Trivia: Equally adept at sober drama and over-the-top comedy, Michael Keaton has a knack for giving ordinary guys an unexpected twist. This trait ultimately made him an ideal casting choice for Tim Burton's 1989 Batman, and it has allowed him to play characters ranging from Mr. Mom's discontented stay-at-home dad to Pacific Heights's raging psychopath.The youngest of seven children, Keaton was born Michael Douglas on September 5th, 1951 in Coraopolis, Pennsylvania on September 9, 1951. After two years of studying speech at Kent State University, he dropped out and moved to Pittsburgh. While working a number of odd jobs--including a stint as an ice cream truck driver--Keaton attempted to build a career as a stand-up comedian, which proved less than successful. He ended up working as a cameraman for the Pittsburgh PBS station, a job that led him to realize he wanted to be in front of the camera, rather than behind it. Following this realization, Keaton duly moved out to Los Angeles, where he joined the L.A. Branch of Second City and began auditioning. When he started getting work he changed his last name to avoid being confused with the better-known actor of the same name, taking the name "Keaton" after seeing a newspaper article about Diane Keaton. He began acting on and writing for a number of television series, and he got his first big break co-starring with old friend Jim Belushi on the sitcom Working Stiffs (1979). Three years later, he made an auspicious film debut as the relentlessly cheerful owner of a morgue/brothel in Night Shift. The raves he won for his performance carried over to his work the following year in Mr. Mom, and it appeared as though Keaton was on a winning streak. Unfortunately, a series of such mediocre films as Johnny Dangerously (1984) and Gung Ho (1985) followed, and by the time Tim Burton cast him as the titular Beetlejuice in 1988, Keaton's career seemed to have betrayed its early promise. Beetlejuice proved Keaton's comeback: one of the year's most popular films, it allowed him to do some of his best work in years as the ghoulish, revolting title character. His all-out comic performance contrasted with his work in that same year's Clean and Sober, in which he played a recovering drug addict. The combined impact of these performances put Keaton back in the Hollywood spotlight, a position solidified in 1989 when he starred in Burton's Batman. Initially thought to be a risky casting choice for the title role, Keaton was ultimately embraced by audiences and critics alike, many of whom felt that his slightly skewed everyman appearance and capacity for dark humor made him perfect for the part. He reprised the role with similar success for the film's 1992 sequel, Batman Returns. Despite the acclaim and commercial profit surrounding Keaton's work in the Batman films, many of his subsequent films during the 1990s proved to be disappointments. My Life (1993), Speechless (1994), and The Paper (1994) were relative failures, despite star casting and name directors, while Multiplicity, a 1996 comedy featuring no less than four clones of the actor, further demonstrated that his name alone couldn't sell a movie. Some of Keaton's most successful work of the 1990s could be found in his roles in two Elmore Leonard adaptations, Quentin Tarantino's Jackie Brown (1997) and Steven Soderbergh's Out of Sight (1998). An ATF agent in the former and Jennifer Lopez's morally questionable boyfriend in the latter, he turned in solid performances as part of a strong ensemble cast in both critically acclaimed films. In 1999, Keaton went back to his behind-the-camera roots, serving as the executive producer for Body Shots. Keaton continued to act throughout the early 2000s, and starred in Herbie: Fully Loaded (2005) alongside Lindsay Lohan. the actor took on another vehicle-oriented role when he agreed to voice the character of Chris Hicks in Pixar's Cars (2006). In 2010, Keaton voiced the Ken doll in Toy Story 3. Keaton enjoyed an unexpected career renaissance in 2014 playing the lead in Birdman, an older actor trying to stage a comeback by putting on a Broadway production. His work in the film was widely praised, and he earned his first Academy Award nomination when he was given a nod in the Best Actor category.

Trivia: The daughter of onetime fashion model Tippi Hedren (Marnie) and actor Peter Griffith, Melanie Griffith witnessed her parents' divorce as a toddler. She relocated from Manhattan to Los Angeles in the custody of her mom at the age of four, when Alfred Hitchcock discovered Hedren and offered her a bid for movie stardom. Hedren soon married her second husband, film producer Noel Marshall, and relocated the entire family (including Griffith) to an Acton, California ranch, but at age 15 (c. 1972), Griffith broke out on her own. She started modeling professionally and struck up a live-in relationship with then-22-year-old Don Johnson. Thus commenced a notoriously rocky, complex romance of four years. It temporarily ended when Griffith and Johnson wed and divorced several months later. In the mean time, Griffith kick-started her acting career with promising films including the Arthur Penn-directed detective saga Night Moves (1975) and the Paul Newman mystery The Drowning Pool (1975).Problems with drugs and drinking followed Griffith and Johnson's divorce. It all came crashing down for the rising star in 1980, when she was hit by a car on Sunset Boulevard and seriously injured, with amnesia that lasted for several days and a fractured arm. Ultimately, she did survive, and launched a comeback in the 1980s, studying acting with the preeminent Stella Adler. Griffith made a distinct impression as porn star Holly Body in Brian DePalma's thriller Body Double (1984), and two years later received a wealth of critical acclaim for her role in Something Wild, a Jonathan Demme comedy. It cast her as a reckless spirit opposite an uptight Jeff Daniels. In many ways, however, 1988 witnessed Griffith's breakthrough; that year, she appeared in Robert Redford's The Milagro Beanfield War and starred in the Mike Nichols comedy Working Girl. For her work in the latter film, as a young career woman trying to conquer the New York business world, Griffith earned an Oscar nomination and no small amount of critical respect. Unfortunately, she then endured a series of less well-received outings, including Brian DePalma's widely panned Tom Wolfe outing The Bonfire of the Vanities (1990), the John Schlesinger mystery Pacific Heights (1990) and director David Seltzer's period meller Shining Through (1992).While her acting career continued on its highs and lows, Griffith once again wed Johnson in 1989; their second union lasted until 1996. That same year, the actress married Spanish heartthrob Antonio Banderas following a much-publicized romance. She went on to do some of her best work in years in 1997 as the puffy, tragically misguided Mrs. Haze in Adrian Lyne's overlooked adaptation of Lolita. She then signed on to portray drug dealer James Woods's wife in the Larry Clark-directed addiction drama Another Day in Paradise (1998); unfortunately, the film failed to make a significant impact on critics. At about the same time, the actress portrayed a flippant movie star in Woody Allen's Celebrity (1998), and a nutty aspiring actress who totes her dead husband's head around in a hat box in the Antonio Banderas-directed Crazy in Alabama in 1999. Both films received negative-to-mediocre reviews. Griffith would continue to sign on for roles in the coming years, though subsequent projects were of somewhat lower profile, like the documentaries Light Keeps Me Company (2000) and Searching for Debra Winger (2002), as well as John Waters's outrageous black comedy Cecil B. Demented (2000), the romantic drama Tempo, and the crime thriller Shade.

Trivia: Matthew Modine probably developed his love of performing through multiple viewings of films exhibited in the many Utah drive-in theaters managed by his father. His family moved a lot, so his adaptability as an actor may have grown out of learning to adapt as a child, as well. After dropping out of college and working a variety of odd jobs, Modine moved to New York, where he studied acting with Stella Adler and eventually began appearing in TV commercials and soap operas. He made his screen debut in 1983 in the film comedy Baby It's You, and won the Venice Film Festival's Best Actor award that year for his work in Robert Altman's Streamers. Refusing to trade on his freshly scrubbed, all-American good looks, Modinemade a point of treating each film role as a challenge and a chance to grow. How many other pretty-boy Brat Packers would have been willing to play a disturbed Vietnam vet who's thinks he's a bird in 1984's Birdy? His other film roles included dual characters in The Hotel New Hampshire (1984); Private Joker in Stanley Kubrick's Full Metal Jacket (1987); love-struck FBI agent Mike Downey in Married to the Mob (1988); swashbuckler William Shaw in Cutthroat Island (1995); and the title role in the made-for-cable Biblical spectacle Jacob (1994). Modine was nominated for an Emmy for his performance as aloof AIDS researcher Don Francis in the 1993 TV movie And the Band Played On, and continued to accept occasional stage roles in between his film and TV projects. He made his screen directorial debut in 1994 with a short subject entitled Smoking. Modine woulds spend the next few decades appearing in a number of interesting projects, like Funky Monkey, Transporter 2, and The Dark Knight Rises.

Trivia: Japanese actor Mako, born Makoto Iwamatsu, has spent most of his professional career in the United States. His first important film appearance was as Po-Han, Steve McQueen's assistant machinist, in The Sand Pebbles (1966), a performance that earned him an Oscar nomination. He remained in films into the 1990s, playing choice character parts in such films as Hawaiians (1967), Conan the Destroyer (1984), and Rising Sun (1993). Mako's TV credits include the role of Major Oshira on the weekly Hawaiian Heat (1984) and the 1990 TV movie Hiroshima: Out of the Ashes.

Trivia: Matriculating from Illinois State University, actress Laurie Metcalf was one of the charter members of Chicago's groundbreaking Steppenwolf Theatre troupe. She moved on to New York in the early '80s, winning a 1984 Theatre World Award and an Obie for her performance in Balm in Gilead. In films since 1985, the flexible Metcalf has been seen in director Susan Seidelman's Desperately Seeking Susan (1985) and Making Mr. Right (1987), and also in several other highly regarded productions, notably Uncle Buck (1989), JFK (1991), and Mistress (1992). Metcalf is best known to the TV-watching public for her Emmy-winning portrayal of Roseanne Conner's police-officer sister, Jackie Harris, on the long-running sitcom Roseanne. In 1997, following the demise of her television series, Metcalf turned in a deliciously over-the-top performance as the tightly wound aspiring reporter Debbie Salt in Scream 2. In the decades to come, Metcalfe would find success on shows like Norm and The Big Bang Theory, as well as movies like Stop-Loss Georgia Rule. Despite her hectic schedule, Laurie Metcalf still finds time for an occasional return-to-the-womb appearance at the Steppenwolf Theatre, usually in the company of fellow Steppenwolfians John Malkovich, Gary Sinise, and/or Glenne Headly.

Trivia: Widely recognized by television viewers for his role as Agent Marcus Dixon on the popular sci-fi action television series Alias, actor Carl Lumbly has been appearing on both the big and small screens since the late '70s. With early appearances on Cagney and Lacey and L.A. Law, as well as roles in such high-profile releases as Pacific Heights (1990) and How Stella Got her Groove Back (1998), chances are you'd recognize Lumbly's face even if his name doesn't immediately ring a bell. A native of Jamaica who attended Minnesota's Macalester College, his career in journalism eventually led to acting when he was assigned to write a story about a local workshop theater. Subsequently immersing himself in the improvisational company for the next two years, it wasn't long before Lumbly made his film debut in Escape From Alcatraz (1979). Gaining an impressive list of small-screen credits with appearances in such popular sitcoms as The Jeffersons and Taxi, the 1980s proved both busy and fruitful as offers continued to roll in. Cast in the lead of the series M.A.N.T.I.S. in 1994, Lumbly essayed the role of a paralyzed scientist who dons a specially designed exoskeleton in the name of fighting crime. Though the show had a small devoted fan base, it was soon taken off the air, and Lumbly rounded out the decade with roles in such made-for-television films as Nightjohn (1996), Buffalo Soldiers (1997), and Border Line (1999). After returning to series work in Alias, Lumbly provided voice work for the animated television series the Justice League, and took the lead in longtime friend Danny Glover's family-friendly drama Just a Dream. The following year found the popular Lumbly remaining family-friendly with a featured role in the made-for-television remake Sounder.

Trivia: African American leading man Dorian Harewood attended the University of Cincinnati before establishing his theatrical reputation, first in the cast of the Broadway rock musical Two Gentlemen of Verona, then in the road company of Jesus Christ, Superstar. He won a Theatre Guild Award for his work in the 1974 production Don't Call Back. In films since 1976's Sparkle, Harewood is best known for his powerful supporting roles, most notably the unfortunate "grunt" Eightball in Stanley Kubrick's Full Metal Jacket (1987). His television resumé includes the part of Alex Haley's father in the 1979 miniseries Roots: The Next Generation and the title roles in the made-for-TV movies The Jessie Owens Story (1984) and Guilty of Innocence: The Lenell Geter Story (1987); he has also played recurring roles on such series as Glitter, The Trials of Rosie O'Neill, and Viper. Harewood has always attributed much of his success to actress Bette Davis, who while lecturing at the U. of Cincinnati encouraged the young actor to aggressively pursue his dreams of stardom. Dorian Harewood is the husband of actress Ann McCurry.

Trivia: A director and supporting actor, Bercovici has been onscreen from the '80s.

Trivia: Blonde actress/model Tippi Hedren lists the year of her birth as 1935, which means that she would have been 14 or 15 when she appeared fleetingly in her first film, The Petty Girl (1950). Hedren did not resurface on the movie scene again until 1963, when she was "discovered" by Alfred Hitchcock. The official story is that Hitchcock wanted to mold Hedren into a new Grace Kelly; rumors persist that his interest in the actress went way beyond professional, and that he made a few clumsy advances towards her on the set. Whatever the case, Hedren starred in Hitchcock's The Birds (1963) and Marnie (1964). She was criticized for being too impassive in the former film and too expressive in the latter, though it isn't fair to pick on her for the shortcomings of the script and direction. Hedren was under contract not to Hitchcock but to his home studio of Universal; thus, she was obliged to appear in a 1963 Kraft Suspense Theatre episode and in director Charlie Chaplin's A Countess from Hong Kong (1967), acquitting herself nicely in both instances. She curtailed her film appearances in the late 1960s when she married her second husband, Noel Marshall. The Marshalls then proceeded to pour 11 years' work (and $17 million!) into Roar (1981), a film based on their own real-life efforts on behalf of the African wildlife preservation movement. Even three decades after the fact, Hedren can't quite shake her earlier relationship with Alfred Hitchcock: she played a murder victim in the 1990 TV remake of Hitchcock's Shadow of a Doubt, and starred in the made-for-cable The Birds II: Land's End (1994). Hedren remained active in small film and television roles throughout the 2000s, and appeared in the well-received documentaries The Elephant in the Living Room and Carol Channing: Larger Than Life in 2011. Hedren co-starred with Jess Weixler and Jesse Eisenberg in Free Samples (2012), an independent comedy following a cynical law-student whose brief stint driving an ice cream truck marks a very important transition in her life. Tippi Hedren is the mother of actress Melanie Griffith.

Trivia: Lead actress, onscreen from I've Heard the Mermaids Singing (1956).

Trivia: Onscreen, versatile, multi-talented Beverly D'Angelo is best remembered for playing Ellen Griswold in the National Lampoon "vacation" series of films but she has appeared in over 50 films and also performs on television and the stage. The daughter of successful musicians, D'Angelo was educated in Europe and studied fine arts but left school at age 17 to become an artist at Hanna-Barbera Studios. For a time she was a folk singer and performed in Canadian coffee houses. She later sang rock & roll with the group Elephant. She tried acting in regional theater and during the early '70s appeared frequently on Broadway, making her debut playing Ophelia in the rock musical Rockabye Hamlet. D'Angelo made her film debut playing a bit in the Sentinel (1976). Her most highly regarded film role was that of singer Patsy Cline playing opposite Sissy Spacek's Loretta Lynn in Coal Miner's Daughter (1980). D'Angelo's excellent portrayal won considerable critical acclaim. She imprinted herself into popular culture playing Ellen Griswold in the National Lampoon films Vacation, European Vacation, Christmas Vacation, and Vegas Vacation, and would continue be a consistant presence on screen for years to come, most notably in films like American History X and on the series Entourage.

Trivia: Supporting actor Boyd has appeared onscreen from the '70s.

Trivia: Supporting actor, onscreen from the '70s. He is the father of actress Melora Hardin.

Trivia: Dan Hedaya has played a wide variety of characters on the stage, screen, and television. Fans of the long-running sitcom Cheers will remember Hedaya for his portrayal of barmaid Carla's grease bag husband Nick Tortelli. Following studies in literature at Tufts University, Hedaya launched his acting career. He then went on to act in the New York Shakespeare Festival for many years. Hedaya made his feature film debut in The Passover Plot (1975). Since 1980, Hedaya has appeared in over 20 feature films, and is frequently cast as cops, criminals, or rough-edged regular joes. In Blood Simple (1984), he got the opportunity to play a leading role as Marty, the jealous husband who hires a creepy detective to kill his faithless wife. It is on television, that Hedaya has found most of his work. He has guest-starred on numerous shows ranging from police and courtroom dramas like Hill Street Blues and Law and Order, to sitcoms such as Family Ties.

Trivia: Esteemed British supporting actress and voice artist Miriam Margolyes has worked on radio, television, stage, and in many prestigious feature films. She launched her career in her native England but came to the U.S. after winning the Los Angeles Film Critics Circle Award for Best Supporting Actress for playing Flora Finching in Little Dorrit (1988). After settling in L.A., Margolyes starred in the short-lived CBS television series Frannie's Turn. As a voice artist, Margolyes provided the characterization for Babe's mother in the Oscar-nominated Babe (1996), as well as voicing the role of the glowworm in James and the Giant Peach (1996), in which she also played one of the wicked aunties.

Trivia: American character actor Nicholas Pryor has played his share of weak or ineffectual characters, but can exert authority and strength if the need arises. One of the busiest actors on the daytime-drama scene, Pryor has been a regular on such soapers as All My Children (he was the third of four actors to play Link Tyler) Young Dr. Malone, The Nurses, Another World, The Edge of Night, Love is a Many Splendored Thing and The Nurses. His prime-time TV roles include John Quincy Adams II in The Adams Chronicles (1976), vice principal Jack Felspar in Bronx Zoo (1987), and chancellor Arnold in Beverly Hills 90210 (1990- ). Among Nicholas Pryor's best film assignments were the roles of beauty-contest organizer Barbara Feldon's long-suffering husband in Smile (1975) and Tom Cruise's clueless dad in Risky Business (1983).

Trivia: One of the most prolific of the "Who IS that?"school of character actors, Dabbs Greer has been playing small-town doctors, bankers, merchants, druggists, mayors and ministers since at least 1950. His purse-lipped countenance and Midwestern twang was equally effective in taciturn villainous roles. Essentially a bit player in films of the 1950s (Diplomatic Courier, Deadline USA, Living It Up), Greer was given more screen time than usual as a New York detective in House of Wax (1953), while his surface normality served as excellent contrast to the extraterrestrial goings-on in Invasion of the Body Snatchers (1956) and It! The Terror from Beyond Space. A television actor since the dawn of the cathode-tube era, Greer has shown up in hundreds of TV supporting roles, including the "origin" episode of the original Superman series, in which he played the dangling dirigible worker rescued in mid-air by the Man of Steel. Greer also played the recurring roles of storekeeper Mr. Jones on Gunsmoke (1955-60) and Reverend Robert Alden on Little House on the Prairie (1974-83). Showing no signs of slowing down, Dabbs Greer continued accepting roles in such films as Two Moon Junction (1988) and Pacific Heights (1990) into the '90s. He died following a battle with kidney and heart disease, on April 28, 2007, not quite a month after his 90th birthday.

Trivia: Won the crown of Miss Nisei Queen while she and her family lived in Chicago.Made her Broadway debut playing Gwenny in Josh Logan's production of The World of Suzie Wong in 1958.Performed The Vagina Monologues with playwright Eve Ensler at the famed Apollo Theatre.Frequently works with Los Angeles's East West Players, the oldest Asian-American theater company in America, performing in several of their productions.Has lent her voice talents to a number of popular cartoon series, such as Batman: The Animated Series, Batman Beyond, Teen Titans, Justice League Unlimited, The Wild Thornberrys, Avatar: The Last Airbender, Captain Planet and the Planeteers and A Pup Named Scooby-Doo among many others.

Trivia: Widely known as a semi-regular in the films of cinema legend Woody Allen, New York-native Hy Anzell appeared in many of the director's most popular films, including Bananas (1971), Annie Hall (1977), and Radio Days (1987). Although his family initially encouraged him to follow them in the restaurant business, Anzell instead opted to pursue a career on the stage. In 1946, the burgeoning actor made his Broadway debut in a production of the Duke Ellington musical Beggar's Holiday, and though he would soon segue into film and television, stage roles in Oklahoma and Checking Out found him remaining true to his theatrical roots. Though he appeared uncredited in such early efforts as Bengal Brigade (1954) and Party Girl (1958), Anzell's first official big-screen appearance would be for Allen in the director's early comedy Bananas. The two formed a close working relationship and Anzell continued to appear in Allen's films (most notably as Joey Nichols in Annie Hall). The busy actor also had roles in such efforts as Dead Bang (1989), Pacific Heights (1990), and The Cemetery Club (1993). Anzell remained active onscreen until his late-'90s final screen appearances in Allen's Deconstructing Harry (1997) and the made-for-TV drama Legalese (1998). Anzell died of natural causes August 23, 2003, in Fresno, CA. He was 79.

Trivia: The memorable but fleeting appearance of American actor Tracey Walter as "Bob the Goon" in Batman was typical of Walter's career. In the grand tradition of such Hollywood character actors as Percy Helton, Dick Wessel and Louis Jean Heydt, Walter is in the "who is that?" category--familiar yet anonymous--and has developed a cult following amongst cinema buffs. The stage-trained Walters can be seen in such films as Repo Man (1984) City Slickers (1991), Pacific Heights (1992), and Philadelphia (1993). As far back as the 1984 critic's-darling sitcom Best of the West, Walter played Frog, the knuckle-dragging henchman of villain Leonard Frey.

Trivia: An enduring regional theater actor whose 20 seasons at the Cleveland Playhouse consistently took precedence over his television and feature career, actor William Paterson later departed for an extended career with San Francisco's American Conservatory Theater. A native of Buffalo, NY, Patterson graduated from Brown university before settling at the Cleveland Playhouse in 1947 immediately following his military service. Following his debut in their production of Maxwell Anderson's Joan of Lorraine, Paterson soon married theater hairstylist Dora Beams, forming a close relationship that would endure until Beams' death in 1993. Though he remained with the Cleveland Playhouse for an exhausting 20 seasons, that stint paled in comparison to his 30-plus-year stay with the American Conservatory Theater, which he joined in its inaugural season in 1967. Kicking-off his career at the A.C.T. in its production of A Long Day's Journey Into Night, Paterson continued on by essaying the role of Scrooge in the theater's holiday production of A Christmas Carol, a role with which he would continue to impress audiences for 14 years (in addition to the 1981 television broadcast). Paterson was the recipient of numerous awards during his extended stage career, somehow finding the time to serve on both the San Francisco Arts Commission and the American Conservatory Theater Commission. In film, Paterson frequently played the role of authority figures in such features as Dirty Harry (1971), Hear No Evil (1982), and Hard Traveling (1985). Paterson's final film performance would come with the 1990 thriller Pacific Heights. William Paterson succumbed to lung cancer September 3, 2003, in San Francisco. He was 84.

Trivia: Born Donald Warren Moffett. Supporting actor, occasional lead, onscreen from the '80s.

Trivia: London-born director John Schlesinger worked steadily in both Hollywood and Britain in films, television, and on the stage. By exploring the complexities of human relationships, some of his films made it possible for later filmmakers to bring controversial subjects into the mainstream. He started making short films as a boy before attending the Uppingham School with the intent to study architecture. In 1943 he was drafted into the British army and ended up in a magic act entertaining the troops abroad. By 1947, he was back in school studying English literature at Balliol College, Oxford, where he was president of the Experimental Theatre Club. Following graduation, he worked as an actor with the Colchester Repertory Company and the Ngaio Marsh Touring Company. He continued making short films and started directing documentaries for the BBC programs Tonight and Monitor. He won a BAFTA award for his debut film Terminus, a chronicle of the Waterloo railway station. His first two feature films, A Kind of Loving and Billy Liar, both received critical praise from the British Academy. They also introduced Schlesinger to his longtime filmmaking allies: producer Joseph Janni, actor Alan Bates, and actress Julie Christie. In 1965 he received international attention and his first Oscar nomination for the drama Darling about the London fashion scene during the mod '60s. After adapting the Thomas Hardy novel Far From the Maddening Crowd, Schlesinger made his first American film, Midnight Cowboy, starring Jon Voight and Dustin Hoffman. A compassionate story about friendship, it was also the first X-rated film to win the Academy Award for Best Picture. It also earned Schlesinger his first Oscar for Best Director. The next year, he was honored with the appointment of Commander of the British Empire by Queen Elizabeth II. Back in England, he earned his third Oscar nomination for the psychological drama Sunday, Bloody Sunday. Starring Glenda Jackson, Peter Finch, and Murray Head, it was one of the first mainstream films to deal with homosexual themes with sensitivity and perception. During the '70s he continued directing stage productions in between his film work, eventually becoming the associate director of the National Theatre in London. After a few meager successes with the psychological thriller Marathon Man and the war drama Yanks, he moved over to television to make the well-received Separate Tables and An Englishman Abroad. During the late '80s he made the spy film The Falcon and the Snowman and cast Shirley MacLaine in the choice lead role of Madame Sousatzka before making a minor comeback with the comedy Cold Comfort Farm, based on the novel by Stella Gibbons. After bringing the play The Tale of Sweeny Todd to the small screen, he made his last film, The Next Best Thing, starring Madonna and Rupert Everett. Schlesinger died at age 77 in Palm Springs due to complications following a severe stroke. He is survived by photographer Michael Childers, his companion of 36 years.