Trivia: When he began signing for cinematic parts, British lead Eddie Redmayne took full advantage of his sweet, open-faced, and congenial appearance, ironically selecting a series of roles that required him to project an undercurrent of intransigent, occasionally pathological emotional extremity blanketed by a cover of innocence. He made his first significant mark in 2006 with two such psychologically demanding roles: that of Alex Forbes, a young murderer cracking under the weight of a severely dysfunctional friendship with his second victim and his own father's mistreatment in the psychological thriller Murderous Intent; and that of Edward Wilson Jr., a CIA suit's son reeling from his father's emotional removal in Robert De Niro's ambitious period drama The Good Shepherd. In 2007, Redmayne waxed equally intense as a young homosexual who commits rueful matricide in Tom Kalin's Savage Grace, and -- on a slightly different note -- donned period costume for a small role in Shekhar Kapur's Elizabeth: The Golden Age. He stayed in his Tudor garb for a small role as Mary Boleyn's husband in The Other Boleyn Girl. In 2011, he played future filmmaker Colin Clark in My Week With Marilyn, chronicling Clark's time as a production assistant on the set of the 1957 film The Prince and the Showgirl. Redmayne next showcased his singing voice as revolutionary Marius in 2012's Les Miserables. He followed that up with a star-making turn playing theoretical physicist Stephen Hawking in The Theory of Everything (2014), a part that earned him an Academy Award for Best Actor. Redmayne had similar success the following year, nabbing another Academy Award nomination for The Danish Girl.

Trivia: As semi-reformed bad girl Jennifer Lindley on Dawson's Creek, actress Michelle Williams garnered a certain type of notoriety unavailable to her more morality-inclined co-stars. In spite of this notoriety--or perhaps because of it--the role provided Williams with a wealth of opportunities, making her one of the foremost teen stars of the late 1990s. Born September 9, 1980 in small-town Kalispell, Montana and raised there until she was ten, Williams started acting after her family moved to San Diego. Beginning with roles in community theatre productions, she was soon shuttling back and forth to Los Angeles for auditions. Williams made her film debut in 1994 with Lassie, and then had a small but memorable part as the young version of the nubile and bloodthirsty alien in Species (1995). After the dismal and virtually unseen Timemaster (1995), Williams moved on to more auspicious fare with Jocelyn Moorhouse's A Thousand Acres (1997). Williams was cast as Michelle Pfeiffer's daughter, and the film's small-town setting must have given her some context for her next role, that of Jenn in Dawson's Creek. The show, which premiered in January of 1998, gave Williams her break-out role, and in short time she was besieged with movie offers and a stream of interviews.Williams' first film to exploit her newfound Dawson's fame was Halloween: H2O (1998), in which she starred opposite Jamie Lee Curtis. The film opened to poor reviews but a strong box office performance, and paved the way for her to star in future films, including 1999's thoroughly weird political satire Dick. The film, which looks at the Watergate scandal from the point of view of two teenage girls (played by Williams and Kirsten Dunst), provided Williams with a chance to expand her range beyond the constraints of her Dawson's Creek character. As the new millennium began, Williams found herself more and more comfortable exploring independent film, participating in smaller but often extremely influential projects like Perfume (2001), The Station Agent (2003) and Prozac Nation (2003). In 2005, Williams signed on to appear in the groundbreaking Ang Lee film Brokeback Mountain. The critical acclaim surrounding the movie was overwhelming, bringing Williams a new level of notoriety. Her popularity was also bolstered when the public learned that she and costar Heath Ledger had become involved during filming. The two became engaged and had a daughter together, Matilda, in 2005, and though they would later separate in 2007, they remained close for the well being of their daughter. Tragically, Ledger was found dead of an accidental overdose the following year. The heartbreaking loss for both Williams and her daughter forced the actress to deal with additional public scrutiny at a time when she was most vulnerable, but she coped with the grief as best she could, by investing more energy in her work. In 2008 alone she would appear in numerous films, including the drama Incendiary with Ewan McGregor and the highly anticipated Charlie Kaufman directorial debut Synecdoche, New York.Williams persisted in working with very good directors, as well as indie helmers who could offer her challenging work. She earned strong reviews for her starring role in Kelly Reichardt's Wendy and Lucy, and they worked together again on the western Meek's Cutoff. In addition, she worked with Martin Scorsese in his adaptation of Shutter Island.She also continued to earn awards for a steady string of impressive work including Blue Valentine, where her work as the female half of a failing marriage scored her Oscar, Golden Globe, and Independent Spirit nominations for Best Actress. Then in 2011 she took on the challenge of playing Marilyn Monroe in My Week With Marilyn, and was rewarded with rave reviews as well as Oscar, BAFTA, Golden Globe, and Screen Actors Guild nominations for Best Actress.

Trivia: Perhaps the best-known Shakespeare interpreter of the late 20th century, Kenneth Branagh began his career in a golden haze of critical exultation. First a star pupil at the Royal Academy of Dramatic Arts (one of Britain's most prestigious drama schools), then a promising newcomer on the London stage, then hailed as "the next Olivier" for his 1989 screen adaptation of Henry V, Branagh could, for a long time, do no wrong. Unfortunately, a string of bad luck, catalyzed by his disastrous Mary Shelley's Frankenstein in 1994, began to tarnish the halo that had hovered above the actor/director's head. His lavish, four-hour Hamlet in 1996, however, did much to further his status as a man who knew his Bard, helping to alleviate some of the disappointments that both preceded and came after it.Although his accent suggests otherwise, Branagh originally hails from Northern Ireland, not England. Born in Belfast December 10, 1960, to a working-class family, he was raised in the strife-ridden section of the country until he was nine. Leaving Belfast to escape its troubles, his family relocated to Reading, England, where Branagh spent the remainder of his childhood and adolescence. By turns bookish and athletic -- and assuming an English accent at school while remaining Irish at home -- Branagh became interested in acting at the age of 15, after seeing Derek Jacobi perform Hamlet (the two would later collaborate numerous times both in film and on the stage). Immersing himself in all things theatrical, Branagh was accepted at the Royal Academy of Dramatic Arts (RADA) in London when he was 18.For Branagh, RADA formed the beginning of a brilliant career. The young actor drew repeated acclaim, particularly for his titular performance in a production of Hamlet, and won the school's coveted Bancroft Award for his work. After graduation, he went on to further success on the West End stage, where he starred opposite Rupert Everett in a 1982 production of Another Country. For his portrayal of a conflicted schoolboy, the actor won the Society of West End Theatres' Most Promising Newcomer Award. The following year, he further ascended his adopted country's theatrical ranks, securing a coveted membership in the Royal Shakespeare Company. Branagh continued to enjoy almost consistent critical appreciation during his tenure with the company, garnering particular praise for his lead performance in a production of Henry V. He became increasingly unhappy, however, with the RSC's bureaucratic organization and stuffiness and, in 1987, quit to form the Renaissance Theatre Company with his friend David Parfitt. The idea for the company came to Branagh while he was making the acclaimed Masterpiece Theatre adaptation of Fortunes of War in 1987. That production was one of many he did for television during his time with the RSC, and it was during that period that he met Emma Thompson, whom he married in 1989 and cast in almost all his films until their 1995 divorce.Although Renaissance struggled at first -- its premiere effort, a production of Public Enemy, met with across-the-board disapproval -- it gained a reputation for quality work, and soon counted such vaunted performers as Judi Dench, Richard Briers, and Derek Jacobi among its ranks, many of whom were later cast in Branagh's directorial debut, Henry V. The 1989 film, a sober, mud-saturated affair that served as a stark contrast to Olivier's 1944 version (which was intended to boost England's national pride), brought Branagh international acclaim and recognition. He was soon being hailed by many a publication as "the next Olivier," a title which he repeatedly stated made him uncomfortable. The next Olivier or not, Branagh was nominated for Best Director and Best Actor Oscars for his work, and went on to win other honors, including British Academy and National Board of Review Best Director awards.Riding high on this success, Branagh rather cheekily published his autobiography, Beginning, at the advanced age of 28. Although it was labeled a little premature and more than a little ego-driven, the book further played into his mystique, which was heightened in 1991 with his Hollywood debut. That year, he directed and starred opposite Thompson in Dead Again, a stylish, Hitchcock-inspired romantic thriller. The film was both a critical and commercial success, and the two were soon being labeled "the royal couple of British cinema." Branagh's next effort, the 1992 ensemble comedy Peter's Friends, was of comparatively lackluster character. Starring Branagh, Thompson, co-writer Rita Rudner, and comedians Stephen Fry and Hugh Laurie, it received some positive reviews, but was largely regarded as a disappointment. Fortunately for Branagh, he had better luck that year with the Bard, turning out a sun-soaked, giddy adaptation of Much Ado About Nothing, which found favor with audiences and critics alike. That same year, he garnered additional acclaim, directing the short film Swan Song and winning an Best Live Action Short Academy Award nomination for his work.Things began to go badly in 1994 with Mary Shelley's Frankenstein, which Branagh both directed and cast himself as the mad doctor. Winning a dubious honor as one of the year's worst movies, Frankenstein had many doubting the director's hitherto golden touch. An adaptation of Othello the following year, in which Branagh was cast as Iago in Oliver Parker's directorial debut, received a similarly lackluster reception. Branagh's other film that year, In the Bleak Midwinter, went largely unseen, though he bounced back to a degree the following year with his all-star, uncut, 1996 adaptation of Hamlet. Clocking in at four hours and featuring a peroxided Branagh as the Danish prince, Julie Christie as Gertrude, Kate Winslet as Ophelia, Derek Jacobi as Claudius, and such actors as Robin Williams, Charlton Heston, and Jack Lemmon in other roles, it was hardcore Shakespeare for the masses. Although many potential audience members were scared off by the film's length, it won a number of positive reviews, and Branagh garnered a Best Adapted Screenplay Oscar nomination.Unfortunately, Branagh's subsequent efforts met with either disdain or indifference. Falling into the latter category were The Proposition, The Theory of Flight, and Robert Altman's The Gingerbread Man, which cast him as, respectively, a priest, an eccentric inventor, and a philandering Southern lawyer. Woody Allen's Celebrity settled thornily into the former category, with Branagh earning almost unanimous critical scorn for his portrayal of the film's neurotic, Allen-esque protagonist. Many critics noted that he seemed to be trying to out-Allen Allen, with unfortunate results. In 1999, Branagh embraced a dastardly, camp sensibility to play the villain in the big-budget Western fantasy Wild Wild West. He did manage to win some of the only positive comments that critics had for the film. Off the screen, he was still keeping busy with Shakespeare, adapting Love's Labour's Lost into a perplexing, '30s-style musical featuring the likes of Alicia Silverstone, Matthew Lillard, and Nathan Lane. A variety of leading roles in better-received features followed in 2002, however, including Harry Potter and the Chamber of Secrets, Rabbit-Proof Fence, and the TV miniseries Shackleton.Branagh continued his highly-respected stage career, even though his movie work contained duds like the remake of Sleuth, though he did find success on the small screen playing a detective in the series Wallander.In 2011 Branagh enjoyed his biggest popular and critics success in quite some time, scoring a worldwide smash as the director of the Marvel Superhero movie Thor, and earned raves for his portrayal of Laurence Olivier in My Week With Marilyn, a part that garnered him Oscar, BAFTA, Golden Globe, and Screen Actors Guild nominations for Best Supporting Actor.

Trivia: Dark and dashing in the tradition of his fellow countryman Sean Connery, Scottish actor Dougray Scott first reached American multiplex masses in 1998's Ever After, in which he starred as Drew Barrymore's fairy tale prince. Born in Fife on November 25, 1965, Scott was raised in a family of non-actors. His own interest in acting was routinely discouraged by various schoolteachers, but after graduating from the high school he attended in the small town of Glenrothes, he trained at the Welsh College of Music and Drama, where he was named "most promising student." After beginning his professional career on the stage, Scott got his first significant break in 1995 when he was cast on the popular British TV series Soldier, Soldier. He then won a measure of notoriety for his role as a thoroughly corrupt Welsh cop in Kevin Allen's Twin Town (1997), a black comedy that was a sleeper hit throughout Britain. Scott's work in the film also caught the attention of certain Hollywood casting directors, who chose him for his plum role in Ever After (1998). After returning to Scotland to portray a corrupt businessman in Gregory's Two Girls, the disappointing sequel to Bill Forsyth's Gregory's Girl, the actor appeared as part of a strong ensemble cast in the small British film This Year's Love, which cast him as a womanizing artist. Having proven himself adept at portraying morally questionable characters, Scott gave villainy another go in John Woo's Mission: Impossible II, in which he starred as a former IMF agent gone bad.

Trivia: British actress Julia Ormond had several solid years of stage work to her credit -- not to mention the starring role in the made-for-cable Catherine the Great biography Young Catherine (1991) -- when, at 27, she co-starred in the expensive HBO biopic Stalin (1992). Most of the publicity guns were aimed at Robert Duvall's heavily accented portrayal of the Soviet dictator, but at least one observer singled out Ormond's performance as the long-suffering Mrs. Stalin as one of the highlights of the picture. That observer was director Edward Zwick, then preparing his own big-budget theatrical feature Legends of the Fall. Thanks to her excellent showing in the formidable company of Fall co-stars Anthony Hopkins, Brad Pitt, Aidan Quinn, and Henry Thomas, Ormond found herself, on the verge of 30, as Hollywood's ingénue du jour. Born in Epsom, Surrey, on January 4, 1965, Ormond was a child when her parents, a businessman and a laboratory technician, divorced. A self-admitted tomboy who excelled at field hockey, she became involved with the theater in school plays, and, following a stint at art school (both of her grandparents were abstract artists), she studied drama at London's Webber-Douglas Academy of Dramatic Arts. Following graduation, she landed her first professional work in TV commercials, and then acted in a series of plays until she had her breakthrough with Catherine the Great.Before 1995, her Hollywood breakthrough year, was over, the graceful, silken-haired Ormond had played Guinevere opposite Sean Connery's King Arthur in First Knight and had been cast in the title role of Sydney Pollack's ill-advised remake of Sabrina. When asked by Premiere magazine what her future plans were, Ormond replied, "Along with Godzilla and the rest of the acting community, I'd like to direct." But although she did set up her own production company, the actress opted to stick with working in front of the camera, starring in Bille August's much-publicized filmization of Peter Hoeg's best-selling Smilla's Sense of Snow (1997). Unfortunately, the film proved to be a virtual nonentity both at the box office and amongst critics, and Ormond disappeared from the radars for a couple of years, only popping up to star in Nikita Mikhalkov's Sibirsky Tsiryulnik (1999). In 2000, she reemerged in front of Hollywood cameras alongside Vince Vaughn in Prime Gig, a drama about the life, loves, and losses of a California telemarketer. She was interviewed for the documentary Searching for Debra Winger over the next few years she did show up in diverse productions ranging from David Lynch's Inland Empire to the failed thriller I Know Who Killed Me. In 2008 she was the mother in Kit Kittredge: An American Girl, and appeared in the sprawling biopic Che. Two years later she was in the award-winning TV movie Temple Grandin, and the year after that she portrayed Vivien Leigh in My Week With Marilyn.

Trivia: One of Britain's most respected and popular actresses, Judi Dench can claim a decades-old career encompassing the stage, screen, and television. A five-time winner of the British Academy Award, she was granted an Order of the British Empire in 1970 and made a Dame of the British Empire in 1988.Born in York, England, on December 9, 1934, Dench made her stage debut as a snail in a junior school production. After attending art school, she studied acting at London's Central School of Speech and Drama. In 1957, she made her professional stage debut as Ophelia in the Old Vic's Liverpool production of Hamlet. A prolific stage career followed, with seasons spent performing with the likes of the Royal Shakespeare Company and the National Theatre. Dench broke into film in 1964 with a supporting role in The Third Secret. The following year, she won her first BAFTA, a Most Promising Newcomer honor for her work in Four in the Morning. Although she continued to work in film, Dench earned most of her recognition and acclaim for her stage work. Occasionally, she brought her stage roles to the screen in such film adaptations as A Midsummer Night's Dream (1968) and Macbeth (1978), in which she was Lady Macbeth to Ian McKellen's tormented king. It was not until the mid-'80s that Dench began to make her name known to an international film audience. In 1986, she had a memorable turn as a meddlesome romance author in A Room with a View, earning a Best Supporting Actress BAFTA for her tart portrayal. Two years later, she won the same award for her work in another period drama, A Handful of Dust.After her supporting role as Mistress Quickly in Kenneth Branagh's acclaimed 1989 adaptation of Henry V, Dench exchanged the past for the present with her thoroughly modern role as M in GoldenEye (1995), the first of the Pierce Brosnan series of James Bond films. She portrayed the character for the subsequent Brosnan 007 films, lending flinty elegance to what had traditionally been a male role. The part of M had the advantage of introducing Dench to an audience unfamiliar with her work, and in 1997 she earned further international recognition, as well as an Oscar nomination and Golden Globe award, for her portrayal of Queen Victoria in Mrs. Brown.While her screen career had taken on an increasingly high-profile nature, Dench continued to act on both television and the stage. In the former medium, she endeared herself to viewers with her work in such series as A Fine Romance (in which she starred opposite real-life husband Michael Williams) and As Time Goes By. On the stage, Dench made history in 1996, becoming the first performer to win two Olivier Awards for two different roles in the same year. In 1998, Dench won an Oscar, garnering Best Supporting Actress honors for her eight-minute appearance as Queen Elizabeth in the acclaimed Shakespeare in Love. Her win resulted in the kind of media adulation usually afforded to actresses one-third her age. Dench continued to reap both acclaim and new fans with her work in Tea with Mussolini and another Bond film, The World is Not Enough. For her role as a talented British writer struggling with Alzheimer's disease in Iris (2001), Dench earned her third Oscar nomination. Sadly, that same year Dench's husband died of lung cancer at the age of 66.The prophetic artist continued to act in several films a year, wowing audiences with contemporary dramas like 2001's The Shipping News and period pieces like 2002's Oscar Wilde comedy The Importance of Being Earnest. She reprised the role of M again that same year for Brosnan's last Bond film Die Another Day, before appearing in projects in 2004 and 2005 such as The Chronicles of Riddick, Pride & Prejudice, and an Oscar- and Golden Globe-nominated performance as a wealthy widow who shocks 1930s audiences by backing a burlesque show in Mrs. Henderson Presents. In 2006, she followed the Bond franchise into a new era, maintaining her hold on the role of M as Brosnan retired from playing the title character and Daniel Craig took over. Casino Royale was the first Bond movie to be based on an original Ian Fleming 007 novel in 30 years, and it was a great success. In 2008, Dench rejoined the Bond franchise for Quantum of Solace.Dench shared the screen with Cate Blanchett for the critical smash Notes on a Scandal (2006). The film's emotional themes ran the gamut from possession and desire to loathing and disgust, and Dench rose to the challenge with her usual strength and grace, earning her a sixth Oscar nomination and seventh Golden Globe nomination.Dench joined the cast of 2011's Pirates of the Carribean: On Stranger Tides, as well as taking on the pivotal role of Mrs. Fairfax in Cary Fukunaga's adaptation of Jane Eyre. The actress also joined Leonardo DiCaprio to play the intimidating mother of J. Edgar Hoover in J. Edgar (2011). In 2012, Dench starred alongside fellow film great Maggie Smith in The Best Exotic Marigold Hotel, a compassionate comedy-drama following a group of senior citizens' experience with a unique retirement program in India.

Trivia: A rough-cut British actor with a dark and slightly brooding presence, Dominic Cooper initially cut his chops on the London and Gotham stages, with two very different roles: adventurer Will Parry in the Royal National Theatre's epic production of Philip Pullman's iconoclastic fantasy His Dark Materials, and that of the womanizer Dakin in the Broadway run of Alan Bennett's The History Boys. Cooper earned favorable notices for each; the success of Boys prompted BBC Two Films and Fox Searchlight to launch a film adaptation in late 2006, also featuring Cooper. Though Boys scarcely represented Cooper's cinematic debut (he appeared in Neil Jordan's Breakfast on Pluto a couple of years prior, among other films), it did prove a watershed, spurring the young actor on to additional film work. In subsequent years, the thespian played Willoughby in John Alexander's U.K. television miniseries Sense and Sensibility (2008), adapted from the novel by Jane Austen; cut against type as an imprisoned white-collar criminal in the Wyatt Brothers' thriller The Escapist (2008); and essayed a supporting role as Sky, Sophie's (Amanda Seyfried) fiancé, in Phyllida Lloyd's big-screen ABBA musical Mamma Mia! (2008).From there, Cooper's career took off. He played future British Prime Minister Charles Grey and Keira Knightley's lover in the costume-drama The Dutchess (2008), followed by a supporting role in the Oscar-nominated An Education (2009), for which he shared a Screen Actor's Guild nomination for Outstanding Performance by a Cast in a Motion Picture. Cooper had a busy 2011, first playing Howard Stark (also known as Tony Stark's father) in Captain America: The First Avenger; followed by a commanding performance in the dual roles of Uday Hussein and his look-a-like in The Devil's Double; and finally, a smaller part as famed photographer Milton H. Greene in My Week With Marilyn. He next took a role in Abraham Lincoln: Vampire Hunter (2012), playing Lincoln's mentor in vampire hunting.

Trivia: Emma Watson made her big-screen debut in 2001's box-office smash Harry Potter and the Sorcerer's Stone, bringing to life Hermione Granger, friend to the famous protagonist Harry Potter of J.K. Rowling's children's novel. Born in Paris, where she lived for the first five years of her life, Watson acted only in school plays before breaking into Hollywood with this film, but her performance skills had been honed through dancing, singing, and poetry recitals, the latter of which she had already received recognition for by the age of seven. In the years following that blockbuster, she reprised her role alongside co-stars Daniel Radcliffe and Rupert Grint for the subsequent beloved Harry Potter films. Her first foray into acting outside of the Harry Potter universe came with the made-for-TV movie Ballet Shoes in 2008, and after the phenomenally popular series came to an end in 2011 she could be seen in My Week With Marilyn. She took one of the leading roles in 2012's The Perks of Being a Wallflower. In 2013, Watson played a spoiled L.A. socialite in Sofia Coppola's The Bling Ring, followed by a small role, playing herself, in This is the End. She had a supporting role opposite Russell Crowe and Jennifer Connelly in the big-budget epic Noah (2014).

Trivia: A man with a peculiar face and small stature born into a long line of performers, Toby Jones might seem born to be a character actor. Jones' father, Freddie Jones, has graced the screen in a multitude of projects, from David Lynch's enigmatic sci-fi epic Dune to BBC adaptations of classic works of literature. Meanwhile, Jones' mother was born to a family whose legacy in acting went back seven generations, setting the stage for Toby's career almost before he was born. Jones took to the stage at his school in Oxfordshire, England, where he discovered an aptitude for theatrical acting. Though stage work would remain an important element of his professional life, Jones eventually tried his hand at screen work, beginning with a minor role in the 1992 film adaptation of Virginia Woolf's Orlando. Many of these bit parts would follow in movies like Ever After and Les Miserabes, as Jones' distinct and memorable visage set him apart from the masses. This same unique quality eventually began to win him more substantial roles, like a four-episode run as a pathologist on the U.K. detective show Midsomer Murders, and a chance to explore vocal acting as the voice of the animated Dobby the House Elf in Harry Potter and the Chamber of Secrets. More of Jones' usual small but memorable parts would follow, such as Smee, right-hand man to Captain Hook in Finding Neverland. Then in 2004, Jones got the chance to sink his teeth into not one but two substantial characters -- both with considerably more screen time than he was accustomed to. In the U.K. made-for-TV biopic Elizabeth I, Jones played Robert Cecil, 1st Earl of Salisbury, spymaster, and later secretary of state to Queen Elizabeth, a man infamous for his odd, slight appearance. Exaggerating his quirky physical characteristics and delving deeply into the complex character, Jones was lauded by audiences and critics alike. That same year, Jones won the starring role of controversial writer Truman Capote in Infamous, the big-screen American telling of the writing the true-crime novel In Cold Blood. A dream role both for his artistic sensibilities and the furthering of his career, Jones joined a cast of American stars including Sigourney Weaver, Sandra Bullock, Gwyneth Paltrow, Isabella Rossellini, and Daniel Craig. In typical Hollywood style, the film was green-lit around the same time that another studio was beginning production on a feature with the same subject matter, and Bennett Miller's Capote was scheduled to be released first. The buzz surrounding this rival production, however, was not the kind that Infamous producers were hoping for; instead of generating interest in their film, they feared that the overwhelming praise that Capote was receiving for its script, direction, and acting by star Philip Seymour Hoffman would only overshadow their own film. The release date for Infamous was pushed back as Capote went on to sweep the awards circuit, picking up over 40 awards and nominations including Oscar nods for Best Picture, Best Director, Best Supporting Actress (for Catherine Keener's performance as Harper Lee), and Best Screenplay, as well as an Oscar win for Hoffman in the category of Best Actor. With Capote seeming to have already carved a place in the history of cinema and Philip Seymour Hoffman moving to the top of the list of gifted and respected actors, the cast and crew of Infamous had to worry that for all their hard work, their production would be seen as little more than the "other Truman Capote movie." Its release was finally set for late fall of 2006, roughly a year after its original date. Jones, however, was not going to spend the meantime biting his nails. By the time Infamous hit theaters, Jones had already completed filming on an adaptation of the Somerset Maugham novel The Painted Veil, and begun production on Nightwatching, a film about the life of the artist Rembrandt in which Jones would play the Dutch painter Gerard Dou.

Trivia: As Madame Hooch in Harry Potter and the Sorcerer's Stone, Zoe Wanamaker teaches Harry how to fly on a broomstick. But the magic she works in that popular film is paltry compared with the magic she works on the stage performing in the works of Shakespeare, Oscar Wilde, Tennessee Williams, David Mamet, Arthur Miller, and other playwrights. Her starring role in the Sophocles play Electra won her the 1998 Olivier Award as Best Actress. It was her second Olivier in that category, the first coming in 1979 for her role as May Daniels in the Royal Shakespeare Company's production of the Moss Hart/George Kaufman play Once in a Lifetime. Wanamaker also earned a 1984 Critics' Circle Theatre Award for her performance in Mother Courage, a 1986 Drama Desk Award for her performance in Loot, a 1992 Broadcasting Press Guild Award for her performance in Countess Alice, and a 2002 Olivier nomination for her performance in Boston Marriage. In addition, she has earned a Golden Globe nomination, two Tony nominations, three British Academy Award nominations, and a Royal Television Society Award for a TV series.Wanamaker was born in New York City on May 13, 1949. She became a Londoner at age three after her father, American actor Sam Wanamaker, moved to England to avoid testifying before the U.S. House Un-American Activities Committee during Senator Joseph McCarthy's communist witch hunt. Because her father was a passionate Shakespeare fan, Zoe Wanamaker grew up with Hamlet, Macbeth, Othello, and Cleopatra as playmates while attending the King Alfred School in London. After Sam Wanamaker, a method actor, tutored little Zoe in the subtleties of the performing arts, he sent her to London's Central School of Speech and Drama to perfect her talents, where she studied until 1970. Meanwhile, Sam Wanamaker spearheaded the project to rebuild the Globe Theatre on the South Bank of the River Thames. Although he died before the new Globe was finished, his daughter stood in for him when the playhouse opened in June 1997. In a performance before Queen Elizabeth II, she recited the famous prologue to Shakespeare's Henry V. Most of her acting has been for the stage or television playing a truly diverse collection of characters, including a dog, a leprechaun, Miss Murdstone in David Copperfield, Emilia in Othello, and Lady Anne in Richard III. When she was 45, Wanamaker married actor Gawn Grainger, a native of Ireland, inheriting two stepchildren. Living and acting off and on in England and the U.S. and holding citizenship in both countries, Wanamaker has posed a writing problem for critics: whether to refer to her as an English-American or an American Englishwoman. Probably the best solution is to refer to her as one of the world's finest actresses, and let it go at that.

Trivia: Appeared in A-Ha's "Take On Me" video in 1985. In 1998, nominated for a Screen Actors Guild award for his role in Little Voice. Appeared as Chief Inspector Japp in the television adaptation of Poirot between 1989 and 2013. Starred as Willy Loman in the West Yorkshire Playhouse's 2010 production of Arthur Miller's Death of a Salesman. As of 2018, has starred as Jaz Milvane in long-running BBC Radio 4 series Ed Reardon's Week since its 2005 debut.

Trivia: Her grandfather was a Member of Parliament and was awarded a hereditary baronetcy; her father and mother were both titled. At age 8, boarded at the Arts Educational School in Tring Park to do ballet, drama and music; originally wanted to be a ballet dancer but soon realised she was better at acting. Her breakout role was as DS Jane Penhaligon in Cracker from 1993 to 1995; her co-star Robbie Coltrane's funny stories often made her corpse during filming. In 2003, played Henriette d'Angleterre in Lindsay Posner's staging of Power at the National Theatre, London. Was offered the role of Lily Potter in Harry Potter and the Philosopher's Stone after JK Rowling turned it down; went on to appear in every film of the franchise.

Trivia: One of Britain's most distinguished stage performers, Derek Jacobi is one of two actors (the other being Laurence Olivier) to hold both Danish and English knighthoods. Primarily known for his work on the stage, he has also made a number of films and remains best-known to television audiences for his stunning portrayal of the titular Roman emperor in I, Claudius.Born in Leytonstone, East London, on October 22, 1938, Jacobi was raised with a love of film, and he began performing on the stage while attending an all-boys school. Thanks to the school's single sex population, his first roles with the drama club -- until his voice broke -- were all female. It was with one of his first male roles that Jacobi earned his first measure of acclaim: playing Hamlet in a school production staged at the 1957 Edinburgh Festival, he made enough of an impression that he was approached by an agent from Twentieth Century Fox. Ultimately deemed too young to be signed to the studio, Jacobi instead went to Cambridge University, where he studied history and continued acting. His stage work at Cambridge was prolific and allowed him to work with classmates Ian McKellen and Trevor Nunn, and, thanks to his performance as Edward II, landed him his first job after graduation. Jacobi acted with the Birmingham Repertory Theatre until his portrayal of Henry VIII attracted the attention of Laurence Olivier. Olivier was so impressed with Jacobi's work that he invited him to London to become one of the eight founding members of the prestigious National Theatre.Jacobi went on to become one of his country's most steadily employed and respected actors, performing in numerous plays over the years on both sides of the Atlantic (in 1985, he won a Tony Award for his work in Much Ado About Nothing). He also branched out into film and television, making his film debut with a secondary role in Douglas Sirk's Interlude (1957). He acted in numerous film adaptations of classic plays, including Othello (1965) and The Three Sisters (1970). However, it was through his collaborations with Kenneth Branagh on various screen adaptations of Shakespeare that he became most visible to an international film audience, appearing as the Chorus in Branagh's acclaimed 1989 Henry V and as Claudius in the director's 1996 full-length adaptation of Hamlet. Jacobi made one of his most memorable (to say nothing of terrifying) screen impressions in Branagh's Hitchcock-inspired Dead Again (1991), portraying a hypnotist with a very shady background. In 1998, Jacobi earned more recognition with his portrayal of famed painter Francis Bacon in John Maybury's controversial Love Is the Devil: Study for a Portrait of Francis Bacon.On television, in addition to his celebrated work in I, Claudius, Jacobi has also earned praise for his roles in a number of other productions. In 1989, he won an Emmy for his performance in the 1988 adaptation of Graham Greene's The Tenth Man.In 1994 he began a successful run as a mystery-solving monk in the TV series Cadfael, a program that ran for three years. He had a Shakespeare heavy 1996 playing Claudius opposite Branagh's Hamlet, and appearing in Al Pacino's documentary Looking for Richard. He lent his voice to the animated version of Beowulf. He began the new century appearing in the Best Picture winner Gladiator, and was part of the rich ensemble compiled by Robert Altman for Gosford Park. In 2005 he was in the cast of the hit children's film Nanny McPhee, and two years later he was in The Golden Compass. In 2010 he appeared in another Oscar winning best picture when he was in The King's Speech. The next year he appeared in Anonymous as well as My Week With Marilyn.

Trivia: Father was a surgeon in the British Army who was stationed in the Federation of Malay when Simon was born. Attended boarding school in England as a chorister while the rest of his family continued to live in Asia. Joined the Royal Shakespeare Company after attending Guildhall School, and met Sam Mendes, who directed him as the title character in Richard III and as Ariel in The Tempest. Toured with the Royal National Theatre's production of Rosencrantz and Guildenstern are Dead in 1996. Appointed a CBE (a Commander of the Order of the British Empire) in 2003. Replaced Tim Curry as King Arthur in Spamalot on Broadway in 2005.

Trivia: Acted in two different biopics about Ian Fleming, the creator of James Bond. Understudied for a then-unknown Daniel Day Lewis in stage production of Another Country. Performed on the soundtrack for an episode of Agatha Christie's Miss Marple television series. Provided voice-work for the award-winning documentary Letters from Baghdad. Guest starred as a monster-of-the-week on Doctor Who.

Trivia: Since performing in a play at the City of Leicester Boys School, Michael Kitchen has done practically all there is for an actor to do: motion pictures, TV films, TV miniseries, stage plays, radio plays, and audio cassettes. International film audiences probably know him best as Chief of Staff Bill Tanner in the Pierce Brosnan James Bond productions, although he has played major roles in other high-profile movies, such as Out of Africa (1985) and Mrs. Dalloway (1997). He is also well known to worldwide TV audiences for major roles in popular miniseries, including The Brontes of Haworth (1973), A Fall of Eagles (1974), Freud (1984), and Oliver Twist (1999). 2000 was a remarkable year for Kitchen -- incredibly, he completed the following productions during that year: Proof of Life, a major film in which he shared the screen with Russell Crowe and Meg Ryan; Lorna Doone, a three-hour TV miniseries; Always and Everyone, an eight-hour TV series resembling America's ER; The Secret World of Michael Fry, a TV miniseries; The Railway Children, a TV film shown in the U.K. and in the U.S. on Masterpiece Theatre; New Year's Day, a major motion picture; and Second Sight: Parasomnia, another TV film. For an encore in 2001, he played the title role in Foyle's War, an eight-hour TV series about a World War II-era detective, then played Foyle again in another eight-hour series in 2002. He also signed on for another James Bond film, his third. Between 1971 -- when he appeared in the film Unman, Wittering and Zigo -- and the present, Kitchen has never wanted for work. The reason, quite simply, is that he is one of Britain's finest and most versatile actors. He has walked across the stages of the most prestigious playhouses in England, performing the works of Shakespeare, Oscar Wilde, and other important playwrights. In motion pictures, he has also acted parts in productions based on the works of Franz Kafka (The Trial, 1993), Robert Louis Stevenson (Kidnapped, 1995), John Le Carre (The Russia House, 1990), and Nevil Shute (Crossing to Freedom, 1990).

Trivia: Is a great-niece of the 5th Earl of Leicester, Thomas William Edward Coke. Appeared in a BBC Radio comedy series called Deep Trouble in 2005. Appeared alongside ex-husband Raza Jaffrey in the music video for the song "Never The First" by her brother's band, The Lost levels. Played the title role in Howard Brenton's Anne Boleyn at Shakespeare's Globe in 2010.

Trivia: Was head boy of his high school in his final year. Left the University of Sussex after two years to join a fringe theatre group called the Brighton Combination. Performed with the Madhouse Company of London, a comedy troupe, during the 1970s. Attended a circus school in New York during the 1970s, where he learned to walk the tightrope, ride a unicycle, juggle and perform magic. Met wife Imelda Staunton when they were both cast in a 1982 production of Guys and Dolls at the Royal National Theatre in London. They later worked together in a production of The Wizard of Oz; he was the Cowardly Lion to her Dorothy. Serves as chairman of the Hampstead Cricket Club.

Trivia: Shakespeare fans in Britain and America generally are well acquainted with the work of Richard Clifford. After performing regularly in acclaimed productions of the Royal Shakespeare Company, he appeared in other Shakespeare productions on Broadway and in London's West End. In addition, he has acted in three of pal Kenneth Branagh's Shakespeare films: Love's Labour's Lost (2000) as Boyet, a lord in the company of the Princess of France; Much Ado About Nothing (1993) as Conrade, a follower of the evil Don John; and Henry V (1989), as the Duke of Orleans, one of the leaders of the French army. Clifford has also performed in productions based on the works or the lives of other giants of literature, including Gulliver in Lilliput (1982), Cyrano de Bergerac (1985), Little Dorrit (1988), Mary Shelley's Frankenstein (1994), and The Infinite Worlds of H.G. Wells (2001). Clifford is also a highly regarded director. At the Folger Theater in Washington, he has staged his productions of Oliver Goldsmith's She Stoops to Conquer (2002) and John Milton's Comus (2001). In his production of August Strindberg's Playing the Wife, performed at England's Chichester Festival in 1995, he had the privilege of directing actor Derek Jacobi. Clifford also directed one of the most widely publicized events in Britain in 2000: A Salute to the Man of the Millennium, a London bash at which the likes of Judi Dench, Helena Bonham Carter, and Bob Hoskins paid tribute to Shakespeare and honored Branagh for his contributions to popularizing Shakespeare.

Trivia: Thanks to actors like David Rintoul, the television miniseries has become a formidable art form. Unencumbered by the time limitations of the typical film, television movie, or stage play, the TV miniseries can take four, eight, or even 12 hours to develop themes, characters, and plots -- often based on classic literary works. Characters have time to grow, learn, make mistakes, and recite lines from Shakespeare, Jane Austen, or Victor Hugo. Consequently, miniseries attract good actors, good scripts, and, of course, big audiences. David Rintoul has made a career out of performing roles in miniseries, some of them among the best ever made. In 2001, he played the ship's surgeon, Dr. Clive, in the celebrated Horatio Hornblower series, appearing in Hornblower: Retribution and Hornblower: Mutiny. Rintoul began appearing in miniseries in 1975, when he played Jock Graham in Lord Peter Wimsey: Five Red Herrings. Three years later, he took on roles in two more miniseries, Prince Regent and the acclaimed Lillie, a biodrama about British actress and socialite Lillie Langtry. In 1979, Rintoul became Fitzwilliam Darcy in Pride and Prejudice, a miniseries that helped whet the appetite for the Jane Austen films and miniseries of the 1990s. In 1985, Rintoul went back in time to play Linus in the ten-hour miniseries A.D. (also know as A.D.: Anno Domini), which chronicled the lives of Christ's apostles as they spread the gospel in the Roman Empire of Tiberius, Caligula, and Nero. Rintoul also performed in many continuing TV series, as well as plays performed throughout England. For example, he starred as Macbeth in a touring Old Vic production and as Prince Hal in Henry IV, Pt. I and Henry IV, Pt. II in Royal Shakespeare Company productions. Rintoul received his training at Edinburgh University and the Royal Academy of Dramatic Art, then worked in repertory productions. After his acting had developed "bite," he portrayed a werewolf in a 1975 film, Legend of the Werewolf, working with Christopher Lee and Hugh Griffith.