Trivia: Dialect comedians may not be politically acceptable these days, but American comic actor Larry Storch has never lacked work all the same. A product of the New York ethnic "melting pot," Storch amused his childhood friends (including lifelong chum Don Adams) with his dead-on impressions of the many Italians, Hispanics, Germans and Jews in his neighborhood. He advanced his skills for mimicry by virtually living in the local movie houses, memorizing the speech patterns of such character actors as Victor McLaglen, Guy Kibbee and Charley Grapewin. One of his first jobs after World War II navy service was as a writer on The Kraft Music Hall, where he was frequently required to substitute for the star, blustery actor Frank Morgan; years later, he revived his Morgan impression as Chumley on the cartoon series Tennessee Tuxedo (in which his old pal Don Adams voiced the title character). In 1951 Storch appeared in the Chicago revue Red White and Blue, which led to a stint as summer replacement for Jackie Gleason on the Dumont TV series Cavalcade of Stars. Storch's most common stamping grounds in the '50s was the nightclub stage; at one point he even ran his own club. Storch made his film bow in The Prince who was a Thief (51) which starred a friend from his Navy days, Tony Curtis. When Storch's career was on the wane in the early '60s, Curtis cast him in several of his vehicles of that period, including Who was That Lady (1960), wherein Storch recreated his Broadway role as an emotional Russian spy. After a semi-recurring role as Charlie the Drunk (who became besotted simply by talking about drinking) on the early '60s sitcom Car 54, Where are You?, Storch was cast as Corporal Agarn, comic sidekick of conniving cavalry sergeant O'Rourke (Forrest Tucker) on the western comedy weekly F Troop (1965-66). In addition to Agarn, Storch was permitted to play various foreign branches of the Agarn family, with appropriate broad accents. Since the cancellation of F Troop in 1966, Larry Storch has been a regular on The Queen and I (1969) and The Ghost Busters (1976), has worked periodically in films, and has appeared with great frequency in clubs (still doing "characterization" routines rather than one-liners) and on stage. In 1991, Larry Storch garnered excellent notices for his brief character turn in the off-Broadway play Breaking Legs.

Trivia: Of Spanish, French, German, and Dutch descent, actress Linda Christian spent her childhood moving from place to place across the globe; her father was a petroleum engineer, a profession that precluded a permanent address. After working as a clerk in the British government office in Palestine, Christian relocated to Acapulco, where she was discovered by film star Errol Flynn. Signed to an RKO contract in 1944, she languished in bit roles for a year or so. She was better served at MGM, where she was stuck with the publicity-flack designation "the Copper Girl." Her best-known assignment during her MGM years was as a loan-out to her old studio of RKO to appear in the Mexico-filmed Tarzan and the Mermaids. Christian married Tyrone Power in 1949 and had two daughters by Power before their 1956 divorce, which garnered international headlines due to Christian's then-enormous one-million-dollar cash settlement. Having no problem whatsoever attracting press attention wherever she went, Christian still could not parlay her off-camera fame into movie stardom: Her film appearances of the 1950s were generally unsuccessful. She did, however, have the distinction of being the very first "Bond Girl" when she co-starred with Barry Nelson (as American secret agent "Jimmy" Bond) in a 1954 TV adaptation of Ian Fleming's Casino Royale. Squired by European nobility after her breakup with Power, Christian opted to become an actor's wife for a second time when she married Edmond Purdom in 1962, and later married a third time into an aristocratic European family. Linda Christian's daughter, Romina Power, launched her own film career in the 1960s. Christian died in 2011 at age 86.

Trivia: The face of American actor Myron Healey was not in and of itself villainous. But whenever Healey narrowed his eyes and widened that countenance into a you-know-what-eating grin and exposed those pointed ivories, the audience knew that he was about to rob a bank, hold up a stagecoach, or burn out a homesteader, which he did with regularity after entering films in the postwar years. Still, Healey could temper his villainy with a marvelous sense of humor: for example, his hilarious adlibs while appearing in stock badguy roles in such TV series as Annie Oakley and Gene Autry. With 1949's Colorado Ambush Healey broadened his talents to include screenwriting. Usually heading the supporting cast, Myron Healey was awarded a bonafide lead role in the 1962 horror film Varan the Unbelievable (a Japanese film, with scattered English-language sequences), though even here he seemed poised to stab the titular monster in the back at any moment.

Trivia: Born in Brooklyn of Puerto Rican parentage, Henry Silva supported himself with delivery jobs as he trained for an acting career with the Group Theater and the Actors Studio. Though definitely an "ethnic type," Silva's actual heritage was nebulous enough to permit him to play a wide variety of nationalities. He has successfully portrayed Mexicans, Native Americans, Italians, Japanese, and even extraterrestrials. Among Henry Silva's best-known film roles were the treacherous North Korean "houseboy" to Laurence Harvey in The Manchurian Candidate (1962), the vengeful eponymous gangster in Johnny Cool (1963), and the shrewd Oriental title character in The Return of Mr. Moto (1965).

Trivia: A staple of Western-themed films and television series, veteran character actor Rayford Barnes began his onscreen career with John Wayne in Hondo, and in recent years appeared on television in Walker, Texas Ranger and ER. After beginning his career in New York training with Stella Adler and the Neighborhood Playhouse, Barnes moved to San Francisco to open his own theater, and later relocated to San Francisco, where he landed his role in Hondo. A veteran of WWII, Barnes made regular appearances on such TV series as Gunsmoke, The Virginian, and Little House on the Prairie while concurrently appearing in Westerns like The Wild Bunch and The Hunting Party. Rayford Barnes died on November 11, 2000, at St. Andrews Medical Center in Santa Monica, CA. He was 80.

Trivia: John Marley's craggy face, cement-mixer voice and shock of white hair were familiar to stagegoers from the 1930s onward. Marley started out as one-half of a comedy team, but soon found that his true metier was drama. In films on an infrequent basis since 1941, Marley stepped up his moviemaking activities in the mid-1960s, playing such sizeable roles as Jane Fonda's father in Cat Ballou (1965). He won a Venice Film Festival award for his performance as a miserable middle-aged husband in John Cassavetes' Faces (1968), and was Oscar-nominated for his portrayal of Ali MacGraw's blue-collar dad in Love Story. Arguably Marley's most unforgettable assignment was The Godfather (1972), in which, as movie mogul Lou Woltz, he wakes up to find himself sharing his bed with a horse's head. John Marley's television work included a regular role on the obscure NBC daytime drama Three Steps to Heaven.

Trivia: Though no one in his family had ever pursued a theatrical career (one of his more illustrious relatives was British Prime Minister Neville Chamberlain), Alan Napier was stagestruck from childhood. After graduating from Clifton College, the tall, booming-voiced Napier studied at the Royal Academy of Dramatic Art, then was engaged by the Oxford Players, where he worked with such raw young talent as John Gielgud and Robert Morley. He continued working with the cream of Britain's acting crop during his ten years (1929-1939) on the West End stages. Napier came to New York in 1940 to co-star with Gladys George in Lady in Waiting. Though his film career had begun in England in the 1930s, Napier had very little success before the cameras until he arrived in Hollywood in 1941. He essayed dignified, sometimes waspish roles of all sizes in such films as Cat People (1942), The Uninvited (1943), and House of Horror (1946); among his off-the-beaten-track assignments were the bizarre High Priest in Orson Welles' Macbeth (1948) and a most elegant Captain Kidd in the 1950 Donald O'Connor vehicle Double Crossbones. In 1966, Alan Napier was cast as Bruce Wayne's faithful butler, Alfred, on the smash-hit TV series Batman, a role he played until the series' cancellation in 1968. Alan Napier's career extended into the 1980s, with TV roles in such miniseries as QB VII and such weeklies as The Paper Chase.

Trivia: Character actor David White is best remembered for playing advertising executive Larry Tate on the popular '60s sitcom Bewitched (1964-1972), but he began his career as a movie actor in 1957 with The Sweet Smell of Success. White died of a heart attack in 1990. He was married to actress Mary Welch.

Trivia: A veteran character actor of stage and screen, George O. Petrie will be recognized by fans of the NBC sitcom Mad About You as Paul Reiser's film editor. A native of New Haven, CT, and a 1934 graduate from U.S.C., Petrie's interest in acting led him to New York where he landed a role in the Broadway production of Cafe Crown. While serving in the military during WWII, Petrie appeared in the Broadway production of The Army Play by Play, a five-part anthology comprised of vignettes penned by soldiers from as many camps. The show ran for six months and played a command performance before President Roosevelt. Upon transferring to the Air Corps, Petrie was cast in Moss Hart's inspirational Winged Victory. Following its four-month run, Petrie went on to appear in George Cukor's film version. Petrie became a radio performer after his discharge and starred in several dramas, including The Amazing Mr. Malone. He turned to television acting in the '50s and began starring in live soap operas such as As the World Turns and Edge of Night as well as playing a semi-regular part on Jackie Gleason's The Honeymooners. Petrie would remain associated with Gleason on various projects through 1969. Petrie's filmography includes Hud (1963), Something in Common (1986), and Planes, Trains and Automobiles (1987). Petrie died of lymphoma in his Brentwood, CA, home at the age 85.