Trivia: As the son of broadcast journalist Nick Clooney and the nephew of chanteuse Rosemary Clooney, George Clooney entered the world with show business coursing through his veins. Born May 6, 1961 in Lexington, Kentucky, the future E.R. headliner appeared at the tender age of five on his father's Cincinnati talk program, The Nick Clooney Show. In his youth, Clooney honed a sharp interest in sports - particularly baseball - but by adulthood, Clooney launched himself as an onscreen presence, seemingly without effort. Beginning with a string of television commercials, then signed with Warner Brothers Entertainment as a supporting player. By the time Clooney had paid his dues, he'd appeared in single episodes of The Golden Girls, Riptide, Crazy Like a Fox, Street Hawk and Hunter.After regular gigs on TV shows like The Facts of Life, Roseanne, and Sisters, Clooney scored a role on the NBC medical drama E.R., which proved his breakthrough to superstardom. When that program shot up to #1 in prime time ratings, Clooney carried it (much more, in fact, than a first-billed Anthony Edwards) - his inborn appeal to women and his onscreen grace and charm massive contributing factors. This appeal increased as his character - initially something of a callous womanizer - matured with the show, eventually evolving into a kind and thoroughly decent, if somewhat hotheaded, human being.The performer's newfound star power led to big screen opportunities, like an acid-mouthed, rifle-wielding antihero (one of the Gecko Brothers, alongside Quentin Tarantino) in the Robert Rodriguez-directed, Tarantino-scripted horror comedy From Dusk Till Dawn (1995). Not long after, Clooney shifted gears altogether, co-headlining (with Michelle Pfeiffer) in the charming romcom One Fine Day (1996). Though he would notoriously misstep in accepting the role of Bruce Wayne in the 1997 attempted Batman reboot Batman & Robin, Clooney's honesty about the part being a bad fit was refreshing to audiences, and he took little flack for the movie, moving on to critically acclaimed movies like the action-laced crime comedy Out of Sight, and Terrence Malick's adaptation of The Thin Red Line. Out of Sight represented a massive watershed moment for Clooney: the first of his numerous collaborations with director Steven Soderbergh. In 1999 -- following his much-talked-about departure from E.R. - Clooney continued to work on a number of high-profile projects. He would star alongside Mark Wahlberg and Ice Cube as an American soldier reclaiming Kuwaiti treasure from Saddam Hussein in David O. Russell's Three Kings, and eventually win a 2000 Golden Globe for his portrayal of a pomade-obsessed escaped convict in the Coen brothers' Odyssey update O Brother Where Art Thou?. It was around this time that Clooney, now an established actor equally as comfortable on the big screen as the small, began to branch out as the Executive Producer of such made-for-TV efforts as Killroy (1999) and Fail Safe (2000). Soon producing such features as Rock Star (2001) and Insomnia (2002), Clooney next re-teamed with Soderbergh for a modern take on a classic Rat Pack comedy with Ocean's Eleven (2001). After the dynamic film duo stuck together for yet another remake, the deep-space psychological science-fiction drama Solaris (2002), busy Clooney both produced and appeared in Welcome to Collinwood and Confessions of a Dangerous Mind later the same year.Confessions marked Clooney's behind-the-camera debut, and one of the most promising actor-turned-director outings in memory. Adapted by Charlie Kaufman from Gong Show host Chuck Barris's possibly fictionalized memoir, the picture exhibited Clooney's triple fascinations with politics, media and celebrity; critics did not respond to it with unanimous enthusiasm, but it did show Clooney's promise as a director. He went on to star alongside Catherine Zeta-Jones in the Coen Brothers movie Intolerable Cruelty. The small film was a major sleeper hit among the lucky few who got to see it, and it proved to be a great showcase for Clooney's abilities as a comedian. He moved on to team up with Zeta-Jones again, along with almost the entire cast of Ocean's Eleven, for the sequel, Oceans Twelve, which earned mixed critical reviews, but (like its predecessor) grossed dollar one at the box office. By 2005, Clooney achieved his piece-de-resistance by writing, directing, and acting a sophomore outing: the tense period drama Good Night, and Good Luck.. Shot in black-and-white by ace cinematographer Robert Elswit, the picture followed the epic decision of 1950's television journalist Edward R. Murrow (played by David Strathairn) to confront Senator Joseph McCarthy about his Communist witch hunt. The picture drew raves from critics and received nominations for Best Picture and Best Director.Clooney next appeared in the harshly explicit and openly critical Syriana. He took the lead in this ensemble political thriller about the oil industry, directed by Stephen Gaghan of Traffic and heralded by critics as a disturbingly real look at a hopelessly flawed and corrupt system. Clooney won an Oscar for Best Supporting Actor for his role as a veteran CIA officer. Never one to rest for very long, Clooney then joined the cast of The Good German. Directed by longtime collaborator Steven Soderbergh, German unfolds in post-WWII Berlin, where Clooney plays a war correspondent who helps an ex-lover (Cate Blanchett) search for her missing husband. The actor-director team would pair up again the following year for the third installment in the Ocean's saga, Ocean's Thirteen. Next turning towards a more intimate, individualized project, Clooney earned yet more acclaim playing the title role in Tony Gilroy's Michael Clayton, where his portrayal of a morally compromised legal "fixer" earned him strong reviews and an Oscar nomination for Best Actor.Complications during the pre-production of the period comedy Leatherheads led to Clooney rewriting the script, as well as starring in and directing the picture. Though the movie made few ripples with audiences or critics, Clooney's adeptness continued to impress. In 2009, he gave voice to the lead character in Wes Anderson's thoroughly charming stop-motion animation feature Fantastic Mr. Fox, played a soldier with ESP in the comedy The Men Who Stare at Goats, and earned arguably the best notices of his career as corporate hatchet man Ryan Bingham in Jason Reitman's Up in the Air. His work in that well-reviewed comedy/drama earned him nominations from the Screen Actors Guild, the Golden Globes, and the Academy. In the midst of awards season, Clooney again produced a successful telethon, this time to help earthquake victims in Haiti.In 2011 Clooney would, for the second time in his already impressive career, score Oscar nominations for writing and acting in two different films. His leading role in Alexander Payne's The Descendants earned him a wave of critical praise, as well as Best Actor nods from the Screen Actors Guild and the Academy, as well as capturing the Best Actor award from the Golden Globes. The film he co-wrote and directed that year, the political drama The Ides of March garnered the heartthrob a Best Adapted Screenplay nomination from BAFTA, the Academy, and the Golden Globes. In 2012 he earned his second Oscar as one of the producers of that year's Best Picture winner, the Ben Affleck-directed political thriller/Hollywood satire Argo. The following year, he appeared in the critically-acclaimed, box office smash Gravity, and also produced August: Osage County. In 2014, he co-wrote and co-produced (with Grant Heslov) and starred in The Monuments Men, but the film was delayed from a late-2013 release and didn't score well with critics or at the box office.

Trivia: The son of a trucking company manager, Brad Pitt was born December 18, 1963, in Shawnee, OK. Raised in Missouri as the oldest of three children, and brought up in a strict Baptist household, Pitt enrolled at the University of Missouri, following high school graduation, studying journalism and advertising. However, after discovering his love of acting, he dropped out of college two credit hours before he could graduate and moved to Hollywood. Once in California, Pitt took acting classes and supported himself with a variety of odd jobs that included chauffeuring strippers to private parties, waiting tables, and wearing a giant chicken suit for a local restaurant chain. His first break came when he landed a small recurring role on Dallas, and a part in a teenage-slasher movie, Cutting Class (1989) (opposite Roddy McDowall), marked his inauspicious entrance into the world of feature films. The previous year, Pitt's acting experience had been limited to the TV movie A Stoning in Fulgham County (1988). 1991 marked the end of Pitt's obscurity, as it was the year he made his appearance in Thelma & Louise (1991) as the wickedly charming drifter who seduces Geena Davis and then robs her blind. After becoming famous practically overnight, Pitt unfortunately chose to channel his newfound celebrity into Ralph Bakshi's disastrous animation/live action combo Cool World (1992). Following this misstep, Pitt took a starring role in director Tom Di Cillo's independent film Johnny Suede. The film failed to score with critics or at the box office and Pitt's documented clashes with the director allegedly inspired Di Cillo to pattern the character of the vain and egotistical Chad Palomino, in his 1995 Living in Oblivion, after the actor. Pitt's next venture, Robert Redford's lyrical fly-fishing drama A River Runs Through It (2002), gave the actor a much-needed chance to prove that he had talent in addition to physical appeal.Following his performance in Redford's film, Pitt appeared in Kalifornia and True Romance (both 1993), two road movies featuring fallen women and violent sociopaths. Pitt's next major role did not arrive until early 1994, when he was cast as the lead of the gorgeously photographed Legends of the Fall. As he did in A River Runs Through It, Pitt portrayed a free-spirited, strong-willed brother, but this time had greater opportunity to further develop his enigmatic character. Later that same year, fans watched in anticipation as Pitt exchanged his outdoorsy persona for the brooding, gothic posturing of Anne Rice's tortured vampire Louis in the film adaptation of Interview With the Vampire. Pitt next starred in the forgettable romantic comedy The Favor (1994) before going on to play a rookie detective investigating a series of gruesome crimes opposite Morgan Freeman in Seven (1995). In 1997, Pitt received a Golden Globe award and an Oscar nomination for his portrayal of a visionary mental patient in Terry Gilliam's 12 Monkeys; the same year, Pitt attempted an Austrian accent and put on a backpack to play mountaineer Heinrich Harrar in Seven Years in Tibet. The film met with mixed reviews and generated a fair amount of controversy, thanks in part to the revelation that the real-life Harrar had in fact been a Nazi. Following Tibet, Pitt traveled in a less inflammatory direction with Alan J. Pakula's The Devil's Own, in which he starred with fellow screen icon Harrison Ford. Despite this seemingly faultless pairing, the film was a relative critical and box-office failure. In 1998, Pitt tried his hand at romantic drama, portraying Death in Meet Joe Black, the most expensive non-special effects film ever made. Pitt's penchant for quirk was prevalent with his cameo in the surreal comic fantasy Being John Malkovich (1999) and carried over into his role as Tyler Durden, the mysterious and anti-materialistic soap salesman in David Fincher's controversial Fight Club the same year. The odd characterizations didn't let up with his appearance as the audibly indecipherable pugilist in Guy Ritchie's eagerly anticipated follow-up to Lock, Stock and Two Smoking Barrels, Snatch (2000).In July of 2000, the man voted "Most Sexy Actor Alive" by virtually every entertainment publication currently in circulation crushed the hearts of millions of adoring female fans when he wed popular film and television actress Jennifer Aniston in a relatively modest (at least by Hollywood standards) and intimate service.Pitt's next turn on the big screen found him re-teamed with Robert Redford, this time sharing the screen with the A River Runs Through It director in the espionage thriller Spy Game (2001). A fairly retro-straight-laced role for an actor who had become identified with his increasingly eccentric roles, he was soon cast in Steven Soderbergh's remake of the Rat Pack classic Ocean's 11 (2001), the tale of a group of criminals who plot to rob a string of casinos. Following a decidedly busy 2001 that also included a lead role opposite Julia Roberts in the romantic crime-comedy The Mexican, Pitt was virtually absent from the big-screen over the next three years. After walking away from the ambitious and troubled Darren Aronofsky production The Fountain, he popped up for a very brief cameo in pal George Clooney's 2002 directorial debut Confessions of a Dangerous Mind and lent his voice to the animated adventure Sinbad: Legend of the Seven Seas, but spent the majority of his time working on the historical epic Troy (2004). Directed by Wolfgang Peterson, the film employed a huge cast, crew and budget.The media engulfed Pitt's next screen role with tabloid fervor, as it cast him opposite bombshell Angelina Jolie. While the comedic actioner Mr. and Mrs. Smith grossed dollar one at the box office, the stars' off-camera relationship that made some of 2005's biggest headlines. Before long, Pitt had split from his wife Jennifer Aniston and adopted Jolie's two children. The family expanded to three in 2006 with the birth of the couple's first child, to four in 2007 with the adoption of a Vietnamese boy, and finally to six in 2008, with the birth of fraternal twins.In addition to increasing his family in 2006, Pitt also padded his filmography as a producer on a number of projects, including Martin Scorsese's The Departed, the Best Picture Winner for 2006. He also acted opposite Cate Blanchett in Alejandro Gonzalez Inarritu's drama Babel. Interestingly, that film hit theaters the same year as The Fountain, a film that was originally set to star the duo. Pitt also stayed busy as an actor, reteaming with many familiar on-screen pals for Ocean's Thirteen. At about the same time, Pitt teamed up with Ridley Scott to co-produce a period western, The Assassination of Jesse James by the Coward Robert Ford; Pitt also stars in the film, as James. The year 2007 found Pitt involved, simultaneously, in a number of increasingly intelligent and distinguished projects. He signed on to reteam with David Fincher for the first occasion since Fight Club, with The Curious Case of Benjamin Button - a bittersweet fantasy, adapted by Forrest Gump scribe Eric Roth from an F. Scott Fitzgerald story, about a man who falls in love while he is aging in reverse. When the special effects heavy film hit theaters in time for awards season in 2008, Pitt garnered a Best Actor nomination from both the Academy and the Screen Actors Guild. Also in 2007, Pitt produced an adaptation of Marianne Pearl's memoir A Mighty Heart that starred Angelina Jolie. In the years that followed, Pitt remained supremely busy. He delivered a funny lead performance as Lt. Aldo Raine in Quentin Tarantino's blistering World War II saga Inglourious Basterds (2009), then did some of the most highly-praised work of his career as a disciplinarian father in Terence Malick's The Tree of Life (2011) - a sprawling, cerebral phantasmorgia on the meaning of life and death that became one of the critical sensations of the year. He also won a great deal of praise for his turn as Billy Beane in Bennett Miller's adaptation of the non-fiction book Moneyball, a role that not only earned him critical raves but Best Actor nominations from the Academy, BAFTA, the Broadcast Film Association, the Golden Globes, and won him the New York Film Critics Circle award (though the institution also recognized his work in Tree of Life as figuring into their decision).In 2013, Pitt's Plan B production company produced 12 Years a Slave (he also appeared in the film, in a small supporting role), which earned Pitt an Academy Award when the film won Best Picture. The next year, Pitt won an Emmy as part of the producing team of the HBO tv movie The Normal Heart.

Trivia: One who graduated from obscure actor to Hollywood icon in just a few years, Matt Damon became an instant sensation when he co-wrote and starred in Good Will Hunting with longtime buddy and collaborator Ben Affleck. A native of Cambridge, Massachusetts, where he was born on October 8, 1970, Damon grew up in prosperous surroundings with his tax preparer father, college professor mother, and older brother. At the age of ten, he befriended Affleck, a boy two years his junior who lived down the street. Educated at Cambridge's Rindge and Latin School, Damon landed his first role in a Hollywood production before the age of 18, with a one-scene turn in Mystic Pizza (1988). Not long after, Damon gained acceptance to Harvard University, where he studied for three years before dropping out to pursue his acting career. During his time there, he had to write a screenplay for an English class, that served as the genesis of Good Will Hunting. Arriving in Hollywood, Damon scored his first big break with a plum role in School Ties opposite Affleck. As the film was a relative flop, Damon's substantial role failed to win him notice, and he was back to laboring in obscurity. It was around this time, fed up with his Hollywood struggles, that Damon contacted Affleck, and the two finished writing the former's Harvard screenplay and began trying to get it made into a film. It was eventually picked up by Miramax, with Gus Van Sant slated to direct and Robin Williams secured in a major role, opposite Damon as the lead. Before Good Will Hunting was released in late 1997, Damon won some measure of recognition for his role as a drug-addicted soldier in Courage Under Fire; various industry observers praised his performance and his dedication to the part, for which he lost forty pounds and suffered resulting health problems. Any praise Damon may have received, however, was overshadowed the following year by the accolades he garnered for Good Will Hunting. His Oscar nomination for Best Supporting Actor, Best Screenplay win alongside Damon, and strong performance in the film virtually guaranteed industry adulation and steady employment, a development that became readily apparent the following year with lead roles in two major films. The first, John Dahl's Rounders, cast Damon as a card shark with a serious gambling addiction, who risks his own personal safety when he becomes entangled with a reckless loser buddy (Edward Norton). Damon's second film in 1998, Steven Spielberg's Saving Private Ryan, brought him even greater recognition. As Ryan's title character, Damon headlined an all-star line-up and received part of the lavish praise heaped on the film and its strong ensemble cast. The following year, Damon signed for leads in two more highly anticipated films, Anthony Minghella's The Talented Mr. Ripley and Kevin Smith's Dogma. The former cast the actor against type as the title character, a psychotic bisexual murderer, with a supporting cast that included Cate Blanchett, Jude Law, and Gwyneth Paltrow. Dogma also allowed Damon to cut against the grain of his nice-guy persona by casting him as a fallen angel. One of the year's more controversial films, the religious comedy reunited him with Affleck, as well as Smith, who had cast Damon in a bit role in his 1997 film, Chasing Amy. Damon next delivered noteworthy performances in a pair of low-grossing, low-key dramas, The Legend of Bagger Vance and All the Pretty Horses (both 2000), before appearing in director Steven Soderbergh's blockbuster remake of the Rat Pack classic Ocean's Eleven the following year. 2002 found the actor vacillating between earnest indie projects and major Hollywood releases. Behind the camera, Damon joined forces with filmmaker Chris Smith for the Miramax-sponsored Project Greenlight, a screenplay sweepstakes that gave the winner the opportunity to make a feature film and have the process recorded for all to see on an HBO reality series of the same name. Toward the end of 2001, Damon scored a box office triumph with director Doug Liman's jet-setting espionage thriller The Bourne Identity. With this effort, Damon proved once again that he could open a film with just as much star power as his best friend and colleague. Better yet, Bourne reinforced Damon's standings with the critics, who found his performance understated and believable. The press responded less favorably, however, to Damon's reunion project with Van Sant, the experimental arthouse drama Gerry (2003). Also in 2003, Damon starred opposite Greg Kinnear in the Farrelly Brothers' broad comedy Stuck On You, as the shy half of a set of conjoined twins.In 2004, Damon reprised the role of Jason Bourne in The Bourne Supremacy. As the actor's biggest leading-man success to date, it reinforced Damon's continued clout with audiences. Staying on the high-powered sequel bandwagon, he reunited with Brad Pitt and George Clooney for the big-budget neo-rat pack sequel Ocean's Twelve later that year. 2005 was somewhat lower-key for the actor, as he toplined Terry Gilliam's disappointing The Brothers Grimm and joined the sprawling ensemble of Syriana. After working seemingly non-stop for a few years, Damon claimed only a call from Martin Scorsese would get him to give up his resolve to take some time off. Sure enough, that call came. The Departed, an American remake of the Hong Kong mob-mole thriller Infernal Affairs, co-starred Jack Nicholson and Leonardo DiCaprio. Playing the squirmy, opportunistic cop to DiCaprio's moral, tormented mobster, Damon underplayed his part to perfection while holding his own opposite his two co-stars. Damon then took the lead role in the Robert De Niro-directed CIA drama The Good Shepherd. In 2007, the actor once again returned to box office franchises for the sequels Ocean's Thirteen and The Bourne Ultimatum, the latter of which netted him -- by far -- the largest opening-weekend take of his career to that point. 2009 was another great year for the hard-working star. His turn as the unstable federal informant in Steven Soderbergh's wicked comedy The Informant! earned him rave reviews, and his supporting work in Clint Eastwood's Invicus, as the leader of the South African rugby team, earned Damon nominations from the Golden Globes, the Screen Actors Guild, and the Academy. In 2010 he reteamed with Eastwood for the supernatural drama Hereafter, and continued working with the best filmmakers of his time by landing a supporting role in the Coen brothers remake of True Grit. Meanwhile, Damon tried his hand at small screen work with a memorable recurring role as Carol, an airline pilot and sometime boyfriend of Liz Lemon, on the NBC situation comedy 30 Rock and a lauded turn opposite Michael Douglas' Liberace in the TV movie Behind the Candelabra. Damon had long since established himself as an A-list movie star, however, and would continue to star in big screen projects for years to come, including notable titles like Contagion, The Adjustment Bureau, and We Bought a Zoo. Damon next turned in performances in three films set in outer space: Neill Blomkamp's Elysium (2013), a supporting role in Christopher Nolan's Interstellar (2014) and an Oscar-nominated spin in Ridley Scott's The Martian (2015).

Trivia: An edgy comic who skyrocketed to comedy fame with his memorably side-splitting appearance in Spike Lee's The Original Kings of Comedy, Bernie Mac may have seemed an unlikely candidate for a television sitcom, but with the debut of The Bernie Mac Show, the inventive comedian began on a high note, leaving many pondering the apparent overnight success of the comedian who had ostensibly come from nowhere to become a ubiquitous presence. Born Bernard Jeffrey McCullough in Chicago, IL, Mac was a member of a large extended family living under one roof, which provided the energetic youngster with plenty of fuel for refining his ability to perform dead-on impressions and humorously recall memorable family occurrences. Time spent as a gopher for performers at the Regal Theater also served as a primer for his showbiz aspirations (as well as a cautionary warning of the destructive temptations that go along with fame). Mac's first experiences with standup came at the age of eight, when he performed a routine about his grandparents at the dinner table in front of the congregation at church. Though it resulted in some strict reprimanding from his grandmother, he had the audience feeding out of his palm and the young impressionist quickly had the epiphany that humor meant more to him than the sting of discipline. From that point on, Mac refined and developed his comic abilities on the tracks of Chicago's El trains and in local parks. Though he earned a modest keep from his public performances, Mac craved the legitimacy of the club circuit and he began to perform professionally in 1977. After early film work -- including memorable appearances in Above the Rim (1994) and The Walking Dead (1995), which followed on the heels of his big-screen debut in 1992's Mo' Money -- Mac was offered and appeared in the television series Midnight Mac in 1995. Hesitation as to the neutering of his material made the comedian leery of television, and the show didn't last. The comic actor earned more attention when he turned up frequently the following year in television's Moesha, though mainstream acceptance was still four years and numerous bit film parts away. Following The Original Kings of Comedy, Mac began to develop an idea for a sitcom that revolved around similar family experiences and retained the edge that had initially shocked his audiences into laughter. In 2001, he debuted the family sitcom The Bernie Mac Show, and it was a success, running for five seasons. 2001 would indeed prove to be the year of the Mac as he also took on a substantial role in director Steven Soderbergh's Ocean's 11. He reprised that character in the two Ocean's sequels, as well as lead roles as a vice presidential candidate in the Chris Rock political satire Head of State and as a washed-up baseball player in 2004's Mr. 3000. 2007 saw Mac in a more serious role as a kindly janitor in the inspirational sports drama Pride. Upon his death in August 2008 of complications from pneumonia, Soul Men, in which he stars alongside Samuel L. Jackson as a soul singer embarking on a reunion tour, had yet to hit theaters.­

Trivia: An acclaimed character actor of the stage, screen, and television, Don Cheadle often manages to steal most of the scenes in which he appears. That is no small feat, for the slender African-American actor has, at first glance, a rather unassuming physical presence, particularly when compared to some of his big-name co-stars. An actor whose style compliments rather than overshadows the performances of those around him, Cheadle stands out for his rare ability to bring a laid-back intensity and subtle charisma to his roles.A native of Kansas City, MO, Cheadle was born on November 29, 1964, to a psychologist father and bank manager mother. During his early childhood, his family moved to Denver and then Nebraska. One thing that remained a constant in Cheadle's childhood was his interest in performing, which began around the age of five. In addition to acting, he was interested in jazz music and his parents supported both of these endeavors. By the time he graduated from high school, he had scholarships from both music and acting schools; choosing the latter, he attended the California Institute of the Arts in Valencia. Following graduation, Cheadle made his film debut with a small role as a hamburger server in Moving Violations (1985). He honed his acting skills as a guest star on television series ranging from Hill Street Blues to Night Court, and, in 1992, he landed a regular role as a fussy hotel manager on The Golden Palace. Although the show faltered after only one season, Cheadle landed on his feet, subsequently snagging the plum role of earnest district attorney John Littleton on Picket Fences (1993-1995). While he was building a career on television, Cheadle was also earning a reputation in feature films. He first made an impression on audiences with his lead role in Hamburger Hill (1987), and, in 1994, he had his true screen breakthrough portraying Denzel Washington's best friend in Devil in a Blue Dress. So good was his performance -- which earned him a number of film critics awards -- that many felt an Oscar nomination was inevitable; when the Academy passed him over, many, including Cheadle, wondered why. However, the actor chalked it up to politics and got on with his career, working steadily throughout the remainder of the decade. 1997 proved to be a big year for him: he co-starred in three major films, Volcano, Boogie Nights, and John Singleton's Rosewood. He won particular praise for his work in the latter two films, earning nominations for SAG and Image awards.The following year, Cheadle made a triumphant return to television with his portrayal of Sammy Davis Jr. in The Rat Pack, winning an Emmy nomination and a Golden Globe award. Also in 1998, he did stellar work in Steven Soderbergh's Out of Sight and Warren Beatty's Bulworth, playing a down and dirty ex-con in the former and a drug lord in the latter. Another Emmy nomination followed in 1999, for Cheadle's powerful portrayal of a school teacher sent in to counsel a young man on death row, in A Lesson Before Dying. Cheadle would become something of a fixture in Soderbergh's films, and in fact delivered a stunning performance as a federal drug agent in the director's epic muckraking drama Traffic (2000).Cheadle then turned up in Soderbergh's remake of the Rat Pack classic Ocean's Eleven in 2002.The chasm between Traffic and Ocean's Eleven (not in terms of quality but in terms of intended audience and depth) is instructive; it established a definitive career pattern for Cheadle during the mid-late 2000s. Throughout that period, the gifted actor continually projected versatility by alternating between buttered-popcorn pictures - such as Soderbergh's 2004 and 2007 follow ups to Eleven (Ocean's Twelve and Ocean's Thirteen) - and more complex, demanding, intelligent material. For example, in 2004 (a particularly vital year for Cheadle) the actor delivered a four-barrelled lead portrayal in the heart-wrenching docudrama Hotel Rwanda. In that politically-tinged, factually-charged account, the actor plays the Rwandan manager of a Kigali hotel, so devastated by the surrounding massacres of his fellow countrymen that he turns the establishment into a clandestine refugee camp. Cheadle justly netted an Oscar nomination for his work. That same year, the thespian held his own against lead Sean Penn (no small feat, that) in the depressing and despairing yet critically acclaimed psychodrama The Assassination of Richard Nixon. Cheadle reserved his most formidable coup, however, for 2005, when he both produced and co-starred (opposite many, many others) in Paul Haggis's difficult ensemble film Crash-a searing, biting meditation on racism and the Best Picture winner of its year. In early 2007, Cheadle paired up with actor Adam Sandler and writer-director Mike Binder for Reign Over Me, a two-character drama about a dentist (Cheadle) reunited with his displaced college roommate (Sandler) after the trauma of 9/11. The picture reeled in generally favorable, if not universally positive, reviews. Later that same year, the actor essayed the lead role in Talk to Me. As directed by Kasi Lemmons, this period drama recreated the life and times of the controversial 1960s convict-cum-shock jock Petey Greene (Cheadle) who rides to fame amid the throes of the civil rights movement and Vietnam-era tumult; many critics tagged the portrayal as definitively Oscar worthy.Cheadle would remain a top star over the coming years, appearing in everything from the kid-friendly Hotel for Dogs to the gritty crime thriller Brooklyn's Finest. Cheadle would also take over the role of Lt. James Rhodes in the Iron Man sequel, replacing Terrence Howard. Cheadle would also find success on the small screen, producing and starring in the critically acclaimed comedy series House of Lies.

Trivia: Carl Reiner knew he wanted to be an actor -- preferably a Shakespearean actor -- from the time he was wearing knee pants. Trained in New York's Works Progress Administration Dramatic Workshop, he spent the war years touring with Maurice Evans' G.I. Hamlet, appearing with another young hopeful, Howard Morris. After the war he accumulated scores of stock company and Broadway credits, then in 1948 made his television debut in the short-lived series Fashion Story. While starring in NBC's 54th Street Revue, he was hired as one of the regulars on Your Show of Shows, appearing on a weekly basis with Sid Caesar, Imogene Coca, and old pal Howie Morris. During the scripting sessions for Show of Shows, Reiner became friends with a bombastic staff writer named Mel Brooks, with whom he improvised a number of wild stream-of-consciousness comedy bits which would eventually crystallize as the classic "2000 Year Old Man" routines. An Emmy winner for his work on the various Sid Caesar programs, he entered films as a character actor in 1959. That same year, he wrote, produced, and starred in the pilot episode for a proposed series about a comedy writer named Rob Petrie, titled Head of the Family. The network executives liked the concept, but vetoed Reiner as the star; swallowing his pride, he retooled the property with another leading man, and that's how the Emmy-winning Dick Van Dyke Show was born. During the series' five-year run, Reiner made innumerable cameo appearances on the program, most memorably as Rob Petrie's mercurial TV-comedian boss Alan Brady. In 1967 he made his film directorial debut with Enter Laughing, an adaptation of his own semi-autobiographical 1958 novel (the book had already been transformed into a Broadway play with Alan Arkin as star). Reiner's later directing assignments included The Comic (1967), a bittersweet farce based on the lives of Stan Laurel, Harry Langdon, and Buster Keaton; the black comedy cult favorite Where's Poppa? (1970); the whimsical fantasy Oh, God (1977); and a popular series of Steve Martin vehicles, among them The Jerk (1978) and Dead Men Don't Wear Plaid (1982). His film output decreased in number and quality in the l980s and 1990s, though critics enjoyed his offbeat 1989 working-class comedy Bert Rigby, You're a Fool and his 1997 Bette Midler starrer That Old Feeling. In 1995, he earned yet another Emmy award for his revival of the Alan Brady character on a memorable episode of TV's Mad About You. And though Reiner appeared to retire from directing following That Old Feeling, he still maintained a notable presence in film and television with roles in Steven Soderbergh's Ocean's Eleven and it's two sequels, House M.D., Hot in Cleveland, and Parks and Rec.Carl Reiner is the father of directors Rob Reiner and Lucas Reiner; his wife Estelle has enjoyed a latter-day career as a night club singer and as a cameo performer in her son Rob's films (she's the lady who says, "I'll have what she's having!" in When Harry Met Sally).

Trivia: Elliot Gould was one of Hollywood's hottest actors of the early '70s and though he reached the peak of his popularity years ago, he remains a steadily employed supporting and character actor. Gould's lifelong involvement in show business is partially the result of his mother. In classical stage mother fashion, she made an eight-year-old Gould take numerous classes in performing, singing, and dance, including ballet. She enrolled him in Manhattan's Professional Children's School and then had him perform in hospitals, temples, and sometimes on television. Gould was also a child model. During summers, Gould performed at Catskill mountain resorts. When he was 18, he made it into a Broadway chorus line. Working odd jobs in between minor stage gigs, Gould did not get his big break until he joined the chorus line of the musical Irma La Douce. From there he won the leading role opposite Barbra Streisand in I Can Get It for You Wholesale. Though the two leads got good reviews, the show did not and rapidly closed. During its short run, Gould and Streisand fell in love, and in 1963, married. The following year, Gould made an inauspicious feature-film debut playing a deaf-mute in The Confession (1964). He did much better in his second film, The Night They Raided Minsky's (1968). While Gould's career seemed jammed in neutral, his wife's popularity hit the stratosphere, and for a time, he helped arrange her television appearances. By 1967, after years of being called Mr. Streisand and undergoing analysis, Gould untied the knot with Streisand. Gould became a star in 1969 when his co-starring role in the sex comedy Bob and Carol and Ted and Alice earned him a Best Supporting Actor nomination. After playing Trapper John in Robert Altman's counterculture classic M*A*S*H, Gould at last made it to the big league. Tall, curly-haired, more homely than handsome, laid-back, unconventional, sensitive, and unabashedly Jewish, Gould was tremendously popular with young adults who strongly identified with the often confused and neurotic characters he played. Gould's subsequent few films, notably Getting Straight (1970) and Little Murders, reinforced his counterculture image. For a while, he seemed to be everywhere, but by 1973, his career had already begun tapering off. A powerfully subtle performance as Philip Marlow in Altman's Long Goodbye (1973) proved that Gould had talent to spare, but over the next few years, he chose several independent, under the radar films, like California Split and Capricorn One. Over the coming decades, Gould would eventually find an ideal level of fame and activity, appearing in a massive number of films, like Dangerous Love, Bugsy, Ocean's Eleven (and its sequels), and Contagion. Gould would also enjoy a beloved recurring role on the massively successful sitom Friends as the father of Ross and Monica Geller.

Trivia: The eldest son of actor James Caan, Scott Caan started to make a name for himself in such films as Enemy of the State and Varsity Blues. Five feet-five inches of muscle and machismo, the actor was born in 1976 and spent his childhood shuttling between his divorced father and mother. Although as a child he preferred sports to acting, Caan was offered the title role in the 1995 drama A Boy Called Hate. Following his performance in the film, he attended acting classes at Los Angeles' West Playhouse and acted in a few subsequent features, including Gregg Araki's 1997 Nowhere. In 1998, the actor got another break with a part in Tony Scott's thriller Enemy of the State and went on to make a number of small films that same year, including Wild Horses, which was co-directed by a post-Punky Brewster Soleil Moon Frye. In 1999 came Varsity Blues and an accompanying rush of exposure for Caan, who supplied the film's comic relief as a hell-raising wide receiver. In addition, the actor increased his indie credibility with Saturn, which was screened at the 1999 Los Angeles Independent Film Festival.As the new decade began, Caan appeared in Boiler Room, but he landed one of his most high-profile role in 2011 when he became one of Ocean's Eleven, playing a number of funny scenes opposite Casey Affleck. In 2005 he was in the thriller Into the Blue, and the next year had a small role in the indie comedy Friends With Money.Over the course of the decade he would return to the Ocean's franchise two more times, and take a major part in the Eddie Murphy comedy Meet Dave. He would act opposite his famous father in 2009's Mercy, a film he also wrote. In 2010 Caan would find success on the small-screen in the reboot of Hawaii Five-O.

Trivia: Born Andrés Arturo García-Menéndez on April 12th, 1956, actor Andy Garcia was five-years-old when he fled with his family from his native Cuba to Miami, where Garcia's father, a former lawyer, established a successful cosmetics business upon becoming an American citizen. Following his graduation from Florida International University, Garcia moved to L.A. and performed briefly as a standup comic, working as a furniture expediter and waiter when jobs were scarce. While his TV debut was a small role in the 1981 pilot of Hill Street Blues, Garcia did not have to travel far from his adopted hometown for his film bow, Blue Skies Again (1983), which was shot on location in Florida. (Also making her first screen appearance in this forgettable baseball comedy was actress Mimi Rogers).It was not until he was cast as a drug kingpin in Hal Ashby's 8 Million Ways to Die (1985) that Garcia's career really took off. After turning in strong roles in both The Untouchables (1987) and Stand and Deliver (1988), he achieved an additional degree of stardom when he was cast as Michael Corleone's hot-headed nephew in The Godfather Part III (1990), a role for which he earned Best Supporting Actor Oscar and Golden Globe nominations. The range of Garcia's talents was impressive enough for screenwriter Henry Bean to write the script for the 1990 police-corruption drama Internal Affairs with the actor specifically in mind. But after several years of on-the-edge characters, Garcia softened his screen image as the too-good-to-be-true husband of an alcoholic (Meg Ryan) in When a Man Loves a Woman (1994). Garcia's career waned a bit during the second half of the '90s, and the actor concentrated some of his energies on starring in various made-for-TV movies and such Spanish-made films as Death in Granada (1997). Although Garcia found his place in American cinema -- indeed, he was one of the few Latino stars to successfully cross over into Hollywood films -- his deep connection and loyalty to his Cuban heritage was illustrated by his involvement in projects that reflect that sentiment. He has produced and directed a tribute to Cuban mambo artist Cachoao entitled Cachoao: Like His Rhythm There Is No Other, and, at one time, he planned to direct and star in a film adaptation of The Lost City, an epic novel of revolution and exile by Cuban writer Guillermo Cabrera Infante.Garcia worked alongside George Clooney and Brad Pitt for 2001's Ocean's 11, in which he portrayed the unscrupulous owner of a casino, and appeared in the film's sequels Ocean's 12 (2004) and Ocean's 13 (2007). He joined the cast of The Pink Panter 2 in 2009, and took a lead role in the historical drama Greater Glory (2012), which follows a group of Mexican patriots devoted to defending future generations from tyranny. A devoted family man, Garcia lives outside of the spotlight with his wife Maria Victoria (also a Cuban immigrant) and their three daughters.

Trivia: Brooding and intense, Al Pacino has remained one of Hollywood's premier actors throughout his lengthy career, a popular and critical favorite whose list of credits includes many of the finest films of his era. Pacino was born April 25, 1940, in East Harlem, NY. Raised in the Bronx, he attended the legendary High School for Performing Arts, but dropped out at the age of 17. He spent the next several years drifting from job to job, continuing to study acting and occasionally appearing in off-off-Broadway productions. In 1966, Pacino was accepted to train at the Actors' Studio, and after working with James Earl Jones in The Peace Creeps, he starred as a brutal street youth in the off-Broadway social drama The Indian Wants the Bronx, earning an Obie Award as Best Actor for the 1967-1968 theatrical season. A year later, he made his Broadway debut in Does the Tiger Wear a Necktie? Although the play itself closed after less than 40 performances, Pacino was universally praised for his potent portrayal of a sociopathic drug addict, and he won a Tony Award for his performance. Pacino made his film debut in the 1969 flop Me, Natalie. After making his theatrical directorial debut with 1970's Rats, he returned to the screen a year later in Panic in Needle Park, again appearing as a junkie. (To prepare for the role, he and co-star Kitty Winn conducted extensive research in known drug-dealer haunts as well as methadone clinics.) While the picture was not a success, Pacino again earned critical raves. Next came Francis Ford Coppola's 1972 Mafia epic The Godfather. As Michael Corleone, the son of an infamous crime lord reluctantly thrust into the family business, Pacino shot to stardom, earning a Best Supporting Actor Oscar nomination for his soulful performance. While the follow-up, 1973's Scarecrow, was received far less warmly, the police drama Serpico was a smash, as was 1974's The Godfather Part II for which he earned his third Academy Award nomination. The 1975 fact-based Dog Day Afternoon, in which Pacino starred as a robber attempting to stick up a bank in order to finance his gay lover's sex-change operation, was yet another staggering success.The 1977 auto-racing drama Bobby Deerfield, on the other hand, was a disaster. Pacino then retreated to Broadway, winning a second Tony for his performance in the title role in The Basic Training of Pavlo Hummel. Upon returning to Hollywood, he starred in ...And Justice for All, which did not appease reviewers but restored him to moviegoers' good graces. Pacino next starred in William Friedkin's controversial Cruising, portraying a New York City cop on the trail of a serial killer targeting homosexuals; it was not a hit, nor was the 1982 comedy Author! Author! Brian DePalma's violent 1983 remake of Scarface followed; while moderately successful during its initial release, the movie later became a major cult favorite. Still, its lukewarm initial reception further tarnished Pacino's star. However, no one was fully prepared for the fate which befell 1985's historical epic Revolution; made for over $28 million, the film failed to gross even $1 million dollars at the box office. Pacino subsequently vanished from the public eye, directing his own film, The Local Stigmatic, which outside of a handful of 1990 showings at the Museum of Modern Art was never screened publicly. While his name was attached to a number of projects during this time period, none came to fruition, and he disappeared from cinema for over four years. Finally, in 1989, Pacino returned with the stylish thriller Sea of Love; the picture was a hit, and suddenly he was a star all over again. A virtually unrecognizable turn as a garish gangster in 1990's Dick Tracy earned him a sixth Oscar nomination, but The Godfather Part III was not the financial blockbuster many anticipated it to be. The 1991 romantic comedy Frankie and Johnny was a success, however, and a year later Pacino starred in the highly regarded Glengarry Glen Ross as well as Scent of a Woman, at last earning an Oscar for his performance in the latter film. He reunited with DePalma for 1993's stylish crime drama Carlito's Way, to which he'd first been slated to star in several years prior. Remaining in the underworld, he starred as a cop opposite master thief Robert De Niro in 1995's superb Heat, written and directed by Michael Mann. Pacino next starred in the 1996 political drama City Hall, but earned more notice that year for writing, directing, producing, and starring in Looking for Richard, a documentary exploration of Shakespeare's Richard III shot with an all-star cast. In 1997, he appeared with two of Hollywood's most notable young stars, first shooting Donnie Brasco opposite Johnny Depp, and then acting alongside Keanu Reeves in The Devil's Advocate. Following roles in The Insider and Any Given Sunday two-years later, Pacino would appear in the film version of the stage play Chinese Coffee (2000) before a two-year periods in which the actor was curiously absent from the screen. Any speculation on the workhorse actor's slowing down ended when in 2002 Pacino returned with the quadruple-threat of Insomnia, Simone, People I Know and The Recruit. With roles ranging from that of a troubled detective investigating a murder in the land of the midnight sun, to a film producer who builds the worlds first virtual actress, Pacino reenforced his image as a versatile, energetic and adventurous an actor. The films struck uneven chords, however; Insomnia hit a zenith, critically and commercially, while Pacino scraped bottom with Simone. Pacino fared better at the box and in the press with Michael Radford's December 2004 Merchant of Venice but dodged critical bullets with the D.J. Caruso-helmed 2005 gambling drama Two for the Money. Circa 2006, Pacino starred as Jack Gramm in 88 Minutes, the gripping tale of a college prof who moonlights as a forensics expert for the feds. He also announced plans, that year, to join the cast of Steven Soderbergh's Ocean's Thirteen and a remake of Jules Dassin's seminal Rififi, to reunite him with City Hall helmer Harold Becker.

Trivia: Ellen Barkin is one of the most respected, versatile actresses on the screen; she is equally at home playing supporting roles, character roles, and leads -- even as true stardom eluded her. Prior to becoming an actress, Barkin attended the renowned High School for the Performing Arts in New York, studied history and Drama at Hunter College, and attended workshops at The Actors Studio. Barkin debuted on-stage in 1980's Irish Coffee and continued her theater work while appearing the following year in the soap opera Search for Tomorrow. She had roles in various TV movies before making her critically acclaimed film debut as the neglected wife of an obsessive record collector in Barry Levinson's Diner (1982), and subsequently went on to play supporting roles ranging from unhappy wives to white-hot sexpots to a small but vital part as Robert Duvall's troubled daughter in Tender Mercies (1983). Following her appearance in the romantic thriller The Big Easy in 1987, Barkin gained a small but devoted following. While filming the experimental supernatural thriller Siesta (1987), she met her husband, Irish actor Gabriel Byrne, with whom she had two children. (The couple divorced in 1993.) Remaining involved with The Actors Studio when not working, Barkin worked steadily during the late '80s and throughout the '90s -- most notably in Sea of Love (1989) -- and appeared (with Oprah Winfrey) in 1997's Before Women Had Wings, her first TV movie in 13 years. She appeared in Terry Gilliam's adaptation of Fear and Loathing in Las Vegas, as well as the 1999 black comedy Drop Dead Gorgeous. She made a move into indie fare at the beginning of the next decade with parts in Todd Solondz's Palindromes, and Spike Lee's micro-budget drama She Hate Me. She had her most high-profile role in quite some time in 2007 when she was cast in Ocean's Thirteen. Two years later she was in the cop drama Brooklyn's Finest, and two years after that she was the lead in the ensemble dysfunctional family drama Another Happy Day.

Trivia: The younger brother of actor Ben Affleck, Casey Affleck spent the last few years of the 1990s working his way out of his brother's muscular shadow. The younger Affleck, who remarkably bears almost no resemblance to his older brother, was born August 12, 1975, in Falmouth, MA. He made his television debut in the 1987 American Playhouse special Lemon Sky and three years later played the young Robert Kennedy in the TV miniseries The Kennedys of Massachusetts. The young actor's film debut came in 1995, with Gus Van Sant's To Die For, in which he had a supporting role as one of Joaquin Phoenix's slacker friends. The next year, he appeared in the largely unseen Race the Sun, and in 1997 benefited from the Power of Ben with roles in two of his brother's films. In the first, Chasing Amy, Affleck was little more than a blip on the screen, but in the second, Van Sant's Good Will Hunting, he had a decidedly more substantial part as one of Matt Damon's South Boston homeboys. Following the astounding, Oscar-winning success of Hunting, Affleck landed substantial roles in two films with casts featuring Who's Who lineups of Hollywood's Young and Hot: Desert Blue (1998), in which he starred with Christina Ricci, Kate Hudson, and Brendan Sexton III; and 200 Cigarettes (1999), in which he appeared as a soft-hearted punk alongside Desert Blue co-stars Ricci and Hudson, along with Paul Rudd, Courtney Love, Janeane Garofalo, and brother Ben. Although the film basically flopped, it did little to hurt the actor's career and the same year he attained added credibility with an unbilled appearance in the summer smash American Pie. The next few years found the younger Affleck in some notable more noticeable roles with his work in Hamlet, Committed, and Drowning Mona (all 2000). In 2001 he would get his largest billing yet, as well as his induction into the teen horror craze, with Soul Survivors.A re-teaming with Good Will Hunting co-horts Van Sant and Damon in 2002's deliberate independent drama Gerry was bookended by sizable supporting roles in director Steven Soderbergh's carefree crime comedies Ocean's Eleven and Ocean's Twelve, and in 2005 the younger Affleck would prove without question his ability to carry a dramatic feature with his subtle portrayal of an aimless twenty-something hindered by familial obligations in Steve Buscemi's Sundance-nominated drama Lonesome Jim. In 2006 Casey would star opposite Zach Braff in director Tony Goldwin's romantic comedy re-make The Last Kiss. 2007 would prove to be a turning point for the actor. In addition to reprising his character for the third installment of the Ocean's Eleven franchise, Affleck earned strong reviews for two drama that year. He headlined brother Ben Affleck's directorial debut, an adaptation of Dennis Lehane's Gone Baby Gone, bring to life the character of Patrick Kenzie, a private eye with close ties to the mean streets of Boston. But his work as the title coward in The Assassination of Jesse James by the Coward Robert Ford brought him numerous good reviews even though the film failed to make much of a splash at the box office. His work earned him a number of year-end accolades including nominations from the Academy and the Screen Actors Guild for Best Supporting Actor (even though he is the lead).After these critical successes he was poised for a breakthrough, but he was away from the big screen for three years, not returning to movies until 2010 as the star of the Jim Thompson adaptation The Killer Inside Me, and as director/producer/screenwriter/editor of I'm Still Here, a mockumentary that satirized celebrity meltdowns starring Joaquin Phoenix. He was part of the ensemble in Tower Heist the next year, and followed that up by voicing a part in ParaNorman in 2012.

Trivia: Delivered the catchphrase "Yes I am" in Bud Light ads in the early '90s. Sang and played guitar in the pop-rock band Love Kit, producing three albums in the late '90s. Nominated for a Joseph Jefferson Award, for excellence in Chicago theater, for his role in The Wizards of Quiz. Played tech expert Livingston Dell in Ocean's Eleven, and reprised the role in the two sequels. Played Ronnie Haxon, the second husband of Anne Heche's character, on the HBO series Hung.

Trivia: Alongside frequent collaborator Mathieu Kassovitz, Vincent Cassel emerged in the mid-1990s as one of France's most arresting and exciting new actors. Macho, hard-eyed, and appearing to be in constant preparation for a fight, Cassel embodied a kind of crude masculinity that recalled the likes of Jean-Paul Belmondo and served as a potent onscreen manifestation of the ever-tightening cultural tensions at work in late 20th century France. However, it is a testament to Cassel's talent that his onscreen persona has never verged into caricature, and thanks to his charisma and versatility, he has been able to work in films ranging from grim urban dramas to light romantic comedies.The son of celebrated actor Jean-Pierre Cassel, who made a career out of playing seductive bourgeois men, Cassel was born in Paris' Montmartre district on November 23, 1966. At the age of 17 he went to circus school and spent the next few years generally avoiding the acting scene, due in part to the fact that both his parents (his mother is a journalist) didn't want him to go into the movie business. Cassel was eventually sucked into films in 1991, when he landed a small role in Philippe de Broca's Les Clés du paradis. Two years later he enjoyed his first collaboration with Kassovitz in Metisse, an urban romantic comedy that cast Cassel as Kassovitz's older brother, a tough Jewish boxer.Cassel again stepped in front of the camera for Kassovitz in L'Haine (1995), in which he played a rough-hewn Jewish kid roaming the mean streets of Paris in the company of two friends and a gun. The film was a surprise international success, winning a Best Director Award for Kassovitz at Cannes and a number of French Césars. For his part, Cassel received Best Actor and Most Promising Young Actor César nominations for his portrayal of a young man undone both by his own flaws and those of society, something that raised his profile considerably in his native country and abroad. The actor began popping up in such English language productions as Merchant-Ivory's Jefferson in Paris (1995) and as the leading man in a number of French films, including L'Appartement (1996), a romantic comedy in which he starred alongside Romane Bohringer, Jean-Philippe Ecoffey, and Monica Bellucci. Cassel and Bellucci would continue to collaborate onscreen (in such films as Come Mi Vuoi, 1996) and off, marrying in the late 1990s.Cassel's CV grew rapidly as the century drew to a close, with the actor dividing his time between French films and such international productions as Elizabeth (1998), in which he played the mincing Duc d'Anjou, and Jez Butterworth's Birthday Girl (2000), a romantic drama that cast Cassel and Kassovitz as the cousins of an English bank clerk's (Ben Chaplin) Russian mail-order bride (Nicole Kidman). The following year Cassel recieved what was perhaps his biggest stateside exposure to date with the American release of the highly stylized kung-fu-horror-action-costume adventure flick Brotherhood of the Wolf. In 2002 he appeared opposite his wife yet again in the controversial Irreversible. Two years later he was the bad guy in Steven Soderbergh's Ocean's Twelve. He starred in the thriller Derailed in 2005. In 2007 he teamed up with David Cronenberg for the well-reviewed crime thriller Eastern Promises, and he would go on to a huge critical success playing the demanding ballet troupe leader in Black Swan. In 2011 he would again work with Cronenberg in the historical drama A Dangerous Method.

Trivia: A former theatre and psychology major at the University of Michigan, actor David Paymer's first Broadway success was in the long-running musical Grease. He tentatively launched his film career in the tiny but telling role of a cabbie in 1979's The In-Laws, then returned to working "live" as a performer and writer for The Comedy Store. A character actor even in his early twenties, Paymer displayed his versatility in a wealth of TV supporting roles on such weeklies as Cagney and Lacey, Diff'rent Strokes, The Commish and Downtown. Billy Crystal was so impressed with Paymer's work as ice-cream entrepreneur Ira Shalowitz in City Slickers (1991) that Crystal assigned him the plum role of Stan Yankelman, long-suffering brother and business manager of Berle-like comedian Buddy Young Jr., in Mister Saturday Night (1992). Convincingly playing an age range from 20 to 75, Paymer was honored with an Oscar nomination. Dividing his time between working in films and teaching classes at the Film Actor's Workshop, David Paymer has recently been seen as the angelic Hal in Heart and Souls (1993) and real-life TV producer Dan Enright in Robert Redford's Quiz Show (1994). In the decades to come, Paymer would remain an ever-present force on screen, appearing in films like In Good Company, Drag Me to Hell, Bad Teacher, and Redbelt, as well as TV shows like Line of Fire and The Good Wife.

Trivia: An enormously popular British comedian known as much for his transvestitism as he is for his excoriating social observations, Eddie Izzard is one of the most gleefully unpredictable -- to say nothing of contradictory -- performers to have sabotaged the stage and screen during the late 20th century.Born in Yemen on February 7, 1962, Izzard grew up in Wales and Northern Ireland. Following his mother's death when he was six, Izzard found some degree of solace in comedy, particularly the works of Monty Python, Steve Martin, Richard Pryor, and the early Benny Hill. He began doing stand-up at college and, after being ingloriously kicked out of school, he took his act to the streets. Izzard refined his material -- which largely revolved around personal experiences, politics, and social issues -- over the next decade, and in the early '90s, he finally began earning some measure of recognition. His stand-up work brought him British Comedy Awards in 1993 and 1996, and with popular and critical approval thus in hand, Izzard began appearing in films.Izzard's supporting roles in The Avengers and Todd Haynes' Velvet Goldmine (both 1998) were concurrent with his first internationally acclaimed tour, Dress to Kill. The tour helped to establish him on both sides of the Atlantic, allowing the comedian to begin the new century on an exceptionally positive note. 2000 saw him co-starring in Shadow of the Vampire, a fictional depiction of the filming of the 1922 Nosferatu; the film's cast also included John Malkovich, Willem Dafoe, and Stephen Fry.Izzard continued his highly successful stand-up appearances while maintaining a presence in movies. He played Charlie Chaplin in Peter Bogdanovich's The Cat's Meow, attempted to steal a couple of scenes from the crew in Ocean's Twelve, appeared in Ivan Reitman's My Super Ex-Girlfriend, and offered his vocal talents to the animated film The Wild.In 2007 he appeared as Mr. Kite in Julie Taymor's Across the Universe. The next year he voiced one of the main characters in the animated film Igor and appeared in the historical thriller Valkyrie. He went on to do two more comedy concert films before voicing the entrepreneur Miles Axlerod in Pixar's Cars 2. In 2012 he appeared in Snow White and the Huntsman.

Trivia: Tall, blonde, and statuesque British actor Julian Sands is equally fit appearing in elegant historical dramas as he is in cult movies and horror films. A native of Yorkshire, he has a fine bone structure, striking blonde hair, and an eloquent speaking voice. Sands studied at the Central School of Speech and Drama in London and joined the Forum Theatre Company. He made his film debut in Derek Jarman's Broken English but stayed working in the theater until his breakthrough film performance as photographer Jon Swain in Roland Joffé's The Killing Fields. He paid his dues with some routine U.K. films (Oxford Blues, After Darkness) until he landed the role of free-spirited George Emerson in the Merchant-Ivory production A Room With a View. He entered the realm of sexualized horror films as poet Percy Shelley in Ken Russell's Gothic. This role seemed to lead straightaway to his title role in Warlock, followed by Warlock: The Armageddon. Briefly returning to historical costume dramas to portray composer Franz Liszt in James Lapine's lavish Impromptu, Sands was back to creepy, sexual thrillers like Mary Lambert's Siesta and David Cronenberg's Naked Lunch. He also found time to play a few doctors in the Cyndi Lauper movie Vibes and in Steven Spielberg's Arachnophobia. After playing the sexually submissive surgeon in the critically dismissed drama Boxing Helena, he made a quick recovery in Paul Schrader's made-for-TV detective film Witch Hunt. Back in the U.K., he formed a close working relationship with director Mike Figgis and found roles in The Browning Version, Leaving Las Vegas, One Night Stand, The Loss of Sexual Innocence, Timecode, and Hotel. Meanwhile, he made a few films in Italy, most notably as the Phantom in Dario Argento's The Phantom of the Opera. In 2002, he was cast in the epic miniseries Rose Red and Napoleon. Not one to shy away from middle-brow genres, Sands can be also seen as the bad guy in the Jackie Chan movie The Medallion and as the voice of Valmont on the Jackie Chan Adventures animated series.

Trivia: One of the first independent producers to be honored with a star on the Hollywood Walk of Fame, Jerry Weintraub, the son of a gem salesman, began his career as a talent agent for MCA in the 1950s. He was to represent such clients as Jack Paar and singer Jane Morgan who became his second wife. He formed Management III in 1965, and from a quite modest beginning (two partners, three clients, a small backing), became a leading concert promoter. With the founding of Concerts West, he was to handle such clients as Elvis Presley, Frank Sinatra, Bob Dylan, Led Zeppelin, and the Beach Boys.Robert Altman's groundbreaking Nashville (1975) was Weintraub's first production venture. This was soon followed with the successful comedy Oh, God! starring the legendary George Burns and 9/30/55 (aka 24 Hours of the Rebel [1977]), the controversial Cruising (1980), and All Night Long (1981). In 1982, he produced Barry Levinson's Diner, which premiered a new generation of actors including Kevin Bacon, Paul Reiser, Mickey Rourke, Tim Daly, Ellen Barkin, and Steve Guttenberg. In 1984, he became involved with the first film in the Karate Kid series (1984, 1986, 1989, 1994, 2010).In 1984, Weintraub helped deliver the Olympic Gala and the ABC telecast preceding the opening of the Los Angeles Olympic Games. There are over 100 television specials, such as Sinatra: The Main Event and An Evening With John Denver, with which Weintraub has been involved. In 1986, Weintraub was named Producer of the Year by the National Association of Theater Owners, and in March 1991, President George Bush appointed Weintraub to the Board of the John F. Kennedy Center for the Performing Arts. In 1987, Weintraub produced Happy New Year and in 1992 Pure Country. He made his first acting foray as the character Sonny Capps in Sydney Pollack's The Firm released in 1993. 1994 saw the creation of The Specialist, a thriller vehicle for Sylvester Stallone and Sharon Stone, released in Spanish as El Especialista. Weintraub again appeared in a bit part as Jilly in National Lampoon's Vegas Vacation (1997) which he also produced. After establishing Jerry Weintraub Productions, he generated a film remake of the modish British TV series The Avengers (1998), a sci-fi-thriller with Kurt Russell entitled Soldier (1998), The Independent (2000), Ocean's Eleven (2001), in which Weintraub acted the part of High Roller, and Dino (2002). Weintraub has also appeared as the character of Jerry for Full Frontal (2002), and as Larry Goldberg in Confessions of a Dangerous Mind (2002). He later returned as a producer on Ocean sequels Twelve (2004) and Thirteen (2007). In 2015, his new series The Brink premiered on HBO; three weeks later, Weintraub died of cardiac arrest, at age 77.Weintraub's many philanthropic activities included the Los Angeles County Museum of Art, the Museum of Contemporary Art, the Music Center, and the Children's Museum. In 1988, the esteemed Scopus Award from the American Friends of the Hebrew University was given to Weintraub and his wife in gratitude for their continuous support.

Trivia: Born to Indian Muslim parents in New York City; grew up in Stone Mountain, GA, a suburb of Atlanta. Parents didn't allow her to take drama courses in high school, but she was finally able to pursue acting at Boston University's College of Fine Arts; also performed with an Atlanta theater company during summer breaks. After arriving in Los Angeles following graduation, landed a leading role in West Bank Story, a musical comedy that won the 2006 Oscar for Best Live Action Short Film. Made her TV debut in a 2005 episode of CSI: NY. Is fluent in Hindi, Urdu and Gujarati.

Trivia: Studied with Second City and Steppenwolf Theatre in Chicago. Hired to work on CSI: Crime Scene Investigation as a researcher. Founded, with CSI co-star David Berman, Entertainment Research Consultants, a company that does research for forensic television shows. First appeared on-screen on CSI in season 5 as a recurring character; was promoted to a series regular in season 13. Suffers from retinitis pigmentosa, a degenerative retinal disease; works with the Foundation Fighting Blindness to promote the disease.

Trivia: Oprah Winfrey rose from poverty and a troubled youth to become the most powerful and influential woman in television and, according to Forbes Magazine, the world's most highly paid entertainer. Though primarily recognized as a talk show hostess, Winfrey also produces and occasionally acts in television movies and feature films. Winfrey's parents, who never married, were teens when she was born in rural Mississippi. She was originally named Orpah after a woman from the Book of Ruth but a spelling mistake on the birth certificate changed it to Oprah. She spent her childhood growing up in abject poverty on her deeply religious grandmother's farm. When she was older, Winfrey moved in with her mother in Milwaukee, WI. This proved a difficult time as Winfrey alleges she was repeatedly sexually molested by male relatives. Winfrey became a bit of a wild child during her early teens, experimenting with sex and drugs until the age of 14 when she gave birth to a premature baby. It died shortly after, and upon recovering, Winfrey chose to live with her father in Nashville. It was under his stern guidance that Winfrey found discipline, stability, and the inspiration to excel in school and change her life. When she was 19, Winfrey became a part-time radio reporter for station WVOL, Nashville, and also began studying speech and performing arts at Tennessee State University. She dropped out in 1972 during her sophomore year to become an anchor at Nashville's WTVF-TV. She was the first black woman to hold that position. In 1976, she moved to WJZ-TV and after a stint as a reporter was promoted to co-anchor. Two years after her arrival, Winfrey was slotted (with some trepidation by producers who weren't sure how audiences would respond to a host who was neither white nor thin) to host their talk show People Are Talking. Their worries were unfounded for the charming, empathetic Winfrey's show was a hit and remained so for eight years. In 1984, Winfrey took a major risk and accepted a job hosting a Chicago morning talk show, one that aired at the same time as the nationally top-rated, Chicago-based Phil Donahue talk show. This time it was her fears that had no basis for she soon found herself neck and neck in the ratings with Donahue. Her show also went nationwide through King World Syndicate and as she expanded the operation, the money began rolling in. With the purchase of a large downtown production facility, Winfrey was able to become the third woman in the American entertainment industry -- after Mary Pickford and Lucille Ball -- to own her own studio. She named it Harpo, which is, of course, "Oprah" spelled backwards. Using her considerable business acumen, Winfrey translated her show into a multi-million-dollar business, making her the wealthiest black woman in the U.S. Her show was groundbreaking for several reasons, but most of all because Oprah was unafraid to bare her soul and her own past experiences in front of audiences whereas most talk show hosts remained reserved in regard to their personal lives. Though it was difficult, she made public her past abuse, her drug problem during her twenties, and her struggle with obesity. In this latter area, Oprah, took a lot of heat from unkind critics who were unable to cope with the notion that a round woman could possibly be considered attractive, intelligent, and vital. She endured cruel jokes and jibes until she finally decided to lose weight, first with a radical liquid diet -- which only temporarily took off her weight -- and then with a rigorous fat-free diet and exercise regimen that kept her weight off. Like Donahue and the other talk show hosts of the day, Winfrey's program tended toward sensationalism designed to appeal to our most morbid curiosities. Subject-wise, she had begun hitting all-time lows by 1994. That year, she was to turn 40 and was thinking heavily about which direction her life might turn, both professionally and personally. There was a question whether or not she would even continue taping the show. She ultimately decided to stay on the air, but only after publicly promising to move her show to a higher, more uplifting level.In addition to her reign as "queen of the daytime talk shows," Winfrey has also proven herself a gifted actress. In 1985, she received an Oscar nomination for Best Supporting Actress with her film debut as Sofia in Steven Spielberg's The Color Purple. Later, she began working behind the scenes, executive producing and starring in Donna Deitch's acclaimed 1989 television movie The Women of Brewster Place, which later became a short-lived series.After the success of her book club, Winfrey began producing popular films based on some of her favorite contemporary written works. Along with executive-producing made-for-television adaptations such as David and Lisa, Tuesdays with Morrie, and Oprah Winfrey Presents: The Wedding, she served as producer on the 1998 big-screen adaptation of Toni Morrison's Beloved, a film she also costarred in.Winfrey continued to be a powerful force in the world of day-time television in 2003, when she spun off a regular segment from her show featuring psychologist Dr. Phil McGraw into McGraw's own daily program, Dr. Phil. Oprah founded a television channel (OWN -- Oprah Winfrey Network) after the final episode of the Oprah Winfrey show aired on May 5th, 2011.

Trivia: Worked with the Fortune Society, doing volunteer work in prison reform, in college. Considered being a Catholic priest or a social worker before pursuing acting. Studied acting under William Esper and Phil Gushee for seven years. Ran his own acting company, the Michael Harney Acting Studio, for eight years.

Trivia: A presence on film and in television during the 2000s, actor Luis Chavez divided his time evenly between both mediums and specialized in Hispanic character roles. Projects included guest turns on such series as Monk, Malcolm in the Middle, and ER, and small parts in features including Bellyfruit (1999), Delta Farce (2007), and A Day's Work (2008).