Trivia: A native of Stillwater, Oklahoma, where he was born on September 18, 1973, Marsden grew up with a sister and two brothers. Following a short stint at Oklahoma State University, he dropped out of school to move to Los Angeles and pursue his interest in acting. Marsden's move led to work as a Versace model and to a brief role as the original Griffin on Fox's Party of Five (the part would later be taken over by Jeremy London), as well as brief stints on a variety of other TV series. Marsden's growing fan base got another boost when he was cast alongside Katie Holmes and Nick Stahl in David Nutter's Disturbing Behavior; despite the film's lackluster performance, in part abetted by an overabundance of teen horror films, Marsden was able to nab the plum role of Cyclops in Singer's X-Men. One of the most highly anticipated films of 2000, it allowed the actor to work alongside the likes of Ian McKellen, Patrick Stewart, Anna Paquin, and Famke Janssen. Marsden's rising popularity was reflected in his busy schedule the following year; among his projects was Sugar and Spice, a black comedy that cast him opposite fellow up-and-comer Mena Suvari. In 2003 Marsden would once again appear as Cyclops in the big-budget X-Men sequel, X2. Marsden continued to work steadily insuch films as The Notebook and Heights before returning for trhe third installment of the X-Men franchise. Although he appeared again as Cyclops, he in fact scored more screen time in Bryan Singer's Superman Returns playing Lois Lane's husband who must contend with the fact that his wife is in love with the man of steel. He also played opposite Amy Adams in Enchanted a romantic fable that combined live-action with animation. Marsden would go on to enjoy a growing leading-man status, appearing in movies like The Box, Death at a Funeral, and a remake of Straw Dogs. Marsden would also appear in a memorable arc on 30 Rock.

Trivia: Born December 17, 1974, in Los Angeles, Giovanni Ribisi began his career in network television, with recurring and guest roles on a number of shows, including The Wonder Years. As a teenager, he was typecast for several years as a dimwitted slacker in films and on television, with a memorable guest spot in an episode of The X-Files and a recurring role as Lisa Kudrow's brother on Friends. Ribisi was eventually able to break the grunge mold, first with a secondary role in Tom Hanks' That Thing You Do! (1996) and then in Richard Linklater's SubUrbia (1997). It was his role in Steven Spielberg's Saving Private Ryan (1998) that caused many critics to dub him one of the leading actors of his generation, a status confirmed by his appearance on the cover of Vanity Fair with a number of fellow up-and-comers. Ribisi was given further opportunities to showcase his sleepy-eyed versatility in such films as 1999's The Mod Squad and The Other Sister. If Ribisi's best roles had been unfairly weighed down by an overabundance of commendable but little seen roles in the previous years, all this would change as the young actor began to focus increasingly on roles that were not only high quality, but high profile as well. His role in the high stakes 2000 drama The Boiler Room may have went largely unseen in theaters, but healthy word of mouth combined with an impressive cast of up and comers found the film an enduring shelf life on cable and DVD. After burning rubber in the fast and furious Nicolas Cage action thriller Gone in Sixty Seconds, Ribisi's memorable performance in director Sam Raimi's southern gothic flavored chiller The Gift preceded a touching turn in the affecting made-for-television drama Shot in the Heart. Ribisi's subsequent role as a conflicted police officer in the 2002 drama Heaven may have been a well-intended commentary on the state of crime and terrorism, but audiences largel dismissed the effort as pretentious tripe and the actor took a brief turn into blockbuster territory with Basic before a turn as an aloof, celebrity obsessed photogapher in director Sophia Coppola's art-house hit Lost in Translation. If his turn as a celebrity who turns convention in its head by stalking a fan in I Love Your Work didn't strike home with viewers, an appearance in the same year's Cold Mountain offered him the chance to flex his dramatic skills alongside an impressive cast that included Jude Law and Nicole Kidman. Of course Ribisi never was one to be predictable with his choice of roles, and following the romantic comedy Love's Brother he essayed a supporting role in the 2004 sci-fi thriller Sky Captain and The World of Tomorrow. A handful of largely forgettable roles followed, and on the heels of recurring television roles in My Name is Earn and Entourage, Ribisi dove back into sci-fi with a role as villainous Chief Administrator Parker Selfridge in James Cameron's phenominally successful Avatar. And if Ribisi's performace in that film failed to make your skin crawl, his turn as a psychotic, heavily-tattooed drug dealer in the fast paced 2012 action thriller Contraband was sure to do the trick. He continued his villainous run as a stalker in the surprise hit film Ted (2012). Ribisi later re-teamed with his Ted director, Seth MacFarlane, in 2014's A Million Ways to Die in the West. He also appeared in the Oscar-nominated film Selma that same year.

Trivia: One of the hottest teen idols of the mid- to late '90s, talented dramatic actor Brad Renfro also garnered adult fans for building an impressive filmography that includes performances opposite some of Hollywood's most respected actors. A native of Knoxville, TN, Renfro was raised by his grandmother following his parents' divorce. He broke into movies at age ten, when he impressed an audience member during a D.A.R.E. (a national anti-drug organization promoted by local police departments) skit (he was playing a drug dealer). This unknown person recommended Renfro to a talent scout who was holding a national open casting call for a young man to play a traumatized boy who finds himself in the midst of a deadly homicide case in Joel Schumacher's The Client (1994). Renfro, who had no training and no real acting experience, won the part and found himself working opposite such heavy hitters as Tommy Lee Jones, Susan Sarandon, Ossie Davis, and Mary-Louise Parker. Though such stellar company may have been daunting to others, Renfro held his own and earned positive reviews for his performance. He next played a new kid in town who befriends and decides to find a cure for an AIDS-afflicted boy (veteran child actor Joseph Mazzello) in Peter Horton's heart-tugging The Cure (1995). In 1996, Renfro played Huck Finn to Jonathan Taylor Thomas' Tom Sawyer in Disney's The Adventures of Tom Sawyer and then essayed an abused boy (Brad Pitt played him as a vengeful adult) in Sleepers (1996). In 1998, he starred opposite Ian McKellen as a high school student morbidly fascinated by Nazi atrocities who finds himself drawn to an elderly, sinister war criminal in Bryan Singer's sophomore film Apt Pupil. Renfro was found dead at age 25 in January 2008.

Trivia: Actress Piper Perabo learned one of Hollywood's rules of self-preservation early on: lie. Auditioning for her first major film role in Whiteboyz (1999), a spoof of white homeboy culture, Perabo was asked if she knew how to rap. She replied that she did, even though she was completely clueless about the musical style. After getting the part, she took a two-week crash course in hip-hop and emerged well-versed in both the music and the art of securing employment. Although Whiteboyz failed to make much of an impression in theaters, Perabo did manage to attract attention in her role as the college-bound girlfriend of the film's protagonist and was soon being touted as the latest blonde, blue-eyed Next Big Thing to sashay across the collective psyche of the filmgoing public.A native of Toms River, NJ, where she was born in 1977, Perabo first became involved in acting through drama lessons at Manhattan's LaMama Theatre. After graduating summa cum laude from Ohio University with a BFA in acting in 1998, she worked on the stage and soon landed her role in Whiteboyz. On the heels of that film, Perabo was cast as FBI agent Karen Sympathy opposite Robert De Niro, Rene Russo, and Jason Alexander in The Adventures of Rocky and Bullwinkle and also bagged the lead in Jerry Bruckheimer's Coyote Ugly. Both debuting in the summer of 2000, neither film found much popularity among critics, but the latter--a flamboyant and fairly disconcerting blend of Flashdance, Cocktail, and an extended-play Budweiser ad--succeeded in putting Perabo in the summer spotlight.Over the ensuing few years, Perabo maintained most of her buzz despite failing to attach herself to any bonafide hits, appearing in such disparate films as the 2001 well-received indie-film Lost and Delirious and the 2002's DOA comedy Slap Her... She's French. Finally, at the end of 2003, Perabo hit paydirt, starring as the eldest of twelve children in the holiday blockbuster, Cheaper by the Dozen. She never had the breakout role she seemed destined for, but she worked steadily in projects like the Cheaper By the Dozen sequel, The Prestige, The Lazarus Project, and Beverly Hills Chihuahua. In 2010 she was cast as one of the leads in the TV series Covert Affairs.

Trivia: The odyssey of Dennis Hopper was one of Hollywood's longest, strangest trips. A onetime teen performer, he went through a series of career metamorphoses -- studio pariah, rebel filmmaker, drug casualty, and comeback kid -- before finally settling comfortably into the role of character actor par excellence, with a rogues' gallery of killers and freaks unmatched in psychotic intensity and demented glee. Along the way, Hopper defined a generation, documenting the shining hopes and bitter disappointments of the hippie counterculture and bringing their message to movie screens everywhere. By extension, he spearheaded a revolt in the motion picture industry, forcing the studio establishment to acknowledge a youth market they'd long done their best to deny. Born May 17, 1936 in Dodge City, Kansas, Hopper began acting during his teen years, and made his professional debut on the TV series Medic. In 1955 he made a legendary collaboration with the director Nicholas Ray in the classic Rebel Without a Cause, appearing as a young tough opposite James Dean. Hopper and Dean became close friends during filming, and also worked together on 1956's Giant. After Dean's tragic death, it was often remarked that Hopper attempted to fill his friend's shoes by borrowing much of his persona, absorbing the late icon's famously defiant attitude and becoming so temperamental that his once-bright career quickly began to wane. Seeking roles far removed from the stereotypical 'troubled teens' which previously dotted his resume, Hopper began training with the Actors Studio. However, on the set of Henry Hathaway's From Hell to Texas he so incensed cast and crew with his insistence upon multiple takes for his improvisational techniques -- the reshoots sometimes numbering upwards of 100 -- that he found himself a Hollywood exile. He spent much of the next decade mired in "B"-movies, if he was lucky enough to work at all. Producers considered him such a risk that upon completing 1960's Key Witness he did not reappear on-screen for another three years. With a noteworthy role in Hathaway's 1965 John Wayne western The Sons of Katie Elder, Hopper made tentative steps towards a comeback. He then appeared in a number of psychedelic films, including 1967's The Trip and the following year's Monkees feature Head, and earned a new audience among anti-establishment viewers.With friends Peter Fonda and Jack Nicholson in front of the camera, Hopper decided to direct his own movie, and secured over $400,000 in financing to begin filming a screenplay written by novelist Terry Southern. The result was 1969's Easy Rider, a sprawling, drug-fueled journey through an America torn apart by the conflict in Vietnam. Initially rejected by producer Roger Corman, the film became a countercultural touchstone, grossing millions at the box office and proving to Hollywood executives that the ever-expanding youth market and their considerable spending capital would indeed react to films targeted to their issues and concerns, spawning a cottage industry of like-minded films. Long a pariah, Hopper was suddenly hailed as a major new filmmaker, and his success became so great that in 1971 he appeared in an autobiographical documentary, American Dreamer, exploring his life and times.The true follow-up to Easy Rider, however, was 1971's The Last Movie, an excessive, self-indulgent mess that, while acclaimed by jurors at the Venice Film Festival, was otherwise savaged by critics and snubbed by audiences. Once again Hopper was left picking up the pieces of his career; he appeared only sporadically in films throughout the 1970s, most of them made well outside of Hollywood. His personal life a shambles -- his marriage to singer/actress Michelle Phillips lasted just eight days -- Hopper spent much of the decade in a haze, earning a notorious reputation as an unhinged wild man. An appearance as a disturbed photojournalist in Francis Ford Coppola's Apocalypse Now did little to repair most perceptions of his sanity. Then in 1980, Hopper traveled to Canada to appear in a small film titled Out of the Blue. At the outset of the production he was also asked to take over as director, and to the surprise of many, the picture appeared on schedule and to decent reviews. Slowly he began to restake his territory in American films, accepting roles in diverse fare ranging from 1983's teen drama Rumble Fish to the 1985 comedy My Science Project. In 1986 Hopper returned to prominence with a vengeance. His role as the feral, psychopathic Frank Booth in David Lynch's masterpiece Blue Velvet was among the most stunning supporting turns in recent memory, while his touching performance as an alcoholic assistant coach in the basketball drama Hoosiers earned an Academy Award nomination. While acclaimed turns in subsequent films like 1987's The River's Edge threatened to typecast Hopper, there was no doubting his return to Hollywood's hot list, and in 1988 he directed Colors, a charged police drama starring Sean Penn and Robert Duvall. While subsequent directorial efforts like 1989's Chattahoochee and 1990's film noir The Hot Spot failed to create the same kind of box office returns as Easy Rider over two decades earlier, his improbable comeback continued throughout the 1990s with roles in such acclaimed, quirky films as 1993's True Romance and 1996's Basquiat. Hopper was also the villain-du-jour in a number of Hollywood blockbusters, including 1994's Speed and the following year's Waterworld, and was even a pitchman for Nike athletic wear. He also did a number of largely forgettable films such asRon Howard's EdTV (1999). In addition, he also played writer and Beat extraordinaire William S. Burroughs in a 1999 documentary called The Source with Johnny Depp as Jack Kerouac and John Turturro as Allen Ginsberg. In 1997 Hopper was awarded the distinction of appearing 87th in Empire Magazine's list of "The Top 100 Movie Stars of All Time."Hopper contracted prostate cancer in the early 2000s, and died of related complications in Venice, CA, in late May 2010. He was 74 years old.

Trivia: Publicity notwithstanding, Lesley Ann Warren did not exactly burst fully grown into the world in 1966 to star in the Rodgers and Hammerstein TV special Cinderella. Trained at New York's Professional Children's School, Lesley Ann studied under Lee Strasberg before making her Broadway debut in 110 in the Shade, the 1964 musical version of The Rainmaker. On the strength of Cinderella, Lesley Ann was signed to a Disney contract; but after starring in The Happiest Millionaire (1966) and The One and Only Genuine Original Family Band, she rebelled against her studio-imposed sweetness-'n'-light image. Upon replacing Barbara Bain in the long-running espionage TVer Mission: Impossible in 1970, Warren publicly emphasized that her character, Dana Lambert, was a "now" person, wise in the ways of sex. She stayed with Mission for only a year, after which she established herself as a leading light in the made-for-TV movie field, frequently cast as an older woman involved romantically with a much-younger man. She earned an Academy Award nomination for her hilarious performance as bleach-blond gangster's moll Norma in Victor/Victoria (1981), then starred in a couple of intriguing Alan Rudolph-directed dramas, Choose Me (1984) and The Songwriter (1986). Her more recent roles include Molly, the homeless woman in Mel Brooks' Life Stinks(1991), who goes into a "death throes" act whenever she feels like it, and the barracuda booking agent for c-and-w star George Strait in Pure Country (1994). For nearly a decade, Lesley Ann Warren was the wife of producer/hairstylist Jon Peters.

Trivia: After majoring in history at Columbia University, brawny Brian Dennehy (born July 9, 1938) took a string of odd jobs to pay his way through Yale Drama School, and to afford private acting lessons. His first professional break came with the Broadway production Streamers. In films and TV from 1977, Dennehy is a most versatile actor, at home playing Western baddies (Silverado), ulcerated big-city cops (F/X), serial killers (John Wayne Gacy in the made-for-TV To Catch a Killer), by-the-book military types (General Groves in Day One, another TV movie), and vacillating politicos (Presumed Innocent). One of his most rewarding film assignments was as dying architectural genius Stourley Kracklite in Peter Greenaway's The Belly of an Architect (1987).In addition to his many TV-movie roles (one of which, good-old-boy Chuck Munson in 1993's Foreign Affairs, won him a Cable Ace Award), Dennehy has starred in the weekly series Big Shamus, Little Shamus (1977), Star of the Family (1981), and Birdland (1994), as well as the sporadically produced Jack Reed feature-length mysteries. It was in one of the last-mentioned projects, Jack Reed: A Search for Justice (1994), that Dennehy made his directorial debut. Aside from his work in film and television, Dennehy has also had considerable success on the stage, particularly with his Tony-winning portrayal of Willy Loman in the 1998 Broadway revival of Death of a Salesman.The actor continued to show his range in the 1995 comedy Tommy Boy (starring David Spade and the late comedian Chris Farley), in which he became well known for his role as Big Tom Callahan, and for a voice role in Ratatouille (2007) as Django, the father of rat and aspiring chef Remy.Dennehy joined Robert DeNiro and Al Pacino in Righteous Kill, a 2008 police drama, and worked alongisde Russell Crowe in the 2010 suspense film The Next Three Days. In 2011, Dennehy played the pivotal role of Clarence Darrow in Alleged, a romantic drama set during the infamous Scopes Monkey Trial.

Trivia: An actor with an undeniably friendly appeal, Dash Mihok was born in New York in 1974. Both of Mihok's parents were active in theater and the arts, and they encouraged their son to explore his creative side. He joined up with the program City Kids while in high school, a production involving Jim Henson puppets that performed all over the city, teaching children about character and self-esteem.Mihok's interest in performance only grew as he got older, and he began auditioning for professional roles after high school, scoring appearances on Law & Order and in the movie Sleepers. Then, still a virtual unknown, Mihok got a callback for a much more prominent role when he was cast as Benvolio, best friend of Leonardo DiCaprio's Romeo in Baz Luhrmann's hallucinatory, modern take on William Shakespeare's Romeo and Juliet. The project gave Mihok an amazing chance to show his stuff; not only did he impress audiences by handling a serious, emotional acting role complete with difficult, antiquated language, but he also walked around bare-chested in many scenes, wowing viewers with his muscular physique. Mihok continued to pick and choose interesting projects, acting in everything from big-budget blockbusters like The Day After Tomorrow and The Perfect Storm to independent arthouse movies like Johnny Flynton and Mojave. Mihok was a particular delight to audiences in 2006's Hollywoodland and in 2007's family film Firehouse Dog, and over the coming years, he would find success in an ongoing series of films, like I Am Legend, The Longshots, and Trespass.

Trivia: American rock music icon Tommy Lee made media headlines on two counts: as the drummer of the hair metal/heavy metal ensemble Mötley Crüe from 1981 through 1999, and for his offstage role as the onetime husband of controversial actress, Playboy playmate, and media darling Pamela Anderson. Born Thomas Lee Bass in Athens, Greece, as the son of a U.S. Army serviceman and a Greek beauty pageant queen, Lee received a drum set at the age of four, but reportedly didn't begin arduous practice until his teenage years, coincident with his discovery of the heavy metal acts Deep Purple, KISS, and Led Zeppelin. He formed the heavy metal ensemble Suite 19 in his late teens and began securing gigs at Los Angeles-area clubs, but fate lent a helping hand by introducing him to Nikki Sixx, a bassist initially interested in forming a rock band guided by a sense of theatricality. When combined with the involvement of rockers Vince Neil and Mick Mars (and, years later, John Corabi, brought in to replace Neil), the young men formed Mötley Crüe, which sold millions of records and became one of the defining rock acts of the 1980s, a status capped by the issue of such albums as Theater of Pain (1985), Girls, Girls, Girls (1987), and Dr. Feelgood (1989). Lee remained with Crüe through 1999; in the meantime he became involved with -- and wed -- two high-profile women: actress Heather Locklear (Melrose Place) and Anderson, with whom he weathered a particularly stormy relationship that included a sex tape scandal, an incident where Lee got incarcerated for allegedly hitting Anderson in front of their children, and all sorts of other mayhem including multiple separations. In 1999, Lee left Crüe to pursue a series of unrelated musical projects, including the formation of the rap metal act Methods of Mayhem, guest appearances on albums by artists including Rob Zombie and Nine Inch Nails, and various recordings that foregrounded Lee and his musical stylings. Lee enjoyed a second act in his career -- in a much different venue -- with the rise of reality television during the mid- to late 2000s. He produced and starred in two major reality series: NBC's 2005 effort Tommy Lee Goes to College, which witnessed him enrolling in university courses, as well as joining a marching band, and the 2006 Rock Star: Supernova, a competition-themed reality program in which Lee and other rockers auditioned musicians to play as a new member of their band. The rocker also participated in the 2004 celebrity video Playboy: Hot Shots (which found Lee and others photographing Playboy magazine pictorials) and the 2005 Comedy Central Roast of Pamela Anderson, opposite Anderson, Jimmy Kimmel, Andy Dick, and others. In 2008, Lee signed on as executive producer of The Dirt, a biopic of Crüe set to star Christopher Walken and Val Kilmer, and directed by Borat and Seinfeld alum Larry Charles.

Trivia: Born December 31, 1959, actor Val Kilmer's chameleon-like ability to plunge fully and breathlessly into his characters represents both the gift that catapulted him to fame in the mid eighties, and that which - by its very nature of anonymity - held him back from megastardom for some time. Such an ability - doubtless, the result of exhaustive, heavily-disciplined training and rehearsal - also explains Kilmer's alleged on-set reputation as a perfectionist (which caused a number of major directors to supposedly tag him as 'difficult'), but the results are typically so electric that Kilmer's influx of assignments has never stopped. He is also extraordinarily selective about projects. Trying valiantly to maintain a firm hold on his career, he turned down offers for box office blockbusters including Blue Velvet, Dirty Dancing, and Indecent Proposal for personal and artistic reasons. A Los Angeles native, Kilmer acted in high school with friend Kevin Spacey before attending the Hollywood Professional School and Juilliard. He appeared on the New York stage and in Shakespeare festivals before his cinematic debut as the rock idol Nick Rivers in the Zucker-Abrahams-Zucker spy spoof Top Secret! (1984). An absurd role which Kilmer plays with complete sincerity, it reveals genuine musical talent and Kilmer achieves complete credibility as a rock star. Throughout the eighties, Kilmer played as diverse an assortment of roles as could be found: he was the goofy, playfully sarcastic, egghead roommate and mentor to Gabe Jarrett in Martha Coolidge's Real Genius, the cocky Ice Man in Top Gun, and warrior Madmartigan in the Ron Howard/George Lucas fantasy Willow (1988). Kilmer's cinematic breakthrough arrived in 1991, for his portrayal of rock icon Jim Morrison in Oliver Stone's The Doors; some speculated that Stone hired Kilmer solely on the basis of the musical gifts showcased seven years prior in Top Secret!. As the philosophical, death-obsessed rocker (and druggie) Morrison, Kilmer performed a number of the Doors songs on the soundtrack, sans dubbing. Kilmer played other American icons in his next two films - gunslinger Doc Holliday in Tombstone and the spirit of Elvis in True Romance; both did remarkable business at the box office. Due to his persistent need for an on-set dialogue with his directors, Kilmer clashed with Michael Apted on the set of Thunderheart (1992) and Joel Schumacher on the set of Batman Forever. He openly refused to repeat the Bruce Wayne role for Batman and Robin (1997). Instead, Kilmer headlined Michael Mann's 1995 Heat with two legends, Robert De Niro and Al Pacino. This time around, he met with a more accommodating (or at least more tolerant) director, Michael Mann. Working with another acting veteran, he co-starred with Michael Douglas for the hunting adventure The Ghost and the Darkness. Unfortunately, his next few films were disappointments, particularly The Saint and The Island of Dr. Moreau. He switched gears a few times with little success, turning to romantic drama in At First Sight and to science fiction in Red Planet, but neither fit his dramatic intensity. After lending his booming voice to the part of Moses in the Dreamworks animated film The Prince of Egypt (1998), Kilmer appeared in The Salton Sea (1991) as a tormented drug addict. In 2003, he lined up quite a few projects, including the crime thriller Mindhunters and the drama Blind Horizon. In the same year he earned a starring role as another aggressive American icon, John Holmes ("the John Wayne of porn"), for the thriller Wonderland (2003). That same fall, Kilmer re-teamed with Ron Howard for the director's lackluster Searchers retread, The Missing (2003). He also re-collaborated with Oliver Stone (for the first occasion since The Doors) in the director's disappointing historical epic Alexander (2004), opposite Angelina Jolie, Anthony Hopkins, and Colin Farrell. He returned to form (and a leading role) in 2005, with the comedy-thriller Kiss, Kiss, Bang, Bang. Kilmer (per his trademark ability) once again cut way against type, this time as a flagrantly (and aptly named) homosexual detective, Gay Perry, who lives and works in Tinseltown. When it opened in October 2005, the picture drew an avid response from critics and lay viewers alike, and brought in solid box office returns. The actor packed in an astonishingly full schedule throughout 2006, with no less than six onscreen appearances through the end of that year, in large and small-scaled productions - all extremely unique. Kilmer returned to his 1998 Dreamworks part with the lead role of Moses in Robert Iscove's stage musical The Ten Commandments, mounted at the Kodak Theatre in Hollywood. Then, in a most unusual move that recalled Richard Gere's work for Akira Kurosawa and Burt Lancaster's work for Luchino Visconti, Kilmer went cross-cultural, by joining the cast of Polish director Piotr Uklanski's Summer Love (2006), screened at the Venice International Film Festival. It marked the first "Polish spaghetti western" and gracefully spoofed the genre; Kilmer appears as "The Wanted Man." The Disney studios sci-fi-action thriller Deja Vu teamed Kilmer and Denzel Washington (under the aegis of Kilmer's former Top Gun cohorts, Tony Scott and Jerry Bruckheimer) as feds who travel back in time to stop a terrorist's (Jim Caviezel) attempt to blow up a ferry. He also voiced the character of Bogardus in Marc F. Adler and Jason Maurer's family-friendly animated adventure Delgo. In 2008, NBC revived the classic series Knight Rider, and needed a distinct voice to play the super-intelligent car. Kilmer stepped in to play the iconic role, but he also signed on for numerous other simultaneous projects, including Werner Herzog's semi sequel Bad Lieutenant: Port of Call - New Orleans (2009), Shane Dax Taylor's troubled, disappointing melodrama Bloodworth (2010), and Francis Ford Coppola's horror opus Twixt, which co-starred Bruce Dern, Elle Fanning and Ben Chaplin. Kilmer met British actress Joanne Whalley on the set of Willow in 1987; they married the following year and teamed up onscreen in John Dahl's Kill Me Again (1989). The couple had two children before the marriage ended in 1996.