Trivia: Ever since his film debut in director Michael Mann's 1981 crime drama Thief, actor William L. Petersen (born February 21st, 1953) has carved a successful niche for himself in the realm of crime-oriented television and film. Audiences were quick to warm to the actor thanks to his everyman appearance and ability to elicit sympathy by portraying authority figures whose rank rarely surpassed their humanity, and in the following decades, Petersen would hone this persona to a fine point in such efforts as Mann's 1986 thriller Manhunter and, much later, the popular CBS crime series CSI: Crime Scene Investigation. It was while studying on a football scholarship at Idaho State University that the Evanston, IL, native first discovered his love for the stage, and though the popular jock initially signed up for drama classes as a means of boosting his grade point average, his love for the stage soon surpassed his grip on the gridiron. A post-graduate move to Spain found Petersen studying Shakespearean acting, with a subsequent return to the States leading the burgeoning actor to Chicago. In addition to an association with the famed Steppenwolf Theater, Petersen and several of his peers co-founded Chicago's Remains Theater Ensemble in 1980. The next year, a small supporting role in Mann's Thief marked Petersen's first foray into the celluloid universe, and it was also around this time that Petersen made his Broadway debut with a starring role in The Night of the Iguana. The actor remained a fixture on CSI until 2008, and went on to co-star in the films Detatchment (2011) and Seeking a Friend for the End of the World (2010).As the 1980s progressed, Petersen became an increasingly recognizable figure in the world of film, in particular thanks to solid performances in such efforts as To Live and Die in L.A., Manhunter, and Amazing Grace and Chuck, with his stature on the screen virtually cemented by the time he kicked off the 1990s with a turn as Pat Garrett in Young Guns II. Though roles in such films as Return to Lonesome Dove, Fear, and The Beast did indeed increase Petersen's recognition factor among the moviegoing and television-viewing masses, he more often than not seemed to be lost without Mann's direction and criminals to chase. Of course, all of this would be solved when the veteran actor stepped into the role of crime scene investigator for the 2000 television series CSI, and though feature work had certainly taken precedence over television thus far in his career, the transition seemed to benefit Petersen when the Emmy-nominated series soon shot to the top of the ratings.

Trivia: Best known for her television work, Marg Helgenberger started acting in college theatrical productions while studying speech at Northwestern University. A native of Omaha, NE, where she was born on November 16, 1958, Helgenberger moved to New York after graduating from college and landed a role as a tough young policewoman on the soap opera Ryan's Hope. During her four-year tenure on the show, she also maintained her ties with the theater through her involvement with TADA, the Children's Theater Company.Following a move to Southern California, Helgenberger began guest starring on such television series as Matlock, thirtysomething, and HBO's Tales From the Crypt. She co-starred on the short-lived series Shell Game (1987) before getting her big break with the role of K.C., a tough prostitute, on the distinguished drama China Beach in 1988. Helgenberger's role won her two Emmy nominations and one win in 1990. Following the series' demise in 1991, Helgenberger returned to television guest-star status on ER, where she had a four-episode-long recurring role, and in the miniseries The Tommyknockers.A presence on the big screen since 1989, when she made her feature-film debut in Steven Spielberg's romantic fantasy Always, Helgenberger has played a wide variety of roles in films ranging from Species (1995) to the moody The Last Time I Committed Suicide (1997) to Steven Soderbergh's widely acclaimed Erin Brockovich (2000). Helgenberger would continue to appear in films like In Good Company and Mr. Brooks, and found particular success with the starring role of Catherine Willows on the long running proceedural CSI: Crime Scene Investigation.

Trivia: Best known for his role as Warrick Brown, the detective with a marked predilection for risk (and an ongoing gambling addiction), on CBS's blockbuster series CSI: Crime Scene Investigation, the easygoing, congenial, and memorably handsome African-American actor Gary Dourdan has built his life and his public image around uniqueness and originality. Six foot two inches tall, green-eyed, sporting bushy yet sculpted dreadlocks, and straddling the worlds of drama and avant-garde music, Dourdan commented to Ebony magazine, "I've always tried to be unconventional as much as I possibly could...one thing I'm trying to do with my career and with my craft is to blur the lines between what people think African-Americans should play and what I'm doing. I'm not much into fads and fashions and trying to follow things."Born December 11, 1966, in Philadelphia, PA, as the son of Robert and Sandy Durdin (his actual surname), the adolescent Dourdan attended "Freedom Theater," an inner-city program for aspiring actors, during adolescence. Success in this venue prompted him to travel to Manhattan on a weekly basis for musical training and dramatic auditions. Dourdan landed his "big break" as an actor in the early '90s, seemingly without even trying. While dating fashion model Roshumba Williams around 1991 and vacationing with her in France, Dourdan was spotted by powerhouse Debbie Allen, then the producer and director of A Different World; impressed by his looks and manner, she invited him to audition for the series. He played Shazza Zulu, the resident "con man" of Hillman College -- a role he sustained through the end of 1992 (for less than one season), before moving on to new endeavors. Dourdan debuted onscreen inauspiciously, with a bit part as the Second Cartel Man in Weekend at Bernie's II. Additional roles included that of a copy guy in Ron Howard's The Paper (1994), Christie in Alien Resurrection, and Yates in the Andy Wilson-directed medical thriller Playing God (1997). In 2000, Dourdan landed his biggest break with the CSI role, for executive producer Jerry Bruckheimer -- and (when the program instantly shot up to number one) continued the part as the series progressed. The same year that he signed with Bruckheimer and company, Dourdan played Malcolm X in the telemovie Muhammad Ali: King of the World. As mentioned, Dourdan is also a prolific alternative musician (with solo albums to his credit) and a record producer. He married African-American model Williams in 1992; the couple divorced two years later. He has two children, a son, Lyric, and a daughter, Nyla (the daughter of Jennifer Sutton, whom Dourdan dated from 1995 to 2000). He voiced the character of Detective Crispus Allen in 2008's Batman: Gotham Knight, and took on a supporting role as a chef in Jumping the Broom (2011).

Trivia: Whether scanning a homicide scene for evidence or blasting up a motorcycle ramp at 120 miles per hour as one of the world's greatest daredevils, it seems there's little that square-jawed CSI star George Eads can't accomplish on the small screen. However, the future wasn't always so sunny for the decidedly down-to-earth star; Eads has most certainly earned his rank among television's best, thanks to a solid work ethic and the kind of steadfast determination that's been known to move mountains. Born in Fort Worth, TX, and raised in nearby Belton, it didn't take the Texas Tech graduate long to realize his calling -- and despite the fact that chiseled Texans with big-time aspirations are a dime a dozen in Hollywood, Eads was determined to stand apart from the crowd. Of course, nothing comes easy in Hollywood, and after making the rounds to various auditions during the daytime, the eager up-and-comer would earn his keep as a weight adjuster at the local Gold's Gym in the off hours. Persistence eventually paid off in the form of a supporting role on the little-seen nighttime soap opera Savannah, and though the show barely lasted one season, it did provide an ideal training ground for the relatively inexperienced Eads. In the years that followed, Eads continued to hone his craft with a recurring role on the hit series ER as well as numerous supporting performances in such blink-and-you-miss-them made-for-television pictures as The Ultimate Lie and Crowned and Dangerous. Eads' persistence eventually paid off, and he was hired for the key role of forensic analyst Nick Stokes in the breakout television hit CSI. Cast as a former college baseball star with a hero complex, Eads charmed audiences by creating a character that was as believable as he was personable. The show proved an enormous success, but the young star nearly lost the role forever by making the simple mistake of oversleeping on the day of his salary negotiations (CBS at first thought Eads was attempting to strong-arm them for more money, but the situation soon blew over when Eads apologized for his actions). Now seated comfortably at the top of the television food chain, Eads continued to make a name for himself with roles in numerous made-for-television features including Just a Walk in the Park and Monte Walsh, though it was a role as his childhood hero Evel Knievel in a small-screen biography that truly brought Eads' career full circle. When he's not investigating some of the most grisly crimes ever witnessed on the small screen in CSI, Eads fulfills his duties as part owner of Hollywood's popular Cinespace restaurant -- a perfect place to take in dinner and a movie.

Trivia: The son of an actor of the same name, Paul Guilfoyle has appeared in several major film productions, portraying a wide variety of supporting characters. He is a member of the prestigious Actor's Studio, as well as being a longtime resident of New York. He also has numerous stage credits to his name. However, the actor is best known for his role in the crime drama CSI: Crime Scene Investigation. He joined the show in its first season in 2000 as L.V.P.D Captain James "Jim" Brass, and continued to work on the show throughout the 2000s and early 2010s.

Trivia: The lithe and attractive brunette American actress Jorja Fox entered the public eye in the late '90s and early 2000s, given her involvement as a recurrent cast member in three consecutive, top-ranked U.S. television series: ER (1994), The West Wing (1999), and CSI: Crime Scene Investigation (2000). Fox is perhaps most familiar to fans of CSI, appearing in well over 150 episodes and numerous seasons.Born Jorja-An Fox on July 7, 1968, in New York, NY, but raised in Melbourne Beach, FL, Fox moved back to Manhattan in her teens and began a modeling career after winning a local modeling contest, then subsequently enrolled as a drama student at the Lee Strasberg Institute, where she studied acting under the aegis of legendary actor William Hickey (Prizzi's Honor, Forget Paris). Fox's early roles were minor and somewhat forgettable, though she debuted onscreen under the tutelage one of the finest American indie filmmakers -- Maggie Greenwald -- in that director's well-received film noir debut The Kill-Off (1991). She followed it up with an equally dark turn, as Fate 3 (alongside future West Wing co-star Allison Janney), in John Feldman's little-seen black comedy thriller Dead Funny (1995), and joined mentor Hickey and Alan Arkin for the best-forgotten Jerky Boys (1995) -- a loud, rude and obnoxious farce about a couple of prank phone callers. The film bombed with critics and the public, and disappeared instantly.Fox joined the cast of the blockbuster series ER in 1996, during its third season on the air. She played Maggie Doyle, a lesbian intern at County General Hospital who launches a sexual harassment suit against a seemingly invincible administrator. The role lasted for three seasons, wrapping in 1999; that same year, Fox signed for a supporting role on The West Wing, mega-producer Aaron Sorkin's blockbuster series drama about life in the Oval Office. Fox would spend the following years finding continued success on the small screen, most notably in the role of investigator Sara Sidle on the hit CBS series CSI: Crime Scene Investigation.

Trivia: Although bit parts in A-list features such as The Rules of Attraction (2002) and Little Athens (2005) highlight his resumé, the sandy-blonde-haired actor Eric Szmanda may find it difficult to supersede his own ties with the characterization of Greg Sanders on the top-tiered CBS series drama CSI: Crime Scene Investigation. As Sanders -- a DNA and trace expert analysis with a "nonconformist exterior" and an enduring taste for heavy metal (not to mention a deep-seated infatuation for Sarah Sidle [Jorja Fox]), Szmanda made an enduring impression among series fans, starting as a recurring character and working his way up to series regular; he stayed with the show for several years.

Trivia: After a scant few supporting roles in both Tinseltown duds (Here Come the Littles, 1985) and respected Hollywood A-listers (Michael Apted's Class Action, 1991), American actor Robert David Hall connected with his broadest fan base via his multi-season portrayal of Dr. Albert Robbins, the middle-aged coroner on the television phenomenon CSI: Crime Scene Investigation. With his portly figure, balding pate, and ever-present white beard, Hall lent a distinguished aura to his evocation of Robbins, a character with the most unusual of personal and professional histories. Off-camera, Hall is a double-leg amputee who has served for long periods as the national chairperson of the Performers With Disabilities committees of SAG and AFTRA. His career includes a long tenure as the daytime music and voice director of KNX-FM, Los Angeles. In addition to his acting role on CSI and occasional movie work, Hall made occasional guest appearances on such series as L.A. Law and The Practice.

Trivia: Known to many as Coroner "Super Dave" Phillips on the popular series CSI, actor David Berman has also appeared on the show Heroes. He's also played a recurring role on Vanished and CSI: Crime Scene Investigation.

Trivia: French Stewart, a native of New Mexico, received his professional training from the American Academy of Dramatic Arts, from which he earned a B.F.A. Stewart has numerous stage credits on his resumé, ranging from contemporary theater to the classics and has earned many awards for his work on stage. He is said to have earned his S.A.G. card by portraying Yogi Bear with a traveling children's show, from which he was eventually fired for removing the head of his costume in front of children. Stewart is primarily known for his portrayal of the goofy alien Harry on the NBC sitcom, 3rd Rock From the Sun, which is, by his own account, a character study of silent film comedians. Stewart reportedly owns a substantial collection of silent films. He is married to actor Katherine LaNasa. In the years to come, Stewart would remain active on screen, appearing in films like Beverly Hills Chihuahua 2.

Trivia: HBO enthusiasts will invariably remember character actor Wallace Langham for his winning multi-season portrayal of Phil, the conceited head writer of Larry Sanders' late-night talk show, on the Garry Shandling-headlined sitcom The Larry Sanders Show. Langham (who first received billing in projects as Wally Ward) grew up in Los Angeles; his parents divorced at an early age and his mother, Sunni, designed costumes for the musical variety series Donny and Marie. Langham was, by all accounts, drawn magnetically to showbusiness; he enrolled in acting classes, signed with an agent, and landed a string of television commercials beginning at age 16 (in 1981). After high school, Langham enrolled briefly in Cal State Northridge, but dropped out after snagging a bit part in John Hughes' teenage sci-fi comedy Weird Science (1985). Scattered appearances on such series as Murder, She Wrote and Star Trek: Voyager followed -- as well as the recurring role of Josh, smart-alecky assistant to lingerie proprietor Veronica on the Kirstie Alley sitcom Veronica's Closet. It was the Shandling turn, however, that put Langham on top of his game. He made occasional feature appearances in such pictures as the Nora Ephron comedy-fantasy Michael (1996) opposite John Travolta, the Eddie Murphy vehicle Daddy Day Care (2003), the ensemble comedy drama Little Miss Sunshine (2006), the award-winning The Social Network and 2012's Ruby Sparks but -- outside of Larry Sanders -- he is probably best known for his fine work on the series drama CSI: Crime Scene Investigation. On that program, Langham sustained a multi-season portrayal as lab technician David Hodges.

Trivia: Grew up in Alexandria, Virginia.Grew up with two younger sisters in a bilingual household, speaks English and Mandarin Chinese.Before becoming an actor, wanted to attend Law School and work in politics.Was homecoming king and student body president.Was a member of the Sigma Chi fraternity in college.Married wife Xun Zhou on stage after a charity event in China.On October 2014, became the first male to appear on the cover of Vogue China.

Trivia: Louise Lombard lived and breathed the fine arts from an early age, and projected extreme versatility in many arenas. A trained dancer and actress from early childhood, Lombard graduated to television commercials by age 14, and subsequently delved into dramatic roles. Lombard evinced a remarkable predilection for emotionally and psychologically challenging evocations, such as that of a heroin addict in a PSA directed by Jon Amiel (Copycat). After gracing the BBC series Casualty and Bergerac, the ITV show Capital City, and the ITV telemovies Catherine Cookson's A Black Velvet Gown, and Perfect Scoundrels: Sweeter Than Wine, Lombard broke through to national fame in 1991, with the lead role of Evangeline Eliott in the three-season House of Eliott series on the BBC. The story concerns two sisters who travel the road from extreme poverty to wealth as proprietors of the most successful dressmaking business in all of England.For the remainder of the 1990s, Lombard sought out a series of highly individualized and intelligent projects, including Elizabeth Gill's 1997 ensemble drama Gold in the Streets (as the girlfriend of an illegal Irish immigrant) and the ITV series Bodyguards (as one of the toughs of the title). After a brief tenure as a literature student at Cambridge University (as well as studying photography and print work at St. Martin's College), Lombard spent the first decade of the new millennium branching out into more internationally oriented roles, including insurance investigator Ellen Brachman in the Dutch movie Claim (2000), and the part of Kath in My Kingdom (2001), a highly modernized adaptation of Shakespeare's King Lear. American viewers, however, will most closely associate Lombard with the romantic lead of Lady Anne Davenport in the Viggo Mortensen period adventure saga Hidalgo (2004), and the role of Dr. Harriet Fellows, a physician who assists crash survivor Alec Baldwin, in the TNT telemovie Second Nature (2003).

Trivia: Speaks Spanish and Italian. He and his wife narrated a book together, An Unfinished Life, by Mark Spragg. Frequently works with the Berkeley Repertory Theatre, including stints in Uncle Vanya and The Pillowman. Appeared in both The Mask of Zorro (1998) and the 2005 sequel The Legend of Zorro, but as different characters.

Trivia: During a 1994 interview with comedian Bobcat Goldthwait, The Today Show's Katie Couric became so rattled at Goldthwait's paranoiac, high-decibel responses to her questions that she repeatedly entreated him to calm down and relax. After the commercial break, a frowning Couric looked directly at the guys in the NBC control room and asked, "Why didn't you tell me he always talks like that?" Indeed, Goldthwait has never spoken when shouting will do -- at least not professionally. A popular attraction on the comedy-cabaret circuit in the early '80s, Goldthwait made his film bow as gonzo gang leader Zed in Police Academy 2: The First Assignment (1985); he revived the character -- this time as a good-guy police cadet -- in two Police Academy sequels. Though we've been treated to generous helpings of Goldthwait's marine-raiders comic style in such TV series as Capitol Critters (1992) and Unhappily Ever After (1995), his funniest appearance thus far has been his briefest: in the satirical MTV special Medusa: Dare to Be Truthful (1992), he offers a 30-second parody of Kevin Costner's aw-shucks cameo in Madonna: Truth or Dare (1991). Having previously directed his own concert video Is He Like That All the Time? (1988), Goldthwait extended his directorial activities to the 1994 theatrical feature Shakes the Clown (1994), a grimly amusing look at the underbelly of show business. While promoting Shakes on May 9, 1994, Bobcat Goldthwait made his bid for media immortality by impulsively setting fire to Jay Leno's guest couch on The Tonight Show -- an act which resulted in shocked outrage from both Leno and NBC, but did not prevent them from using this inflammatory vignette in their advertising.His career geared increasingly towards the small screen for the majority of the '90s, Goldthwait would stay in the public eye with a variety of guest appearances on such popular shows as Tales from the Crypt, ER, Sabrina the Teenage Witch, as additional roles on such animated efforts as Buzz Lightyear of Star Command; Dr. Katz, Professional Therapist; Duckman; and Lion of Oz found his services as a voice-over artist in ever-increasing demand. The trend would continue as Goldthwait lent his distinctive vocal inflections to such shows as Crank Yankers and Lilo and Stitch: The Series at the turn of the millennium, though it seemed as if his career was increasingly coming into its own behind the camera as the comic began directing episodes of Chappelle's Show and Jimmy Kimmel Live. Goldthwait's 2003 comedy feature Windy City Heat would debut on Comedy Central to the delight of fans everywhere. He directed Sleeping Dogs Lie, a low budget film about a man who must confront his fiancée when she finds out about some of his past behavior. In 2006 the newly empowered filmmaker's surprisingly tender yet shockingly outrageous romantic comedy Stay would make an impression on audiences at the Sundance Film Festival when it was nominated for the Grand Jury Prize at that year's proceedings.

Trivia: Declined a full college scholarship to pursue acting.Made his feature film debut in 1967's In the Heat of the Night.Received a Best Supporting Actor Golden Globe nomination for his work in The Ninth Configuration.Is perhaps best known for playing veterinarian Hershel Green in zombie drama series The Walking Dead between 2011 and 2018.In 2016, appeared in Netflix sci-fi drama series The OA.

Trivia: Possessing a near-perfect balance of everyman looks and tremendous talent on both stage and screen, actor Zeljko Ivanek has been a key supporting player in feature films since the early '80s. A native of Ljubljana, Yugoslavia (now Slovenia), Ivanek's family moved to the United States in 1960 in order for his father to complete his doctoral research in electronic engineering at Stanford University. Briefly returning to Yugoslavia before settling in Palo Alto, CA, in 1967, it was only a few short years before young Ivanek was pursuing his higher education at Yale. Subsequently accepted at The London Academy of Music and Dramatic Art, he continued to refine his passion for acting and the summers of 1978-1980 found him honing his stage skills in the Williamstown Theater Festival in such efforts as Hay Fever and The Front Page. In 1983, Ivanek was nominated for a Tony award for his role in Brighton Beach Memories and it was around this time that he made his first film and television appearances. An early role as a telepathic killer in the 1982 thriller The Sender found Ivanek making a chilling impression, and strong performances in Mass Appeal (1984) and the AIDS drama Our Sons (1991) kept expectations high for the rising star. As his feature credits continued to build, Ivanek began appearing in such popular television series as L.A. Law, Law & Order, The X-Files, and Murder, She Wrote. Though the adjustment from stage to screen was initially daunting for the classically trained actor, once he got accustomed to the change of pace, he adjusted remarkably well. As the '90s rolled on, Ivanek's film credits included such A-list releases as Courage Under Fire (1996), Donnie Brasco (1997), and the John Travolta thriller A Civil Action (1998). It was also around this time that Ivanek embarked on a six-year stint as Governor James Devlin on HBO's acclaimed series Oz. As the millennium turned, so did Ivanek's onscreen career, and his resume seemed to be exclusively built of nothing but high-profile efforts in both film and television. In addition to appearing in Dancer in the Dark (2000), Hannibal (2001), Black Hawk Down (2001), Unfaithful (2002), and Dogville (2003), memorable roles on The Practice and The West Wing kept television audiences glued to their sets. He reteamed with Lars Von Trier for the director's drama Maderlay, and continued his film career in projects such as The Hoax, In Bruges, and Tower Heist, while maintaining a presence on the small-screen with appearances on Damages, Heroes, and Big Love.

Trivia: Studied with Second City and Steppenwolf Theatre in Chicago. Hired to work on CSI: Crime Scene Investigation as a researcher. Founded, with CSI co-star David Berman, Entertainment Research Consultants, a company that does research for forensic television shows. First appeared on-screen on CSI in season 5 as a recurring character; was promoted to a series regular in season 13. Suffers from retinitis pigmentosa, a degenerative retinal disease; works with the Foundation Fighting Blindness to promote the disease.

Trivia: North Carolina native Liz Vassey began acting on-stage when she was just nine years old, studying acting at a number of universities over the coming years before beginning her onscreen acting career. She appeared on the soap opera All My Children beginning in 1988 and would make guest appearances on numerous TV series, including Murphy Brown, Quantum Leap, and others. Soon, Vassey would be snagging staring roles on TV shows, playing roles like Captain Liberty on the cult favorite The Tick and Wendy Simms on the procedural drama CSI. Among her other credits are the supernatural series Tru Calling and the Elmore Leonard adaptation Maximum Bob.

Trivia: Detroit native Elisabeth Harnois relocated to California at a young age and was raised in Los Angeles. Living in such close proximity to the home of the film industry, she began appearing in film and TV at the age of six, with a role in the movie One Magic Christmas. She would go on to study at Wesleyan University, and graduated in 2001 with a degree in film studies. Getting back into the business after graduation, Harnois began appearing in films like the critically acclaimed Pretty Persuasion in 2005, Chaos Theory in 2007, and A Single Man in 2009. Branching into lighthearted fare in 2011, the actress would sign on to provide the voice of Ki in the animated film Mars Needs Moms. Later that same year, Harnois joined the cast of CSI: Crime Scene Investigation as Morgan Brody.

Trivia: The son of a prominent archaeologist/museum director, American actor Ted Danson grew up near the Navajo reservation in Arizona. He played basketball while at Kent School Connecticut, and then moved on to Stanford University. It was in the process of getting acquainted with an aspiring actress at Stanford that Danson found himself attending his first audition-- and by years' end had transferred to the drama department at Carnegie Tech. Marking time in non-speaking roles, Danson left the stage for the more lucrative world of TV commercials, some of which have been well-circulated on videotape since Danson has become famous. Danson's first steady TV work was as a slimy villain on the NBC soap opera Somerset. Shortly afterward, the actor attained his first film role, as a murdered cop, in The Onion Field (1978). After seeing Danson in the movie Body Heat (1981) and in an episode of the TV series Taxi, producer Glen Charles cast the actor as Sam Malone, ex-sports star and full-time barkeeper and womanizer, on the long-running, well-loved sitcom Cheers He won Emmys for the 1989-90 and 1992-93 seasons. Frequently making attempts at film stardom during the 11-season run of Cheers, Danson finally struck gold in Three Men and a Baby (1987) and its sequel Three Men and a Little Lady (1990). Danson's most recent work includes the 1996 starring role in the TV miniseries Gulliver's Travels and a co-starring role, opposite his new wife Mary Steenburgen, in the television sit-com Ink (also 1996). In 1998 Danson began a six-year run on another successful sitcom portraying the lead character on Becker, playing a caustic grump who couldn't have been further from Sam Malone's effortless charm. He continued to work steadily on the big screen as well scoring appearances in Saving Private Ryan and Mumford. He made sporadic appearances on Larry David's award-winning Curb Your Enthusiasm, and earned strong reviews for his dramatic work on the first season of the TV show Damages. He followed that up with a co-starring role on the HBO series Bored to Death, which lasted three seasons. In 2012 he could be seen in the inspirational animal movie Big Miracle.

Trivia: A versatile entertainer who first shot to fame as redheaded housewife Peg Bundy on the long-running television sitcom Married with Children, Katey Sagal has since established herself as one of the small screen's most reliable and prolific actresses.It was at the tender age of five that the talented youngster first began to show promise as a singer, and after honing her talent with years of practice, Sagal went on to perform as a Harlette opposite future superstar Bette Midler. After performing as a backup singer for the likes of Etta James, Olivia Newton-John, and Tanya Tucker in the mid-'80s, Sagal made her television debut on the Mary Tyler Moore sitcom Mary. Though that particular show didn't make it past the one-season mark, it did open up a world of opportunity for the aspiring young actress, who would subsequently earn three Golden Globe nominations as gaudily attired suburbanite Peg Bundy on the raunchy Fox Television sitcom Married with Children. A stinging satire of suburban dysfunction, Married with Children's gleefully lowbrow humor earned it as many fans as detractors over the course of the show's impressive ten-year run. When the plug was finally pulled on Married with Children in 1998, Sagal teamed with former Three's Company star John Ritter in the made-for-television romance Chance of a Lifetime before making appearances on such series as That '70s Show and Disney's animated show Recess.While performances in a number of made-for-television movies hinted at dramatic abilities that had never been tapped during her extended stint on Married with Children, it was cartoon voice-over work that would soon prove the bread and butter of her career during the millennial crossover. Despite the fact that it never achieved the popularity of The Simpsons, Matt Groening's animated sci-fi comedy series Futurama did gain a fairly devoted fan base during its four-year run, with Sagal in particular getting a fair amount of laughs in her role as voluptuous one-eyed alien Leela. In 2002, Sagal partnered with former Chance of a Lifetime star Ritter for the Emmy Award-winning sitcom 8 Simple Rules...for Dating My Teenage Daughter, though the tragic and unexpected death of star Ritter -- who collapsed on-set at the beginning of the second season -- brought the show to an untimely end in 2005. A pair of appearances on the phenomenally successful small-screen thriller Lost followed in 2005, and in 2006 Sagal traded barbs with William Shatner and James Spader on Boston Legal. She was a member of the cast of Sons of Anarchy when that show debuted in 2008, and she returned to voicing Leela on Futurama when the show began production again after a multi-year layoff.

Trivia: American actor Cliff DeYoung began a stop-and-start film career with Pilgrimage in 1972; most of his work for the next several years was on stage and in television. DeYoung starred in the very brief 1975 TV series Sunshine, playing a widowed musician raising a young stepdaughter; the series was a spin-off of the 1973 TV movie of the same name, which also starred DeYoung. The actor also played the lead role of a blinded Vietnam vet in the Joseph Papp-produced CBS drama special Sticks and Bones (1973) which was blacked out by many affiliates due to its vitriolic antiwar stance. Three years later, DeYoung played Charles Lindbergh (to whom he bore a daunting resemblance) in the 1976 made-for-TV Lindbergh Kidnapping Case. After his attention-grabbing appearance in the 1983 horror film The Hunger, Cliff DeYoung concentrated on movie roles, with occasional returns to TV in such productions as the 1985 miniseries Robert Kennedy and His Times.

Trivia: A performer who succinctly defines the term "character actor," Tom Noonan has appeared in over 20 feature films and numerous TV series and movies, and has also enjoyed a career as a playwright, director, and acting professor. A 1973 graduate of the esteemed Yale acting program, Noonan began his career as a guitarist and composer, working with such downtown theater troupes as Mabou Mines and The Wooster Group (which has included fellow actor Willem Dafoe among its ranks) until he found his niche in film and TV in the early '80s.Noonan began to find work as a premier villain in such films as Manhunter ([1986] the first film to feature the infamous Hannibal Lecter), The Monster Squad (1987), Robocop 2 (1990), and Last Action Hero (1993), the latter few representing Hollywood action-adventure pictures that helped subsidize smaller projects that the actor wished to take on. One of these projects was the 1994 Sundance Film Festival sleeper What Happened Was..., a startling examination of a truly awkward first date based on Noonan's play produced the previous year. The film, which Noonan wrote, directed, and starred in opposite Karen Sillas, won the Grand Jury Prize at Sundance that year, as well as the Waldo Salt Screenwriting Award. That same year, the film was released on the arthouse circuit and garnered accolades for Noonan, including several Ten Best citations from critics. What Happened Was... was featured in Scenario Magazine in the July 1995 issue as one of its featured screenplays.Noonan continued to appear in such mainstream fare as Michael Mann's cops-and-robbers epic Heat (1995) and more television offerings, including a memorable stint on the popular sci-fi show The X-Files. He then made a film called The Wife, based on his play Wifey, co-starring Wallace Shawn, Julie Hagerty, and Karen Young, all holdovers from the stage version, which premiered at his Paradise Theater, a small off-off-Broadway space in New York's East Village. This film was also accepted into the Sundance Film Festival and was (barely) released theatrically, not enjoying the same success as his 1994 play to film.Noonan is the author of several collections of fiction, as well as an unpublished novel titled Must Have. A former National Endowment of the Arts scholar, he has long used New York City as his home and professional base, and has taught classes in acting technique at the Paradise Theater, which for years has been host to original, quirky downtown theatre.

Trivia: Evan Rachel Wood was born in Raleigh, NC, where her father Ira David Wood ran a theater company. Along with her two brothers, she acted in her dad's stage productions before getting small roles in made-for-TV movies. In 1995, she made several guest appearances on the CBS drama American Gothic, as the daughter of Mrs. Russell (played by real-life mom Sara Lynn Moore). Her next regular role was Chloe on the NBC sci-fi police drama Profiler. She left the show to join the cast of the popular ABC family drama Once and Again as Rick's daughter Jessie. Along with child actor co-stars Julia Whelan and Meredith Deane, she won a Young Artist Award for her work on the show. Other TV appearances include Touched by an Angel, The West Wing, and CSI: Crime Scene Investigation. In 1998, Wood made her first feature film in Timothy Hutton's directorial debut Digging to China. In the starring role of Harriet Frankovitz, she played a ten-year-old girl who befriends mentally challenged adult Ricky (Kevin Bacon). More movie appearances followed in Griffin Dunne's fantasy Practical Magic, Joey Travolta's crime movie Detour, and Andrew Niccol's sci-fi comedy Simone. Her next leading role was in the family-friendly drama Little Secrets as teenage concert violinist Emily Lindstrom. Her big breakthrough came in 2003 as the star of Catherine Hardwicke's directorial debut Thirteen, which was partially written by teenage co-star Nikki Reed. Launched into semi-stardom by the well-marketed movie, she was then offered a part in Ron Howard's Western The Missing, also starring Cate Blanchett and Tommy Lee Jones. Projects for 2004 include the family drama The Upside of Anger and the teen comedy Pretty Persuasion.

Trivia: Actor, singer, and voice actor Keith David has spent much of his career on the stage, but also frequently works in feature films and on television. A native of New York City, David first performed as a child, singing in the All Borough Chorus and later attended the prestigious High School of Performing Arts. Shortly after graduating from Juilliard, where he studied voice and theater, David landed a role in a production of Coriolanus at Joseph Papp's Public Theater. He starred opposite Christopher Walken. David made his Broadway debut in Albee's The Lady From Dubuque (1980) and, two years later, had his first film role in John Carpenter's The Thing. He would not appear in another feature film until he played King in Oliver Stone's Platoon (1986). In between, David alternated between stage and television work. He appeared in five films in 1988, including Clint Eastwood's Bird, where he gave a memorable performance as jazz sax player Buster Franklin. In 1992, David showed his considerable skill as a singer and dancer and won a Tony nomination for starring in the musical Jelly's Last Jam, opposite Gregory Hines. David's film career really picked up in the mid-'90s, with roles ranging from a gunslinger in Sam Raimi's The Quick and the Dead to a New York cop in Spike Lee's Clockers to an amputee who owns a pool parlor in Dead Presidents (all 1995). In 1998, David had a brief but memorable role as Cameron Diaz's boisterous stepfather in the Farrelly brother's zany Something About Mary. In one of the film's funniest scenes, David tries to help Diaz's prom date, Ben Stiller, extricate himself from an embarrassingly sticky situation. He is also well known to animation fans for his voice work in, among other projects, Disney's Gargoyles, HBO's Spawn, and the English-dubbed version of the Japanese-animated film Princess Mononoke. In 2000 he appeared in Requiem for a Dream, Pitch Black, and Where the Heart Is, as well as providing the narration of Ken Burns documentary on the history of jazz. He continued to work steadily in a variety of projects including Barbershop, 29 Palms, Agent Cody Banks, Mr. and Mrs. Smith, and the 2005 Oscar winner for Best Picture, Crash. He also found work in Transporter 2, The Oh in Ohio, Meet Monica Velour, Lottery Ticket, and the 2010 remake of Death at a Funeral.

Trivia: California native Melinda Clarke was born into show business. With an actor father and a ballet dancer mother, it was only a matter of time before Clarke grew up and headed for L.A. to follow in her parents' footsteps. She spent the late '90s paying her dues with appearances on shows like Seinfeld and Xena: Warrior Princess before being cast as Julie Cooper on the smash-hit series The O.C. She stayed with the show for its entire run from 2003 to 2007. Clarke continued to find success in television, with high-profile recurring gigs on CSI as Lady Heather and as herself on Entourage. She joined the cast of Nikita in 2010; once that show ended in 2013, Clarke resumed making her guest star rounds on shows like Vegas and Dallas.

Trivia: California-born actor Robert Gunton has been essaying film character roles since 1980. Among his film credits are Rollover (1981), Matewan (1987), Glory (1988) and Cookie (1989). Many observers feel that Gunton was at his performing peak in the role of a wildly neurotic streetcorner evangelist in the little-seen satire Static (1985). A seasoned improv performer, Robert Gunton was one of the regulars (along with such future notables as Mark-Linn Baker and Joe Mantegna on the Manhattan-based TV series Comedy Zone (1984).

Trivia: Citing Danny Kaye as one of his foremost idols, American actor Arye Gross has done well for himself in a variety of supporting roles in television and film; like Kaye, he shows a particular talent for playing affable, if quirky, young men. While his feature debut was rather unremarkable -- he was credited as, simply, "Turbo" in 1984's forgettable The Exterminator 2 -- he was able to achieve top billing throughout the late '80s and mid-'90s for his performances in House 2: The Second Story (1987), The Couch Trip (1988), Coupe de Ville (1990), For the Boys (1991), and Hexed (1993). 1992's A Midnight Clear earned him particular acclaim for his role as a GI alongside Ethan Hawke and Gary Sinise. However, it wasn't until 1994, when Gross landed the part of good-hearted but somewhat hapless Adam on the award-winning sitcom Ellen, that he found prominent mainstream recognition. Gross continued to work in film during Ellen's four-year run -- in 1996, he was able to act with Kirsten Dunst and Nick Nolte in Keith Gordon's war-themed satire Mother Night, and during that same year, he played Tadpole opposite Tony Curtis in The Continued Adventures of Reptile Man and His Faithful Sidekick Tadpole. Several years later, critics praised Gross' performance as a metropolitan artist forced to return to his hometown in Montana in Big Eden. After appearing in Seven Girlfriends (2000) and Burning Down the House (2001), Gross played the ill-fated, would-be criminal Howard Marks in Steven Spielberg's Minority Report. In 2003, Gross could be seen in a recurring role on HBO's hit series Six Feet Under.

Trivia: Brooklyn-born Xander Berkeley made the rounds on numerous TV shows throughout the '80s, '90s, and 2000s, not just as an actor, but as a makeup artist. The actor has put his uncanny talent in the makeup department to use on the sets of many shows, like on 24, where he designed his own makeup to depict his character's affliction with radiation sickness.Berkeley got his start in show business in the early '80s, appearing on shows like Moonlighting, The A-Team, and M*A*S*H. He went on to appear in movies, as well, like The Rock and Apollo 13, but he frequently returned to the small screen for memorable roles like George Mason, head of the Counterterrorist Unit on 24, and Sheriff Roy Atwater on CSI. In the coming years, Berkeley would continue to find success on teh small screen, on shows like Nikita.

Trivia: Intimidation often looms large for a legendary director's son who wishes to follow in the footsteps of his famous parent; perhaps for this reason, more than a few opt to establish themselves in another field. For Danny Huston, however -- the scion of mythically revered, Academy Award-winning filmmaker John Huston -- it wasn't at all a question of intimidation, merely one of circumstance. After pursuing directorial work fervently and dauntlessly, but encountering mixed success and frustration about his own inability to get studio backing for projects, Danny Huston found himself being drawn, one assignment at a time, into bit roles before the camera. In the process, Huston inadvertently launched himself as one of the most respected character actors of the late 20th and early 21st centuries.Born May 14, 1962, in Rome, as the illegitimate child of John Huston and European actress Zoe Sallis (during the former's separation from his then-wife, the late Ricki Soma), Daniel Huston came of age in Ireland and London. He studied art and cinema as a young adult, often spending a considerable amount of time on his father's movie sets, and honed his skills in his early twenties not in the arena of directing (as might be expected), but in that of painting.Danny Huston's directorial assignments began inconspicuously, at the age of 24, with the 1987 made-for-television comic fantasies Bigfoot and Mr. Corbett's Ghost (the second of which featured John Huston in the cast). The elder Huston -- then riding on the tails of his mid-'80s comeback with Under the Volcano and Prizzi's Honor -- engineered Danny's premier A-list feature. For it, Danny signed to helm a cinematization of Thornton Wilder's picaresque fantasy novel Theophilus North, co-adapted by John Huston, Prizzi's Honor scribe Janet Roach, and James Costigan. The Hustons assembled a dream cast: Anthony Edwards, Lauren Bacall, Harry Dean Stanton, Mary Stuart Masterson, Anjelica Huston (Danny's half-sister), David Warner, and Virginia Madsen, who dated and then married Danny in the fall of 1989. Robert Mitchum replaced John Huston in a key role when he died during production. Mr. North stars Edwards as the title character, a Yale graduate who wheedles his way into the upper crust of Newport, RI, in 1926, thanks to an inherent surge of electricity in his body that enables him to relieve the ailments of locals and thus charm them irrepressibly.Unfortunately, Mr. North -- which took its stateside bows in early August 1988 -- received tepid and lackluster reviews. Perhaps for this reason, Huston found it difficult to lock down a follow-up. Within a decade, the assignments were few and far between, and he occasionally found himself directing embarrassing fare like the 1995 direct-to-video horror exploitationer The Maddening (where psychotic marrieds Burt Reynolds and Angie Dickinson trap a poor woman and her daughter in their home and torture them systematically), and waiting, ever so patiently, for additional projects to take shape. Huston's personal life also decrescendoed during the early '90s, given his separation and divorce from Madsen. With no other immediate options visible to him, Huston started accepting Hollywood friends' invitations to play on-camera bit roles -- and scored tremendous success in this arena to rival anything prior in his career. He debuted as a bartender in Mike Figgis' late-1995 critical smash Leaving Las Vegas, then followed it up with turns in such cause célèbres as Timecode (2000), 21 Grams (2003), Silver City (2004), and The Aviator (2004). Huston was particularly memorable as British agent Sandy Woodrow in Fernando Mereilles' The Constant Gardener (2005), and as sociopath Arthur Burns in John Hillcoat's ultraviolent Western The Proposition (2005). He would go on to appear in films like Robin Hood, Stolen, and on the series Magic City.

Trivia: A prolific film, television, and theater actress, Megan Follows became a TV star as Anne Shirley in Canadian television's adaptation of L.M. Montgomery's popular Anne of Green Gables books. Born in Toronto to two actors, Follows began acting on TV as a toddler. After she appeared in several Canadian features and shows, and made her American movie debut in Stephen King's Silver Bullet (1985), her performance as Montgomery's feisty redheaded orphan in the acclaimed 1985 miniseries Anne of Green Gables and the 1987 sequel Anne of Avonlea won her two Gemini awards and made her an international name. Supposedly putting her career-making turn as Anne behind her, Follows continued to act in plays and movies throughout the 1980s and early '90s, including TV movies Sin of Innocence (1986) with a young Dermot Mulroney, Inherit the Wind (1988), and Back to Hannibal: The Return of Tom Sawyer and Huck Finn (1990) (as a grown up Becky Thatcher). The versatile actress also played Anne of Green Gables co-star Colleen Dewhurst's daughter in the grim Canadian drama Termini Station (1991), and voiced the role of Clara in the animated feature The Nutcracker Prince (1990). Follows devoted the rest of the 1990s to starting a family, acting in Canadian TV movies and starring in the Canadian feature comedy Reluctant Angel (1997). She began the next decade, though, by reprising her most famous role (as a now fully adult, aspiring writer in New York) in Anne of Green Gables: The Continuing Story (2000).

Trivia: A talented character actor whose pudgy frame and adaptable face allows him to alternate between meek and imposing at the drop of a hat, Maury Chaykin endeared himself to television audiences as razor-sharp detective Nero Wolfe, though he has been appearing in film and television since the late '70s. Raised in Brooklyn, NY, Chaykin took a shine to acting while attending James Madison High School. Following his dream to the University of Buffalo, where he majored in theater, it was there that Chaykin would found The Swampfox Theater in 1968. An avant-garde troupe that became the talk of the town after crashing Toronto's Festival of Underground Theater in 1970, The Swampfox troupe would later gain accolades as the most original group at the Yale Drama Festival. Following such strong beginnings, it was clear to many that great things were in store for Chaykin. Spending a few years at North Buffalo's American Contemporary Theater following his college graduation, Chaykin would later move on to work in experimental theater in Toronto. Alternating frequently between television and film in his early years, small early roles in such popular films as 1983's WarGames insured the burgeoning actor increased visibility, and following roles in such high-profile fare as Mrs. Soffel (1983) and Turk 182! (1984), Chaykin made a lasting impression when promoted to leading-man status in 1985's Canada's Sweetheart: The Saga of Hal C. Banks. Flawlessly essaying the role of a Canadian union-leader who presided over the country's shipping industry in the 1950s and '60s, the film found Chaykin gaining near universal critical accolades in addition to winning a Nellie Award for his spot-on performance. Despite his success in the role of Banks, Chaykin rounded out the '80s with appearances in such schlocky films as Meatballs III (1987) and Iron Eagle II (1988), with only the occasional dark drama such as Cold Comfort (1989) offering the rare opportunity for him to truly shine. Things began to look up for Chaykin in the 1990s, and appearances in such acclaimed efforts as Dances With Wolves (1990) and My Cousin Vinny (1992) ensured that he would retain a high profile in the coming years. Though Chaykin's roles were far from top-billed, appearances in Sommersby (1993) and Devil in a Blue Dress (1995) served well to balance out forgettable turns in such efforts as Josh and S.A.M. (1993). In addition to an affecting turn as a faded rock star who attempts to create music that will allow him to communicate with nature in 1994's Whale Music, a haunting turn in the downbeat drama The Sweet Hereafter (1997) provided Chaykin with one of his most memorable roles of the decade. As the 1990s drew to a close, his turn as a biker inmate in the long-running HBO series Oz found a virtually unrecognizable Chaykin using his imposing frame to surprising effect. Rounding out the decade with roles in Entrapment and Mystery, Alaska (both 1999), it seemed that Chaykin was finally getting the recognition he deserved. At the dawn of the new millennium, television audiences began to warm up to Chaykin when A Nero Wolfe Mystery debuted in 2001. That same year Chaykin would take a memorable turn as a bumbling bureaucrat in director Jonathan Parker's Bartleby, and a dramatic role as a husband suffering after the tragic loss of a child in the made-for-television Crossed Over (2002) proved that he could alternate between mystery, comedy, and drama with unprecedented ease. In the following years, Chaykin could be spotted in substantial roles in such films as Owning Mahowney (2003) and Being Julia (2004).

Trivia: Born into a Polish Chicagoan family, blonde-haired and baby-faced actress Nina Siemaszko began life as Antonina Jadwiga Siemaszko in 1970. Though she initially harbored no definite plans to pursue acting professionally, Nina -- the sister of actor Casey Siemaszko (Stand by Me, Young Guns) --unexpectedly broke into show business by goofing off in front of her sibling's agent (and reportedly poking fun at Casey); it so impressed the agent that he signed her not long after. She landed her first significant role as the onscreen sister of teen heartthrob Corey Haim in 1988's License to Drive, then acted for the eminent Francis Ford Coppola in that helmer's 1988 pet project, Tucker: The Man and His Dream (as Preston Tucker's teenage daughter). For better or worse, Siemaszko subsequently had to endure a string of less-than-prestigious projects, including the 1992 softcore melodrama Wild Orchid 2: Two Shades of Blue (as the lascivious title character) and the 1994 telemovie Baby Brokers, as a sleazy con-woman who joins her husband in luring childless victims into a phony adoption scheme. Siemaszko took a massive step up (in prestige and visibility) with a key supporting role in the Rob Reiner/Aaron Sorkin comedy-drama The American President (1995), played Mona Ramsey in the acclaimed miniseries More Tales of the City (1998), and, around the middle of the following decade, played a recurring role as an amateur detective's (Kellie Martin) close friend, in the "Mystery Woman" series of telemovies. In 2008, Siemaszko signed on for a supporting turn in the teen-oriented shocker The Haunting of Molly Hartley. Siemaszko's resumé also includes guest spots on series such as Judging Amy, The West Wing, and Red Shoe Diaries (which reunited her with Orchid director Zalman King).

Trivia: His irises tremble violently as the camera fixes on his glassy gaze, and before you know it, you've once again been entranced by the character with whom you're unsure if you should fear or sympathize. With the rare ability to convey the delicate blend of conflicting emotions that only the most effective character actors can convincingly portray, actor Pruitt Taylor Vince has crafted a successful film and television career playing introspective, often disturbed, loners teetering on the fringes of society. Though the portly Baton Rouge native's first onscreen role was to have been in director Jim Jarmusch's 1986 comedy drama Down by Law, his scenes were cut before the film hit theaters, and audiences would not get their first look at Vince until the release of Alan Parker's Angel Heart the following year. Vince owes something of a debt to the prolific director, since it was Parker's racially charged drama Mississippi Burning that first found audiences taking notice of the burgeoning, sometimes fearsome, actor. In 1990, Vince turned up in yet another of Parker's films, Come See the Paradise, though it was that same year's horrific thriller Jacob's Ladder that truly found Vince setting himself apart from the pack. If the 1990s had proven kind to Vince early on, it was his emotionally compelling role opposite Paul Newman in Nobody's Fool that truly began to give audiences an idea of what Vince was capable of as an actor. Cast as the village idiot who finds a sympathetic ear in Newman's character, Vince lent an uncanny depth to a character that may have otherwise been an instantly forgettable, two-dimensional role. Though Vince's early roles were indeed noteworthy thanks to his uncommon ability to exude repression and deeply rooted malaise as few other actors could, it wasn't until director James Mangold's cast him in the lead for his 1995 drama Heavy that Vince was truly given the opportunity to shine. Mangold did something that few mainstream Hollywood efforts would allow when he dared to offer the overweight and balding actor the dramatic lead -- the role of Victor Modina, a shy cook in a small-town restaurant who secretly longs for the love of an attractive young waitress (portrayed by Liv Tyler). With his expressive eyes (their sometimes discomforting vibration the result of a condition known as nystagmus) effectively conveying the desperation of a trapped animal longing to escape his suffocating existence, Vince's heartbreaking performance eloquently conveyed the internal distress and helplessness felt by his long-suffering character. Though the following years may not have offered Vince more roles the size or caliber of his part in Heavy, a series of small-screen performances in the late '90s showed that his talent was, without question, as potent as ever. Following an unforgettable performance as a mentally unbalanced photographer who kidnaps Agent Scully (Gillian Anderson) in a 1996 episode of The X-Files ("Unruhe"), Vince's turn as a suspicious kidnapping suspect in the miniseries Night Sins and a disturbed serial killer in several episodes of Murder One proved that he could be chillingly effective in menacing roles. The latter role even proved so effective as to earn Vince an Emmy for Outstanding Guest Actor in a Drama Series. It was at this point that directors were truly beginning to discover the dramatic possibilities of casting Vince in their films, and his turn as a gifted musician and compelling storyteller proved a highlight of the wistful 1998 drama The Legend of 1900. Supporting performances in Mumford (1999), Nurse Betty (2000), The Cell (2000), and S1m0ne (2002) found Vince steadily becoming a recognizable face to mainstream audiences, and in 2002, he sent chills down the spines of suspense fanatics as the childlike accomplice in a harrowing kidnapping scheme in Trapped. Vince's skittishly ominous performance left viewers on the edge of their seats as he held a young girl (played by Dakota Fanning) hostage with instructions to kill her on a moment's notice, and the film utilized Vince's alternately innocent and threatening character to chilling effect. He again teamed with director Mangold for the 2003 thriller Identity, cast in a key role that proved elemental to the film's startling denouement. Vince also continued to take on guest-starring roles in such TV series as Alias and The Handler. After appearing in the 2003 Aileen Wuornos biopic Monster, Vince would play a priest in the 2004 comic-to-film adaptation of Hellblazer, entitled Constantine.

Trivia: Modeled from age 9 to 16. Minored in French in college. Trained with Ron Stetson for three years at the Neighborhood Playhouse School of the Theatre in New York. Landed her first major role as Lucinda Nicholson on the show Beverly Hills, 90210 in 1993. Did many of her own stunts for her physically demanding roles in Starship Troopers, Johnny Mnemonic and Dragonheart.

Trivia: No stranger to emotionally and psychologically challenging roles, Doug Savant broke through the fear barrier that separates many actors from achieving their full onscreen potential. In the process, he tackled many characterizations somewhat removed from himself. These included a sociopathic rapist (in the 1995 TV movie Fight for Justice: The Nancy Cohn Story), a gay social worker (Matt Fielding on the prime-time soap opera Melrose Place), and -- most prominently -- a businessman-turned-stay at home dad (Tom Scavo, on the domestic black comedy Desperate Housewives). The latter, of course, required less of a stretch for Savant; it was perhaps ironic, then, that the Scavo characterization (opposite actress Felicity Huffman) reeled in Savant's largest audience and virtually turned him into a household name. Savant's resumé also includes brief appearances in such features as Secret Admirer (1985), Teen Wolf (1985), The Hanoi Hilton (1987), and Godzilla (1998). His second wife is actress Laura Leighton, whom he met on the set of Melrose.

Trivia: Best known to small-screen devotees as sales representative Jim Halpert, the eternally patient, undeclared admirer of Pam Beesly (Jenna Fischer) on Greg Daniels' hit NBC sitcom/mockumentary The Office, Massachusetts native John Krasinski graduated from Rhode Island's Brown University in 2001 as an honors playwright, but quickly segued into acting. Within three years launched himself into films, predominantly with bit roles and supporting parts, but consistently echoing the promise that he would soon find himself among number-one box-office draws and Tinseltown heartthrobs. By 2006, in fact, People Magazine featured Krasinski in its "Sexiest Men" issue, a testament to the actor's rapidly growing recognition in the eyes of the public.Born October 20, 1979, Krasinski grew up and attended high school in Newton, an affluent western suburb of Boston. After receiving his degree from Brown, Krasinski studied at the National Theater Institute. 2004 marked the actor's "breakthrough year," with fleeting appearances in no less than four A-list productions. That year, he had bit parts as Ben in the American Zoetrope film Kinsey, a biopic of sex researcher Alfred Kinsey, directed by Bill Condon and starring Liam Neeson; Bob Flynn in Matt Mulhern's finely wrought (and underappreciated) alcoholism drama Duane Hopwood starring David Schwimmer; Messenger #3 in Tim Story's urban comedy Taxi, with Queen Latifah and Jimmy Fallon; and the British CG-animated fantasy Doogal (aka, The Magic Roundabout), which didn't find U.S. release until early 2006. The first two of these films were widely lauded sleepers, the last two critically despised (though they failed to hurt Krasinski's career, given the low profile of his involvement).The Office followed in 2005. Adapted by Daniels from a hit 2001 British series of the same title, the program -- a ratings bonanza on NBC -- stars Daily Show vet Steve Carell as Michael Scott, the tactless, vain, pushy, and loudmouthed (yet well-meaning) director of the Dunder-Mifflin paper company. While Carell's off-the-wall antics spiked the series with a never-ending source of hilarity, the gradually developing relationship between Krasinski's Jim and Fischer's Pam (two straight roles) brought the series weight and solicited interest from those viewers seeking deeper and more meaningful character development. Perhaps sensing this, Daniels opted to stretch their courtship at a snail's pace over the course of several seasons. Krasinski would appear in several movies even as The Office's success continued on the small screen, like Jarhead, The Holiday, For Your Consideration, License to Wed, Leatherheads, Away We Go, and Big Miracle. In 2015, he appeared in Cameron Crowe's Aloha and acted as executive producer on the highly-successful TV series Lip Sync Battle.

Trivia: Actress Lolita Davidovich made her flamboyant film debut by playing the notorious Louisiana stripper Blaze Starr who became the mistress of Governor Earl Long in Blaze (1988). With her voluptuous body (much of which was faked for the film--something Davidovich is not embarrassed to admit), bright red hair, and lively acting style, she accurately captured the qualities that made the real Blaze a living legend. Born of Yugoslavian parents, Davidovich was raised speaking Serbo-Croatian. When she was 10, her parents divorced and she stayed with her mother. Davidovich was determined to become an actress, and as a young woman moved to Chicago to take classes. There she found some stage work under the name Lolita David. She gradually began getting bit parts in feature films like Adventures In Babysitting (1987). It took six months of fiercely competitive auditioning to land the part of Blaze. A wide variety of subsequent roles have allowed her to spread her wings and demonstrate her considerable abilities. She co-starred with acting legends Lynn Redgrave and Ian McKellan for Gods and Monsters (1998), a showbiz drama that took home an Oscar for Best Screenplay. In 2004, Davidovich made several appearances on The L Word, a primetime drama from Showtime that focuses on gay and lesbian issues. Though a far cry from Gods and Monsters, Davidovich co-starred in September Dawn (2007) and Cinema Verite in 2011.

Trivia: Born January 18th, 1980, the first decade or so of Jason Segel's career as a Hollywood actor, he spent his time earning cult-favorite status -- beginning with the jet-black comedy Dead Man on Campus (1998), then the NBC comedy drama Freaks and Geeks (1999). Segel subsuquently achieved broader recognition for his long-running performance as Marshall on the beloved sitcom How I Met Your Mother. He also played Jason in the big-screen feature Knocked Up (2007), Judd Apatow's uproarious follow-up to The 40-Year-Old Virgin. Fresh off his success in Knocked Up, Segel parlayed his newfound wide-scale popularity into the ultimate chance to showcase his skills, writing and starring in the side splitting romantic comedy Forgetting Sarah Marshall (2008), alongside Kristen Bell, Mila Kunis, and Russell Brand.The massively succesful film also featured a supporting performance by funnyman Paul Rudd, who reteamed with Segal for 2009's buddy comedy I Love You, Man. Having found a niche with audiences, the actor next picked up another tonally similar comedy, appearing with Cameron Diaz in the sharp witted, hard-R rated Bad Teacher in 2011. Later that same year, Segal showcased his talents on both sides of the camera yet again, writing the script for a reboot of Jim Henson's beloved Muppets, and starring in the film alongside the furry stars as well. As Segal geared up for 2012, he signed on to star alongside Emily Blunt in the romantic comedy A Five Year Engagement.

Trivia: Of Franco-Spanish descent, American actor Reni Santoni began his show business career as a comedy writer. Santoni's big film break came when director Carl Reiner cast him in the leading role of aspiring thespian David Kolowitz (Reiner's blatantly obvious alter ego) in Enter Laughing (1967). Thereafter, Santoni could be seen in supporting parts in such films as Dead Men Don't Wear Plaid (1982, again directed by Carl Reiner), Brewster's Millions (1985), and Cobra (1986). He has also provided voice-over characterizations for crowd scenes in Rain Man (1988), Bright Lights, Big City (1988), and other films. Reni Santoni's weekly TV credits include the roles of lawyer Danny Paterno in Owen Marshall, Counselor at Law (1973-1974 season only) and police captain Nick Rivera in Manimal (1983).

Trivia: John Saxon never intentionally set out to be a Brando clone, but his resemblance to Marlon Brando was something he was born with, so what was there to do? A student of Stella Adler at the Actor's Studio, Saxon's first film was Running Wild (1955). Thanks to "hunk" assignments in films like The Restless Years (1957), The Reluctant Debutante (1958), and Summer Youth (1958), Saxon was briefly the object of many a teenage crush. He shed himself of his heartthrob image in the early '60s with a string of unsympathetic roles, making a leading man comeback of sorts as Bruce Lee's co-star in the immensely popular Enter the Dragon (1973). Fans could watch Saxon's expertise as an actor increase (and his hairline recede) during his three-year (1969-1972) stint as Dr. Ted Stuart on the NBC television series The Bold Ones. He later appeared as a semiregular on the prime-time TV soaper Dallas. In 1988, John Saxon made his directorial debut with the low-budget feature Death House.

Trivia: If you're a fan of movies, you've no doubt seen William Sadler's face countless times. With a versatile career that has spanned from long-haired, small-town rock star to banjo-plucking entertainer to Shakespearean actor to his role as Death in Bill and Ted's Bogus Journey (1991), William Sadler attacks all roles with equal gusto with his characters never ceasing to leave an impression on viewers, even if they can't recall the name of "that guy in that movie."Born in April of 1950 in Buffalo, NY, Sadler's imagination was fueled from a young age on his family's sprawling farm where he would pass the time with friends reenacting scenes from their favorite television and radio programs. Around the age of eight, Sadler's father's interest in music sparked a passion in the young boy as well with his father's gift of a ukulele. The two frequently performed at family functions together: Sadler Sr. on the guitar and Jr. on the uke. Later taking interest in a number of stringed instruments, after following in his father's footsteps and taking up the guitar, Sadler quickly learned that the mystique of the musician's life was difficult to resist. Forming a cover band with his Orchard Park High schoolmates, he began to gain popularity and a surprising amount of attention from the opposite sex. Armed with a banjo and a fistful of jokes, Sadler soon took on the persona of "Banjo Bill Sadler" for the school's annual variety show, and the result was an instant success. The students and teachers loved the performance, and English teacher Dan Larkin soon persuaded Sadler to audition for a role in Harvey, the senior play. Winning the lead and igniting a fire within the young performer, Sadler would soon follow his dreams and enroll in the drama program at State University College in Geneseo, NY. After spending two intense years in Cornell University's Fine Arts following his tenure at State University College, Sadler was finally prepared to be humbled in the grueling trials of the aspiring actor.Sadler took his first post-school role in Florida and soon relocated to Boston, moving in with his sister while scrubbing the floors of a lobster boat by day and cutting his acting chops at night. Slowly working up the nerve to take a shot at the big time in New York, a chance meeting with an old schoolmate on a trip into the city resulted in Sadler's casting in an off-off-Broadway production of Chekhov's Ivanov. After a brief turn at the Trinity Square Repertory Company in Providence, RI, Sadler moved back to New York and rented an apartment in the East Village, beginning a grueling 12 years in which he appeared in over 75 productions. It was here that Sadler would meet Marni Bakst, the woman who would soon become his wife, and a young actor named Matthew Broderick, in a Broadway production of Neil Simon's Biloxi Blues, who would kick-start Sadler's film career with a role in Project X (1987).After memorable turns in such films as Die Hard 2 (1990), Bill and Ted's Bogus Journey, and The Shawshank Redemption (1994), Sadler found himself becoming one of the most sought-after character actors working in Hollywood. His friendly demeanor and warm sense of humor standing in stark contrast to his usually villainous onscreen antics, Sadler has gained a reputation among actors as a helpful and good-natured craftsman, always willing to offer advise and assistance without being pushy or overbearing. Increasingly busy in both television and films in the latter '90s, Sadler gained widespread recognition with his film roles in Disturbing Behavior (1998) and The Green Mile (1999) and on television with his role as Sheriff Jim Valenti on Roswell.

Trivia: Longtime character actor Ray Wise is beloved by genre fans for his over-the-top roles in Swamp Thing, RoboCop, Twin Peaks (both the series and the feature), and Jeepers Creepers 2, yet one look at the actor's diverse filmography reveals that it's Wise's diverse body of small-screen work that has been his bread and butter throughout the years.As an adolescent, Wise became keenly aware of his love for acting, and displayed his ambition by appearing in as many plays as possible throughout high school. A college theater major who spent most of his summer breaks in summer stock, Wise was well and ready to enter the professional world after receiving his degree in 1970. As with many other aspiring actors, Wise was drawn to the bright lights of Broadway and New York City, landing a job on the soap opera Love of Life after being in town for only two weeks. During the six years that he was acting on Love of Life, Wise would moonlight with stage roles both on and off-Broadway in addition to dabbling in repertory theater. When Love of Life was canceled in 1976, it was time to expand into features with supporting roles in Swamp Thing and Cat People (both 1982). Throughout the 1980s, Wise appeared on some of the most popular series on television, including Dallas, Trapper John, M.D., Knots Landing, and Moonlighting -- occasionally returning for a recurring role. While his part in Paul Verhoeven's over-the-top sci-fi action flick RoboCop offered the busy actor a chance to truly explore his inner villain, it was another menacing role that would propel Wise's career in the 1990s.Cast as grieving father Leland Palmer in the surreal David Lynch series Twin Peaks, Wise captivated television viewers with his emotionally charged performance -- Palmer was a challenging character, and few actors could have brought him to life quite as effectively as Wise. In 1992, Wise reprised the role of Leland Palmer for the polarizing feature Twin Peaks: Fire Walk With Me, with subsequent performances in Bob Roberts and Powder, as well as on television in Star Trek: Voyager and Beverly Hills 90210, proving his highest-profile works of the decade. While by the year 2000 it appeared as if Wise had settled into a comfortable small-screen groove thanks to his numerous television credits, roles as a frightened father in the underappreciated, Twilight Zone-flavored frightener Dead End and a monster-fighting farmer in Jeepers Creepers 2 (which re-teamed him with Powder director Victor Salva) both gave genre fans cause to celebrate. In 2005, Wise took an affecting turn as communist witch-hunt victim Don Hollenbeck in director George Clooney's Oscar-nominated drama Good Night, and Good Luck, and the following year he had a recurring role as Vice President Hal Gardner in the hit Fox series 24. With additional small-screen roles in The Closer, CSI, Law & Order: SVU, and the supernatural series Reaper (on which he played the Devil himself) serving well to balance out feature work in Peaceful Warrior, Pandemic, and One Missed Call, it appeared that Wise remained as comfortable as ever fluctuating between work in film and television. He continued to work steadily on small and big-screen projects like Pandemic, One Missed Call, Crazy Eyes, Mad Men, and Tim and Eric's Billion Dollar Movie.

Trivia: An actress with the kind of versatile beauty that has allowed her to effortlessly alternate between earthy and glamorous roles, Veronica Cartwright's steel-blue eyes have a strange way of piercing through the screen and transcending their two-dimensional restraints. Having successfully made the transition from child actor to seasoned screen veteran, Cartwright continued a career which allowed her to explore roles that ran the gamut from straight drama to chilling horror. A native of Bristol, England, Cartwright's family emigrated to the United States when she was still very young. Following a series of modeling jobs and print ads, the aspiring actress became a familiar face to television viewers as the "Kellogg's Girl" in a series of breakfast cereal commercials. She made her screen debut in the 1958 war drama In Love and War, and, in the years that followed, alternated between film and TV work with roles in such features as The Children's Hour (1961) and The Birds (1963), in addition to a turn as Lumpy's sister on the small-screen classic Leave It to Beaver. From 1964-1968, the actress endeared herself to television viewers as Jemima Boone on the popular Daniel Boone series. Although the transition from adorable child star to serious adult actor has been a serious stumbling block for generations of young stars, Cartwright skillfully avoided this pitfall with a series of memorable roles in the 1970s. Playing opposite such heavies as Richard Dreyfuss in Inserts (1975) and Donald Sutherland in Invasion of the Body Snatchers (1978), Cartwright was well on her way to crafting an enduring film career. A role as the ill-fated navigator in the 1979 sci-fi horror classic Alien found her taking part in what would become one of the most lucrative and prolific franchises in cinema history, and a memorable performance in the 1983 space program drama The Right Stuff (in which she worked again with Body Snatchers director Philip Kaufman) helped to sustain her career through the '80s. Subsequent roles in Flight of the Navigator (1986) and Wisdom (1987) offered little in the way of dramatic depth, though Cartwright's winning performance in George Miller's The Witches of Eastwick (1987) found her nearly stealing the show from stars Cher, Susan Sarandon, and Michelle Pfeiffer. Despite the fact that Cartwright kicked off the '90s with a memorable turn in the popular weekly drama L.A. Law, the roles which followed were mostly comprised of thankless appearances in made-for-TV features and forgettable horror sequels. Although she remained busy, her parts just weren't as rich as they had been. Despite the dry spell, however, Cartwright was nominated for an Emmy for three memorable appearances in the popular small-screen chiller The X Files. The following decade found her edging back toward memorable film work with appearances in In the Bedroom (2001), Scary Movie 2 (2001), and Just Married (2003). After facing off against a cat-munching alien in the 2002 short Mackenheim, Cartwright essayed a substantial role in Richard Day's 2004 comedy Straight Jacket. She played the wife of famous sexual researcher Alfred Kinsey in the 2004 biopic of the man, and appeared in the 2007 sci-fi film The Invasion. In 2009 she returned to familiar ground with a part in the small-screen adaptation Eastwick, and she landed a major part in the 2011 thriller InSight.

Trivia: Displaying the kind of off-kilter charm that makes him a natural for leading roles in independent films and character parts in mainstream features, Liev Schreiber has made a name for himself on both circuits. Born October 4, 1967, in San Francisco, Schreiber was raised on New York's Lower East Side. A graduate of Hampshire College in Massachusetts, he initially wanted to become a writer, but later decided to try his hand at acting, training at both London's prestigious Royal Academy of Dramatic Arts and the Yale School of Drama.Schreiber's first acting job was on Broadway, where he appeared in In the Summer House. More theater work followed and in 1994, the actor made his film debut in the Steve Martin comedy Mixed Nuts. The film was an unequivocal flop, although Schreiber's role as a rather muscular transvestite proved to be one of the picture's few memorable features. His next project, the 1995 indie Denise Calls Up, fared a little better; despite almost non-existent box-office ratings, it was rewarded with critical approval. Following more minor film work, he landed the role of a British bouncer in the successful indie flick Party Girl (1995), which also starred nascent indie queen Parker Posey. Schreiber got an introduction to a more mainstream audience thanks to his role as killer Cotton Weary in Wes Craven's mega-hit Scream, a role he reprised in the film's sequel, Scream 2 (1997). The same year, Schreiber had leading roles in two more independent films, The Daytrippers (which again paired him with Posey) and Walking and Talking, as well as a secondary role in the bloated Mel Gibson thriller Ransom. Deftly straddling the divide between Sundance and the studio, Schreiber went on to make three major mainstream pictures in 1998: Phantoms, with Rose McGowan and Ben Affleck; Twilight with Susan Sarandon, Paul Newman, and Gene Hackman; and Sphere with Samuel L. Jackson, Sharon Stone, and Dustin Hoffman. The following year, Schreiber returned to more familiar territory with his role in Tony Goldwyn's small but successful drama A Walk on the Moon. As the man Diane Lane cuckolds for Viggo Mortensen, Schreiber mined endless possibilities from what could have been a narrow role, giving his character the sort of charming, good-intentioned inadequacy that became one of the actor's trademarks.In 2000, Schreiber returned to the role of Cotton Weary a third time to close out the Scream franchise. It was around this time that he also began doing a considerable amount of voice-over work, mainly for PBS's NOVA series. As the decade progressed, Schreiber continued to be a presence in bigger mainstream projects, such as the 2002 adaptation of Tom Clancy's The Sum of All Fears. Two years later, he could be seen in another high-profile, politically tinged thriller, this time opposite Denzel Washington in director Jonathan Demme's remake of The Manchurian Candidate.In 2005 he made his directorial and screenwriting debut with Everything Is Illuminated, and appeared in the critically acclaimed, Golden Globe-winning HBO movie Lackawanna Blues, a life-affirming film about a selfless black woman (played by S. Epatha Merkerson) in 1950s segregated New York who provides a home and a guiding hand to the youths who come to live at her boarding house. His 2006 project would be quite a departure from this sweet, poignant tale, as Schreiber took the role of Robert Thorne in John Moore's remake of the 1976 horror classic The Omen. Heavily publicized for its "666" release date (June 6th, 2006), the film pleased horror fans, as did Schreiber's performance as husband to Julia Stiles and father to the infamous Damien, a little boy who seems to harbor an evil that at best makes him disturbingly cold and at worst, places him at the crux of the devil's own plan for hell on Earth. Schreiber next went into production on The Painted Veil, an adaptation of the novel by W. Somerset Maugham. Playing the playboy whom Naomi Watts cuckolds her husband with, the actor immersed himself in the part for the drama. Meanwhile, a return to the stage in the lauded revival of Glengarry Glen Ross not only earned Schreiber a Tony award, and in 2005 he made his debut as a film director and screenwriter with the indie Everything Is Illuminated. Always up for new challenges, he played the role of the comic-book supervillain Sabertooth in the 2009 summer blockbuster X-Men Origins: Wolverine. In addition to his acting, Schreiber also has a lucrative career narrating documentaries and commercials.

Trivia: Like many actresses who've been typecast as airheads, Julie Hagerty is infinitely more intelligent than most of the characters she's played. After six years' worth of training in her hometown of Cincinnati and at Julliar!d, Hagerty pursued a modelling career in New York, continuing to take acting lessons under the tutelage of William Hickey. She then spent a few seasons playing a variety of roles at the Production Company, a Greenwich Village theatre troupe which she co-founded with her brother Michael. In 1980, she appeared in her first film, playing ditzy stewardess Elaine Dickinson in the disaster-flick lampoon Airplane!. The following year, she delivered a marvelous performance as the limited-intellect mistress of professorial Jose Ferrer in Woody Allen's A Midsummer Night's Sex Comedy (1982). A couple of inconsequential projects followed (including the inevitable Airplane! sequel) before Hagerty once more appeared in a worthwhile role in a worthwhile film: in 1985's Lost in America, Hagerty and Albert Brooks (who also directed) sparkled as a pair of starry-eyed yuppies who try to go the "Easy Rider" route. She was cast against type (and also appeared sans screen credit) as the mistress of Claus von Buhlow in Reversal of Fortune (1990). There have been several career ups and downs since: the most recent "up", if only on an artistic level, was the 1995 film The Wife. On television, Julie Hagerty starred as Tracy Dillon in the short-duration series Princesses (1991). Hagerty continued to remain active in film and television throughout the 2000s, though she wouldn't recapture her Airplane! success. Among her credits include Freddy Got Fingered, comedian Tom Green's notorious flop from 2001, and the comedies Just Friends (2005), Adam & Steve (2005), and She's the Man (2006). In 2009 she played a small supporting role in Confessions of a Shopaholic, a romantic comedy based on Sophie Kinsella's novel of the same name.

Trivia: Prolific character actor John Hawkes earned a new level of recognition with his role as Bugsy, the slow-witted fisherman who provides Wolfgang Petersen's The Perfect Storm (2000) with a degree of comic relief. Hailing from Austin, TX, Hawkes, who bears a vague resemblance to Tom Selleck, began his career as an actor and musician. After relocating to Los Angeles, where he moved to do further stage work, the actor wrote and performed Nimrod Soul, a one-man show staged at the Theatre at the Improv. He subsequently found work on television and broke into film in the late '80s. In addition to doing supporting turns in a large variety of films, including Flesh and Bone (1993), From Dusk Till Dawn (1996), and I Still Know What You Did Last Summer (1998), Hawkes also did guest work on such long-running TV shows as E.R. and The X-Files. In 1999, he was cast in one of his first leading roles in A Slipping-Down Life, a well-received big screen adaptation of Anne Tyler's novel of the same name that also starred Lili Taylor and Guy Pearce. With his casting the following year in The Perfect Storm, a summer smash that featured him acting alongside the likes of George Clooney, Mark Wahlberg, and John C. Reilly, it seemed that Hawkes' career was entering a new and possibly more lucrative phase. Over the next several years, he would appear in a number of films, like Identity, Miami Vice, American Gangster, Winter's Bone, and Higher Ground.

Trivia: Blonde actress/model Tippi Hedren lists the year of her birth as 1935, which means that she would have been 14 or 15 when she appeared fleetingly in her first film, The Petty Girl (1950). Hedren did not resurface on the movie scene again until 1963, when she was "discovered" by Alfred Hitchcock. The official story is that Hitchcock wanted to mold Hedren into a new Grace Kelly; rumors persist that his interest in the actress went way beyond professional, and that he made a few clumsy advances towards her on the set. Whatever the case, Hedren starred in Hitchcock's The Birds (1963) and Marnie (1964). She was criticized for being too impassive in the former film and too expressive in the latter, though it isn't fair to pick on her for the shortcomings of the script and direction. Hedren was under contract not to Hitchcock but to his home studio of Universal; thus, she was obliged to appear in a 1963 Kraft Suspense Theatre episode and in director Charlie Chaplin's A Countess from Hong Kong (1967), acquitting herself nicely in both instances. She curtailed her film appearances in the late 1960s when she married her second husband, Noel Marshall. The Marshalls then proceeded to pour 11 years' work (and $17 million!) into Roar (1981), a film based on their own real-life efforts on behalf of the African wildlife preservation movement. Even three decades after the fact, Hedren can't quite shake her earlier relationship with Alfred Hitchcock: she played a murder victim in the 1990 TV remake of Hitchcock's Shadow of a Doubt, and starred in the made-for-cable The Birds II: Land's End (1994). Hedren remained active in small film and television roles throughout the 2000s, and appeared in the well-received documentaries The Elephant in the Living Room and Carol Channing: Larger Than Life in 2011. Hedren co-starred with Jess Weixler and Jesse Eisenberg in Free Samples (2012), an independent comedy following a cynical law-student whose brief stint driving an ice cream truck marks a very important transition in her life. Tippi Hedren is the mother of actress Melanie Griffith.

Trivia: Like many African-American actors of the '60s, Ji-Tu Cumbuka unfortunately found the demand for his services limited until black performers became "fashionable." Active in films since 1967, Cumbuka appeared in such productions as Uptight (1968), Mandingo (1975), Bound for Glory (1976), Fun with Dick and Jane (1977) and Brewster's Millions (1985). The actor also did plenty of TV, including the 1977 miniseries Roots (as "The Wrestler") and the unsold 1979 pilot for Mandrake the Magician, wherein he played Mandrake's muscular assistant Lothar. Among the "sold" TV series featuring Ji-Tu Cumbuka were Young Dan'l Boone (1977) and Robert Conrad's A Man Called Sloane (1979). Cumbuka died in 2017, at age 77.