Trivia: Over the course of his extraordinary life, Audie Murphy went from being a poor Texas sharecropper's son to America's most decorated WWII hero to a popular Western and action movie star. Though he died in 1971, his accomplishments are still commemorated in a variety of ways that range from his native Hunt County's annual Audie Murphy Day celebration to his induction into the National Cowboy Hall of Fame and the Country Music Association of Texas. His name also appears on a VA hospital, a library room, a stretch of U.S. Highway 69 in Texas, and a San Antonio division of the Army. Murphy was born to a family of cotton growers near Kingston, TX. Boyish-looking and slender, he appeared an unlikely war hero, but while stationed in Europe with his infantry unit, Murphy was credited with killing 240 Germans, was promoted to lieutenant, and earned at least 24 medals, including a Purple Heart for a gunshot wound that shattered his hip and the coveted Congressional Medal of Honor. Following the war, Murphy worked as a clerk and a garage attendant before James Cagney invited him to his Hollywood home. Murphy stayed for 18 months and made his screen debut in Beyond Glory (1948), playing a guilt-ridden soldier. He had his first starring role in Bad Boy (1949) and was praised for his naturalistic acting style. Some critics chided him for only playing himself, but Murphy never claimed any acting ability. For audiences impressed with his war record and charmed by his charisma, Murphy playing himself was enough to sustain his busy film career for two decades. By the early '50s, Murphy was appearing in second-string Westerns. In 1953, distinguished director John Huston, whom Murphy regarded as a friend and mentor, starred him as the young soldier in his adaptation of Stephen Crane's The Red Badge of Courage (1953). He would again work with Huston in 1960s' The Unforgiven. In 1955, Murphy appeared in his signature film, To Hell and Back, a chronicle of his war experiences based on his published autobiography. This film's box-office success allowed Murphy to appear in larger-budget films through the early '60s when he once again returned to B-movies. All told, during his heyday, Murphy worked with some of the era's most prominent stars including Jimmy Stewart, Broderick Crawford, and Audrey Hepburn. But while Murphy's professional life flourished, he had to grapple with some tough situations in his personal life. In the late '60s, an Algerian oil field he'd purchased was blown up during the Seven Day War. Murphy lost around 250,000 dollars. In 1970, he was tried and acquitted for beating up and threatening to kill a man during a heated fight, the precise circumstances of which remain muddled. Despite this courtroom victory, rumors circulated that Murphy was suffering personal problems resulting from his war experiences. Murphy was once briefly married to actress Wanda Hendrix with whom he had appeared in Sierra (1950). In 1951, Murphy married Pamela Archer and they remained happily wed until he accidentally crashed his plane into a Virginia mountainside on Memorial Day 1971. Murphy was given a full military burial and was interred in Arlington Cemetery.

Trivia: American actress Sandra Dee began her career as a model at age 12, and later moved on to TV commercials. Her film break came when producer Ross Hunter balked at Natalie Wood's lofty salary demands and decided to use a newcomer to play Lana Turner's daughter in Imitation of Life (1959). The result for Dee was a long-term contract at Universal, although one of her biggest moneymakers was the 1959 Warner Bros. film A Summer Place. In 1961, Dee married singer/actor Bobby Darin, with whom she appeared in three lightweight but money-making comedies. After her divorce from Darin in 1967, Dee could no longer convey her patented perky-teen charm, and her career began a downhill slide, although the decline was occasionally slowed a bit by such curious highlights as the pseudo-hip sex comedy Doctor, You've Got to Be Kidding (1967) and the nail-biting psychological scare film The Dunwich Horror (1970). Out of movies completely by 1971, Dee retreated to private life, occasionally popping up on TV and granting interviews with nostalgia-happy young film buffs. Much of the actress' latter-day fame rested upon a single song in the Broadway smash Grease: the satiric, 1950s-style, rock ballad titled "Look at Me, I'm Sandra Dee."

Trivia: The daughter of a druggist, Joanne Dru worked as a New York model before landing a major role in the 1941 Al Jolson Broadway musical Hold on to Your Hats. She made her first film appearance in the execrable screen version of the stage hit Abie's Irish Rose (1946) then disappeared from view for nearly a year, during which time she concentrated on her marriage to singer Dick Haymes (the first of three husbands). In 1948, she was "discovered" by director Howard Hawks and cast as leading lady in Hawks' Red River, the film that forever typecast her as a Western actress even though she claimed to dislike the genre. While working on Red River, she met her second husband, actor John Ireland, with whom she later co-starred in the Oscar-winning All the King's Men (1949). Her film career on the wane by the late '50s, Dru agreed to star in the 1960 TV sitcom Guestward Ho, which lasted 39 weeks. Thereafter she made only two big screen appearances, the last of which was the negligible Super Fuzz (1980). Joanne Dru was the sister of comedian/TV host Peter Marshall, the aunt of baseball player Pete LaCock, and the sister-in-law of actor/producer/director Tommy Noonan.

Trivia: Ohio-born actor Jim Backus's stage career began in summer stock, where, according to his then-roommate Keenan Wynn, he was as well known for his prowess with the ladies as he was for his on-stage versatility. Backus continued acting in New York, vaudeville, and especially radio in the 1930s and 1940s. He was a regular on radio's The Alan Young Show, portraying Eastern Seaboard snob Hubert Updike III, the prototype for his "Thurston Howell III" characterization on the 1960s TV sitcom Gilligan's Island. In 1949, Backus provided the voice of the nearsighted Mr. Magoo for the first time in the UPA cartoon Ragtime Bear; the actor later claimed that he based this character on his own businessman father. Also in 1949, Backus made his first film appearance in Easy Living, which starred his childhood friend Victor Mature. Backus' most famous screen role was as James Dean's weak-willed, vacillating father in Rebel without a Cause. On television, Backus co-starred with Joan Davis on the I Love Lucy-like 1950s sitcom I Married Joan, and played the leading role of fast-talking news service editor Mike O'Toole on the 1960 syndicated series Hot Off the Wire (aka The Jim Backus Show). In the 1960s, Backus continued to provide the voice of Mr. Magoo in several TV projects, and was seen on-camera in the aforementioned Gilligan's Island, as well as the 1968 TV version of Blondie, wherein Backus played Mr. Dithers. Co-starring as Mrs. Dithers was Backus' wife Henny, who also collaborated with her husband on several amusing volumes of memoirs. Jim and Henny Backus' last two books, Backus Strikes Back and Forgive Us Our Digressions, commented humorously on a deadly serious subject: Parkinson's Disease, the ailment which would eventually cost Backus his life at the age of 76.

Trivia: Born Luis Antonio Damaso De Alonso, this Mexican-born Latin lover appeared in silent and sound films. He trained to be a bullfighter (his father's profession) but gave it up for acting after his family moved to the U.S. At age 13 he debuted onscreen as an extra; he made his screen acting debut seven years later in The Plastic Age (1925). In the mid '20s he frequently played dashing romantic leading men, notably in Camille (1927) opposite Norma Talmadge. In the sound era he played leads and then later character and supporting roles in many films; he continued working until the late '70s. He was married to actress Constance Bennett.

Trivia: Not to be confused with the 1940s bit player of the same name, American leading man Peter Breck was the son of a bandleader. Majoring in drama and minoring in psychology at the University of Houston, Breck went the regional-theater route until selected by Robert Mitchum for a role in Mitchum's Thunder Road (1958). He paid a few further dues on network television, showing up now and then as Doc Holiday on the weekly Western Maverick. In 1959, Breck starred in his own sagebrush series, Black Saddle, in which he played gunslinger-turned-lawyer Clay Culhane. When the series was dropped after one season, he accepted a few low-paying theater assignments, making ends meet with whatever odd jobs came along. His tenacity paid off when, in 1969, Breck was cast as firebrand "number two son" Nick Barkeley on The Big Valley, which ran for four years. A decade later, he appeared in still another Western, playing a megalomaniac miner in the serialized Secret Empire. Peter Breck has devoted considerable time to teaching drama in Vancouver, British Columbia.

Trivia: A graduate of the University of Michigan, Strother Martin was the National Junior Springboard Diving Champion when he came to Hollywood as a swimming coach in the late 1940s. He stuck around Lala-land to play a few movie bits and extra roles before finally receiving a role of substance in The Asphalt Jungle (1950). Lean and limber in his early day, Martin was frequently cast in parts which called upon his athletic prowess (e.g. a drawling big-league ball player in 1951's Rhubarb). As his face grew more pocked and his body more paunched with each advancing year, Martin put his reedy, whiny voice and sinister squint to excellent use as a villain, most often in westerns. It took him nearly 20 years to matriculate from character actor to character star. In 1967, Martin skyrocketed to fame as the sadistic prison-farm captain in Cool Hand Luke: his character's signature line, "What we have here is a failure t' communicate," became a national catchphrase. While he continued accepting secondary roles for the rest of his career, Martin was awarded top billing in two sleazy but likeable programmers, Brotherhood of Satan (1971) and Ssssssss (1973). A veteran of scores of television shows, Strother Martin was seen on a weekly basis as Aaron Donager in Hotel De Paree (1959) and as star Jimmy Stewart's country cousin in Hawkins (1973).

Trivia: Attractive, dark-haired leading man Edson Stroll was born in Chicago in the mid-'30s and arrived in Hollywood just in time for television to have eaten away at most of the opportunities he might otherwise have had. Possessed of a deep voice to go with his good looks, he appeared in Westerns and adventure shows such as Tombstone Territory and Sea Hunt, plus a pair of Twilight Zone episodes, "The Eye of the Beholder" and "The Trade-ins," and the Elvis Presley vehicle G.I. Blues, in an uncredited role. He finally started getting leading parts in films in 1961, but those were in a pair of Three Stooges features, the too-opulent-for-its-own-good Snow White and the Three Stooges (playing Prince Charming) and The Three Stooges in Orbit. From there, his being cast as Gunner's Mate Virgil Edwards in the sitcom McHale's Navy -- playing the resident lothario of Ernest Borgnine's motley crew -- must have seemed a step up. He was never in another feature film, though he has since turned up in episodes of Simon & Simon and Murder, She Wrote, among other series, and as of 2003, was a top voice artist in Hollywood.

Trivia: American lead and supporting actor who worked exclusively in foreign productions, particularly Italian.

Trivia: As the above question marks in the birthplace slot indicate, American actress Barboura Morris was the Mystery Woman of low-budget pictures. Little is known of her life before she graduated from UCLA and began her acting career as Barboura O'Neill, putting in her first professional time at Northern California's Stumptown stock company. After honing her skills under the tutelage of coach Jeff Corey, Barboura did some TV work in the '50s, mostly in dramatic anthologies. Roger Corman, who'd been in Barboura's class under Jeff Corey, convinced the actress to take the leading role in Corman's Sorority Girl (1957), in which she was still billed as Barboura O'Neill in a cast including such stalwart Corman players as Susan Cabot and Dick Miller. In American-International's Machine Gun Kelly (1958), Barboura acted opposite Charles Bronson, while in yet another A-I epic she was one of the beleaguered Nordic damsels in Viking Women and the Sea Serpent (1959). The Wasp Woman (1959) contained perhaps Barbara's best performance during her long tenure at American-International, as the faithful secretary to the sting-happy title character. The actress continued taking TV roles inbetween her B-picture stints, and was seen in a flashy part as a glamorous amnesiac on a 1959 episode of The Thin Man. Evidently, Barboura Morris' final role was a bit in 1969's The Dunwich Horror; she died in 1975 at the age of 43.

Trivia: Made his screen debut in a 2001 episode of The Bill. In 2005, nominated for the Manchester Evening News Best Studio Performer Award for his role in Private Peaceful. In 2007, nominated by The Stage as Best Solo Performer in Private Peaceful. Starred as Vindice in a 2016 production of The Revenger's Tragedy. Nominated for Best Supporting Actor at the 2018 Offies for his role in Br-er Cotton.