Trivia: The only child of a London policeman, Roger Moore started out working as a film extra to support his first love, painting, but soon found he preferred acting, and so enrolled in the Royal Academy of Dramatic Art. He began his film, radio and stage career just after World War II (his early credits are often confused with American actor Roger Moore, a minor Columbia contractee of the 1940s), and also performed with a military entertainment unit. Though in childhood Moore had been mercilessly teased by friends and family alike for being fat, by the time he was ready to start his career, he had become an exceptionally handsome man with a toned, well-muscled body. Signed on the basis of his good looks to an MGM contract in 1954, Moore began making appearances in American films, none of which amounted to much dramatically; his biggest success of the 1950s was as star of the British-filmed TV series Ivanhoe. Signed by Warner Bros. Television for the 1959 adventure weekly The Alaskans, Moore became the latest of a long line of James Garner surrogates on Maverick, appearing during the 1960-1961 season as cousin Beau. After a few years making European films, Moore was chosen to play Simon Templar in the TV-series version of Leslie Charteris' The Saint (an earlier attempt at a Saint series with David Niven had fallen through). Moore remained with the series from 1963-1967, occasionally directing a few episodes (he was never completely comfortable as simply an actor, forever claiming that he was merely getting by on his face and physique). After another British TV series, 1971's The Persuaders, Moore was selected to replace Sean Connery in the James Bond films. His initial Bond effort was 1973's Live and Let Die, but the consensus (in which the actor heartily concurred) was that Moore didn't truly "grow" into the character until 1977's The Spy Who Loved Me. Few of Moore's non-Bond movie appearances of the 1970s and 1980s were notably successful, save for an amusing part as a Jewish mama's boy who thinks he's Bond in Burt Reynolds' Cannonball Run (1981). Moore's last 007 film was 1985's A View to a Kill. In 1991, he was made a special representative of UNICEF, an organization with which he'd been active since the 1960s. Relegated mainly to a series of flops through the 1990s, Moore appeared in such efforts as The Quest (1996) and Spice World (1997) and gained most of his exposure that decade as a television talk show and documentary host. In early May of 2003, fans were dismayed to hear that Moore collapsed onstage during a Broadway performance of The Play That I Wrote. Rushed to a nearby hospital afer insisting on finishing his performance in the small role, reports noted that Moore's subsequent recovery seemed to be coming along smoothly. He lent his distinctive voice to family films such as Here Comes Peter Cottontail and Cats & Dogs, The Revenge of Kitty Galore. Moore died in 2017, at age 89.

Trivia: African American actor Yaphet Kotto was one of the most prominent beneficiaries of the upsurge in black-oriented theatrical pieces of the late 1950s; he appeared in many prestigious Broadway and off-Broadway productions, taking regional theatre work rather than accept stereotypical "mainstream" roles in movies and TV. Kotto's first film was Nothing But a Man (1964), an independently produced study of black pride in the face of white indifference. Though he vehemently steered clear of most of the '70s blaxploitation fare, in 1972, Kotto produced, directed and wrote the feature film Speed Limit 65 (aka The Limit and Time Limit), a one-of-a-kind "black biker" film. The biggest production with which Kotto was associated in the early 1970s was the James Bond film Live and Let Die, in which, as the villainous Mr. Big, he was blown up in the final scene (a similarly grisly fate awaited Kotto in 1979's Alien). On television, Yaphet Kotto was a regular on the TV series For Love and Honor (1983) and Homicide: Life on the Streets (1992), and was seen as Ugandan president Idi Amin in the 1977 TV movie Raid on Entebbe.

Trivia: Born February 15th, 1951, the raven-haired daughter of a prosperous British gynecologist, Jane Seymour debuted onstage at 13 as a member of the London Festival Ballet, after training at the Arts Educational School. Five years later, she switched to acting, making her screen bow as part of a huge ensemble in Oh, What A Lovely War! (1968). She entered the fan-mag files with her portrayal of the enigmatic Solitaire in the 1973 James Bond epic Live and Let Die, following this with a ingenue turn in Sinbad and the Eye of the Tiger (1974). While her subesquent film appearances were well-received (as was her engagement in the 1980 Broadway production of Amadeus), Seymour's larger fame rested on her prolific TV work, notably on such miniseries as "East of Eden" and "War and Remembrance." In 1988, she won an Emmy for her portrayal of Maria Callas in the TV miniseries "Onassis." Four years later, she landed one of her most successful roles to date, that of the title heroine of the TV series Dr. Quinn, Medicine Woman. In subsequent years, Seymour sustained her career with longform soapers - such as the 1998 A Marriage of Convenience and the 2002 Heart of a Stranger - before making a most welcome return to theatrical features in 2005. That year, she scored a neat comic turn as the wife of U.S. Treasury Secretary Christopher Walken (and the mother of some outrageously dysfunctional children) in the summer comedy smash Wedding Crashers. Two years later, ABC tapped Seymour to trip the light fantastic as one of the celebrity dancers on its blockbuster series Dancing with the Stars. On that program, Seymour danced opposite series vet Tony Ovolani.

Trivia: In the '70s, American actor Clifton James became the foremost film impersonator of Southern redneck sheriffs -- but he had to go to England to do it. A graduate of the Actors Studio, James secured small roles in such Manhattan-filmed productions as On the Waterfront (1954) and in well over 100 TV programs. But his parts were tiny and frequently unbilled, relegating James to the ranks of "Who is that?" character actors. All this changed when James was cast as Sheriff Pepper in the James Bond film Live and Let Die (1973), which led to a reprise of the character in the next Bond epic The Man With the Golden Gun (1973). Since that time, the stocky, ruddy-cheeked James has been prominent in such films as Silver Streak (1976), The Bad News Bears in Breaking Training (1977) and Superman II (1980). In 1981, James was a regular on the brief TV sitcom Lewis and Clark. James kicked off the '90s as one of the willing but floundering cast members of that disaster of disasters, Bonfire of the Vanities (1990). He continued working in small roles through the rest of his life. James died in 2017, at age 96.

Trivia: Towering, breathtakingly limber interpretive dancer Geoffrey Holder was born in Trinidad and educated at Queens Royal College. Holder's first professional dancing gig was in his brother Boscoe's travelling troupe. He toured the West Indies and Puerto Rico before making his New York stage debut in the 1954 Broadway musical House of Flowers. Heading his own troupe from 1956 onward, Holder appeared as both an ensemble dancer and as soloist and choreographer in "outside" productions. He made his dramatic bow in 1957 in the near-mime role of Lucky in Waiting for Godot. His subsequent stage work has earned him numerous awards, including two Tonys--one for direction, the other for costume design--for 1974's The Wiz. His film roles leaned towards the exotic, e.g. Baron Samedi in the 1973 Bond thriller Live and Let Die (1973) and Punjab in Annie (1981), and he provided the narration for Tim Burton's Charlie and the Chocolate Factory in 2005. He is best known to TV fans for his series of mid-1970 Seven Up commercials, in which he elegantly and laughingly extoled the virtues of "Un-Cola Nuts." Outside of his theatrical and film accomplishments, Holder is an accomplished painter, his works having been showcased in several major international exhibitions and was also the author of many books, including a 1974 volume on Caribbean cooking. He was married to dancer Carmen de Lavallade. Holder died in 2014 at age 84.

Trivia: Born into a theatrical family, British actor Bernard Lee first trod the boards at age six. Supporting himself as a fruit salesman, Lee attended the Royal Academy of Dramatic Art, making his West End stage bow in 1928. In films from 1934, Lee showed up in dozens of bits and minor roles, his screen time increasing throughout the 1950s. He showed up prominently as the resident police inspector in several of the "Edgar Wallace" "B"-picture series of the early 1960s. In 1962, Lee was cast as M, the immediate superior to Secret Agent 007 James Bond, in Dr. No. Bernard Lee continued to portray M in all subsequent Bond endeavors, up to and including 1979's Moonraker; he also essayed the role in the 1967 Bond spin-off, Operation Kid Brother, which starred Sean Connery's younger brother Neil.

Trivia: Her real name just wouldn't do for a marquee in the Bible Belt, so Canadian-born actress Lois Hooker became Lois Maxwell when she arrived in Hollywood. Maxwell appeared in one British picture and a handful of American programmers before she sought out better opportunities in the Italian film industry. She returned to Britain as a second lead and character actress in 1956. In 1970, Maxwell co-starred in the Canadian TV series Adventures in Rainbow County. Lois Maxwell is best remembered for her appearances as the coolly efficient, subtly predatory Miss Moneypenny in the James Bond films produced between 1962 and 1985 -- at least until she was unceremoniously dumped in favor of a younger actress for the two Timothy Dalton Bond epics of the late 1980s. Maxwell died at age 80 in September 2007.

Trivia: Born Albert Hedison, David Hedison billed himself as Al Hedison when he signed his 20th Century-Fox contract in 1958. He was still Al when he starred in his best-known film, The Fly, as the unfortunate researcher who ends up as lunch for a slavering spider ("Hellllp meeeeee"). By 1959, he was David Hedison, both as leading man of the 17-episode TV series Five Fingers and as romantic lead of still another fantasy film, The Lost World (1960). In 1964, Hedison worked off his Fox contract in the role of Captain Lee Crane in the weekly TVer Voyage to the Bottom of the Sea (1964-67). The most amusing episode of that Irwin Allen production was a 1963 entry which utilized generous stock footage from Lost World, with Hedison "out of uniform" so that he could match shots of himself lensed three years earlier. In the last three decades, David Hedison has co-starred in numerous made-for-TV movies, and has been seen on two television soap operas: the daytime Another World and the nighttime The Colbys.

Trivia: Steely-eyed, incisive African American character actor Julius W. Harris made his first movie appearance in 1964's Nothing But a Man. Harris' subsequent screen roles included the menacing Tee Hee in the 1973 James Bond entry Live and Let Die and African premiere Longo in First Family (1980), who in the film's funniest scene negotiates a slave-trade operation with American President Bob Newhart. On TV, Harris starred in the Flipper-like syndicated series Salty (1974). One of Julius W. Harris' most memorable TV portrayals was as Ugandan President Idi Amin (substituting for Godfrey Cambridge, who died during production) in the feature-length Victory at Entebbe (1976).

Trivia: The career of American character actor Robert Dix (son of leading man Richard Dix) has embraced both British and Hollywood productions since 1955. Many of Dix's earliest appearances were in swashbucklers and Westerns; among his larger roles was Frank James in 1960's Young Jesse James. He later showed up in low-budget cycle flicks bearing such titles as Satan's Sadists, Rebel Rousers, and Cain's Cutthroats. In 1970, Robert Dix penned the screenplay for the self-explanatory melodrama Five Bloody Graves.