Trivia: With the handsome looks and winning sarcasm that befit a late-night television talk show host, it is no surprise that Greg Kinnear first shot to stardom as the host of the E! channel's Talk Soup. More surprising, and thus more impressive, has been Kinnear's success in making the leap from television to the big screen. With only his fourth major celluloid outing, As Good As It Gets, Kinnear scored his first Oscar nomination for Best Supporting Actor, effectively establishing himself as someone whose scope included screens small and large.Born June 17, 1963, in Logansport, IN, as the youngest of three sons, Kinnear led a peripatetic childhood. His father was a Foreign Services diplomat for the State Department, and his family accompanied him to places as far-flung as Beirut and Athens. While a student in Athens, Kinnear first ventured into the role of talk show host with his radio show School Daze With Greg Kinnear. Returning to the States for a college education, Kinnear attended the University of Arizona in Tucson, where he graduated in 1985, with a degree in broadcast journalism. From Arizona, he headed out to Los Angeles, where he landed his first job as a marketing assistant with Empire Entertainment. It was there that Kinnear got his first taste of show business, creating promotional campaigns for such films as Space Sluts in the Slammer. Following this stint, Kinnear found a job with the Movietime cable channel. Using an audition tape from a failed attempt at an MTV VJ position, Kinnear became a host and on-location reporter for the channel. All went swimmingly until he was fired, when Movietime became the E! Entertainment Network, and Kinnear soon found himself taking bit parts on such television shows as L.A. Law and Life Goes On.His luck began to change, however, when he became the creator, co-executive producer, and host of Best of the Worst, which aired from 1990 to 1991. In a more ironic and satisfying twist of fate, Kinnear was then hired back by E! to host Talk Soup, the network's new talk show. The show proved to be hugely popular, and Kinnear acted as its host and eventual executive producer until 1994, when he left the show for the NBC late-night talk show Later With Greg Kinnear. It was also in 1994 that he had his first big-screen role, as -- wait for it -- a talk show host in the Damon Wayans comedy Blankman. In 1995, he snared the part that was to give him more prominence among film audiences -- that of the irresponsible David Larrabee in Sydney Pollack's remake of Billy Wilder's 1954 classic romance Sabrina. The film was less than a success, but it did nothing to prevent Kinnear from getting the lead role in the 1996 comedy Dear God. That film, too, had a somewhat unfortunate fate, but Kinnear (now resigned from Later) more than rebounded with his next effort, James L. Brooks' As Good As It Gets (1997). The film was an unqualified hit, netting seven Oscar nominations and winning two, a Best Actor for Jack Nicholson and a Best Actress for Helen Hunt. Kinnear himself had the honor of both a Best Supporting Actor nomination and a Golden Globe nomination. Kinnear's next film, the romantic comedy A Smile Like Yours, had him starring opposite Lauren Holly as one-half of a couple trying to have a baby. The film met with lukewarm reviews and fairly anemic box-office results, but Kinnear's subsequent film, 1998's You've Got Mail, struck gold. He played Meg Ryan's significant other, a newspaper columnist wholly unlike what was to be his next character, that of Captain Amazing in the 1999 summer action film Mystery Men. With a stellar cast, including Ben Stiller, William H. Macy, Janeane Garofalo, Lena Olin, and Tom Waits, Kinnear was indeed in good company, further proof of how far he had come in a short amount of time. Unfortunately, both Mystery Men and the subsequent Garry Shandling comedy What Planet Are You From (in which Kinnear amusingly portrayed Shandling's sleazy co-worker) fared poorly with both critics and audiences, and by the time he landed the role of a much-desired soap-opera star in Nurse Betty, it seemed that his star may have faded a bit. His role as a smug, one-dimensional college professor in the 2000 comedy Loser seemed near the bottom of the barrel for the formerly Oscar-nominated actor. Despite the fact that none of these failures were necessarily the fault of everyone's favorite smirky former talk-show host, his choice of projects left many wondering what had become of Kinnear. Of course, where there's darkness there will always be room for hope, and thankfully for Kinnear, the choices he was making began to pay off.In 2000, Kinnear essayed the role of a missing woman's grieving fiancé in the dark Sam Raimi thriller The Gift; the film seemed to mark the beginning of a comeback. His next role as the catalyst for an investigative report into the nature of male behavioral patterns in Someone Like You (2001) proved a step in the right direction, and following supporting performances in Dinner With Friends (2001) and We Were Soldiers (2002), Kinnear's comeback had been primed. Cast as ill-fated television star Bob Crane in Paul Schrader's disturbing 2002 biopic Auto Focus, Kinnear's spot-on performance was so eerie that it made the film almost discomforting to watch. The spotlight was somewhat stolen however, by co-star Willem Dafoe's indescribably creepy turn as the man generally believed to have caused Crane's untimely death. The following year Kinnear lightened the mood considerably when he was cast (literally) alongside Matt Damon as one-half of a pair of conjoined twins in the Farrelly Brothers' comedy Stuck on You. Intent on following his dreams of becoming an actor, Kinnear's character drags his reluctant brother to Hollywood to hilarious results.Kinnear's next role would come as the grieving father of a dead son who goes to desperate lengths to recapture his former happiness in the horror flavored Godsend (2004).A fun turn as a salesman who becomes involved with in hitman in the Golden Globe-nominated crime comedy The Matador went largely unseen despite generally favorable critical response, and after lending his voice to the animated Robots and berating little-league players in The Bad News Bears, Kinnear later join an impressive ensemble cast to investigate America's love affair with burgers and fries in director Richard Linklater's Fast Food Nation. Later that same year, Kinnear would take family dysfunction to a whole new level as a motivational speaker attempting to get his daughter to a beauty pageant in Little Miss Sunshine, with a role as NFL coach Dick Vermeil following shortly thereafter in the inspirational sports drama Invincible. Kinnear would spend the following years maintaining his status as a bankable actor, appearing in films like Baby Mama, Green Zone, I Don't Know How She Does It, and the mini series The Kennedys.

Trivia: Actress Kelly Reilly grew up in a working-class neighborhood in London. Too timid to voice her desires to study drama, she learned about acting the hard way, plunging into a professional career and picking up as much as she could along the way. She began picking up small roles on British television and regularly worked throughout the next decade before she began snatching up roles in higher profile projects like 2005's Pride & Prejudice and Mrs. Henderson Presents.

Trivia: While some may not recognize Margo Martindale's name, many recognize her face. An actress onscreen from the early '90s, Martindale's list of memorable roles is long, and the character actress found a strong niche playing mothers (Million Dollar Baby) grandmothers (Hannah Montana: The Movie), and generally maternal figures (Practical Magic). Martindale even parodied her own typecasting, playing the mother of the title character in the biopic spoof Walk Hard: The Dewey Cox Story. Martindale would continue to act at a furious pace for years to come, appearing in movies like Secretariat, and on shows like Justified and A Gifted Man.

Trivia: By the time actor Thomas Haden Church earned an Oscar nomination for his unforgettable supporting role as a womanizing, has-been actor heading out on one last fling before tying the knot in director Alexander Payne's critically acclaimed road drama Sideways (2004), many film and television viewers may have assumed (and not without merit) that the former Wings star had all but abandoned his career in front of the cameras. It had, after all, been nearly a decade since Church had endeared himself to television viewers as lovably dunderheaded mechanic Lowell Mather on the aforementioned hit television series, and though he did remain fairly active onscreen after Wings went off the air in 1995, his career took something of a back seat to his familial commitments and life on his Texas cattle ranch. Coupled with a conscious decision to move away from acting and try his talents behind the camera, Church's fading devotion to acting still made his nomination at the 2005 Oscars feel like something of a comeback even though he had remained fairly active in show business all along. A Texas native whose early career included a stint as a radio disc jockey and voice-over announcer, Church first got a taste for acting with an appearance in the independent feature Gypsy Angels, and a move to Los Angeles followed shortly thereafter. It didn't take long for the handsome, young aspiring actor to land his defining role in Wings, and aside from supporting roles in the features Tombstone and Tales From the Crypt: Demon Knight, it was his role in Wings and the subsequent television series Ned and Stacey for which he was best remembered for some time. Following the cancellation of Ned and Stacey, Church turned his attention primarily to feature films with supporting roles in One Night Stand, 3000 Miles to Graceland, Monkeybone, and Lone Star State of Mind serving to at least pay the bills. Dejected by a somewhat stifled acting career and determined to spend more time with his wife and children, Church opted to step behind the scenes to write and direct the independent comedy Rolling Kansas. A lighthearted road movie concerning a trio of brothers' quest to find a seemingly-mythical marijuana field in the sprawling plains of Kansas, Rolling Kansas made a brief appearance at the 2003 Sundance Film Festival before making its debut on Comedy Central the following year. Just when it seemed that the rest of Church's onscreen career may have been relegated to appearances in George of the Jungle sequels, acclaimed independent filmmaker Payne had recalled his auditions for his previous two films, Election and About Schmidt. Though Church hadn't quite made the cut on either of those films, Payne had taken note of his talent and thought the former Wings star the perfect candidate to play a formerly popular television star and down-on-his-luck actor having trouble adjusting to the prospect of marriage in Payne's upcoming comedy drama Sideways. Cast opposite American Splendor's Paul Giamatti, Church's alternately desperate and sad performance proved the heart of the film many considered to be the year's -- not to mention director Payne's -- best. The movie earned Church an Oscar nomination for Best Supporting Actor. He followed up that success with appearances in the comedy Idiocracy and the western Broken Trail opposite Robert Duvall. In 2007 he was cast as one of the two-villains in Spider-Man 3, and the year after that he starred in the biting drama Smart People. His deep, recognizable voice led him to voiceover work in a variety of projects such as Aliens in the Attic, Charlotte's Web, and Over the Hedge. In 2010 he had a part in the sleeper hit Easy A, and he played Matt Damon's brother in Cameron Crowe's We Bought a Zoo. In 2012 he was cast in the Disney flop John Carter.

Trivia: Moved to California when he was one year old.Began his acting career at the age of 12 when he was cast as a street dancer after being discovered breakdancing in a schoolyard.Won the ALMA Award for Emerging Artist of the Year in 1995.While working on the movie Flight of the Phoenix (2004), helped co-star Hugh Laurie record his audition tape for House.Founder of the production company Third Son Productions, Inc.

Trivia: A dependable, self-assured actor who has successfully parlayed his stage success to the silver screen, Kevin Anderson has slowly built an impressive catalog of credits following his feature debut as one of Tom Cruise's onscreen buddies in Risky Business. A Gurnee, IL, native, Anderson was the last of five children, and his interest in acting became readily apparent when he became the founder and president of the drama club at Viking Junior High. After advancing to high school, Anderson joined the forensics team, specializing in oral interpretation and soon realizing that he did indeed have the talent to make it as a career actor. Higher education found Anderson enrolling in the acclaimed Goodman School of Drama, and shortly after his graduation in 1981, the burgeoning actor joined the ranks of Chicago's renowned Steppenwolf Theatre. It was while working with the respected troupe that Anderson's interpretation of wallflower Phillip in Orphans (a role he would later repeat in the 1987 film of the same name) found the actor standing out from an impressive cast to make a name for himself on-stage. Following his film debut in Risky Business with the little-seen romantic teen comedy Pink Nights, roles in Miles from Home (1988) and In Country (1989) proved worthy precursors to a powerhouse performance in the early-'90s made-for-television feature Orpheus Descending. His stage roots increasingly obvious, a role in the 1990 effort A Little Night Music gave Anderson the chance to show off his vocal talents, and a supporting part in the following year's Sleeping With the Enemy found the up-and-coming actor sharing the screen with Hollywood beauty Julia Roberts. Though his screen appearances in the remainder of the 1990s lost a bit of momentum, roles in the short-lived television series Nothing Sacred (for which he received a Golden Globe nomination) and Tim Blake Nelson's indie thriller Eye of God (1997) offered increased recognition and a few solid dramatic roles for Anderson. Drama Desk and Outer Critic's Circle Awards, as well as a Tony nomination for his extensive stage work in 1999 only helped to increase Anderson's reputation as an established dramatic presence. The millennial turnover found Anderson receiving critical kudos for his role in The Doe Boy before once again stretching his vocal chords opposite Angela Bassett in Ruby's Bucket of Blood (both 2001), and the following year he would impress as sports personality Frank Gifford in the made-for-television drama Monday Night Mayhem. A turn as John F. Kennedy in Power and Beauty and a top-billed role in the series Skin confirmed that Anderson's star appears to shine brighter and more intensely on the small screen, though a high-profile role in the 2003 feature Carry Me Home proved without a doubt that Anderson's feature aspirations were still well in place.

Trivia: Made his Broadway debut in 2014, playing Marvin Gaye in Motown: The Musical.Worked as a co-writer on Mary J. Blige's album Irreversible.Played George Washington in the original Broadway cast of Hamilton in 2015.Co-founded inDEFINED, an initiative focused on teaching young people to use their voices to move past social labels.Founded production company Artists Park Productions.Is perhaps best known for his role as Leo St. Clair on the OWN drama Queen Sugar.