Trivia: Whether he's acting or co-writing brilliantly quirky character studies with director/writing partner Wes Anderson, Owen C. Wilson's work exudes an insouciant yet earnest charm and eccentric comic sensibility, making him one of the most promising new talents to emerge in the 1990s.Born in Dallas on November 18th, 1968, Wilson raised enough hell in high school to get expelled from one institution in tenth grade, but he managed to attend college at the University of Texas in Austin and graduate in 1991. Along with his degree, Wilson's Austin years resulted in a budding partnership with a like-minded creative classmate, aspiring filmmaker Wes Anderson. Their first film together, a short about a bookstore heist called Bottle Rocket, played at the 1993 Sundance Film Festival, attracting the attention of producer Polly Platt and writer/director James L. Brooks. With Brooks' support, Wilson and Anderson expanded the short into a feature, indie cult favorite Bottle Rocket (1996). Though it made little impression at the box office, Anderson and Wilson's distinctly offbeat, wry, and optimistic tale about aspiring criminal Dignan and his best friend Anthony (played by Wilson's brother Luke Wilson) earned ardent fans among cinéastes. Wilson's inspired performance as Dignan, not to mention his blond hair, large grin, and affable drawl, became his Hollywood calling card. That same year, Wilson also began a fertile association with actor/director Ben Stiller, appearing in one memorable scene as a smooth, ill-fated date in Stiller's black comedy The Cable Guy (1996).Alternating between supporting roles in Hollywood spectacles, collaborations with Anderson and Stiller, and smaller independent projects, Wilson worked steadily for the rest of the 1990s. Though he always seemed to fill the generic slot of Guy Marked for Death, Wilson still managed to bring a reliably laid-back, humorous spark to the bombastic proceedings in Anaconda (1997), Armageddon (1998), and The Haunting (1999). On a more artistically successful front, Wilson's next script with Anderson resulted in the lauded coming-of-age film Rushmore (1998). With its singular cast of characters, distinctive combination of deadpan humor and true emotion, and superb performances by Jason Schwartzman as teen prodigy Max Fischer and Bill Murray as depressed millionaire Blume, Rushmore earned prizes from the critics (if not the Academy) and proved that Bottle Rocket was no fluke. As far as acting, Wilson's ability to suggest complexity beneath a breezy surface earned positive notice for his unsettling performance as a laconic, self-styled Good Samaritan serial killer in indie thriller The Minus Man (1999).By 2000, Wilson began to take center stage in larger Hollywood projects as well. Though it was another Jackie Chan vehicle, Wilson's hilarious co-starring turn as a surfer dude-tinged outlaw in the chop socky Western Shanghai Noon (2000) nearly stole the movie. Wilson's brief appearance as a Jesus-loving, super rich romantic rival to Ben Stiller's put-upon Greg Focker was a comic highlight of the hit Meet the Parents (2000). Stiller's supermodel farce Zoolander (2001) further sealed Wilson's status as a superlative comic actor. As Zoolander's rival Hansel, Wilson's offbeat timing made him the ultimate bubble-headed mannequin; his catwalk competition with Stiller provided the biggest laughs in a hit-or-miss movie. Even as he flourished in broad Hollywood comedy, Wilson continued his partnership with Wes Anderson, co-writing with Anderson and co-starring (with his brother Luke and Stiller among others) in the unusual family story The Royal Tenenbaums (2001). Branching out into serious roles, Wilson then co-starred with The Royal Tenenbaums patriarch Gene Hackman in the military drama Behind Enemy Lines (2001). An increasingly prevalent figure in action films following the millennial turnover, Wilson followed Behind Enemy Lines with I Spy (2002) and the Shanghai Noon sequel Shanghai Knights (2003) before appearing opposite Morgan Freeman in the critical and commercial disappointment The Big Bounce and co-starring in the underwhelming big screen adaptation of Starsky & Hutch. He made his third appearance in a Jackie Chan vehicle in the 2004 Disney production Around the World in 80 Days; though poised to be a blockbuster, the mega-budgeted film was one of the biggest flops of the season.A rebound was in order, and if his supporting turn in the 2004 holiday-season blockbuster sequel Meet the Fockers wasn't enough, Wilson found his greatest leading-man success to date as foil to the bawdy Vince Vaughn in 2005's raunchy, runaway hit The Wedding Crashers. The Wilson-Vaughn pairing challenged the Wilson-Stiller hilarity quotient as a pair of divorce consultants who bide their free time crashing weddings to get laid. The $200-million smash was indeed a tough act to follow, and while 2006's You, Me and Dupree - a thematic reprise of his Wedding Crashers role in which he plays an irritating houseguest who refuses to vacate - was something of a letdown, Wilson more than made up for it that same year with a leading voice role in Pixar's Cars and a supporting turn in Stiller's special-effects comedy A Night at the Museum.For the next couple of years, Wilson continued to stick with what worked - collaborations with Anderson (The Darjeeling Limited (2007), Fantastic Mr. Fox (2009) and The Grand Budapest Hotel (2014)) and sequels in his hit franchises (Night at the Museum: Battle for the Smithsonian (2009), Little Fockers (2010) and Cars 2 (2011)). He also starred in Woody Allen's Mightnight in Paris (2011), earning a Golden Globe nomination for Best Actor in a Musical or Comedy.Romantically linked, by turns, with a pre-Ashton Demi Moore, rocker Sheryl Crow, and actress Kate Hudson, Wilson, with his shaggy blond mane, blue eyes, and (as one magazine cited humorously in its front cover headline) "unusual nose," also found himself the unlikely forebear of a new wave of Hollywood sex symbols.

Trivia: The bewitching Lake Bell was born and raised in New York City, later heading across the state to Skidmore College in Saratoga Springs before making the leap across the pond to transfer to Rose Bruford College in London, England. It was there that she began to get her acting feet wet, appearing in numerous stage productions including The Pentecost and The Seagull. Bell returned to the States to begin her onscreen career, appearing on two episodes of the long-running drama ER and alongside Jeff Goldblum in the TV movie War Stories. In 2004, she took on the recurring role of Sally Heep on The Practice. When that series was canceled, she continued the role on its spin-off, Boston Legal, and stayed with the show as a regular until 2006. Bell also appeared as a main cast member on the shortlived series Miss Match and Surface before making the transition to the big screen. In 2008, she played a woman being haunted by the ghost of her boyfriend's ex-fiancée in Over Her Dead Body, alongside Paul Rudd and Eva Longoria Parker. In the years to come, Bell would maintain her position as a successful actress, appearing in movies like No Strings Attached, and movies like How to Make it in America and Childrens Hospital. She also stepped behind the camera, writing and directing the comedy In a World....

Trivia: Made her film debut in the 2013 zombie apocalypse flick World War Z with Brad Pitt.First recurring TV role was Lily Bowers in the NBC crime drama Deception.Frequently plays a member of a family in peril, fighting for survival, such as in World War Z and No Escape.Has modeled for BabyGap and appeared in a commercial for Johnson and Johnson.Studied ballet since she was six and has training from Ballet Academy East, Harkness Ballet and French Academy of Ballet and The Bolshoi Theatre in Moscow.

Trivia: Moving to London with his family at an early age, Irish-born actor Pierce Brosnan made ends meet as a commercial illustrator and cab driver before turning to acting full-time. After training at the London Drama Centre, Brosnan made his West End stage bow in 1976, and appeared in his first film, The Long Good Friday, four years later. American audiences got their first glimpse of the charismatic, muscular young actor in the 1981 network miniseries The Manions of America. The following year, he was cast as the suave adventurer hero of the weekly TV series Remington Steele. Brosnan's casual panache and his gift for quippery led the producers of the James Bond movies to select him as the new Bond upon the departure of Roger Moore in 1986. However, at the last moment, the canceled Remington Steele was renewed, and Brosnan was contractually obligated to remain with the program, forcing him to relinquish the James Bond role to Timothy Dalton. Insult was later added to injury when it became evident that the renewal of Steele was something of a subterfuge by its producers to keep Brosnan on their leash. This professional setback was further compounded by personal tragedy seven years later when Brosnan's actress wife Cassandra Harris died after a long illness. The actor began to regain his motion picture bankability when he was cast in a choice secondary role in the 1993 comedy megahit Mrs. Doubtfire. In 1995, he finally got his chance to play Agent 007 in GoldenEye, and proved that the producer's instincts were right on target. Brosnan not only provided a much-needed boost for the ailing series, but also cemented his status as a capable leading man in a variety of roles, ranging from the title character in Daniel Defoe's Robinson Crusoe (1996) to a stuffy, love-struck professor who meets a ludicrous fate in Mars Attacks! (1996) to a courageous vulcanologist trying to save a town threatened by a reawakened volcano in Dante's Peak (1997). Brosnan played Bond for the second time in Tomorrow Never Dies (1997), essaying the role with great success. Following his turn as the titular thief in the stylish 1999 remake of The Thomas Crown Affair, the actor went on to his third Bond outing in The World is Not Enough, again proving that saving the world was most convincingly done by those with convincing tans, straight teeth, and plenty of fun gadgets. And the world isn't the only thing Bond saved. While, the next half-decade found Brosnan stumbling with disappointments like The Tailor of Panama and The Laws of Attraction, he found box office success with the Bond franchise yet again 2002 with his final film in the franchise, Die Another Day. He soon followed this with a critically acclaimed comedic performance in the sleeper hit The Matador, before signing on for the highly anticipated film adaptation of the Abba inspired musical Mama Mia!. Next up, Brosnan would appear in some more dramatic fare like Remember Me before lightening up once more for the romantic comedy I Don't Know How She Does It.