Trivia: Launching his career as a standup comic, American performer Richard Belzer entered the 1970s as a member of an odd New York-based comedy troupe called Channel One. Anticipating the home video explosion by over a decade, Channel One staged satirical, scatological routines lampooning the banalities of television -- and staged them in front of TV cameras, which transmitted the routines to little TV monitors, which in turn were watched by the live audience. Some of the best sketches were assembled into an X-rated comedy feature, The Groove Tube (1970), which featured Belzer, Ken Shapiro, and a brash newcomer named Chevy Chase. For the next decade, Belzer played the comedy-club circuit, popped up as a talkshow guest, and appeared in occasional films like Fame (1982). He joined still another comedy troupe in 1983, which appeared nightly on the syndicated interview program Thicke of the Night. The host was Allan Thicke, and Belzer's comic cohorts included such incipient stars as Charles Fleischer, Chloe Webb and Gilbert Gottfried. Thicke of the Night was one of the more notorious bombs of the 1983-84 season, but it enabled Belzer to secure better guest-star bookings, and ultimately a hosting job on his own program, debuting in 1986 over the Lifetime Cable Service. It was on this series that wrestler Hulk Hogan, demonstrating a stranglehold on Belzer caused the host to lose consciousness -- which prompted a highly publicized lawsuit instigated by Belzer against the Hulkster. In the early 1990s, Richard Belzer could be seen as a non-comic regular on the TV series Homicide. His Homicide character, John Munch, would become one of the longest-running fictional creations on TV appearing in more than a half-dozen other television shows, most notably Law & Order: Special Victims Unit.

Trivia: Black supporting actor, onscreen from the '80s.

Trivia: Gaining notice in the early '90s for his Emmy-winning portrayal of Detective Francis Xavier "Frank" Pembleton on the popular television police drama Homicide: Life on the Street, tireless Chicago native Andre Braugher remained with the show through 1998 while simultaneously building a feature career with roles in such theatrical releases as Primal Fear (1996) and City of Angels (1998). A graduate of Stanford University who also received a M.F.A. from the prestigious Juilliard School, Braugher claims to have originally taken up acting to meet girls. He later changed his major after realizing his true calling during a production of Hamlet, and his first professional role came in a performance at the Berkley Shakespeare Festival. Making the leap from stage to screen with the 1989 civil war drama Glory proved an eye opening experience, and following numerous appearances as Detective Winston Blake in a series of made-for-TV Kojak features, Braugher held onto his badge by joining the cast of Homicide in 1993. Later alternating successfully between film and television, Braugher was voted one of the "50 Most Beautiful" people in a 1997 issue of People magazine; the following year, the handsome actor turned down a prominent role in the sci-fi drama Sphere in order to spend more time with his family. Jumping back into features in 2000, roles in Frequency, Duets and A Better Way to Die proved that Braugher was still in top form, and, in 2002, he turned back to the small screen with the made-for-TV feature Hack (and later reprised his role when the feature was turned into a weekly series). Following a role in the made-for-TV feature A Soldier's Girl (2002), Braugher joined the cast of the television remake of the Stephen King vampire chiller Salem's Lot (2004), then returned to television - and changed camps to tap into the underground element - on the weekly crime drama Thief. As Nick Atwater, one of the most genial and principled of all television criminals (!), Braugher evoked an unusual ethical balance in his character and tapped into the fence's deep-seated devotion to his family, even as he drummed up a fiery intensity from episode to episode. Successive years found the actor moving into supporting roles in Hollywood A-listers with a heightened emphasis on effects-heavy action, adventure and fantasy-themed material; projects included Poseidon (2006), Fantastic Four: Rise of the Silver Surfer (2007) and Stephen King's The Mist (2007).Braugher would star in the TV mini-series The Andromeda Strain in 2008, before taking on a role in the cult favorite comedy series Men of a Certain Age from 2009-2011. He would also enjoy a recurring role on House M.D., and play a memorable supporting role in the Angelina Jolie action flick Salt.

Trivia: Pleasant-looking and genial American character player Reed Diamond delivered a number of early performances prior to his first major assignment -- as Detective Mike Kellerman on the series Homicide: Life on the Street. Diamond carried the role from 1995 through 1998, and reprised it in Jean de Segonzac's 2000 feature Homicide: The Movie. After essaying the Lloyd Bridges role in that same year's telemovie remake of High Noon, Diamond then branched off into cinematic work. He was memorable as John Aaron in George Clooney's Edward R. Murrow biopic Good Night, and Good Luck., and lent supporting roles to the horror picture The Darkroom (2006) and the thriller Adrenaline (2007). Diamond continued to work on the small screen as well, playing Stuart Collins for many episodes of Judging Amy and appearing in episodes of such popular series as CSI, Law & Order, The West Wing, and Ghost Whisperer. In 2007, he scored a regular role on the short-lived sci-fi drama Journeyman, as Jack Vassar, the brother of main character Dan Vasser (Kevin McKidd). He also appeared in the first season of Joss Whedon's short-lived series Dollhouse in 2009, and the next year he landed a recurring part on the 8th season of the FOX action series 24. He returned to the big screen in 2011 playing Mark Shapiro in Moneyball, and returned to the Whedonverse with a role in the director's 2012 adaptation of Shakespeare's Much Ado About Nothing.

Trivia: Character actor Max Perlich spent many years playing bit parts on television and in teen films such as Can't Buy Me Love (1987) and Lost Angels (1989); his roles usually were of the slacker or juvenile delinquent variety. As he outgrew the teen genre, his later performances, although still minor, were distinguished by eccentricity and twitchy, nervous energy, fully realized in the film Drugstore Cowboy. He has excelled in supporting roles in films such as Rush (1991) and Georgia (1995). Along with his continuing work in films, he has had recurring roles in television shows such as Homicide: Life on the Streets (1997) and Buffy the Vampire Slayer (1998).

Trivia: African American actor Yaphet Kotto was one of the most prominent beneficiaries of the upsurge in black-oriented theatrical pieces of the late 1950s; he appeared in many prestigious Broadway and off-Broadway productions, taking regional theatre work rather than accept stereotypical "mainstream" roles in movies and TV. Kotto's first film was Nothing But a Man (1964), an independently produced study of black pride in the face of white indifference. Though he vehemently steered clear of most of the '70s blaxploitation fare, in 1972, Kotto produced, directed and wrote the feature film Speed Limit 65 (aka The Limit and Time Limit), a one-of-a-kind "black biker" film. The biggest production with which Kotto was associated in the early 1970s was the James Bond film Live and Let Die, in which, as the villainous Mr. Big, he was blown up in the final scene (a similarly grisly fate awaited Kotto in 1979's Alien). On television, Yaphet Kotto was a regular on the TV series For Love and Honor (1983) and Homicide: Life on the Streets (1992), and was seen as Ugandan president Idi Amin in the 1977 TV movie Raid on Entebbe.

Trivia: After supporting roles in a handful of small films and a short stint on the soap opera All My Children, New York-born Melissa Leo gained prominence on the critically-acclaimed Barry Levinson-produced television drama Homicide: Life on the Streets. After leaving the show in 1997, Leo continued to appear in a range of features, including 1999's 24 Hour Woman. But it was her role as Benicio Del Toro's wife in 2003's 21 Grams that gave Leo her first exposure to a wide moviegoing audience. The performance also won her recognition from the L.A. Film Critics Association, who named Leo the runner-up for the Best Supporting Actress honor.Leo continued to work steadily in a series of independent films including American Gun, The Three Burials of Melquiades Estrada, and Stephanie Daley. In 2008 she landed the lead role in Courtney Hunt's debut feature Frozen River. As a financially strapped woman who turns to human-trafficking in order to earn a living, Leo earned thunderous critical praise as well as Best Actress nominations from both the Screen Actors Guild, and the Academy.Frozen River led her to steady work un a variety of projects, but it was as the matriarch of the boxing brothers in The Fighter that Leo had the biggest success of her career capturing numerous year-end critics awards as well as the Oscar for Best Supporting Actress. In the years after that she appeared in works as diverse as the remake of Mildred Pierce for HBO, and Kevin Smith's Red State.

Trivia: Lead actor, onscreen from the late '80s.

Trivia: A self-described B-movie actor, Bruce Campbell can claim to have scaled the casualty-littered mountain of cult movie stardom. First attaining more notoriety than fame for his performance in Sam Raimi's The Evil Dead (1983), which he also executive produced, Campbell went on to star in that movie's two sequels and a number of other schlock-tastic films. He has also occasionally ventured into more reputable territory, thanks to such films as the Coen brothers' The Hudsucker Proxy (1994).Hailing from Royal Oak, MI, where he was born June 22, 1958, Campbell attended Western Michigan University. When he was only 21, he and two of his Detroit friends, Sam Raimi and Rob Tapert, scraped together 350,000 dollars to make a low-budget horror film. The result, completed piecemeal over four years, was The Evil Dead, an exuberantly awful piece of filmmaking that featured Campbell as its demon-battling hero. The film first earned notoriety in England, and after being personally endorsed by author Stephen King when it was screened at Cannes, it was eventually released in the U.S. in 1983.The Evil Dead II: Dead By Dawn followed in 1987, and the third installment in the series, Army of Darkness, was released in 1992. Both were enthusiastically embraced by fans of the series and less so by critics, but one thing that impressed both groups was Campbell's work in both films, thanks in part to his uncanny ability to make it through an entire performance without blinking once.In addition to the Evil Dead films, Campbell has acted in a number of other low-budget films, and, in the case of the Coens' The Hudsucker Proxy and a blink-and-you-miss-it cameo in Fargo (1996), a handful of fairly respectable projects as well. He has also acted frequently on television, most notably in the weekly Western The Adventures of Brisco County, Jr. and Jack of all Trades. In 2001 Campbell made his literary debut with If Chins Could Kill: Confessions of a B-Movie Actor. A humorously detailed account of his rise to B-movie stardom, If Chins Could Kill detailed, among other things, Campbell's uniquely diverse fanbase as well as his relationship with longtime friend and frequent collaborator Sam Raimi. When fans embraced the freewheeling semi-autobiography with more zeal than even Campbell himself may have anticipated, a succesful speaking tour was soon followed by a sophomore novel, the satirical Make Love the Bruce Campbell Way. A highly fictionalized look at what it may be like for Campbell to land a substantial role in a high-profile Hollywood production, Make Love the Bruce Campbell way found the sarcastic B-movie idol hobnobbing with co-star Richard Gere and offering directorial advice to veteran director Mike Nichols. Yet Campbell was hardly one to forget where his bread was truly buttered, and following his brief literary detour, it was time to head back to the big screen for a pair of memorable cameos in pal Raimi's Spider-Man and Spider-Man 2, the longtime actor and emerging producer was finally ready to make his feature directorial debut with the outlandish sci-fi comedy The Man with the Screaming Brain. Despite helming the occasional Xena and Hewrcules episode, Campbell had yet to tackle feature films and when the opportunity arose to direct a script that he himself had written, everything just seemed to fall into place. Though the critics weren't so kind, fans were more than willing to indulge as their favorite film and television star finally got a chance to shine on his own. After voicing his most famous character in a pair of Evil Dead videogames, it was finally time for Campbell to return to the role of Ash on the big screen - albiet in a decidedly meta-manner - when he stepped into the role of an actor named Bruce Campbell who is mistaken for the demon-slayer that he played in the movies and forced to to battle with the legions of hell in the 2006 horror comedy They Call Me Bruce; a film that also afforded Campbell his sophomore feature directorial credit. That same year, Campbell would also team with May director Lucky McKee for the chilling horror film The Woods. Campbell found television success in the role of a good natured ex-Navy Seal on Burn Notice beginning in 2007, and lent his voice to animated features including Cloudy with a Chance of Meatballs and Cars 2. Campbell reunited with Raimi for Oz the Great and Powerful (2013), and helped produce the 2013 revamp of The Evil Dead.