Trivia: The son of Yugoslav immigrants, Karl Malden labored in the steel mills of Gary, Indiana before enrolling in Arkansas State Teachers College. While not a prime candidate for stardom with his oversized nose and bullhorn voice, Malden attended Chicago's Goodman Dramatic School, then moved to New York, where he made his Broadway bow in 1937. Three years later he made his film debut in a microscopic role in They Knew What They Wanted (1940), which also featured another star-to-be, Tom Ewell. While serving in the Army Air Force during World War II, Malden returned to films in the all-serviceman epic Winged Victory (1944), where he was billed as Corporal Karl Malden. This led to a brief contract with 20th Century-Fox -- but not to Hollywood, since Malden's subsequent film appearances were lensed on the east coast. In 1947, Malden created the role of Mitch, the erstwhile beau of Blanche Dubois, in Tennessee Williams' Broadway play A Streetcar Named Desire; he repeated the role in the 1951 film version, winning an Oscar in the process. For much of his film career, Malden has been assigned roles that called for excesses of ham; even his Oscar-nominated performance in On the Waterfront (1954) was decidedly "Armour Star" in concept and execution. In 1957, he directed the Korean War melodrama Time Limit, the only instance in which the forceful and opinionated Malden was officially credited as director. Malden was best known to TV fans of the 1970s as Lieutenant Mike Stone, the no-nonsense protagonist of the longrunning cop series The Streets of San Francisco. Still wearing his familiar Streets hat and overcoat, Malden supplemented his income with a series of ads for American Express. His commercial catchphrases "What will you do?" and "Don't leave home without it!" soon entered the lexicon of TV trivia -- and provided endless fodder for such comedians as Johnny Carson. From 1989-92, Malden served as president of the Academy of Motion Picture Arts and Sciences.

Trivia: Major star and producer, and member of one of Hollywood's most prominent families to boot, Michael Douglas was born to movie icon Kirk Douglas and British actress Diana Dill on September 25, 1944, in New Brunswick, NJ. From the age of eight he was raised in Connecticut by his mother and a stepfather, but spent time with his father during vacations from military school. It was while on location with his father that the young Douglas began learning about filmmaking. In 1962, he worked as an assistant director on Lonely Are the Brave, and was so taken with the cinema that he passed up the opportunity to study at Yale for that of studying drama at the University of California at Santa Barbara. At one point he and actor/director/producer Danny De Vito roomed together, and have remained friends ever since. Douglas also studied drama in New York for a while, and made his film debut as an actor playing a pacifist hippie draft evader who decides to fight in Vietnam in Hail Hero! (1969). He appeared in several more dramas, notably Summertree (1971). In 1972, he was cast as volatile rookie police inspector Steve Keller on The Streets of San Francisco. Douglas appeared in the series and occasionally directed episodes of it through 1976. In 1975, Douglas became one of the hottest producers in Tinseltown when he produced Milos Forman's tour de force adaptation of Ken Kesey's One Flew Over the Cuckoo's Nest, which starred Jack Nicholson in one of his best roles. Originally, Douglas' father Kirk owned the film rights to the story. Having appeared in the Broadway version, the elder Douglas had wanted to star in a film adaptation for years, but had no luck getting it produced. The younger Douglas persuaded his father to sell him the rights and give up the notion of starring in the film. The result: a box-office smash that earned five Oscars, including Best Picture. After this triumph, Douglas resumed acting and began developing his screen persona. His was a decidedly paradoxical persona: though ruggedly handsome with an honest, emotive face reminiscent of his father's, onscreen Douglas retained an oily quality that was unusual in someone possessing such physical characteristics. He became known for characters that were sensitive yet arrogant and had something of a bad-boy quality. Through the '70s, Douglas appeared in more films, most notably The China Syndrome, which he also produced. In 1984, Douglas teamed with Kathleen Turner to appear in Romancing the Stone, an offbeat romantic adventure in the vein of Indiana Jones. Co-starring old friend Danny De Vito, it was a major box-office hit and revitalized Douglas' acting career, which had started to flag. Turner, Douglas and De Vito re-teamed the following year for an equally entertaining sequel, The Jewel of the Nile. It was in 1987 that Douglas played one of his landmark roles, that of a reprehensible yuppie who pays a terrible price for a moment's weakness with the mentally unbalanced Glenn Close in the runaway hit Fatal Attraction. The performance marked Douglas' entrance into edgier roles, and that same year he played an amoral corporate raider in Oliver Stone's Wall Street, for which he earned his first Oscar as an actor. In 1989, Douglas reunited with Kathleen Turner to appear in Danny De Vito's War of the Roses, one of the darkest ever celluloid glances at marital breakdown. By the end of the decade, Douglas had become one of Hollywood's most in-demand and highly paid stars. Douglas found success exploring the darker realms of his persona in Black Rain (1989) and the notorious Basic Instinct (1992). One of his darkest and most repugnantly intriguing roles came in 1993's Falling Down, in which he played an average Joe driven to cope with his powerlessness through acts of horrible violence. In 1995, Douglas lightened up to play a lonely, widowed president in The American President, and returned to adventure with 1996's box-office bomb The Ghost and the Darkness. In 1997 he appeared in the David Fincher thriller The Game, and followed that with another behind-the-scenes role, this time as executive producer for the John Travolta/Nicholas Cage thriller Face/Off. Returning to acting in 1998, Douglas starred with Gwyneth Paltrow in A Perfect Murder, a remake of Hitchcock's classic Dial M for Murder. As the new millenium rolled in, Douglas remained a force on screen, most memorably in films like the critically acclaimed Wonder Boys, and Steven Soderbergh's drug-war epic Traffic -- a critical and box office smash. Douglas had other life successes as well, such as his marriage to longtime girlfriend Catherine Zeta-Jones in 2000, and the birth of their subsuquent children. Around this time, Douglas formed a new production company, Further Films. which saw its first wide release in 2001 with the ensemble comedy One Night at McCool's. In 2003 he made It Runs in the Family, a comedy concerning three generations of a dysfunctional family attempting to reconcile their longtime differences. Fiction reflected reality in the film due to the involvement of father Kirk and son Cameron portraying, conveniently enough, Michael's father and son respectively. The 2010's would see Douglas playing roles in films like The Sentinel , King of California, You, Me and Dupree, and the long awaited sequel Wall Street: Money Never Sleeps. In 2013, he played Liberace in the HBO TV movie Behind the Candelabra, which earned Douglas an Emmy award.

Trivia: Actress/singer Darlene Carr was 14 when she was discovered for films by Walt Disney. Darlene's Disney credits include a juvenile role in Monkeys Go Home (1965), in which she sang a duet with Maurice Chevalier; Gallegher Goes West, a 1966 TV miniseries; and the animated The Jungle Book, as the voice of the Indian girl in the final scene. Free of her Disney obligations in 1967, Darlene quickly shed her goody-two-shoes image with the role of a bikinied high schooler in The Impossible Years (1968). A frequent visitor to television, Darlene was seen in the recurring role of Karl Malden's daughter on The Streets of San Francisco (1972-77), and was a regular on The John Forsythe Show (1965), The Smith Family (1971) and The Oregon Trail (1977). She also starred as the TV sitcom world's first unwed mother in 1979's Miss Winslow and Son. Darleen Carr is the sister of Charmian Carr, who played Liesl in The Sound of Music (1965).

Trivia: The daughter of actor James Daly and sister of actor Tim Daly, Emmy award-winning American actress Tyne Daly was destined early on to enter the family business. After graduation from the American Musical and Dramatic Academy, Tyne worked on stage and appeared in TV guest spots starting in the early '70s. While applauded for her talent, Daly found full stardom eluding her for several years during a long string of busted TV pilots like In Search of America (1971), Doctor Granger (1972), Fitzgerald and Pride (1972) and Hotshot Harry and the Rocking Chair Renegades (1979) did little to make her bankable (though her performance as Kate, female partner to Clint Eastwood's Dirty Harry Callahan, in the 1976 action opus The Enforcer, most assuredly helped).Then in 1981, Tyne Daly and Loretta Swit were cast in the pilot of Cagney and Lacey, an unusual (for U.S. prime time television) story of two policewomen who could handle their jobs with courage and assuredness. The success of the pilot led to a series in 1982, with Daly cast as Detective Mary Beth Lacey (opposite Meg Foster and later Sharon Gless). The series witnessed the character fighting to be accepted on equal terms with her male counterparts, and also struggling to maintain a normal home life as wife and mother. Daly's realistic portrayal earned her considerable praise from real-life law enforcement officials. Cagney and Lacey was cancelled in 1983, but returned to the air a year later thanks to a letter-writing campaign mounted by viewers. By the time the series ended in 1988, Daly had won four Emmy awards for her portrayal of Lacey. In 1994 she starred opposite Kellie Martin in the short-lived inspirational TV drama Christy, and in 1995 appeared in a trio of Cagney and Lacey reunions. In subsequent years Daly switched venues, devoting her energies to the Broadway stage. Her accomplishments during this period included scoring a personal triumph and winning a Tony as Mama Rose in the 1989-90 revival of the 1959 musical Gypsy, and taking on untold challenges in a five-role, one-woman show, Mystery School, at Gotham's Angel Orensanz Foundation Center in 1998 (revived 2008). As time rolled on, the actress (like Cagney co-star Gless) returned to television, notably with a key supporting role as the lead character's domineering, judgmental mother on the series drama Judging Amy (1999-2005) (a series on which Gless occasionally appeared as a guest star). Having caught the theatrical bug, however, Daly also retained her footing on stage in such outings as the acclaimed Rabbit Hole (2006) (opposite John Slattery and Cynthia Nixon).

Trivia: Lanky, cleft-chinned William Smith was regularly employed on television in the 1950s, 1960s, and 1970s, never quite a star but always in there pitching. At first billing himself as Bill Smith to avoid confusion with another actor, Smith was a regular in such TV series as The Asphalt Jungle (1961), Laredo (1966), and Hawaii Five-O (from the 1979 season onward). He also became a familiar presence in the many motorcycle pictures being ground out by American International and other such concerns. In 1976, Smith was cast as the unspeakable Falconetti in the TV miniseries Rich Man, Poor Man, an assignment that would assure him larger roles and better billing in all future endeavors. He even began showing up in top-of-the-bill pictures like Any Which Way You Can (1980), in which Smith and star Clint Eastwood participated in a display of friendly-enemy fisticuffs straight out of The Quiet Man. William Smith was finally awarded top billing on a TV series when he headlined the 1985 Western Wildside, playing veteran "shootist" Brodie Hollister.