Trivia: George Segal kicked off his performing career as a boy magician in his Long Island neighborhood. An accomplished banjoist, Segal played with Bruno Lynch and His Imperial Jazz before enrolling at Columbia University. After three years' military service, Segal resettled in New York in 1959, and that same year was cast in his first off-Broadway play. Entering films with 1961's The Young Doctors, Segal quickly established himself as one of Hollywood's most accomplished young character actors; in 1967, he received an Oscar nomination for his portrayal of Nick in Who's Afraid of Virginia Woolf. When one compiles a list of favorite films from the late 1960s-early 1970s, one usually spends a great deal of time exclaiming "Hey! Segal was in that, too." He played a hustling POW in King Rat (1965), a Cagneyesque hood in Saint Valentine's Day Massacre (1967), ulcerated homicide detective Mo Brummel in No Way to Treat a Lady (1968), a neurotic New York Jewish intellectual in Bye Bye Braverman (1968), a straight-laced bachelor in love with a foul-mouthed hooker in The Owl and the Pussycat (1970), and a repressed lawyer saddled with an outrageously senile mother in Where's Poppa? (1970). During this same period, Segal had an arrangement with the ABC TV network, permitting him to star in television adaptations of classic Broadway plays: he was cast as George opposite Nicol Williamson's Lenny in Of Mice and Men, then switched gears as vicious escaped criminal Glenn Griffin in The Desperate Hours. Throughout this busy period in his life, Segal fronted the Beverly Hills Unlisted Jazz Band, cutting several records and making a number of memorable Tonight Show appearances. In 1973, Segal's successful screen teaming with Glenda Jackson in A Touch of Class enabled him to demand a much higher price for his film services; unfortunately, many of the films that followed--The Black Bird (1975) and The Duchess and the Dirtwater Fox (1976) in particular--failed to justify Segal's seven-figure price tag. In the 1980s, Segal starred in two well-written but low-rated TV weeklies, Take Five (1987) and Murphy's Law (1989). His film career was lifted from the doldrums in the late 1980s with such plum roles as the pond-scum father of Kirstie Alley's baby in Look Who's Talking (1989) and the "pinko" comedy writer in For the Boys (1991). Segal's projects of the 1990s have included the syndicated TV adventure series High Tide (1994) and such film roles as the bemused husband of abrasive Jewish mama Mary Tyler Moore in the 1996 Ben Stiller vehicle Flirting with Disaster. In 1996, Segal found renewed success on television playing a well-meaning but rather duplicitous publisher whose estranged daughter comes to work for him in the razor-sharp NBC sitcom Just Shoot Me. Though he worked less frequently during the 21st century, he appeared in a variety of projects including The Linda McCartney Story as the main character's father, Fielder's Choice, 2012, and Love and Other Drugs.

Trivia: Born in New Jersey to Italian-American parents, deep-voiced actress Laura San Giacomo studied at Carnegie Mellon School of Drama. After performing in regional theater, off-Broadway, and TV guest-star roles, she made her auspicious debut in Steven Soderbergh's sex, lies, and videotape. As the down-to-earth yet adulterous Cynthia, her presence brought a sense of inhibition to the cast of otherwise sexually repressed characters. This was followed by a series of other good roles: the prostitute Kit in Pretty Woman, the hardworking waitress in Vital Signs, Holly Hunter's sister in Once Around, and the American expatriate Crazy Cora in Quigley Down Under. In addition to providing her husky voice to the star-studded animated series Gargoyles, she moved over to TV movies, most notably the Stephen King adaptation The Stand. On the big screen, she starred in Nina Takes a Lover, Stuart Saves His Family, and The Apocalypse (co-starring her then-husband Cameron Dye). After having her son Mason, she started playing the memorable role of magazine journalist Maya Gallo on Just Shoot Me, which ran from 1997-2003 on NBC. She worked steadily in the years following Just Shoot Me, but she was away from screens for four years after 2001, returning in the 2005 drama Havoc. Two years later she starred opposite Holly Hunter in the supernatural series Saving Grace.

Trivia: Born August 22nd, 1965, the diminutive blond comic David Spade has found success as a professional smart ass. Born in Birmingham, MI, but raised in Scottsdale, AZ, Spade first made a name for himself as a standup comedian. He spent most of the '80s performing in clubs, theaters, and college campuses. He joined the cast of Lorne Michael's long-running television show Saturday Night Live in 1990 as a writer and a performer. On the show, he soon gained popularity for such recurring sketches such as "The Hollywood Minute" in which Spade would sarcastically shred some of Tinseltown's biggest stars with his nasty comments. Spade also proved an able impersonator of celebrities ranging from Jeff Foxworthy to Tom Petty. Spade has appeared on many television talk shows and guest starred on several series. He began his film career in the late '80s playing a small role in Police Academy 4: Citizens on Patrol. In the '90s, he began playing major supporting roles in such films as Coneheads (1993) and P.C.U. (1994). He and former SNL alumni Chris Farley shared top billing in two popular comedies, Tommy Boy (1995) and Black Sheep (1996). Spade starred opposite Joe Pesci and Dyan Cannon in Eight Heads in a Duffel Bag (1997). In 1997, Spade returned to series television in the sitcom Just Shoot Me. While 2001's Joe Dirt wasn't much of a box office success, it did earn a certain cult status, inspire animated television series, and bring about a surge of ironically-sported mullet hairstyles in the early 2000s. While 2001's Joe Dirt wasn't much of a box office success, it did bring about a resurgence of popularity for the mullet. Dickie Roberts: Former Child Star (2003) featured Spade in the titular role of a one-time child star who tries to make a comeback as an adult. Spade continued to play comedic roles throughout the mid-2000s (The Benchwarners, Grandma's Boy), and once again found small-screen success with a role on the sitcoms 8 Simple Rules, and The Rules of Engagement, in which Spade plays the part of a single man surrounded by friends in various stages of couplehood.

Trivia: Supporting actor Bruns appeared onscreen from 1970.

Trivia: Born in the Midwest and educated in the military, actor Fred Willard has proven his talent for improvisational comedy on the stage, television, and the big screen. His characters are frequently grinning idiots or exaggerated stereotypes, but Willard's skillful timing has always added a unique spin. An alumni of Second City in Chicago, he's worked with many of the biggest-named comedians of his time. His early TV credits include a regular stint on The Burns and Schreiber Comedy Hour, a supporting part on the sitcom Sirota's Court, and the role of Jerry Hubbard, sidekick of TV talk-show host Barth Gimble (Martin Mull) in the satirical Fernwood 2Night. He went on to appear in subsequent incarnations of Fernwood and continued to work with Mull and his gang for the next few decades. In the early '80s, he hosted the actuality series Real People and co-hosted the talk show Thicke of the Night. Some of his small, yet memorable, performances in feature comedies included President Fogerty in National Lampoon Goes to the Movies; the garage owner in Moving Violations who's mistaken for a doctor; the air force officer in This Is Spinal Tap; and Mayor Deebs in Roxanne. Doing a lot of guest work on television, he was also involved in Martin Mull's The History of White People in America series and was the only human actor amid a cast of puppets on the strange show D.C. Follies. In the '90s, he worked frequently in the various projects of fellow satirists Harry Shearer, Christopher Guest, and the like. He was travel agent Ron Albertson in Waiting for Guffman, TV announcer Buck Laughlin in Best in Show, and manager Mike LaFontaine in A Mighty Wind. He also appeared in Eugene Levy's Sodbusters, Permanent Midnight with Ben Stiller, and showed up in Austin Powers: The Spy Who Shagged Me. On television, he picked up a regular spots on The Tonight Show With Jay Leno, Roseanne (as Martin Mull's lover), and Mad About You, along with voice-over work on numerous cartoons. He also received an Emmy nomination for his role as Hank McDougal on Everybody Loves Raymond. Since 2000, he has shown up in quite a few mainstream commercial films, including The Wedding Planner, How High, and American Wedding; but he also played Howard Cosell in the TV movie When Billie Beat Bobby. Projects for 2004 include Anchor Man: The Legend of Ron Burgundy and Harold and Kumar Go to White Castle.IHe also joined up with his Mighty Wind and Waiting for Guffman castmates again in 2006 with For Your Consideration, a satire of Hollywood self importance injected with Willard's trademark clever silliness. The next year he appeared in the spoof Epic Movie, as well as the romantic comedy I Could Never Be Your Woman. He was in the Pixar sci-fi film WALL-E, and had a role in the 2009 comedy Youth In Revolt. In 2012 he starred in Rob Reiner's The Magic of Belle Isle opposite Morgan Freeman.

Trivia: While savvy television viewers will no doubt recognize prolific small-screen actress Wendie Malick from such popular series as Baywatch, Just Shoot Me, and HBO's smart and sexy comedy Dream On, the late '90s found her feature career warming up in such independent efforts as Manna From Heaven (2001) and Bathroom Boy (2003). A native of Buffalo, NY, who first found work in front of the cameras as a Wilhelmina model in the 1970s, the Ohio Wesleyan University alum would later work for New York congressman Jack Kemp following her graduation. Subsequently gracing the catwalks of New York, Paris, and Madrid, it was a small role in the 1978 comedy How to Pick up Girls that provided the aspiring actress with her first screen break. Though she would appear in a few theatrical releases such as Scrooged (1988) during the 1980s, most of her work came with made-for-television features and such series as Kate and Allie and Anything But Love. Increasingly visible on the small screen during the 1990s, Malick's role as series protagonist Martin Tupper's (Brian Benben) ex-wife on Dream On utilized her comic abilities to maximum effect and netted the actress four Cable ACE awards. Following the final episode of Dream On in 1996, it was only one short year before Malick began a stint on another popular series that would gain her accolades among sitcom junkies, Just Shoot Me. Her background in the modeling industry provided the ideal foundation for her role as former model Nina Van Horn, and Malick (Emmy-nominated for the role) remained with the show until its final episode in 2003, simultaneously taking occasional parts in both made-for-TV and theatrical features. In 1997 Malick took the lead in the little-seen romantic comedy Just Add Love, and following voice work as the egotistical principal in the Disney series Fillmore!, she appeared alongside Valerie Bertinelli, Jane Leeves, and Betty White the Emmy-winning comedy series Hot in Cleveland. In addition to her screen work, Wendie Malick met husband Richard Erickson while building homes for poor families in Mexico, and she also helps the homeless with her work for the Adopt-A-Family organization.

Trivia: Chances are likely that you would recognize his face, and it's even more likely that although the face is familiar, you don't know that his name is Enrico Colantoni. Though he struck a funny bone in audiences with his role as a befuddled alien in the 1999 comedy hit Galaxy Quest, Colantoni had been appearing in minor film and television roles since the late '80s. Born in Toronto, Ontario, Canada, in February of 1963 and raised in a prominent Italian neighborhood of the city, his early interest in acting would result in frequent neighborhood skits to entertain family and friends. His interest in performing peaked after seeing his older brother in a high school play, and despite his interest in the stage Colantoni would later opt to study law at the University of Toronto. Coming from an inartistic background, his parents frowned upon Colantoni's passion for acting, and the aspiring thespian quietly opted for a drama class as an elective as he focused most of his energy on law studies. Colantoni's drama teacher quickly recognized the young actor's potential, and it wasn't long before the bright lights of New York City became to glaring to resist. When his parents announced that they were moving back to Italy, Colantoni made the difficult decision to remain in New York and live the life of a struggling actor. His gamble would soon pay off when Colantoni made his television debut in an episode of Friday the 13th: The Series in 1989. Later deciding that he still needed time to refine his talent, Colantoni subsequently attended Yale and later spent a season at Minneapolis' Guthrie Theater in 1994. Soon thereafter returning to the Big Apple, more stage roles followed until Colantoni was cast in an episode of NYPD Blue as the schizophrenic son of Peter Boyle's character. He made his film debut in the 1995 action comedy Money Train, and subsequent feature roles included Albino Alligator (1996), The Wrong Guy (1997), and 1999's Stigmata. It was during this time that Colantoni was also cast in the weekly comedy series Just Shoot Me. Later essaying the aforementioned role in Galaxy Quest, Colantoni appeared as a murderer in Steven Spielberg's A.I. before taking on roles in The First $20 Million is Always the Hardest and Full Frontal in 2002. He continued to have success in television series' throughout the 2000s, and became known for his roles as Keith Mars on Veronica Mars (2005-2006), and Sergeant Greg Parker on Flashpoint (2008-2011).

Trivia: John F. O'Donohue may not be as well known as Dennis Farina, Eddie Egan, or Barney Martin -- three police officers who became television stars -- but he's in the running. A 20-year veteran of the New York Police Department, O'Donohue joined the acting profession in the late '80s and ascended to bit parts in movies, moving up to supporting and guest-starring roles in television before reaching regular status on NYPD Blue in 2004. Born in New York, he was a career officer who rose as high as lieutenant in the Midtown North precinct, turning to acting as an outlet for feelings he repressed as a police officer. After some classes, and appearances in off-off-Broadway productions, he made his debut in the Ben Stiller-directed MTV program Colin Quinn: Back to Brooklyn. O'Donohue retired from the force and moved to Los Angeles to pursue work in television, making appearances in bit roles in episodes of Knots Landing and Reasonable Doubts, but it was Stiller who pulled him out of the pack of working actors. Stiller remembered O'Donohue's work in the MTV show when he was putting together the cast for his FOX network satirical series The Ben Stiller Show, and made him a regular on the series. O'Donohue showed his comedic abilities as a member of Stiller's stock company, and he later worked on The John Larroquette Show as a regular cast member in addition to appearances in series such as Knots Landing, Reasonable Doubts, and Matlock. He was a natural at playing cops (and also, occasionally, firemen), not just by experience but also with his easy New York working-class vernacular, bald physiognomy, and muscular presence. He made his first appearance on NYPD Blue in 1994 as a court clerk in the second season lead-off episode "Trials and Tribulations" and its follow-up, "From Whom the Skell Rolls." O'Donohue made the rounds on television, alternating between dramas and comedies, including Mad About You, Seinfeld, The Single Guy, Chicago Hope, Brooklyn South, Cybill, Diagnosis Murder, and Columbo, in ever larger parts. One of his funniest guest appearances was in the 1998 "Civil War" episode of Everybody Loves Raymond, playing Harry, the Civil War reenactor friend of Peter Boyle's Frank Barone. Although it was drama that would make O'Donohue into a star, he got there by way of his ability with comedy. In 2000, he rejoined NYPD Blue as a recurring cast member, portraying Detective Eddie Gibson, a veteran cop who's gone a little bit goofy working the night tour at the 15th squad, a character intended to interact comically with Dennis Franz's taciturn, slow-burning Detective Andy Sipowicz. O'Donohue was good enough as Gibson that the character was brought back and embellished over the ensuing seasons, presented as a man out-of-his-depth in modern detective work, but who also has a big heart where kids are concerned. In March 2004, O'Donohue rejoined the cast as a regular in March of 2004, playing newly promoted squad commander Det./Sgt. Eddie Gibson, still a tiny bit goofy, but knowing his limitations. During that season of the cop drama, O'Donohue gave a vivid portrayal of the increasingly rare old-fashioned cop, probably second generation on the force and Irish on at least one side, and likely a member of the Emerald Society. His presence on the series since 2000 was reminiscent of actors such as Horace McMahon on Naked City, among dozens of others, and provided the show with a great degree of verisimilitude.