Trivia: American actress Candice Bergen was a celebrity even before she was born. As the first child of popular radio ventriloquist Edgar Bergen and his young wife Frances, Candice was a hot news item months before her birth, and headline material upon that blessed event (her coming into the world even prompted magazine cartoons which suggested that Edgar would try to confound the nurses by "giving" his new daughter a voice). Candice made her first public appearance as an infant, featured with her parents in a magazine advertisement. Before she was ten, Candice was appearing sporadically on dad's radio program, demonstrating a precocious ability to throw her own voice (a skill she hasn't been called upon to repeat in recent years); at 11 she and Groucho Marx's daughter Melinda were guest contestants on Groucho's TV quiz show You Bet Your Life. Candice loved her parents and luxuriated in her posh lifestyle, though she was set apart from other children in that her "brothers" were the wooden dummies Charlie McCarthy and Mortimer Snerd - and Charlie had a bigger bedroom than she did! Like most 1960s teens, however, she rebelled against the conservatism of her parents and adopted a well-publicized, freewheeling lifestyle - and a movie career. In her first film, The Group (1965), Candice played a wealthy young lesbian - a character light years away from the sensibilities of her old-guard father. She next appeared with Steve McQueen in the big budget The Sand Pebbles (1966), simultaneously running smack dab into the unkind cuts of critics, who made the expected (given her parentage) comments concerning her "wooden" performance. Truth to tell, Candice did look far better than she acted, and this status quo remained throughout most of her film appearances of the late 1960s; even Candice admitted she wasn't much of an actress, though she allowed (in another moment that must have given papa Edgar pause) that she was terrific when required in a film to simulate an orgasm. Several films later, Candice decided to take her career more seriously than did her critics, and began emerging into a talented and reliable actress in such films as Carnal Knowledge (1971) and The Wind and the Lion (1975). Most observers agree that Candice's true turnaround was her touching but hilarious performance as a divorced woman pursuing a singing career - with little in the way of talent - in the Burt Reynolds comedy Starting Over (1979). Candice's roller-coaster offscreen life settled into relative normality when she married French film director Louis Malle; meanwhile, her acting career gained momentum as she sought out and received ever-improving movie and TV roles. In 1988, Candice began a run in the title role of the television sitcom Murphy Brown, in which she was brilliant as a mercurial, high-strung TV newsmagazine reporter, a role that won Ms. Bergen several Emmy Awards. While Murphy Brown capped Candice Bergen's full acceptance by audiences and critics as an actress of stature, it also restored her to "headline" status in 1992 - when, in direct response to the fictional Murphy Brown's decision to become a single mother, Vice President Dan Quayle delivered his notorious "family values" speech.Murphy Brown finished its successful run in 1997, and Bergen would make a handful of big-screen appearances in the ensuing years including Miss Congeniality, Sweet Home Alabama, and The In-Laws. In 2004 she became part of the cast of Boston Legal, another hit show that ran for five often award-winning seasons. When that show came to a close, she appeared in films such as The Women, Sex and the City, and Bride Wars - where she portrayed the country's leading wedding planner.

Trivia: Tall, bookish-looking American actor Charles Kimbrough attended Indiana University and Yale before his first off-Broadway appearances in All for Love and Struts and Frets. Beginning in 1966, Kimbrough and then-wife Mary Jane were principal players of the Milwaukee Repertory Theatre, a troupe which included such celebrities-to-be as Michael Tucker and Judith Light. Kimbrough briefly abandoned Milwaukee for Broadway in 1969, garnering excellent revues for his appearance in the 1970 Stephen Sondheim musical Company. He returned to the Milwaukee Rep in the early '70s; so popular were Charles and his wife that, when they left Milwaukee for good in 1972, an original musical was specially commissioned for the Kimbrough's final rep appearance. Remaining active in plays, commercials, and films (The Front [1976], The Seduction of Joe Tynan [1977]), Kimbrough established himself as a reliable if not overly famous presence. Charles Kimbrough finally became a fullfledged celebrity in 1988 with his weekly appearances as newsmagazine anchorman Jim Dial on the Candice Bergen sitcom Murphy Brown.

Trivia: A character actor who specialized in upbeat, energetic everymen (often with a strong romantic angle), Jay Thomas made his most enduring mark on U.S. television sitcoms during the mid- to late '80s and early '90s. A native of Kermit, TX, Thomas kick-started his career as a standup comedian in the American South, with a particularly strong emphasis on French Quarter comedy clubs in New Orleans, LA. He achieved his big television break in the late '70s thanks to Mork & Mindy show creator Garry Marshall, who cast him as deli owner Remo DaVinci on that blockbuster program just as its ratings were beginning to slide; Thomas remained with it for two seasons, from 1979-1981. Following little-seen movie roles in films such as 1984's C.H.U.D. and 1985's The Gig (a particularly colorful part as an obnoxious entertainer), Thomas returned to series television in a big way, first with a recurring role on Cheers, as Eddie LeBec, the ne'er-do-well, washed-up hockey player husband of saucy barmaid Carla (Rhea Perlman) -- a role he held from 1987-1989 (which ended with the character being run over by a Zamboni machine!). Thomas followed up his Cheers part with two additional key sitcom roles: the lead role of New York Post columnist Jack Stein -- the romantic sparring partner of Wally Porter (Susan Dey) -- on Love & War (1992-1995), and (in a less frequently seen but equally memorable performance) Jerry Gold, one of the paramours of Candice Bergen's acerbic title character, on Murphy Brown -- a role that lasted for nine years. (Both programs were produced by Diane English.) When Brown folded in 1998, Thomas moved back into features, essaying supporting roles in such films as Last Chance (1999), Dragonfly (2002), and The Santa Clause 3: The Escape Clause (2006).