Trivia: British actor Timothy Dalton has excelled in roles calling for both panache and psychological complexity. His stage training has included stints at the National Youth Theatre, the Royal Academy of Dramatic Art, and the star-making Birmingham Repertory. Dalton's extensive work in the classics with the Royal Shakespeare Company led to his being cast as King Philip of France in the film The Lion in Winter (1968). In 1971, Dalton appeared in Mary, Queen of Scots, simultaneously launching a lengthy romantic involvement with that film's star, Vanessa Redgrave. When Roger Moore quit the James Bond film series in 1986, it looked for a while as though his successor would be television star Pierce Brosnan; instead, the Bond producers made the eleventh-hour decision to cast Dalton as secret agent 007 in The Living Daylights. Though dashing in a tuxedo and more than willing to perform his own stunts, Dalton was more effectively felt in the role of the dastardly movie swashbuckler-cum-Nazi spy in the breezy sci-fi film The Rocketeer (1991).Dalton would find his niche in the 90's and 2000's appearing in several made-for-TV productions, like 1992's Framed, and 1994's Scarlett, a mini-series based on Gone with the Wind in which Dalton played Rhett Butler. He would go on to appear in several more TV movies, like Hercules and Marple: The Sittaford Mystery. Dalton's also taken on numerous stage roles, notably playing Lord Asriel in the theater production of His Dark Materials in 2004.In 2007 he spoofed his own persona ever so lovingly in the action comedy Hot Fuzz. He became part of the Pixar family by voicing one of the dramatically inclined plaything in Toy Story 3. That same year he had a major part in the infamous bomb The Tourist.

Trivia: Lead actress D'Abo has been onscreen since the '80s.

Trivia: Veteran character actor Joe Don Baker has been playing rugged good ol' boys since his uncredited role in Cool Hand Luke in 1967. Born in Texas, his Southern drawl and ample proportions made him suitable to play countless numbers of simple-minded sheriffs, cops, and detectives in everything from big-budget blockbusters to low-grade action movies, although he more often appeared in the latter. On TV in the '60s, he guest starred on Bonanza, Gunsmoke, and Mission: Impossible before starring in his own show, the short-lived detective series Eischied. On the big screen, he played the drifter in Sam Peckinpah's Junior Bonner in 1972. He same year he made the "hicksploitation" classic Walking Tall, followed by Charley Varrick, Golden Needles, Framed, and plenty of other poorly made action thrillers that have since gained a small but appreciative audience on home video. The best example is 1975 crime flick Mitchell, which was featured on an important transitional episode of Mystery Science Theater 3000. Baker plays the titular slob detective who goes after drug dealers while drinking a lot of Schlitz malt liquor and eating pork rinds. After this movie, he became something of a legendary figure to a small but loyal fan base, and his persona as a lovable rascal was fixed for the next few decades. In the '80s he appeared in bad comedies (Fletch, Leonard, Part 6) as well as bad action thrillers (Final Justice, Getting Even). In 1989, he returned to television to play acting chief Tom Dugan on In the Heat of the Night and made small appearances in films, like the police chief who drinks Pepto-Bismol in Cape Fear (1991). He did branch out a little in the '90s to play Senator Joseph McCarthy in the made-for-TV movie Citizen Cohn as well as Winona Ryder's yuppie dad in Reality Bites. His later accomplishments include three James Bond appearances, first in Living Daylights as a bad guy, then in Goldeneye and Tomorrow Never Dies as good guy Jack Wade. He returned to his stereotypical roots playing white-trash slobs as Richie's trailer park dad in Mars Attacks! and in an uncredited role in Joe Dirt. In 2003, he appeared with veterans Martin Landau, Martin Sheen, and Edward Asner in The Commisson.

Trivia: John Rhys-Davies is one of modern cinema's most recognizable character actors. While best known for his work as Indiana Jones' (Harrison Ford) comic sidekick, Sallah, in two of Paramount's Indiana Jones adventure films, the actor has appeared in over 100 television shows and films since the early '70s. He has built an impressive onscreen career, especially for a stage actor who once swore that he would never perform in front of a camera. Born in Wales on May 5, 1944, Rhys-Davies grew up in England, Wales, and East Africa. He studied English and History at the University of East Anglia at Norwich, where he became interested in theater while reading classical literature. Upon graduating, Rhys-Davies earned a scholarship to study acting at London's prestigious Academy of Dramatic Art. He then worked briefly as a schoolteacher before joining the Madder-Market Theatre in Norwich. The actor, who eventually advanced to the Royal Shakespeare Company, performed in over 100 plays. His theatrical credits include starring roles in Shakespeare's Othello, The Tempest, Hamlet, Macbeth, and Henry the Fourth, Ibsen's Hedda Gabler, and Moliere's The Misanthrope. Rhys-Davies was 28 when he made his television debut in 1972 as Laughing Spam Fritter in the BBC's Budgie, a comedy starring former British pop star Adam Faith as an amusing ne'er-do-well. In 1975, he joined John Hurt in the cast of the television show The Naked Civil Servant, which chronicled the rich life of Quentin Crisp. One year later, Rhys-Davies re-teamed with Hurt, as well as Derek Jacobi and Patrick Stewart, for the BBC's unforgettable three-part adaptation of Robert Graves' I, Claudius and Claudius the God. Titled I, Claudius, the television miniseries appeared on PBS's Masterpiece Theater and gave American audiences their first glimpse of the actor. He subsequently starred as Vasco Rodrigues in NBC's adaptation of James Clavell's Shogun, which told the adventures of an English sailor stranded in Japan during the early 17th century. Rhys-Davies' performance earned him both an Emmy nomination and the attention of director Steven Spielberg. In 1981, Spielberg cast Rhys-Davies as the comic, fez-wearing Sallah in Raiders of the Lost Ark, the first installment of the Indiana Jones movies. The film was an instant success and Rhys-Davies' comedic skill made Sallah an audience favorite. He went on to film Victor/Victoria (1982) with Julie Andrews, James Garner, Robert Preston, Leslie Ann Warren, and former pro-football player Alex Karras. For the next two decades, the actor worked on numerous films and television shows and made memorable guest appearances on ChiPs, The Scarecrow and Mrs. King, Murder, She Wrote, Perry Mason, Tales From the Crypt, Star Trek: Voyager, and The Secret Adventures of Jules Verne. In 1987, he portrayed Front de Boeuf in the television adaptation of Sir Walter Scott's Ivanhoe that starred James Mason and Sam Neill. That same year, he played the evil Russian General Koskov in the Timothy Dalton-helmed James Bond film The Living Daylights. 1989 saw Rhys-Davies playing Joe Gargery in the Disney Channel's adaptation of Dickens' Great Expectations, starring in the miniseries version of War and Remembrance with Robert Mitchum, David Dukes, and Jane Seymour, and returning as Sallah in Indiana Jones and the Last Crusade. In 1990, he wrote and starred in the safari adventure film Tusks. In 1991, he hosted the documentary Archaeology. In 1993, he signed onto the series The Untouchables, based on Brian De Palma's hit film. The show was short-lived and Rhys-Davies did not work on a successful television series until 1995's Sliders with Jerry O'Connell. The sci-fi venture accrued a rather large fan base: Audience members were openly upset when Rhys-Davies' character, the bombastic Professor Maximillian P. Arturo, left the series after only three seasons. After appearing with Damon Wayans in The Great White Hype (1996), Rhys-Davies recorded voice work for the animated films Aladdin and the King of Thieves (1996) and Cats Don't Dance (1997). The actor has done additional voice work for Animaniacs, Batman: the Animated Series, Gargoyles, Pinky and the Brain, The Fantastic Four, and The Incredible Hulk. He has also branched out to other medias, starring in video games such as Wing Commander III: Heart of the Tiger, Dune 2000, and Baldur's Gate: Dark Alliance, and the CD-ROM game Quest for Glory IV. In 1999, Rhys-Davies read for the minor character of Denethor in the second installment of Peter Jackson's highly anticipated three-film adaptation of J.R.R. Tolkien's The Lord of the Rings trilogy. Jackson offered him the role of the warrior dwarf Gimli, a major figure in all three pictures. As Gimli, Rhys-Davies is utterly unrecognizable: The part required that he wear heavy facial prosthetics and perform on his knees in order to portray the 4'2" dwarf (the actor, himself, is over six feet tall). The three films -- The Fellowship of the Ring (2001), The Two Towers (2002), and The Return of the King (2003) -- were shot simultaneously over an 18-month period in New Zealand, after which Rhys-Davies was asked to return to the set and record the voice of Treebeard, a computer-generated character in the second picture. In 2001, in the midst of attending press junkets for the release of The Fellowship of the Ring, Rhys-Davies began work on the Jackie Chan film Highbinders (2002) and the Eric Roberts B-picture Endangered Species (2002). Besides being an actor, Rhys-Davies is also a serious vintage car collector and a thriving investor. In the '80s, he invested heavily with his earnings and purchased a company that conducts genetic engineering feasibility studies. The actor resides in both Los Angeles and the Isle of Man.

Trivia: "Bond -- James Bond," would have been nothing without Llewelyn -- Desmond Llewelyn. Llewelyn played the tweedy technophile who invented the bizarre gadgetry 007 used to thwart the sinister machinations of Dr. No, Goldfinger, and other dastardly villains in 17 Bond movies. Llewelyn's character was named Geoffrey Boothroyd, but no one in the Bond movies called him that. Instead, they called him "Q," short for "quartermaster." Like an army quartermaster who equips troops, Q equipped Sean Connery, Roger Moore, and other Bonds with the supplies of the espionage trade. Desmond Wilkinson Llewelyn was born in South Wales on September 12, 1914, the son of a Welsh coal-mining engineer. Interested in acting at an early age, he first studied accounting and law enforcement before enrolling in the Royal Academy of Arts at age 20. After joining the Royal Welsh Fusiliers at the onset of World War II, he fought in France as a second lieutenant and fell into enemy hands after a two-day battle with a German panzer division. He spent the next five years in German POW camps at Rottenburg, Laufen, and Warburg. He once tried to tunnel his way to freedom, but failed. Llewelyn returned to acting and began his film career in 1950 with a part in They Were Not Divided, then went on to appear in 31 other films, including the Bond films. Among the non-Bond films he appeared in, sometimes in quite minor roles, were Cleopatra (1963), Silent Playground (1964), Chitty Chitty Bang Bang (1968), Merlin (1992), and Taboo (1997). Between 1963 and the year of his death, 1999, he played in all but two of the Bond films -- more than any of the actors who starred as James Bond, including Connery, Moore, George Lazenby, Timothy Dalton, and Pierce Brosnan. As Q, Llewelyn was always irascible and cranky in response to 007's carefree nonchalance. Like a professor with a flippant student, he scolded Bond to pay attention and tutored his charge in the use of "Q toys," as his booby-trapped marvels came to be known. Still, Q was a master of mischief, a gray-haired boy who concocted an endless variety of spy paraphernalia and bizarre weapons, like the Rolex watch that could alter the path of a speeding bullet; the pen grenade that, with three clicks of a button, could be set to detonate in four seconds; the key ring that could open almost any lock in the world, release nerve gas, or simply explode; and the Lotus sports car that doubled as a submarine, complete with torpedoes and surface-to-air missiles.In real life, Llewelyn was all thumbs when it came to technology, and he was kind and gentle to all he encountered. On the movie set, his co-workers and other fans crowded around to observe when it came time for him to introduce his new marvel to the Bond de jour, and he spent as long as it took to sign autographs for anyone who wanted one. Ironically, it was an automobile, a blue Renault Megane, that killed Llewelyn. He died in a hospital shortly after the Renault collided with another car near Firle in East Sussex, England, on December 19, 1999. The crash site was not far from his home, Bexhill-on-Sea, south of London. He was survived by his wife Pamela, whom he married in 1938, and two sons. His son Ivor told Britain's Sky Television, "He was a kind, very lovable man, and as a father he was great."

Trivia: Beefy British character actor Robert Brown should not be confused with the actor of the same name who starred in TV's Here Come the Brides (1968-1969), nor with film editor Robert N. "Toby" Brown. In films from 1955's Helen of Troy, Brown specialized in roughneck costume roles, such as the Chief of Rowers in Ben-Hur (1959) and Talbot in Billy Budd (1962). In the 1957 Roger Moore TV series Ivanhoe, Brown was appropriately cast as Gurth. After playing Admiral Hargreaves in the 1977 James Bond entry The Spy Who Loved Me, Robert Brown succeeded Bernard Lee as Bond's immediate superior "M", essaying the role for the first time in Octopussy (1983) and for the last time in A View to a Kill (1989).

Trivia: British character actor Walter Gotell spent most of his screen time as the "enemy." He was especially adept at portraying hissable Nazis in WWII dramas and equally odious KGB agents in Cold War films. His best-known role was Russian General Gogol in three of the James Bond epics: Moonraker, For Your Eyes Only, and View to a Kill. Walter Gotell remained active in films and TV throughout the 1990s, as sinister as ever in such works as Puppet Master IV (1991).

Trivia: Lead actor, onscreen from the '80s.

Trivia: The son of prominent stage actor Malcolm Keen, London-born Geoffrey Keen proved his talent in his own right when he won the Gold Medal at the Royal Academy of Dramatic Arts. On stage from 1932 and in films from 1946, Keen established himself as one of the premiere purveyors of cold-edged corporate types. If a producer wanted a dryly sarcastic executive or intimidating attorney, Keen was the man. In this vein, Geoffrey Keen was the ideal replacement for the late Bernard Lee as "M" in the James Bond films, essaying the role in such Bond escapades as The Spy Who Loved Me (1977), Moonraker (1979), For Your Eyes Only (1981), Octopussy (1983), A View to a Kill (1985) and The Living Daylights (1987).

Trivia: Was a fashion model in the 1970s and '80s. Has appeared in 57 ads in Australia alone. Big-screen debut was playing a warrior woman in Mad Max 2: The Road Warrior (1981). Was a Bond Girl in The Living Daylights (1987). After playing Pa'u Zotah Zhaan on the TV series Farscape for three years, she had to leave the show in 2002 as the makeup was affecting her health. Began designing and selling perfume in 2001. Is certified in natural therapy and teaches meditation.

Trivia: Supporting actor Nadim Sawalha has worked steadily on British television and in feature films since his screen debut playing a small role in A Touch of Class (1973). Born in India, Sawalha has spent his entire career in English-language films and is usually cast as excitable service people in shops, hotels, and museums.

Trivia: A film editor since the early 1960s, Briton John Glen wielded the scissors on his first James Bond film, On Her Majesty's Secret Service, in 1969. He went on to edit such subsequent Bonds as The Spy Who Loved Me (1977) and Moonraker (1979), also functioning from time to time as second-unit director. Glen was finally promoted to full director for the 1981 007opus For Your Eyes Only, startling longtime followers of the series by eschewing the gags and gimmickry indigenous to the Roger Moore Bond films and harking back to the minimalism of the Dr. No and From Russia With Love days. Evidently the experiment was not warmly received; in his later Bond films Octopussy (1983) A View to a Kill (1985) The Living Daylights (1987) and License to Kill (1989), Glen returned to the popular larger-than-life elements that the fans demanded. John Glen hasn't been heard from much since drawing the unfortunate assignment of directing the 1992 megaturkey Christopher Columbus: The Discovery.

Trivia: The early years of producer Albert "Cubby" Broccoli are a bit clouded: some biographers state that his education ended in high school, while others insist that he attended C.C.N.Y. One thing is certain: Broccoli was employed as an agronomist before accepting a job as an assistant director at 20th Century Fox in 1938. In the late '40s, he was hired in the same capacity by RKO, and in 1949 briefly worked as an actor's agent with the Charles K. Feldman agency. Moving to England in 1951, Broccoli formed Warwick Pictures with his partner, Irving Allen. The company turned out such Anglo-American productions as Paratrooper (1953) and The Black Knight (1954), both starring Alan Ladd; the location-filmed Safari (1956), with Victor Mature and Janet Leigh; and The Gamma People (1956), a diverting sci-fier. One of Warwick's few unrealized projects was a TV version of Sherlock Holmes; after years of negotiating with Broccoli and Allen, Sir Arthur Conan Doyle's son, Adrian, decided to cast his lot with maverick producer Sheldon Reynolds. In 1960, Broccoli bolted Warwick to form Eon Productions with Harry Saltzman. The crowning achievement of this collaboration was the fantastically successful James Bond film series, beginning with 1962's Dr. No. In 1976, Broccoli and Saltzman split up, with Broccoli assuming all movie rights to the James Bond property (he has since passed these rights along to his daughter, likewise a producer). During his long film career, Albert R. Broccoli has received numerous film and "civilian" honors, including the Irving G. Thalberg Award, the Order of the British Empire, and France's Commandeur des Arts et des Lettres.

Trivia: Manhattan-born Richard Maibaum attended NYU, then headed west to study acting at the University of Iowa. Before he was 30, Maibaum was a firmly established Broadway actor and playwright. He entered films as a screenwriter in 1937, spending the war years with the army's Combat Film Division. In 1946, he joined Paramount as both screenwriter and producer, turning out such worthwhile projects as The Big Clock (1948) and the 1949 version of The Great Gatsby. Advised that making films abroad was an excellent tax shelter, Maibaum formed a partnership in the 1950s with producers Irving Allen and Albert Broccoli. This alliance eventually led to the James Bond series of the 1960s and 1970s: Richard Maibaum wrote or cowrote the screenplay for virtually every Bond film, beginning with Dr. No (1962) and ending with License to Kill (1989).