Trivia: An actor whose solid everyman quality has endeared him to audiences and critics alike, Jon Favreau first made his name with 1996's Swingers. The story of a group of rat pack-obsessed, out-of-work actors slumming amiably through life in L.A., the indie-comedy was one of the year's biggest sleeper hits and made a star out of Favreau, who also wrote the script.A native of Queens, NY, where he was born on October 19, 1966, Favreau was raised as the only child of two educators. After attending the Bronx High School of Science, he did an abbreviated stint at Queens College before heading to Chicago to pursue a comedy career. In Chicago, he studied improvisational comedy with Del Close and was a member of the ImrovOlympic troupe. Favreau's time in Chicago ended when he decided to head to L.A. to try and break into film; his experiences as a lovelorn, out-of-work actor would later provide the inspiration for Swingers.After years of false hopes and false starts that took the form of supporting roles in such disappointing films as Rudy and P.C.U., Favreau began channeling his experiences and those of his friends (who included fellow Swingers star Vince Vaughn) into a rudimentary script for Swingers. Encouraged to make his script into a film, the actor despaired of securing enough funding for the project until he met fledgling director Doug Liman, who convinced him that the film could be made for 250,000 dollars. Costs were cut by filming largely without permits and making use of inexpensive shooting locations such as Favreau's own apartment. The film's low-budget charm was sufficient enough to sway the powers-that-be at Miramax who picked it up for distribution. When Swingers was eventually released in 1996, it was hailed by critics as a funny and painfully accurate account of the L.A. scene and its various faux-hipster denizens, as well as the dynamics at work amongst a group of guys (Favreau, Vaughn, and company) and the women they try so desperately to impress. In the wake of the film's success, Favreau, who was being hailed as the latest in the long line of Hollywood "Next Big Things," chose to star in Very Bad Things (1998), a black comedy directed by actor-turned-director Peter Berg. The film, in which Favreau played a soon-to-be married man whose Las Vegas bachelor party goes disastrously wrong, received very mixed reviews, although most critics praised the actor's performance as a "suburban Joe" caught up in circumstances that rapidly spiral beyond his control. After playing the eponymous boxing legend in the made-for-TV Rocky Marciano in 1999, Favreau returned to the screen in 2000 to star as a football player in The Replacements, a sports comedy directed by Howard Deutch. That same year, he returned to the indie scene with Love & Sex, a take on urban romance. In 2001, Favreau re-teamed with Vaughn for Made, a crime comedy that cast the two actors as aspiring mobsters and marked Favreau's feature directorial debut. Also in 2001, Favreau made the jump to the small screen, producing and hosting IFC's Dinner for Five, a candid roundtable program featuring fellow actors and filmmakers. In 2003, not only did Favreau show up in supporting roles in the hits Daredevil and Something's Gotta Give, his sophomore directorial effort, the Will Ferrell holiday comedy Elf proved to be one of the season's biggest crowd-pleasers, grossing over 100 million dollars at the box office. He followed up that success by bringing Chris Van Allsburg's Zathura to the big screen, although it did not match Elf's box office success. After making a few cameos on TV shows like My Name Is Earl and Monk, Favreau re-teamed with Vince Vaughn once again for a supporting role in the 2006 comedy The Break-Up. He also lent his vocal talents to the animated film Open Season. That same year he announced he would be taking on directorial duties for the big screen adaptation of the comic book Iron Man. Though it wouldn't be released until 2008, Iron Man was a huge success, and helped further Favreau's already solid reputation as a director. Favreau went on to direct Iron Man 2 (2010), which enjoyed similar success.Favreau returned to the screen to play a role in the 2009 comedy Couples Retreat (which he also wrote), which follows a group of married adults who realize their inclusion in a tropical vacation depends on taking part in intense, mandatory therapy sessions. The same year, Favreau appeared in the buddy comedy I Love You, Man, and lent his voice to the cast of the animated children's adventure G-Force. In 2011, Favreau directed and produced the popular sci-fi Western Cowboys & Aliens, and worked as an Executive Producer for 2012's blockbuster hit Marvel's The Avengers.

Trivia: A picture of bronze beauty whose radiant personality and unwavering devotion to family endeared her to Univision viewers when she debuted as host the popular 1995 travel series Fuera de Serie, model/actress Sofía Vergara's crossover appeal was cemented when a memorable performance on the FOX Network's 1995 American Comedy Awards launched her almost instantaneously into Hollywood stardom. Born on July 10th, 1972 in Barranquilla, Colombia, Vergara joined an extended, musically-inclined family that included five brothers and sisters in addition to many cousins, quiet and studious Vergara attended the private bilingual school Marymount while dreaming of a future career in dentistry. At the age of 18, Vergara married the man who had been her childhood sweetheart since age eleven, and soon thereafter the young couple gave birth to a baby boy. Thanks to years of hard work and intense studies it appeared as if young Vergara was at last close to realizing her childhood dream of becoming a dentist, though an innocent walk on the beach proved that fate had other things in store for the career-minded beauty. Glimpsed by a well-known photographer as she strolled the shore in her native Colombia, Vergara was soon stepping in front of the cameras to appear in a Pepsi commercial that soon made her a recognizable face across the country. A move to Bogotá two years later found Vergara making a name for herself on the runway as well as the small screen, and soon the rising starlet's popularity would spread stateside when she accepted an offer to host the globetrotting Univision series Fuera de serie. Her undeniable charm even more infectious on screen than it was in the glossy pages of high fashion magazines, Vergara was an instant hit and soon branched out as host of the weekly prime-time variety-show A Que No Te Atreves. When a brief but memorable performance at the 1995 American Comedy Awards found her appeal reaching even further beyond Spanish-speaking audiences and into the American mainstream, it didn't take long for Hollywood to come calling. In 2002, many American filmgoers got their first look at the up-and-coming actress when Vergara appeared in a supporting role in director Barry Sonnenfeld's ill-fated comedy Big Trouble. Pushed back from its original release date of 2001 due in large to sensitivities resulting from a plot involving a bomb and an airplane, Big Trouble died quickly at the box office before hastily being relegated to life on the home-video market. Though her following two films, Chasing Papi and The 24th Day, didn't fare much better at the box office, Vergara's winning performance in the high-flying 2004 comedy Soul Plane did well in showcasing both her remarkable beauty and impeccable comic timing. Her subsequent role in the animated IMAX film Robots found her stepping behind the cameras for her first voice-over role, though audiences could rest assured that in 2005 Vergara would be back in front of the lens not only in director Catherine Hardwicke's eagerly anticipated Dogtown and Z-Boys companion piece The Lords of Dogtown but the comedies Pledge This! and Grilled as well. However, Vergara is most recognizable for her starring role as Gloria Delgado-Pritchett on the award winning television drama Modern Family, and would remain active over the following years with appearances in New Year's Eve (2011), The Three Stooges (2012), Machete Kills (2013) and Chef (2014). She landed her first true starring role in 2015, opposite Reese Witherspoon in Hot Pursuit.

Trivia: John Leguizamo is a Colombian-born comedian and actor best known for his memorable, often sharply satirical, characterizations of Latinos on stage and in films. He began his career as a stand-up comedian in New York clubs and as a performer in small independent feature films. These engagements led to his playing small roles in major features such as Casualties of War (1989) and Die Hard 2 (1990) where he was typically cast as a violent, unsavory fellow; none of these films seemed to utilize his talents and potential on film. Leguizamo has fared better in smaller films such as Time Expired (1991). His stage career also continues to grow. For his one-man show Mambo Mouth, a scathing look at Hispanic stereotypes, he won awards and great acclaim. His follow-up play Spic-o-Rama is equally funny and thought provoking. Leguizamo played his first leading film role in Super Mario Brothers. (1993). That year he also played an important and acclaimed role in De Palma's Carlito's Way. In 1995 he finished two movies, A Pyromaniac's Love Story and To Wong Foo, Thanks for Everything, Julie Newmar where he played the lovely drag queen Miss Chi Chi Rodriguez. That year, Leguizamo also created, scripted, executive produced and starred in a sketch comedy show on Fox, House of Buggin. Done in the style of Fox's smash hit series In Living Color, Leguizamo's show was billed as the first show of its kind to feature an all Latino cast. Unfortunately, though the show received good ratings, it failed to attract an audience and was cancelled after only a few months. The Colombian funnyman has since returned to feature films. In 1996, he starred, wrote and co-produced another showcase for his talents, The Pest.

Trivia: Growing up in Union City, NJ, Bobby Cannavale participated in the school play because his mother wanted him off the streets. Today, he is a recognizable New York-based character actor with roles in the city's best theater, television, and film productions. Cannavale was born in New Jersey to an Italian father and a Cuban mother. His parents insisted that he attend St. Michael's Catholic School in Union City where he took part in almost every after school activity, from the alter boys to the chorus. When he was eight, Cannavale secured the plum role of "the lisping boy" in his school's production of The Music Man and a part in Guys and Dolls. Ever since then, he wanted to do nothing but perform. Cannavale's parents divorced when he was 13 and his mother moved the family to Puerto Rico. After two years in Latin America, they returned to the United States and settled in Coconut Creek, FL. Cannavale returned to New Jersey after graduating high school in the late '80s -- he needed to be closer to New York in order to begin his acting career. Forgoing acting lessons for actual performance experience, Cannavale became involved with Manhattan's prestigious Circle Repertory Theater. He served as a "reader" for several plays and was eventually cast as Mark Linn-Baker's understudy in Georges Feydeau's French farce A Flea in Her Ear. Cannavale soon ended up replacing Baker for two weeks. His first-rate performance secured him a role in the company's next play, Paul Rudnick's The Most Fabulous Story Ever Told. Television powerhouse John Wells attended one of the shows and cast Cannavale in his television series Trinity. Cannavale's character, a tugboat operator, was supposed to appear in only three episodes of the show, but starred in nine. Trinity was canceled in 1998, but Wells immediately secured Cannavale for his next television venture, 1999's Third Watch. As dedicated and lovesick paramedic Robert "Bobby" Caffey, Cannavale struck a cord with female audiences. The show was renewed for a second season, but Cannavale felt that Caffey's character was not being developed. He asked Wells to let him exit the series and to make sure he exited "big." The producer obliged his friend: Caffey left the show mid-season after being fatally shot in the chest. The dramatic two-part episode even included a "beyond the grave" meeting between Caffey and his deceased dead-beat dad. In 2001, Cannavale joined the cast of his then-father-in-law, Sidney Lumet's heralded television courtroom drama, 100 Centre Street. Cannavale's brazen, ambitious prosecutor, J.J. Jellinek, is a far cry from the softhearted paramedic he portrayed on Third Watch. Debuting on the show at the beginning of its second season, Jellinek shook up 100 Centre Street -- immediately romancing a fellow lawyer and shamelessly advancing his career in any way possible. Cannavale's television career has not kept him away from theater or film. He appeared on-stage throughout the '90s, participating in productions such as Lanford Wilson's Virgil Is Still the Frog Boy and Noel Coward's In Two Keys. His movie credits include Herbe Gardner's I'm Not Rappaport (1996) with Walter Mathau and Ossie Davis, Lumet's Night Falls on Manhattan (1997), and Gloria (1999), John Irvin's HBO original film When Trumpet's Fade (1998), Phillip Noyce's The Bone Collector (1999) with Angelina Jolie and Denzel Washington, Spike Lee's 3 A.M. (2001) with Danny Glover, Alec Baldwin's The Devil and Daniel Webster (2002), and Daisy Von Scherler Mayer's The Guru (2002). Cast as friendly and outgoing lunch truck vender Joe in the critically acclaimed 2003 indie hit The Station Agent, Cannavale provided the perfect contrast to Peter Dinklage's introverted protagonist. WIth subsequent small screen roles in Kingpin and OZ that same year, the up and coming actor would become a familiar face to television viewers before once again returning to the silver screen for supporting roles in Shall We Dance?, Haven, and Romance and Cigarettes.A recurring, Emmy-winning role on Will and Grace ensured Cannavale's continued presence on the small screen right through to the final episode of the series aired in May of 2006, with a slew of supporting performance in such the features The Night Listener, Fast Food Nation, Snakes on a Plane, 10 Items or Less, and Dedication that same year proving that Cannivale was the go-to guy for producers in search of quality supporting players. This trend would continue for the actor in the coming years, as he turned up in everything from the quirky Brief Interviews with Hideous Men, to the family friendly Paul Blart: Mall Cop. In 2010 he took a small part in the Will Ferrell comedy The Other Guys. The next year he reteamed with Tom McCarthy for Win Win. Cannavale continued to showcase his incredible range in the years to come. In 2012, he had a season-long arc on Boardwalk Empire, winning an Emmy for Supporting Actor in a Drama Series. He then had a recurring role on Nurse Jackie (opposite his son, Jake, playing Cannavale's character's son). After playing Chili in Woody Allen's Blue Jasmine in 2013, Cannavale took supporting roles in Chef, Adult Beginners and the remake of Annie, all in 2014. The following year, he appeared in Danny Collins (opposite Al Pacino), and took smaller roles in big movies like Spy, Ant-Man and Daddy's Home.

Trivia: The emergence of Dustin Hoffman in 1967 heralded the arrival of a new era of Hollywood stardom. Diminutive, wiry and unassuming, he was anything but the usual matinee idol, yet he quickly distinguished himself among the most popular and celebrated screen performers of his generation. A notoriously difficult talent famous for his battles with directors as well as his total immersion in his performances, Hoffman further battled against stereotypes by accepting roles which cast him firmly as an antihero, often portraying troubled, even tragic figures rarely destined for a happy ending. By extension, he broke new ground for all actors -- not only were stars no longer limited to heroic, larger-than-life characterizations, but in his wake virtually anyone, regardless of their seeming physical limitations, could attain success on the big screen. Born August 8, 1937 in Los Angeles, Hoffman originally studied to become a doctor, but later focused his attentions on acting, performing regularly at the Pasadena Playhouse alongside fellow aspirant Gene Hackman. Upon relocating to New York City, he worked a series of odd jobs, landing the occasional small television role and later touring in summer stock. Frustrated by his lack of greater success, Hoffman once even left acting to teach, but in 1960 he won a role in the off-Broadway production Yes Is for a Very Young Man. After 1961's A Cook for Mr. General, however, he continued to struggle, and did not reappear onstage for several years, in the meantime studying with Lee Strasberg at the Actors' Studio and becoming a dedicated Method actor. Finally, in 1964 Hoffman appeared in a string of theatrical projects including productions of Waiting for Godot and The Dumbwaiter. Two years later he won a Best Actor Obie for his work in The Journey of the Fifth Horse. In 1967 Hoffman made his film debut with a tiny role in the feature The Tiger Makes Out, a similarly brief appearance in Un Dollaro per Sette Vigliachi followed later that same year, as did a highly-acclaimed turn in the theatrical farce Eh? It was here that he was first spotted by director Mike Nichols, who cast him in the lead role in his 1967 black comedy The Graduate. Though 30 at the time of filming, Hoffman was perfectly cast as an alienated college student, and his work won him not only an Oscar nomination but also made him a hugely popular performer with the youth market. His status as a burgeoning counterculture hero was solidified thanks to his work in John Schlesinger's 1969 Academy Award winner Midnight Cowboy, which earned Hoffman a second Oscar bid. While the follow-up, the romance John and Mary, was a disappointment, in 1970 he starred in Arthur Penn's Little Big Man, delivering a superb portrayal of an Indian fighter -- a role which required him to age 100 years. Directed by his longtime friend Ulu Grosbard, 1971's Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? was Hoffman's first outright failure. He next starred in Sam Peckinpah's harrowing Straw Dogs, a film which earned harsh criticism during its original release but which, like much of Peckinpah's work, was later the subject of much favorable reassessment. In 1973 Hoffman co-starred with Steve McQueen in the prison drama Papillon, which returned him to the ranks of box-office success before he starred as the legendary stand-up comedian Lenny Bruce in Bob Fosse's 1974 biography Lenny, a stunning portrayal which earned him a third Academy Award nomination. Another real-life figure followed as Hoffman portrayed Carl Bernstein opposite Robert Redford's Bob Woodward in All the President's Men, Alan J. Pakula's riveting docudrama on the Watergate break-in. Next, Hoffman reteamed with director Schlesinger for 1976's Marathon Man, which cast him alongside Laurence Olivier and scored another major hit. The1978 Straight Time, a pet project helmed by Grosbard, was critically acclaimed but a financial disappointment, and 1979's Agatha pleased neither audiences nor the media. The 1979 domestic drama Kramer vs. Kramer, on the other hand, was a major success with both camps, and Hoffman's portrayal of a divorced father finally earned him an Academy Award on his fourth attempt at the prize. He also won a Golden Globe, as well as honors from the New York and Los Angeles critics. Hoffman's next film, the Sydney Pollack-helmed 1982 comedy Tootsie, was even more successful at the box office. Starring as an out-of-work actor who dresses in drag to win a role on a soap opera, he earned yet another Oscar nomination as the film grossed nearly $100 million during its theatrical release. After a long absence, Hoffman returned to the stage in 1984 to portray Willy Loman in a Broadway revival of Death of a Salesman. A year later, he reprised the performance for a CBS television special, earning an Emmy and another Golden Globe. He did not return to films until 1987, when he shared top billing with Warren Beatty in Elaine May's disastrous comedy Ishtar. In the wake of the big-budget project's chilly audience reception, any number of films were discussed as a follow-up, but after much debate Hoffman finally agreed to co-star with Tom Cruise in Barry Levinson's 1988's Rain Man. His performance as a middle-aged autistic won a second "Best Actor" Oscar, and helped spur the picture to become a major financial as well as critical success. The following year Hoffman again turned to Broadway to star as Shylock in a presentation of The Merchant of Venice, followed by the motion picture Family Business, in which he starred with Sean Connery and Matthew Broderick. After making an unbilled and virtually unrecognizable cameo appearance in Beatty's 1990 comic strip adaptation Dick Tracy, Hoffman starred in the 1991 crime drama Billy Bathgate, the first in a string of films which saw his drawing power gradually diminishing throughout the decade. That same year he starred as Captain Hook opposite Robin Williams' portrayal of an adult Peter Pan in the Steven Spielberg fantasy Hook; after 1992's Hero proved similarly lackluster, Hoffman disappeared from the screen for three years. His comeback film, the adventure tale Outbreak, performed moderately well at the box office, but the follow-up, Michael Corrente's oft-delayed adaptation of the David Mamet drama American Buffalo, saw only limited release. Hoffman next joined an ensemble cast also including Robert De Niro and Brad Pitt in Levinson's 1996 drama Sleepers, trailed a year later by Costa-Gavras' Mad City, Sphere and Wag the Dog followed, the latter of which netted Hoffman another Best Actor nomination for his portrayal of Stanley Motss, a neurotic producer reportedly based on Robert Evans. In 2002, Hoffman appeared in the poignant, psychological drama Moonlight Mile. He continued to take selective but memorable supporting roles throughout the new millennium, playing roles like a dedicated lawyer in Runaway Jury and theatrical producer Charles Frohman in Finding Neverland. In 2004, he provided audiences with laughter in the quirky existential comedy I Heart Huckabees, and in 2005 he played Ben Stiller's eccentric father in the Meet the Parents sequel Meet the Fockers, returning to the part in 2010's Little Fokkers. In 2006, the veteran actor grabbed two more opportunities to play up his trademark brand of quirkiness in the Will Ferrell, Emma Thompson comedy Stranger Than Fiction and played a 243 year old owner or a strangely enchanted toy store in Mr. Magorium's Wonder Emporium. Hoffman also voiced the wise master of Kung Fu Panda in a pair of animated films.

Trivia: Universally known as one of the sexiest women in Hollywood, Scarlett Johansson has actually been acting professionally since the age of eight. A native of New York City, where she was born on November 22, 1984, Johansson was raised -- along with her twin brother -- as the youngest of four children, and she developed an interest in acting at the age of three. After enrolling in classes at the Lee Strasberg Theatre Institute for Young People, she made her stage debut opposite Ethan Hawke in the off-Broadway production of Sophistry. Her film debut followed in 1994, when she had a supporting role in North, and she subsequently appeared in the little-seen Just Cause (1995) and If Lucy Fell (1996). Johansson had her first significant screen breakthrough with her role as one of two orphaned teenaged sisters in Manny & Lo (1996), a coming-of-age drama directed by Lisa Krueger. Johansson, who shared the screen with Aleksa Palladino and Mary Kay Place, earned an Independent Spirit Award Best Actress nomination for her work in the film, and she soon found herself being tapped by Robert Redford to star as Kristin Scott Thomas' daughter in The Horse Whisperer (1998). Although the film met with a very mixed reception, Johansson was widely praised for her portrayal of a girl who loses her leg and her best friend in a horrific accident.In 2000, the actress signed on to play one of the heroines (alongside Thora Birch) of Terry Zwigoff's screen adaptation of Ghost World, Daniel Clowes' celebrated comic about the adventures of two teen girls grappling with post-high school life. That same year, she starred in American Rhapsody, in which she portrayed a young girl who escapes communist Hungary in the 1950s and travels to the U.S.Though she would take a brief detour into camp with the 2002 giant spider fiasco Eight Legged Freaks, the respect Johansson had gained in the film industry as a result of her previous dramatic roles found the young actress in high demand among indie directors while quickly catching the eye of the Hollywood elite. With Sofia Coppola's Lost in Translation, Johansson's touching performance as a young girl who strikes a tentative friendship with a washed-up American actor (memorably portrayed by Bill Murray) left no doubts regarding her dramatic skills, and although a Best Actress Oscar nomination eluded her, she received a boatload of nods from critics' groups and the Golden Globes. The rising starlet was soon cast in the lead of such subsequent films as The Girl with the Pearl Earring (2003) and The Perfect Score (2003).After sticking to form in 2004 with roles in In Good Company and A Love Song for Bobby Long, Johansson took her first stab at a lead role in a big budget Hollywood flick, starring opposite Ewan MacGregor in Michael Bay's futuristic actioner The Island. While the picture was panned by critics and avoided by audiences, it did nothing to slow the young star down. She closed out the year by receiving virtually unanimous praise for her performance in Woody Allen's Match Point.She immediately reteamed with Allen, who was full of praise for the young actress after their first collaboration, for the supernatural comedy/murder mystery Scoop in 2006. Johansson would spend the next several years enjoying her status as an A-list actress, appearing in a wide range of projects, like The Nanny Diaries and Vicky Cristina Barcelona. In 2012, she joined The Avengers as Natasha Romanoff, playing the character in several more films in the series.

Trivia: Earthy, ofttimes disheveled comic actor Oliver Platt has been essaying film roles large and small since the early '90s. Among his earliest appearances was as one of villain Dean Jones' henchmen in the 1992 sleeper Beethoven. He has since popped up as Eric in Benny and Joon, Jack Harrell in The Temp, and Jeremy in Indecent Proposal -- all in 1993. That same year, he shared top billing with Charlie Sheen, Kiefer Sutherland, and Chris O'Donnell as Porthos in The Three Musketeers. Oliver Platt carries the whole show in the little-seen Funny Bones (1995), wherein he portrays a failed standup comic (the son of Jerry Lewis and Leslie Caron) who licks his wounds in a rundown British coastal town.

Trivia: Hailed by many critics as one of the most brilliant and versatile actors of his generation, Robert Downey Jr. chalked up a formidable onscreen track record that quickly launched the young thesp into the stratosphere. Although, for a time, Downey's stormy offscreen life and personal problems threatened to challenge his public image, he quickly bounced back and overcame these setbacks, with a continued array of impressive roles on the big and small screens that never sacrificed his audience appeal or affability.The son of underground filmmaker Robert Downey, Downey Jr. was born in New York City on April 4, 1965. He made his first onscreen appearance at the age of five, as a puppy in his father's film Pound (1970). Between 1972 and 1990, he made cameo appearances in five more of his father's films. The actor's first significant role, in 1983's Baby, It's You, largely ended up on the cutting-room floor; it wasn't until two years later that he began landing more substantial parts, first as a one-season cast member on Saturday Night Live and then in the comedy Weird Science. In 1987, he landed plum roles in two films that capitalized on the Brat Pack phenomenon, James Toback's The Pick-Up Artist, (opposite Molly Ringwald), and Less Than Zero, for which he won acclaim playing cocaine addict Julian Wells.Through it all, Downey cultivated an enviable instinct for role (and script) selection. His turns in Emile Ardolino's classy reincarnation fantasy Chances Are (1989), Michael Hoffman's Soapdish (1992), Robert Altman's Short Cuts (as the Iago-like Hollywood makeup artist Bill Bush), and Richard Loncraine's Richard III (1995) wowed viewers around the world, and often, on those rare occasions when Downey did choose substandard material, such as the lead in Richard Attenborough's deeply flawed Chaplin (1992), or an Australian media parasite in Oliver Stone's Natural Born Killers (1994), his performance redeemed it. In fact, critics deemed Downey's portrayal as one of the only worthwhile elements in the Chaplin biopic, and it earned the thesp a Best Actor Oscar nomination, as well as Golden Globe and British Academy Award noms.Around this time, Downey's personal life took a turn for the worse. In June 1996, the LAPD arrested the actor (who had already spent time in three rehabilitation facilities between 1987 and 1996) on counts including drug use, driving under the influence, possession of a concealed weapon, and possession of illegal substances, a development which struck many as ironic, given his star-making performance years prior in Less than Zero. A month after this arrest, police found Downey Jr. unconscious on a neighbor's lawn, under the influence of a controlled substance, and authorities again incarcerated him, taking him -- this time -- to a rehab center. A third arrest soon followed, as did another stint in rehab. His stay in rehab didn't last long, as he walked out, thereby violating the conditions of his bail. More arrests and complications followed -- in fact, the actor had to be released from rehab to make James Toback's Two Girls and a Guy -- but he still landed a few screen appearances and won praise for his work in Mike Figgis' One Night Stand (1997) and Altman's otherwise-disappointing Gingerbread Man (1998). In addition, he starred in one of his father's films, the offbeat Hugo Pool (1997). In 1999, he had three films out in theaters: Friends and Lovers, Bowfinger, and In Dreams. He delivered a particularly chilling performance in the latter, as longhaired psychopathic child murderer Vivian Thompson, that arguably ranked with his finest work. But Downey's problems caught up with him again that same year, when he was re-arrested and sentenced to 12 months in a state penitentiary. These complications led to the actor's removal from the cast of the summer 2001 Julia Roberts/Billy Crystal comedy America's Sweethearts and his removal from a stage production of longtime friend Mel Gibson's Hamlet, although a memorably manic performance in Curtis Hanson's Wonder Boys made it to the screen in 2000. Downey's decision -- after release -- to pursue television work, with a recurring role on Ally McBeal, marked a brief comeback (he won a 2001 Best TV Series Supporting Actor Golden Globe for the performance). Nevertheless, series creator David E. Kelley and the show's other producers sacked Downey permanently when two additional arrests followed. During this period, Downey also allegedly dated series star Calista Flockhart.In 2002, a Riverside, CA, judge dismissed all counts against Downey. In time, the former addict counseled other celebrity addicts and became something of a spokesperson for rehabilitation. He starred as a hallucination-prone novelist in The Singing Detective in 2003, and while the film didn't achieve mainstream success, critics praised Downey for his interpretation of the role, alongside Oscar winners Adrien Brody and Mel Gibson. The same could be said for Gothika (2003), the psychological thriller that placed him opposite Hollywood heavyweight Halle Berry. In 2004, Downey appeared in Steven Soderbergh's portion of the film Eros.Downey achieved success throughout 2005 with appearances in George Clooney's critically lauded Good Night, and Good Luck -- as one of Ed Murrow's underlings -- and he paired up with Val Kilmer in Shane Black's directorial debut Kiss Kiss, Bang Bang. He continued balancing more mainstream fare, such as Disney's Shaggy Dog remake, with challenging films such as Richard Linklater's rotoscoped adaptation A Scanner Darkly. That same year, Downey wrapped production on Hanson's Lucky You, the story of a card shark (Eric Bana) who faces off against his father (Robert Duvall) at the legendary World Series of Poker, while simultaneously attempting to woo a beautiful singer (Drew Barrymore).Downey continued to show his versatility by joining the casts of Zodiac, David Fincher's highly-touted film about the Zodiac Killer, and the Diane Arbus biopic Fur, with Nicole Kidman. A supporting role in Jon Poll's 2007 directorial debut Charlie Bartlett followed. The biggest was yet to come, however, as 2007 found Downey taking on the roles that would make him an even bigger star than he'd been in his youth, as he took on the leading role of sarcastic billionaire and part-time super hero Tony Stark in the big screen adaptation of the comic book Iron Man, as well as self-important actor Kirk Lazarus in the comedy Tropic Thunder. Both films turned out to be not just blockbuster successes at the box office, but breakaway hits with critics as well, and in addition to major praise, the actor also walked away from 2008 with an Oscar nomination for his performance in Tropic Thunder.After Iron Man premiered, Marvel studios decided to move forward with a film empire, and Downey's Tony Stark became the anchor of the series, starring in his own Iron Man trilogy and appearing in many other films in the Marvel Cinematic Universe like the Avengers (2012) and its sequel Avengers: Age of Ultron (2014). Downey still found time to appear in side projects, like The Judge (2014), which he also produced.

Trivia: Began modeling and landed a Werther's Candy national commercial when he was 4.Relocated to California with his family when he was 5.Made his film debut playing Pedro Adler in the 2009 comedy It's Complicated.Took over a year and a half off of acting following his debut in It's Complicated to finish high school.First major TV role was Adam Leon in the American comedy-drama TV series Rake, starring Greg Kinnear.

Trivia: Comedianne Amy Sedaris confronts vulgarity with a daring innocence to create her wickedly absurd characters. You may best remember her as America's most lovable skank, Jerri Blank, from the hyper-irreverent series Strangers With Candy. Raised in North Carolina, Sedaris got her start at Second City in Chicago before moving to N.Y.C. to write plays with her brother, author David Sedaris, who has hilariously documented their family's history in many of his novels. Calling themselves "The Talent Family," they wrote, directed, and starred in numerous plays in N.Y.C., winning some Obie and Drama Desk awards. Along with fellow Second City vets Stephen Colbert and Paul Dinello, she wrote and starred in the sketch show Exit 57, which ran on Comedy Central.Sedaris has made a few small appearances on the big screen, from minor roles in major studio releases like Six Days, Seven Nights and Maid in Manhattan to short films like Bad Bosses Go to Hell; however, her breakthrough performance was in the TV series Strangers With Candy. An absurdist satire of afterschool specials, the show only ran from April 1999 to October 2000 on Comedy Central. Sedaris wrote it with her old cohorts from Second City, and also birthed the character of Jerri Blank, the ex-junkie and former prostitute who goes back to high school at age 46. In its 30-episode run, the show gained her a devoted following and several other television appearances. Though cancelled, sales of the show's DVD sets proved profitable enough to warrant a feature, and in 2006 Sedaris and company transferred their skewed worldview to the big screen, with a feature-length installment of Strangers With Candy. Packed with star cameos and even-cruder-than-cable-allows humor, the movie seemed destined to become a cult hit.Sedaris continues to work in the theater, while also running a cupcake and cheeseball business out of her West Village home, collecting taxidermied animals, and sometimes appearing on Sex and the City and Just Shoot Me. In collaboration with Dinello and Colbert, she is also co-author of the book Wigfield: The Can-Do Town That Just May Not.

Trivia: The son of Dame Maggie Smith and the late Sir Robert Stephens, Toby Stephens was to the theatrical manor born. An accomplished actor in his own right, Stephens, who bears a distinct resemblance to his mother, was born in April of 1969. After his parents' divorce when he was four years old, Stephens and his brother (actor Chris Larkin) grew up traveling back and forth across the Atlantic with their mother for her numerous acting engagements. After training at the London Academy of Music and Dramatic Art, Stephens began his professional career as a stagehand at the Chichester Theatre Festival. He had his film debut with a bit part in Sally Potter's 1992 adaptation of Orlando, but it was on the stage that he first made a name for himself. At the age of 25, Stephens won a Sir John Gielgud Best Actor Award and an Ian Charleson Award for his title role in the Royal Shakespeare Company's 1994 production of Coriolanus. He went on to perform in a number of plays with the RSC, including Measure for Measure, A Midsummer Night's Dream, and Antony and Cleopatra. In 1996, Stephens attracted the attention of an international film audience with his role as the melancholy Duke Orsino in Trevor Nunn's lush adaptation of Twelfth Night. That same year, he starred alongside Rupert Graves and Tara Fitzgerald in the acclaimed television adaptation of Anne Bronte's The Tenant of Wildfell Hall, further earning a reputation as a man who could actually make frock coats look sexy. More period attire -- this time early 1900s -- followed in 1997, when Stephens starred as a jaded, grieving photographer who captures a supernatural phenomenon with his camera in Photographing Fairies. That same year, he could again be seen doffing a frock coat for his role in Cousin Bette. The film featured him as Jessica Lange's nephew; coincidentally, he had played Stanley Kowalski to her Blanche DuBois a year earlier in Peter Hall's London production of A Streetcar Named Desire.In 1999, Stephens again stepped back a few eras -- this time to the opulent St. Petersburg of the Empire Period -- to play Vladimir Lensky, hot-blooded best friend of Ralph Fiennes' Evgeny Onegin in Martha Fiennes' adaptation of Onegin. In addition to his screen work, he continued to perform on the stage, winning particular acclaim for his work opposite Diana Rigg in both Phedre and Britannicus in London and New York.

Trivia: Toured with Lady Gaga as a dancer and performed in several of her music videos, including "Paparazzi" and "LoveGame." Joined girls group Soccx in 2005; they had two Top 10 hits in Germany. Toured with Groovaloo, a theatre show featuring a hip hop/freestyle dance troupe. Practices various forms of martial arts such as Muay Thai, Wushu and Tai Kwon Do. Played the recurring character of Sara Lance on Arrow for several seasons before starring on the spin-off, DC's Legends of Tomorrow.

Trivia: Denis Lawson has gone through a good part of his professional career since 1977 being thought of simply as X-Wing fighter pilot Wedge Antilles, a part he first played in Star Wars and reprised (with more screen time each time) in The Empire Strikes Back and Return Of The Jedi. The character is notable for being one of the few X-Wing pilots to survive the various battles.Lawson has done far more than a bit part in a major movie, however, having had a steady career in theater, television, and film. He co-starred with Peter Riegert and Burt Lancaster in Bill Forsyth's Local Hero, and later headed up a pair of miniseries, The Justice Game and The Justice Game II: The Lady From Rome, as affluent Glasgow lawyer Dominic Rossi. As the '90s drew to a close, much was made of the fact that Lawson is the uncle of Ewan McGregor, the actor cast as the young Obi-Wan Kenobi in the trilogy of Star Wars prequels.

Trivia: Singer in the rock group Mover. Was classmates with Andrew Lincoln at RADA. Narrated a number of TV documentaries, nature shows, audiobooks, and the official 2009 and 2010 Wimbledon tennis videos. Provided the voice of Barty Crouch Jr. in the 2005 video game Harry Potter and the Goblet of Fire. Starred in and composed the music for the 2009 short drama Good as Gone. Appeared in the Royal Shakespeare Company's production of The Gods Weep opposite Jeremy Irons in 2010.