Trivia: Actress Melissa Gilbert literally grew up before our eyes in the role of Laura Ingalls on the TV series Little House on the Prairie. A professional from the age of 3, Gilbert was ten years old when she assumed the role of Laura, and in her mid-20s when Little House branched off into a handful of TV movies in the 1980s. Outside of this series, Gilbert was the uncrowned queen of the TV remakes: She starred as young Helen Keller in 1979's The Miracle Worker, played the title role in 1980's The Diary of Anne Frank, and assumed the old Natalie Wood role in 1981's Splendor in the Grass. More recently, she has been showing up in made-for-TV biopics, e.g. Babymaker: The Dr. Cecil Jacobson Story (1993) and Against Her Will: The Carrie Buck Story (1994). Gilbert's latter-day series-TV work has included the parts of Kate Delany in Sweet Justice and Rochelle in Stand By Your Man; she has also been heard as the voice of Barbara Gordon, aka Batgirl, in the daily Batman: The Animated Series. In all of these, she has been billed under her married name of Gilbert-Brinkman (her marriage to Bo Brinkman has since dissolved). Melissa Gilbert is the sister of Sara Gilbert, who played Darlene on TV's Roseanne; her grandfather, Harry Crane, was one of the creators of the Jackie Gleason series The Honeymooners.Though she continued to work, often in TV movies, her career took a shift when she got deeply involved with the Screen Actors Guild, eventually being elected as president of the organization and serving in that capacity from 2001-2005.

Trivia: Canadian character actor Bruce Greenwood spent the 1970s working in regional Vancouver theater, and appeared in many Canadian TV shows during the '80s. His first American film was a walk-on role in Rambo: First Blood. In the U.S., he fared much better with television pilots, miniseries, and made-for-TV movies. His first big role was Dr. Seth Griffin on St. Elsewhere from 1986-1988. Other TV projects included The FBI Murders, The Servants of Twilight, and Summer Dreams: The Story of the Beach Boys. By the '90s, he had found a home for himself on television. Greenwood played Pierce Lawson in 1991 on the evening soap opera Knots Landing, earned a Gemini (the Canadian Emmy) nomination for The Little Kidnappers, and then took home an award for his role in Road to Avonlea. He also starred as Thomas Veil on the UPN dramatic series Nowhere Man and guest starred as Roger Bingham on the HBO comedy series The Larry Sanders Show. He did quite well on NBC, as well, appearing in many TV movies (including Naomi & Wynonna: Love Can Build a Bridge) and starring in the sci-fi mystery show Sleepwalkers as Dr. Nathan Bradford.Greenwood made the leap to the big screen with a fellow Canadian, Egyptian-born filmmaker Atom Egoyan. In Exotica, he played the troubled Francis, a tax collector obsessed with a stripper. The film was a hit at the Cannes Film Festival, and Greenwood re-teamed with the director for his next film, The Sweet Hereafter, which won a special jury prize at Cannes, while Greenwood was nominated for a Genie award for his supporting role of mourning father Billy Ansell. By contrast, he played bad guys in mainstream thrillers in the '90s, with starring roles in Disturbing Behavior, Hide and Seek, Double Jeopardy, and Rules of Engagement He may be most well known, however, for playing President John F. Kennedy during the Cuban Missile Crisis in the political thriller Thirteen Days, for which he won a Golden Satellite Award. With this role under his belt, Greenwood moved into more dramatic territory with the A&E miniseries The Magnificent Ambersons as well as a dual role in Egoyan's Ararat. In 2003, he produced fellow Canadian Deepa Mehta's film The Republic of Love and appeared in the action comedy Hollywood Homicide and the sci-fi thriller The Core. He continued to work steadily in a variety of projects including I, Robot, Racing Stripes, Capote, Déjà vu, and had a small part in Todd Haynes' 2007 idiosyncratic Bob Dylan biopic I'm Not There. That same year he played the president in the hit sequel National Treasure: Book of Secrets. He had a brief but memorable turn as Captain James T. Kirk's father in J.J. Abrams Star Trek, and played a bad guy in the comedy Dinner for Schmucks. He had a major role in the arty western Meek's Cutoff, and reteamed with Abrams when he appeared in the Spielberg homage Super 8.

Trivia: A performer widely regarded as one of the most distinguished and eloquent actors of his or any generation, Ossie Davis combined an overwhelming amount of dramatic talent and instinct (evident via both stage and film work) with an indomitable fervor for social crusade. A native of Cogdell, GA, and a graduate of Howard University, Davis moved to Harlem at an early stage and trained with the Rose McClendon players. The actor then drew a considerable amount of attention -- alongside wife since 1948 Ruby Dee -- for helping to spearhead the American civil rights movement in the 1940s, over 20 years before it caught fire with the general public and mass media. Their combined efforts culminated in involvement with the triumphant March on Washington of August 1963, where Dr. Martin Luther King Jr. delivered his iconic "I Have a Dream" speech. In subsequent years, Davis also helped Dr. King raise money for the Freedom Riders and delivered a poignant eulogy at the funeral of Malcolm X. Meanwhile, Davis and Dee both established themselves as forces in theater and on film. Davis himself debuted on Broadway in 1946, and took his film bow with the 1950 No Way Out, but 13 years passed before his sophomore cinematic effort, the 1963 Gone Are the Days -- an adaptation of his own play Purlie Victorious. Unfortunately, the actor spent much of the '60s appearing in programmers that were either underappreciated (Shock Treatment, 1964) or unworthy of his talents (Sam Whiskey, 1969), and didn't fully realize his potential until he scripted and directed the 1970 Cotton Comes to Harlem, a gritty crime comedy (with a predominantly African-American cast including Godfrey Cambridge and Redd Foxx) that almost singlehandedly jump-started the blaxploitation movement and predated Sweet Sweetback and Shaft by a year. Several additional directorial projects followed throughout the 1970s and '80s and found Davis growing deeper and more profound, and setting his sights higher; these included the ambitious -- if not quite successful -- Kongi's Harvest (1971) and the finely-wrought, socially charged coming-of-age drama Black Girl (1972), arguably Davis' best film. Unfortunately, Davis' third and fourth efforts behind the camera, Gordon's War (1973) and Countdown at Kusini (1976), disappointed on many counts, relegating him (for better or worse) back to acting. He appeared in the racially themed, made-for-television dramas Roots (1977), King: The Martin Luther King Story (1978, in which he played Dr. King Sr.), and Roots: The Next Generations (1979), then -- around a decade later -- achieved a career resurgence thanks to the intelligence and bravura of wunderkind Spike Lee, who cast Davis in six major films: School Daze (1988), Do the Right Thing (1989), Jungle Fever (1991), Malcolm X (1992, as an off-camera narrator), Get on the Bus (1996), and She Hate Me (2004). Two of those films also included Dee in the cast. Davis also enjoyed a renewed profile on television during the early '90s when he was tapped to play a regular character on the charming and laid-back Burt Reynolds sitcom Evening Shade (1990-1994); he portrayed Ponder Blue, the series' narrator and the owner of a barbecue restaurant. Davis remained not only active but astonishingly prolific over the following ten years. Subsequent projects included small supporting roles in Grumpy Old Men (1993), The Client (1994), and Doctor Dolittle (1998), and participation in a series of documentaries, among them Christianity: The First Thousand Years (1998) and We Shall Not Be Moved (2001). Davis died in February 2005, in Miami, while shooting the movie Retirement. He was 87. Davis and Dee co-authored a dual autobiography, In This Life Together, in 1998.

Trivia: Just over a decade into his young life, Scotty Leavenworth had already managed to accumulate an impressive list of credits to his name as an actor. Appearing in films that starred the likes of Tom Hanks, Julia Roberts, and Jim Carrey, the youthful performer achieved a high level of exposure by the time he was old enough to take on featured roles like that of Patrick Cavanaugh on the TV series Philly in 2000. Born on May 21, 1990, in California, Leavenworth, like many child-actors, started in commercials, at the ripe age of four. His television appearances continued in a recurring part on The Young and the Restless while he was very young, and he was featured in the TV-movies Meego and Any Day Now. Into the late '90s, he started performing in small roles in feature films, often supporting big names in large-budget films. He was featured in the Disney movie Simon Birch in 1998, and earned more attention within an audience of his own age group with vocal credits on the feature Babe: Pig in the City, which gave comedic voice to live-action animal drama. Along with increased attention for his starring role on the Philly series, he played the son of Melissa Gilbert's character in the drama Soul Collector. More television exposure came with his appearance in the Partridge family story Come On, Get Happy. While many of Leavenworth's roles were limited to that of supporting cast status due to the restraints of his age, he managed to make himself known through the importance of the films in which he has appeared. In 1999, for example, he had a small supporting role in the Green Mile, starring Tom Hanks. A year later, he starred as the son of Erin Brockovich, a single woman struggling to keep her family from poverty (played by Julia Roberts) in a film of the same name. A convoluted tale of mistaken identities, The Majestic, starring Jim Carrey, also featured young Leavenworth in 2001.

Trivia: American actor Buck Taylor was the son of western comical sidekick Dub "Cannonball" Taylor. Buck was born in 1938, coincidentally the same year that Taylor pere made his film debut in You Can't Take it with You. True to his heritage, Buck showed up in the occasional western, notably Cattle Annie and Little Britches (1980) and Triumphs of a Man Called Horse (1983). For the most part, Taylor's film roles fell into the "young character" niche, notably his appearances in Ensign Pulver (1964), The Wild Angels (1966) (as motorcycle punk Dear John), and Pickup on 101 (1972). Buck Taylor will probably be seen on TV in perpetuity thanks to his recurring role as Newly O'Brian on the marathon TV western Gunsmoke, a role which he recreated for a 1987 Gunsmoke reunion film.

Trivia: Teen actress Hilary Duff quickly rose to fame on the strength of her winning performance on the successful television series Lizzie McGuire. Born in Houston, TX, September 28, 1987, she developed an interest in dance at the age of six and began taking ballet lessons, later making her stage debut in a Christmas production of The Nutcracker. She developed a stronger passion for acting after being cast in a television commercial, and, in 1998, appeared in the direct-to-video Casper Meets Wendy as Wendy, a youthful witch. After taking on more dramatic roles in the made-for-TV movie The Soul Collector and a guest appearance on Chicago Hope, Duff was cast in the title role of Lizzie McGuire in 2001. A sitcom for young people, Lizzie McGuire concerned the trials and tribulations of middle-school student Lizzie as she and her animated alter ego deal with the funny side of adolescence. An immediate hit on The Disney Channel, the show made Duff a recognizable face to television viewers, and Disney quickly responded by casting her in a made-for-cable movie, Cadet Kelly, which earned high ratings. In 2002, the actress also made a brief appearance in the offbeat comedy Human Nature, playing Young Lila, a hirsute child who grows up to become Patricia Arquette. After the success of Lizzie McGuire, Duff branched out into music, writing and singing a song for the show's soundtrack album, and recording a Christmas album in 2002. Released in theaters in the summer of 2003, The Lizzie McGuire Movie provided the ideal cinematic alternative for pre-teen girls uninterested in the exploits of X2: X-Men United and too young to be swept up in the hype of The Matrix Reloaded. Taking in twice the cost of production in only four weeks at the box office, Duff stunned fans less than a month after the film's stateside release by announcing that, due to contract negotiation failures, she would be departing from the lucrative Lizzie McGuire franchise to pursue other career opportunities. By the time the show's finale aired in 2004, Duff had already kicked her film career into high gear, closing out 2003 with three hit films under her belt: Agent Cody Banks, the aforementioned Lizzie McGuire Movie, and the holiday blockbuster Cheaper by the Dozen.Hoping to keep her momentum growing, Duff would continue to appear in tween-friendly features like Raise Your Voice, Cheaper by the Dozen 2, and Material Girls. As the 2000's unfolded, however, Duff would take on slightly more adult roles, most memorably in movies like Stay Cool and on TV shows like Gossip Girl. She continued to find success in TV, booking guest roles on Raising Hope and Two and a Half Men and nabbing a main role on the series Younger.