Trivia: The stepdaughter of the fire chief of Salisbury, MD, Linda Hamilton began her acting career with local children's theater groups. After college training and dramatic lessons conducted by former director Nicholas Ray, Hamilton was cast in a handful of inexpensive film programs. She briefly costarred in the prime-time TV soap opera Secrets of Midland Heights (1980) which led to an equally short stint on the weekly series King's Crossing (1982). Hamilton's stock in the film industry rose substantially when she was cast as Sarah Connor, the target for the homicidal intentions of futuristic android Arnold Schwarzenegger in The Terminator (1984). No shivering ingenue, the agile and athletic Hamilton proved a formidable foe for the forces of evil in both The Terminator and its sequel, Terminator 2: Judgment Day, where at times she came off tougher than the "kinder, gentler" Arnold. From 1987-1989, Hamilton starred as Catherine Chandler on the cult TV fantasy series Beauty and the Beast, eventually leaving the show to have her first child. In 1995 Hamilton earned a Golden Globe nomination for her performance as a single mother who learns she has contracted AIDS in A Mother's Prayer, and though with the exception of Dante's Peak (1997) she stuck mainly to made-for-television movies in the following decade, notable guest spots on Showtime's Weeds and NBC's Chuck served as strong reminders of her onscreen charisma. Married to actor Bruce Abbot throughout much of the '80s, Hamilton later wed Terminator 2 director James Cameron, though their union ended after just two years.

Trivia: Ron Perlman grew up in the Washington Heights section of New York City, where his father was a radio/TV repairman and his mother an employee with the city's Department of Health. A profoundly unhandsome youth, Perlman was nonetheless very active in high school theater by virtue of his height (6-foot-2) and his deep, rolling voice. He continued studying drama at Lehman College and later at the University of Minnesota, where he graduated with a master's degree in theater arts. He went to work with New York's Classic Stage Company, an organization specializing in Elizabethan and Restoration plays. Perlman starred in several Manhattan and touring productions staged by Tom O'Horgan of Hair fame before accepting his first film role as a Neanderthal man in 1981's Quest for Fire. Emotionally drained, Perlman backed off from acting after finishing the movie, but was soon back in the groove, essaying such attention-getting roles as the hunchbacked Salvatore in The Name of the Rose (1986). Most often cast as brooding, inarticulate, villainous characters in films (such as Pap in 1993's The Adventures of Huck Finn), Perlman became best known for his performance as the beneficent, albeit hideously ugly, sewer-dwelling Vincent in the late-'80s TV series Beauty and the Beast. Though this remained the actor's defining role for years after the show's run had drawn to a close, he was busier than ever through the '90s. Appearing in everything from obscure arthouse hits (Cronos [1993] and The City of Lost Children [1995]) to voice-over work for television (Aladdin) and video games (Fallout, A Post Nuclear Role Playing Game) to overblown Hollywood blockbusters (Alien Resurrection), Perlman left few stones unturned in terms of flexibility and experimentation in new media. He continued this trend into the early 2000s, alternating between various arenas with remarkable ease and refusing to be pigeonholed, appearing in such high-profile releases as Titan A.E. (2000), Enemy at the Gates (2001), and Blade II (2002). Though his recognition factor seemed higher than ever, few could foresee the opportunity just ahead when Blade II and Cronos director Guillermo del Toro announced that Perlman would star in the film adaptation of Mike Mignola's popular comic book Hellboy, although it seemed highly unlikely that studios would invest the millions of dollars needed to bring the comic to life with an actor of such minimal "marquee value." They wanted Vin Diesel for the role, but del Toro, with the blessing and encouragement of character originator Mignola, eventually won out to have Perlman play the Nazi-creation-turned-superhero in the 2004 fantasy-action film.

Trivia: Halliwell's Filmgoers Companion states that British character actor Roy Dotrice had "a strong line in senile characterizations". Maybe so, but he certainly seemed chillingly cogent in his portrayal of Mozart's father in the Oscar-winning Amadeus. In films since 1965's The Heroes of Telemark, Dotrice has been equally busy on television: he was a regular on such series as Space: 1999 (1975-76), Going to Extremes (1986), Wizards (1986) and Beauty and the Beast (1987-1990, as "The Beast's" Father). Roy Dotrice is the father of actresses Karen and Michele Dotrice.

Trivia: Whenever a script called for a wacky old lady, character actor Ellen Albertini Dow was there to play the part. After a lifetime as a teacher, the Cornell graduate made her television debut on an episode of the Twilight Zone in 1985 when she was in her late sixties. She spent the rest of the '80s making TV guest appearances on family sitcoms (Mr. Belvedere, The Golden Girls, Family Matters, and Newhart, just to name a few). On the big screen, she appeared in innumerable supporting roles as a grandma, nun, or any random old lady, leading to choir parts in both Sister Act and Sister Act 2. She got to exploit her comedic shtick regularly in 1996 when she joined the cast of the Nickelodeon series Kenan & Kel in the role of Ethel Quagmire. If a cameo can be considered a breakthrough, she at least gained face recognition as the old lady, Rosie, who raps in The Wedding Singer by appearing in the film's commercial. She continued playing the sassy granny role as Disco Dottie in 54, Mrs. MacKenzie in Ready to Rumble, and Tom Green's grandma in Road Trip. In 2001, she returned to the small screen to play Grandma Harriet on the WB series Maybe It's Me. At the age of 84, she lent her voice to Adam Sandler's animated feature Eight Crazy Nights. In 2005, she played the foul-mouthed Grandma Cleary in the the box-office smash Wedding Crashers. Albertini Dow continued to work, mostly in TV guest appearances, including spots on My Name is Earl and New Girl, until 2013. She died in 2015, at age 101.

Trivia: A native of rural Humboldt, IA, character actor Christian Clemenson left his home state when a scholarship that he netted as part of his paperboy route afforded him the opportunity to attend the prestigious Phillips Academy preparatory school in Andover, MA. That experience imparted Clemenson with a deep-seated love of theatrics, and he spent his Iowan summers during college acting in local stage productions. The upstart subsequently attended Harvard as an undergraduate and Yale Drama School as a grad student, then moved to Los Angeles in the mid-'80s, where he accepted a long series of bit parts and supporting roles in A-list features, typically cast as nebbishy professional types. Early films in which Clemenson appeared included Heartburn (1986), Legal Eagles (1986), Hannah and Her Sisters (1986), and Broadcast News (1987).Beginning in the late '90s, Clemenson began placing a stronger emphasis on television work, with guest roles in series including Ally McBeal, Buffy the Vampire Slayer, The West Wing, and NYPD Blue. He received critical kudos for his portrayal of ill-fated executive Thomas E. Burnett Jr., a victim of the September 11th terrorist attacks, in Paul Greengrass' feature United 93 (2006), then joined William Shatner, Candice Bergen, and James Spader of David E. Kelley's offbeat seriocomedy Boston Legal in a recurring capacity during the show's second season; on the program, Clemenson played Jerry "Hands" Espenson, a troubled lawyer plagued by Asperger's Syndrome. He went on to win Best Guest Actor in a Drama Series in 2006 for that role, and continued to appear on the show, later attaining regular status and staying with the series until it folded in 2009. Clemenson would continue to appear regularly on screen as the years went on, appearing on shows like CSI: Miami and Harry's Law.

Trivia: Actor Darryl Hickman was discovered at age three by kiddie-troupe entrepreneur Ethel Meglin, to whom Hickman's insurance salesman father had sold a policy. Whenever young Hickman would ask his ambitious mother exactly why he was trodding the boards with Meglin's Kiddies, she would reply, "But, dear, it's what you've always wanted." Hickman's first movie was a minor role in If I Were King (1938), followed by a better, critically lauded role in Bing Crosby's The Star Maker (1939). After free-lancing for several seasons, Hickman signed a five-year MGM contract, which he later considered a mixed blessing in that, while his roles were good ones, he grew up much too quickly for his tastes. During the 1940s, Hickman often played the film's leading adult character as a child: young Ira Gershwin in Rhapsody in Blue (1945), young Eddie Rickenbacker in Captain Eddie (1945), and so on. Hickman's first mature role, for which he garnered a passel of excellent reviews, was as Clark Gable's son in 1949's Any Number Can Play. Weary of the Hollywood game in 1951, Hickman entered a monastery, but quit this austere existence after 18 months to enroll in Loyola University. Some of Hickman's better adult roles after his Army service included a meaty part in 1956's Tea and Sympathy and a starring part on the 1961 Civil War-based TV series The Americans. In the late 1950s, Hickman found that his fame had been eclipsed by his younger brother Dwayne, who co-starred on TV's Bob Cummings Show and played the lead in the weekly sitcom Dobie Gillis. Like Dwayne, Darryl eventually went into the production side of the business as a CBS executive, though he was still willing to take a part if the project interested him (as 1976's Network obviously did). Darryl Hickman was married to actress Pamela Lincoln, whom he met on the set of The Tingler (1959).