Trivia: For an actor almost universally associated with a single character -- Captain James Tiberius Kirk of the U.S.S. Enterprise -- William Shatner has found diverse ways to stay active in the public eye, even spoofing his overblown acting style in a way far more hip than desperate. Years after he last uttered "warp speed," Shatner remains a well-known face beyond Star Trek conventions, re-creating himself as the spoken-word pitchman for priceline.com, and starring in a popular series of smoky nightclub ads that featured some of the most cutting-edge musicians of the day.The Canadian native was born on March 22, 1931, in Montréal, where he grew up and attended Verdun High School. Shatner studied commerce at McGill University before getting the acting bug, which eventually prompted him to move to New York in 1956. He initially worked in such live television dramatic shows as Studio One and The United States Steel Hour in 1957 and 1958, as well as on Broadway. His big screen debut soon followed as Alexei in the 1958 version of Dostoyevsky's The Brothers Karamazov.Throughout the 1960s, Shatner worked mostly in television. His most memorable appearance came in a 1963 episode of The Twilight Zone entitled "Nightmare at 20,000 Feet," in which he plays a terrified airline passenger unable to convince the crew that there's a mysterious gremlin tearing apart the wing. He also appeared in such films as Judgment at Nuremberg (1961) and the bizarrely experimental Esperanto-language horror film Incubus (1963). In 1966, he got his big break, though neither he nor anyone else knew it at the time. Shatner was cast as the macho starship captain James Kirk on Star Trek, commanding a crew that included an acerbic doctor, a Scottish engineer, and a logician with pointy ears, on a mission "to boldly go where no man has gone before." However, the show lasted only three seasons, considered by many to be high camp. After providing a voice on the even shorter-lived animated series in 1973, Shatner must have thought Star Trek too would pass. A costly divorce and a lingering diva reputation from Star Trek left him with few prospects or allies, forcing him to take whatever work came his way. But in 1979, after a decade of B-movie labor in such films as The Kingdom of Spiders (1977) and a second failed series (Barbary Coast, 1975-1976), Shatner re-upped for another attempt to capitalize on the science fiction series with Star Trek: The Motion Picture. This time it caught on, though the first film was considered a costly disappointment. With dogged determination, the producers continued onward with Star Trek II: The Wrath of Khan (1982), at which point fans finally flocked to the series, rallying behind the film's crisp space battles and the melodramatic tête-à-tête between Shatner and Ricardo Montalban.Shatner had to wrestle with his advancing age and the deaths of several characters in Star Trek II and Star Trek III: The Search for Spock (1984), but by Star Trek IV: The Voyage Home (1986), the actor got to indulge in his more whimsical side, which has since characterized his career. As the series shifted toward comedy, Shatner led the way, even serving as director of Star Trek V: The Final Frontier (1989), which many considered among the series' weaker entries. During this period, Shatner also began parodying himself in earnest, appearing as host of Saturday Night Live in a famous sketch in which he tells a group of Trekkies to "Get a life." He also turned in a wickedly energetic mockery of a moon base captain in Airplane II: The Sequel (1982). Shatner made one final appearance with the regular Star Trek cast in Star Trek VI: The Undiscovered Country (1991), then served as one of the crossovers to the new series of films in Star Trek: Generations (1994), in which endlessly theorizing fans finally learned the fate of Captain Kirk.The success of the Trek movies reenergized Shatner's TV career, even if it didn't immediately earn him more film roles. Shatner played the title role on the successful police drama T.J. Hooker from 1982 to 1987, directing some episodes, then began hosting the medical reality series Rescue 911 in 1989. Shatner returned to the movies with another parody, Loaded Weapon I, in 1993, and in 1994 began directing, executive producing, and acting in episodes of the syndicated TV show TekWar, based on the popular series of Trek-like novels he authored. In the later '90s, Shatner was best known for his humorously out-there priceline.com ads, but also guested on a variety of TV shows, most notably as the "Big Giant Head" on the lowbrow farce Third Rock From the Sun. He also appeared as game show hosts both in film (Miss Congeniality, 2000) and real life (50th Annual Miss America Pageant, 2001). In 1999, Shatner suffered public personal tragedy when his third wife, Nerine, accidentally drowned in their swimming pool. The champion horse breeder and tennis enthusiast owns a ranch in Kentucky and remains active in environmental causes. Shatner took on a small role for 2004's Dodgeball: A True Underdog Story, and voiced the villainous wildebeest Kazar in Disney's animated adventure The Wild in 2006. Shatner returned to television for a starring role on the popular dramady Boston Legal, in which he plays Denny Crane, a once unbeatable lawyer who co-founded the successful law firm where he continues to work despite his reputation as an eccentric old man.

Trivia: The son of a Boston barber, Leonard Nimoy was a star at the age of 8, when he played Hansel in a children's theatre production of Hansel and Gretel. Nimoy remained with his local kiddie theater troupe until 16 (one of his directors during this period was Boris Sagal). After studying drama at Boston College and Antioch College, he took acting lessons from Jeff Corey at the Pasadena Playhouse. In films from 1950, Nimoy played the title character in the low-budget Kid Monk Baroni and essayed bits and minor roles in such productions as Zombies of the Stratosphere (1951), Rhubarb (1951) and Them! (1954). In between acting assignments, he held down a dizzying variety of jobs: soda jerk, newspaper carrier, vacuum-cleaner salesman, vending machine mechanic, pet-shop clerk, cabbie and acting coach. During his 18 months in Special Services at Fort McPherson, Georgia, he acted with Atlanta Theater Guild when he could spare the time. Back in Hollywood in 1956, he became virtually a regular at the Ziv TV studios, playing villains in programs like Highway Patrol and Sea Hunt. For a short while, he specialized in the plays of Jean Genet, appearing in both the stage and film productions of The Balcony and Deathwatch. Impressed by Nimoy's guest turn on a 1963 episode of The Lieutenant, producer Gene Roddenberry vowed to cast the saturnine, mellow-voiced actor as an extraterrestrial if ever given the chance. That chance came two years later, when Roddenberry signed Nimoy to play Vulcanian science officer Spock on Star Trek. At first pleased at the assignment, Nimoy came to resent the apparent fact that the public perceived him as Spock and nothing else: indeed, one of his many written works was the slim autobiography I Am Not Spock. After Star Trek's cancellation, Nimoy joined the cast of Mission: Impossible in the role of "master of disguise" Paris (he replaced the series' previous master of disguise Martin Landau, who ironically had originally been slated to play Spock). In the early 1970s, Nimoy began racking up directorial credits on such series as Night Gallery. He also made his first Broadway appearance in 1973's Full Circle. And, perhaps inevitably, he returned to Spock, thanks to the popular demand engendered by the then-burgeoning Star Trek cult. His initial reacquaintance with the role was as voiceover artist on the 1973 Saturday-morning cartoon version of Star Trek. Then Spock went on the back burner again as Nimoy devoted himself to his theatrical commitments (a touring production of Sherlock Holmes, his one-man show Vincent), his writing and directing activities, and his hosting chores on the long-running (1976-82) TV documentary series In Search Of.... Finally in 1978, Nimoy was back in his Enterprise uniform in the first of several Star Trek theatrical features. The Spock character was killed off in the second Trek picture The Wrath of Khan, but Nimoy stayed with the franchise as director of the next two feature-length Trek entries (PS: Spock also came back to life). He went on to direct such non-Trek filmic endeavors as 3 Men and a Baby (1987), The Good Mother (1988), Funny About Love (1990) and Holy Matrimony (1994). He also produced and acted in the 1991 TV movie Never Forget, and served as executive producer of the 1995 UPN network series Deadly Games. Perhaps because he will always have dozens of professional irons in the fire, Leonard Nimoy now seems resigned to being forever associated with the role that brought him international fame; his most recent autobiographical work was aptly titled I Am Spock. In 2009 he returned to his iconic role portraying Spock in J.J. Abrams smash-hit reboot of the Star Trek franchise. He next took on a recurring role in the sci-fi series Fringe, playing scientist William Bell. Nimoy made a final cameo appearance in Star Trek Into Darkness (2013). He died in 2015, at age 83.

Trivia: The son of a Baptist minister, actor DeForest Kelley was one of the lucky few chosen to be groomed for stardom by Paramount Pictures' "young talent" program in 1946. He served an apprenticeship in 2-reel musicals like Gypsy Holiday before starring as a tormented musician in Fear in the Night (47). Unfortunately, a sweeping cancellation of Paramount young talent contracts ended Kelley's stardom virtually before it began. By the mid-1950s, he was scrounging up work on episodic TV and playing bits in such films as The Man in the Grey Flannel Suit (56) (this film, by the way, is the first in which Kelley uttered his now-famous line, "He's dead, captain"). Producer/writer Gene Roddenberry took a liking to Kelley and cast the actor in the leading role of a flamboyant criminal attorney in the 1959 TV pilot film 333 Montgomery. The series didn't sell, but Roddenberry was still determined to help Kelley on the road back to stardom. One of their next collaborations was Star Trek (66-69), in which (as everybody in the galaxy knows) Kelley appeared as truculent ship's doctor Leonard "Bones" McCoy. Virtually all of Kelley's subsequent film appearances have been as McCoy in the seemingly endless series of elaborate Star Trek feature films. And on the pilot for the 1987 syndie Star Trek: The Next Generation, DeForrest Kelley was once more seen as "Bones" -- albeit appropriately stooped and greyed.

Trivia: African American actress/singer Nichelle Nichols was born in Robbins, a progressive Illinois community founded by blacks in the 1890s. Nichelle sang with the Duke Ellington and Lionel Hampton bands, then performed as a single in nightclubs. Garnering acting experience in supporting roles in such films as Mister Buddwing (1965) and Doctor, You've Got to Be Kidding!(1966), Ms. Nichols was cast in her signature role in 1966: Lieutenant Nyota Uhura on Star Trek. Much was made in the mainstream press over the fact that here was the first TV science-fiction series to feature a black regular. Much more was made on the set of Trek by Nichols, who issued public complaints about the paucity of her character's screen time. She also seethed inwardly whenever star William Shatner, laboring under the assumption that every move he made was for the good of the series, ordered that Nichelle's lines be cut or altered because they "didn't fit her character." At the end of the first season, Nichols was poised to quit the series. She was persuaded to stay--by one of Star Trek's biggest fans: Dr. Martin Luther King, who felt that Uhura was a positive role model for black women. Before the series' three-year run was out, Nichols made television history by participating in an interracial kiss with William Shatner (though the scene itself was "fudged" so as not to offend those bigots who found such things offensive). In all her subsequent Trek endeavors, including the six theatrical features and the 1972 animated cartoon spin-off, Nichols saw to it that Uhura's contributions were of ever-increasing importance. In recent years, Nichelle Nichols has been active in several educational and pro-social organizations, and has been a guest host on the Sci-Fi cable channel's Inside Space; in 1994, she published her autobiography, Beyond Uhura: Star Trek and Other Memories. In 1996 she made a memorable appearance at a roast of her former captain William Shatner.

Trivia: Canadian-born actor James Doohan trained for his career at New York's Neighborhood Playhouse and built much of his reputation upon his uncanny skill at foreign dialects. It was director James Goldstone who in 1965 suggested that Doohan audition for the supporting role of chief engineer of the U.S.S. Enterprise on Star Trek. After trying out a variety of accents during the audition, Doohan latched onto a Scottish brogue which tickled the fancy of Trek producer Gene Roddenberry. Thus, the chief engineer was dubbed Scotty -- or, more formally, Lt. Montgomery Scott (Montgomery happened to be Doohan's middle name). The actor remained in the role until Star Trek's cancellation in 1969, subsequently reviving the character for the 1974 cartoon series and the many theatrical films. Though he most assuredly had a career outside of Scotty (among many other projects, he was one of the stars of the 1979 Saturday-morning TV series Jason of Star Command), Doohan has frequently been called upon to play variations of the character in film and TV projects ranging from National Lampoon's Loaded Weapon 1 to Knight Rider 2000.

Trivia: Teri Garr found early visibility with a mixture of dramatic and comic roles before maturing, so to speak, into her persona as a smart comedienne typecast as an eccentric ditz. Her warm, fluffy presence and great sense of timing made her a Hollywood mainstay, still finding regular work into her fifties, with her intelligence forever providing depth to a panoply of sweetly goofy supporting roles.The progeny of old-school, low-level industry types -- vaudevillian Eddie Garr and wardrobe mistress Phyllis Garr -- the actress was born as Terry Garr on December 11, 1949. She had launched into a professional dance career by age 13, working with the San Francisco ballet and joining a touring company of West Side Story. Her toes soon tapped her into the movies, providing her steady work during the 1960s in such films as The TAMI Show, What a Way to Go, and John Goldfarb Please Come Home, with her first actual appearance coming in the Elvis Presley vehicle Fun in Acapulco (1963). Her tiny speaking role in the 1968 Monkees movie Head brought her enough attention to land her work as a featured player in a handful of early-'70s television variety shows: The Ken Berry "Wow" Show, The Burns and Schreiber Comedy Hour, and The Sony and Cher Comedy Hour.Francis Ford Coppola gave Garr her first major film role with 1974's The Conversation, where she played Amy, the girlfriend of Gene Hackman's surveillance man Harry Caul. With her next part, however, she proved herself impossible to pin down, going the opposite direction to play the riotously accented maidservant Inga in Mel Brooks' Young Frankenstein (1974). From here she began a string of playing mothers and wives in high-profile films, few of which allowed her to dabble in her sillier side: Close Encounters of the Third Kind (1977), Oh, God! (1977), and The Black Stallion (1979). It wasn't until Tootsie in 1981 that she received full recognition for her talents and started to become identified with her knack for playing charmingly sweet airheads. She received her one and only Oscar nomination as Sandy, the neurotic soap actress.Tootsie proved an early career peak for Garr; although she continued to get a decent amount of prominent film work (Mr. Mom, Miracles, Mom and Dad Save the World, Dumb and Dumber), she never again made the same forceful impression, keeping her plate full but slipping into the background. Garr became ubiquitous as a TV movie actress, ushering in a slightly more earnest period of her career, as well as a drop in prestige. With such projects as Stranger in the Family (1991), Deliver Them From Evil: The Taking of Alta View (1992), and Fugitive Nights: Danger in the Desert (1993), she could be counted on to tackle the hot-button topic of the week on network TV.Although the '90s provided her few meaty movie roles, she did indeed thrive in television, including countless sitcom guest spots, as well as vocal work on the animated series Batman Beyond. Her most widely seen guest appearance was as the estranged birth mother of Phoebe Buffay (Lisa Kudrow) on NBC's Friends. In addition to it being an uncanny case of casting by physical resemblance, Garr's character provided the perfect explanation for the source of Phoebe's wackiness. Garr also seemed to symbolically pass the torch to Kudrow, her heir apparent in lovable flightiness.She continued to work steadily in a number of projects including Dick, Ghost World, and Unaccompanied Minors. She's fought a number of health issues including a nearly fatal brain aneurysm in 2006, and being diagnosed with multiple sclerosis in 1999.

Trivia: Born Robert Brown, actor Robert Lansing borrowed his stage name from the capital city of Michigan. Lansing first appeared on Broadway in Stalag 17 (1951); throughout his film career he periodically returned to the New York stage, making his last such appearance in 1991. He made his film bow in 1959 with The 4-D Man, delivering one of the finest performances ever seen in a medium-budget science fiction film. His first TV-series stint was as detective Steve Carella in 87th Precinct (1961). In 1964, he was cast as Brigadier General Frank Savage in 12 O'Clock High. At the beginning of the series' second year, Lansing was written out of the program with startling finality, dying in an air crash in the second season's opening episode. Turning up none the worse for wear in the fall of 1966, Lansing starred in the short-lived espionage series The Man Who Never Was, essaying the dual role of secret agent Peter Murphy and millionaire Mark Wainwright. He then busied himself with film and stage work, returning to TV as Lt. Jack Curtis in Automan (1983) and as The Control in The Equalizer (1985-89). His last regular TV assignment was as Captain Paul Blaisdell in Kung Fu: The Legend Continues (1992-1994). In the series' last episode of 1994, Captain Blaisdell was forced to retire; mortally ill with cancer, he died three weeks before the airing of his final episode, which was dedicated to his memory. At one time, Robert Lansing was married to General Hospital star Emily McLaughlin; and from 1991 to 1993, he was president of The Players, a theatrical fraternal organization.

Trivia: Pennsylvania-born actor Don Keefer enjoyed a 60-year-plus career on stage and screen that saw him range freely across character parts and leading roles in both fields. An actor from his youth, he started early playing leads, portraying the title role in The Adventures of Marco Polo for a production of the Child Study Association. He won the Clarence Derwent Award for his early work on Broadway, and spent his early career working alongside the likes of Ethel Barrymore, Helen Hayes, and José Ferrer, and under such directors as Moss Hart, Elia Kazan, and Margaret Webster (including the famed production of Othello starring Paul Robeson). Keefer was a charter member of the Actors' Studio, and originated the role of Bernard, the studious neighbor son-turned-lawyer in Arthur Miller's Death of a Salesman. He was the only actor to remain with the production for its entire Broadway run, and subsequently made his screen debut in 1951 in the movie adaptation of the play produced by Stanley Kramer and directed by Laslo Benedek. From that beginning, he went on to appear in more than 130 movie and television productions, in between theatrical work on both coasts (including a stint at the Theatre Group at UCLA under John Houseman). Highlights of his stage career include a highly acclaimed touring production of Anton Chekhov: The Human Comedy, focusing on the lighter side of Chekhov's work. On screen as on stage, Keefer played a wide variety of parts -- he made a fine villain-turned-neutral in "Winchester Quarantine," an early (and very powerful) episode of Have Gun Will Travel, but was equally good as Ensign Twitchell, the comically (yet tragically) over-eager and officious junior officer in Joseph Pevney's Away All Boats, during this same period. Don Keefer was still working in the late '90s, in movies such as Liar Liar and an episode of Profiler. But amid hundreds of portrayals, Keefer's single most memorable role for most viewers -- other than Bernard in Death of a Salesman -- is almost certainly that of Dan Hollis, the doomed neighbor whose birthday celebration comes to a hideous end (his head popping out of a giant jack-in-the-box) in the 1961 Twilight Zone show "It's a Good Life."

Trivia: Asian-American actor George Takei studied architecture at the University of California and theatre arts at UCLA. Takei's first film appearance was in the 1960 Warner Bros. feature Ice Palace He appeared with regularity on series television in the early 1960s; his most controversial TV role was the son of a World War II traitor in the 1964 Twilight Zone episode "The Encounter," which was withdrawn from the series' syndicated package due to charges of misrepresentation from several Japanese-American groups. In 1966, Takei began what was to become a lifelong assignment when he was cast as chief navigator Hikaru Sulu on the evergreen science-fiction series Star Trek. He has extended this characterization into seven Star Trek feature films, as well as a Saturday morning cartoon series. Erudite and socially correct at all times, Takei nonetheless enjoyed a reputation as Star Trek's most aggressive on-set practical joker. The show's three-year run ended, and although Takai appeared in a smattering of pictures including The Green Berets and Which Way to the Front?, he didn't find steady work on screen until the Star Trek film franchise got under way in 1979. The ongoing love for the series, and Takai's own ability to stay in the public eye thanks in part to his ongoing association with Howard Stern's radio show, helped him find steady work throughout the nineties, eventually finding a very lucrative career using his quite recognizable, resonant voice in a variety of animated endeavors. He announced in a 2005 interview that he's been in a long-term relationship with another man for nearly 20 years, and this news did nothing to halt his career or the public's goodwill toward him. Among his most high-profile acting gigs apart from Star Trek have been the television show Heroes, okaying Le Duc Tho in Kissinger and Nixon, and playing a quirky economics teacher in the Tom Hanks directed Larry Crowne.