Trivia: American actor Ward Bond was a football player at the University of Southern California when, together with teammate and lifelong chum John Wayne, he was hired for extra work in the silent film Salute (1928), directed by John Ford. Both Bond and Wayne continued in films, but it was Wayne who ascended to stardom, while Bond would have to be content with bit roles and character parts throughout the 1930s. Mostly playing traffic cops, bus drivers and western heavies, Bond began getting better breaks after a showy role as the murderous Cass in John Ford's Young Mr. Lincoln (1939). Ford cast Bond in important roles all through the 1940s, usually contriving to include at least one scene per picture in which the camera would favor Bond's rather sizable posterior; it was an "inside" joke which delighted everyone on the set but Bond. A starring role in Ford's Wagonmaster (1950) led, somewhat indirectly, to Bond's most lasting professional achievement: His continuing part as trailmaster Seth Adams on the extremely popular NBC TV western, Wagon Train. No longer supporting anyone, Bond exerted considerable creative control over the series from its 1957 debut onward, even seeing to it that his old mentor John Ford would direct one episode in which John Wayne had a bit role, billed under his real name, Marion Michael Morrison. Finally achieving the wide popularity that had eluded him during his screen career, Bond stayed with Wagon Train for three years, during which time he became as famous for his offscreen clashes with his supporting cast and his ultra-conservative politics as he was for his acting. Wagon Train was still NBC's Number One series when, in November of 1960, Bond unexpectedly suffered a heart attack and died while taking a shower.

Trivia: Redheaded leading man Robert Horton attended UCLA, served in the Coast Guard during World War II, and acted in California-based stage productions before making his entree into films in 1951. Horton's television career started off on a high note in 1955, when he was cast in the weekly-TV version of King's Row as Drake McHugh (the role essayed by Ronald Reagan in the 1942 film version). The series barely lasted three months, but better things were on the horizon: in 1957, Horton was hired to play frontier scout Flint McCullough in Wagon Train, which became the highest-rated western on TV. Horton remained with Wagon Train until 1962. He then did some more stage work before embarking on his third series, 1965's The Man Called Shenandoah. When this one-season wonder ran its course, Horton toured the dinner-theatre circuit, then in 1982 accepted a major role on the popular daytime soap opera As the World Turns. Horton continued acting until the late 1980s. He died in 2016, at age 91.

Trivia: Actor MacDonald Carey started out as a Chicago-based radio actor and singer; among his early airwaves credits was a brief tenure as "Mr. First Nighter" in the anthology series of the same name, and a longer engagement as Dick Grosvenor on the daytime soap opera Stella Dallas. In 1941, Carey starred opposite Gertrude Lawrence in the Broadway musical Lady in the Dark, which led to a Hollywood contract. He appeared prominently in several Paramount features from 1942 to 1949, but is best remembered for his portrayal of the detective in Hitchcock's Shadow of a Doubt (1943), which he played on loan-out to Universal. When his film career began to wane in the early 1950s, Carey returned to radio as star of the tongue-in-cheek adventure series Jason and the Golden Fleece. He was also top-billed in two syndicated TV weeklies, Dr. Christian (1954) and Lock-Up (1959-61). In 1965, Carey was cast as Dr. Tom Horton on the NBC daytime drama Days of Our Lives, a job he held until his death 19 years later; his voice is still heard at the opening of each episode, intoning the familiar intro "Like sands from the hourglass, so are the days of our lives." Not long before his death, MacDonald Carey published his autobiography, in which he was brutally candid about his lifelong battle with alcoholism.

Trivia: The exotic-looking daughter of silent star Don Alvarado, Joy Page is best remembered for playing newlywed Annina Brandel in Casablanca (1942). She came to the small but memorable role by way of nepotism, though, her mother, Ann Alvarado, having married studio boss Jack Warner. In the long run, the familial relationship with Warner Bros. became more of a hindrance than a help and Page's subsequent screen career proved decidedly anticlimactic and was mostly spent in programmers. In 1945, she married actor William Orr, who was created a producer almost overnight, a circumstance that occasioned the often quoted dig that "the son-in-law also rises." Orr was later put in charge of Warner Bros.' television division and Mrs. Orr starred opposite Leslie Nielsen in the first season of Walt Disney's Swamp Fox (1959), her final professional appearance. She was the mother of television writer-producer Gregory Orr.

Trivia: Rough-edged character actor Morgan Woodward is the son of a Texas physician. Specializing in Westerns, the 6'3" Woodward has been seen in scores of big-screen oaters, and in 1956 held down the semi-regular role of Shotgun Gibbs in the TV series The Life and Legend of Wyatt Earp. He has also made quite a few non-Western appearances on such video weeklies as Star Trek and The A-Team. In his spare time, Morgan Woodward is a licensed pilot.

Trivia: The younger brother of film star Robert Mitchum, American actor John Mitchum shared his family's Depression-era travails before striking out on his own. As brother Robert's star ascended in the mid '40s, John remained his elder sibling's boon companion, severest critic and drinking buddy. In later years, John was a convivial anecdotal source for books and articles about Bob, each reminiscense becoming more colorful as it was repeated for the next interview. After holding down a variety of jobs, John decided to give acting a try as a result of hearing Bob's tales of Hollywood revelry; too heavyset to be a leading man, John became a reliable character actor, usually in military or western roles. He frequently had small parts in his brother's starring films, notably One Minute to Zero (1951) and The Way West (1967). Most of John's movie work was done outside Robert's orbit, however, in such films as Cattle King (1963) and Paint Your Wagon (1970). Perhaps John Mitchum's best screen role was as Goering in the 1962 biopic Hitler; he may have been utterly opposed ideologically to the late German field marshal, but John certainly filled the costume.

Trivia: American character actress Edith Evanson began showing up in films around 1941. Cast as a nurse, it is Evanson who appears in the reflection of the shattered glass ball in the prologue of Orson Welles' Citizen Kane (1941). Her larger screen assignments included Aunt Sigrid in George Stevens' I Remember Mama (1948) and Mrs. Wilson the housekeeper in Hitchcock's Rope (1948). Hitchcock also directed her in Marnie (1964). Edith Evanson is best remembered by science fiction fans for her lengthy, uncredited appearance as Klaatu's landlady Mrs. Crockett in The Day the Earth Stood Still (1951).

Trivia: Robert Fuller spent his first decade in show business trying his best to avoid performing. After his film debut in 1952's Above and Beyond, Fuller studied acting with Sanford Meisner at New York's Neighborhood Playhouse but never exhibited any real dedication. He tried to become a dancer but gave that up as well, determining that dancing was "sissified." Fuller rose to nominal stardom fairly rapidly in the role of Jess Harper on the popular TV western Laramie (1959-63). Once he found his niche in cowboy attire, he stuck at it in another series, Wagon Train, turning down virtually all offers for "contemporary" roles. When westerns began dying out on television in the late 1960s, Fuller worked as a voiceover actor in commercials, earning some $65,000 per year (a tidy sum in 1969). On the strength of his performance in the Burt Topper-directed motorcycle flick The Hard Ride, Fuller was cast by producer Jack Webb as chief paramedic Kelly Brackett on the weekly TVer Emergency, which ran from 1972 through 1977. In 1994, Robert Fuller was one of several former TV western stars who showed up in cameo roles in the Mel Gibson movie vehicle Maverick.