Trivia: A former model whose dark and handsome good looks made him the ideal candidate for a role on television's most supernaturally charged daytime drama, Jesse Metcalfe made a big impression on television viewers when he made his small-screen debut as the easygoing Miguel Lopez-Fitzgerald on Passions in the late-'90s. The Waterford, CT native and Tisch School of the Arts graduate has also appeared in a number of commercials and magazines (including Seventeen and YM) on his way to the top. Sent on an open call for Passions by his modeling agency in 1999, Metcalfe won out over hundreds of other actors thanks to a winning combination of good looks and relaxed talent in front of the cameras. After an impressive five-year run on the outlandish soap opera, Metcalfe appeared in a reoccurring role on the popular cult hit Smallville. He then truly hit his stride with his role as boy-toy stud John Rowland on the ABC hit Desperate Housewives. It was only a matter of time before Metcalfe made the leap to the big screen, and in the summer of 2006, he essayed the role of the eponymous serial cheater in director Betty Thomas' romantic comedy John Tucker Must Die. Metcalfe would go on to spend the next few years starring on Desperate Housewives, Chase, and a remake of the night time soap Dallas. An avid songwriter and guitarist, Metcalfe has also displayed his athleticism by joining the Hollywood Knights, a charitable basketball team dedicated to raising funds for schools throughout Southern California.

Trivia: As the daughter of American child star-turned-cult favorite Russ Tamblyn (Peyton Place, Twin Peaks), Hollywood heartthrob and ingenue Amber Tamblyn inherited the stunning red hair, fair complexion, and acting chops of her famous dad. Born in the early '80s to Russ and wife Bonnie Murray, Tamblyn was discovered by an agent at her school during her preteen years, and soon landed a prominent role as the maniacal tot Emily Quartermaine on General Hospital -- a turn she sustained from 1995 to 2001.Tamblyn guested on such series as Buffy the Vampire Slayer and Boston Public in the early 2000s, and tackled a small role in Gore Verbinski's 2002 shocker The Ring (as one of Samara's unfortunate victims), but the actress failed to generate a sizeable fan base prior to the advent of the fantasy-tinged drama series Joan of Arcadia in 2003. Tamblyn received first billing in that program as Joan Girardi, a seemingly average high school teenager who is tapped by the Almighty to perform various assignments. Joan drew a substantial cult following and outstanding critical assessments (USA Today pegged it as the most promising dramatic series of 2003), but unfortunately, its popularity failed to spread beyond a small enthusiastic band of adherents and it folded within two years.Tamblyn then segued back into film work, with first billing in Ken Kwapis' coming-of-age comedy drama The Sisterhood of the Traveling Pants in 2005, as one of four teenage girlfriends (alongside America Ferrera, Blake Lively, and Alexis Bledel) who make a good-luck pact; the picture received outstanding reviews and ensured continued stardom for Tamblyn. In 2006, the young actress essayed the title role in Hilary Brougher's fine psychological drama Stephanie Daley, about a troubled teenager accused of killing her newborn child. Tamblyn also traveled the programmer route that year with a turn in the horror sequel The Grudge 2. The following year, the actress starred in Beth Schacter's teen comedy Normal Adolescent Behavior and Rigoberto Castaneda's indie thriller Blackout. In the latter -- a high-wire suspense picture about a bunch of people trapped in a hospital elevator -- Tamblyn played a young woman desperate to reach her grandmother before the elderly woman dies. In 2008, she reprised her Traveling Pants role in the sequel, The Sisterhood of the Traveling Pants 2.Amber Tamblyn is also a prolific poet and runs her own website, The Rebel Asylum, with postings of her work. Her volume of poetry Free Stallion was published by Simon & Schuster in 2005.

Trivia: Major star and producer, and member of one of Hollywood's most prominent families to boot, Michael Douglas was born to movie icon Kirk Douglas and British actress Diana Dill on September 25, 1944, in New Brunswick, NJ. From the age of eight he was raised in Connecticut by his mother and a stepfather, but spent time with his father during vacations from military school. It was while on location with his father that the young Douglas began learning about filmmaking. In 1962, he worked as an assistant director on Lonely Are the Brave, and was so taken with the cinema that he passed up the opportunity to study at Yale for that of studying drama at the University of California at Santa Barbara. At one point he and actor/director/producer Danny De Vito roomed together, and have remained friends ever since. Douglas also studied drama in New York for a while, and made his film debut as an actor playing a pacifist hippie draft evader who decides to fight in Vietnam in Hail Hero! (1969). He appeared in several more dramas, notably Summertree (1971). In 1972, he was cast as volatile rookie police inspector Steve Keller on The Streets of San Francisco. Douglas appeared in the series and occasionally directed episodes of it through 1976. In 1975, Douglas became one of the hottest producers in Tinseltown when he produced Milos Forman's tour de force adaptation of Ken Kesey's One Flew Over the Cuckoo's Nest, which starred Jack Nicholson in one of his best roles. Originally, Douglas' father Kirk owned the film rights to the story. Having appeared in the Broadway version, the elder Douglas had wanted to star in a film adaptation for years, but had no luck getting it produced. The younger Douglas persuaded his father to sell him the rights and give up the notion of starring in the film. The result: a box-office smash that earned five Oscars, including Best Picture. After this triumph, Douglas resumed acting and began developing his screen persona. His was a decidedly paradoxical persona: though ruggedly handsome with an honest, emotive face reminiscent of his father's, onscreen Douglas retained an oily quality that was unusual in someone possessing such physical characteristics. He became known for characters that were sensitive yet arrogant and had something of a bad-boy quality. Through the '70s, Douglas appeared in more films, most notably The China Syndrome, which he also produced. In 1984, Douglas teamed with Kathleen Turner to appear in Romancing the Stone, an offbeat romantic adventure in the vein of Indiana Jones. Co-starring old friend Danny De Vito, it was a major box-office hit and revitalized Douglas' acting career, which had started to flag. Turner, Douglas and De Vito re-teamed the following year for an equally entertaining sequel, The Jewel of the Nile. It was in 1987 that Douglas played one of his landmark roles, that of a reprehensible yuppie who pays a terrible price for a moment's weakness with the mentally unbalanced Glenn Close in the runaway hit Fatal Attraction. The performance marked Douglas' entrance into edgier roles, and that same year he played an amoral corporate raider in Oliver Stone's Wall Street, for which he earned his first Oscar as an actor. In 1989, Douglas reunited with Kathleen Turner to appear in Danny De Vito's War of the Roses, one of the darkest ever celluloid glances at marital breakdown. By the end of the decade, Douglas had become one of Hollywood's most in-demand and highly paid stars. Douglas found success exploring the darker realms of his persona in Black Rain (1989) and the notorious Basic Instinct (1992). One of his darkest and most repugnantly intriguing roles came in 1993's Falling Down, in which he played an average Joe driven to cope with his powerlessness through acts of horrible violence. In 1995, Douglas lightened up to play a lonely, widowed president in The American President, and returned to adventure with 1996's box-office bomb The Ghost and the Darkness. In 1997 he appeared in the David Fincher thriller The Game, and followed that with another behind-the-scenes role, this time as executive producer for the John Travolta/Nicholas Cage thriller Face/Off. Returning to acting in 1998, Douglas starred with Gwyneth Paltrow in A Perfect Murder, a remake of Hitchcock's classic Dial M for Murder. As the new millenium rolled in, Douglas remained a force on screen, most memorably in films like the critically acclaimed Wonder Boys, and Steven Soderbergh's drug-war epic Traffic -- a critical and box office smash. Douglas had other life successes as well, such as his marriage to longtime girlfriend Catherine Zeta-Jones in 2000, and the birth of their subsuquent children. Around this time, Douglas formed a new production company, Further Films. which saw its first wide release in 2001 with the ensemble comedy One Night at McCool's. In 2003 he made It Runs in the Family, a comedy concerning three generations of a dysfunctional family attempting to reconcile their longtime differences. Fiction reflected reality in the film due to the involvement of father Kirk and son Cameron portraying, conveniently enough, Michael's father and son respectively. The 2010's would see Douglas playing roles in films like The Sentinel , King of California, You, Me and Dupree, and the long awaited sequel Wall Street: Money Never Sleeps. In 2013, he played Liberace in the HBO TV movie Behind the Candelabra, which earned Douglas an Emmy award.

Trivia: Performed at the Oregon Shakespeare Festival for two years while attending college. Made his movie debut in Dodgeball. Made his directorial debut in 2005 with the movie Spiral, which he also co-wrote and starred in. Won the celebrity dunk contest at the 2009 NBA All-Star Game. Is an ambassador for Operation Smile.

Trivia: A comic actor who began his Hollywood career working behind the scenes, Orlando Jones is more than just the popular pitch man exhorting the 2000-2001 TV audience to "Make 7-Up Yours." Raised in South Carolina, Jones discovered acting when he was cast in a school play while attending the College of Charleston. Aiming to make it in show business one way or another, Jones also formed Homeboy's Productions and Advertising while in college. Jones got his break, however, when a Hollywood visitor in Charleston saw him perform and signed him up, leading to a writing job on the Cosby Show spin-off A Different World. Jones then wrote for the sitcom Roc in 1991 and became a producer on The Sinbad Show in 1993. Jones finally got to act as well as write when he was cast in Fox's sketch comedy show Mad TV in 1995. After two seasons, Jones left the series and moved to films with a small part in Seinfeld co-creator Larry David's first feature Sour Grapes (1998). Jones managed to work consistently in movies from then on, with bit parts in Mike Judge's comedy Office Space (1999) and Paul Thomas Anderson's Magnolia (1999), as well as a starring role in Barry Levinson's praised but little-seen nostalgia piece Liberty Heights (1999). In 2000, Jones made his mark in TV advertising as the humorously incompetent advocate for 7-Up, enhancing his potential as a comic draw. Jones' lead role as one of the hapless scabs in The Replacements (2000) and a multi-character turn in Harold Ramis' version of Bedazzled (2000) further revealed his goofy versatility. After his action-comedy vehicle Double Take was a January 2001 washout, Jones was poised to team with Ivan Reitman for the latter's summer 2001 sci-fi comedy Evolution.Still, Jones retired as 7-Up's pitch man in early 2002, and would spend the 2000's nurturing his film and TV career, appearing in Runaway Jury and Drumline, as well as TV shows, like The Adventures of Chico and Guapo and Rules of Engagement.