-working star. His turn as the unstable federal informant in Steven Soderbergh's wicked comedy The Informant! earned him rave reviews, and his supporting work in Clint Eastwood's Invicus, as the leader of the South African rugby team, earned Damon nominations from the Golden Globes, the Screen Actors Guild, and the Academy. In 2010 he reteamed with Eastwood for the supernatural drama Hereafter, and continued working with the best filmmakers of his time by landing a supporting role in the Coen brothers remake of True Grit. Meanwhile, Damon tried his hand at small screen work with a memorable recurring role as Carol, an airline pilot and sometime boyfriend of Liz Lemon, on the NBC situation comedy 30 Rock and a lauded turn opposite Michael Douglas' Liberace in the TV movie Behind the Candelabra. Damon had long since established himself as an A-list movie star, however, and would continue to star in big screen projects for years to come, including notable titles like Contagion, The Adjustment Bureau, and We Bought a Zoo. Damon next turned in performances in three films set in outer space: Neill Blomkamp's Elysium (2013), a supporting role in Christopher Nolan's Interstellar (2014) and an Oscar-nominated spin in Ridley Scott's The Martian (2015).