Trivia: If Harrison Ford had listened to the advice of studio heads early in his career, he would have remained a carpenter and never gone on to star in some of Hollywood's biggest films and become one of the industry's most bankable stars. Born July 13, 1942, in Chicago and raised in a middle-class suburb, he had an average childhood. An introverted loner, he was popular with girls but picked on by school bullies. Ford quietly endured their everyday tortures until he one day lost his cool and beat the tar out of the gang leader responsible for his being repeatedly thrown off an embankment. He had no special affinity for films and usually only went to see them on dates because they were inexpensive and dark. Following high school graduation, Ford studied English and Philosophy at Ripon College in Wisconsin. An admittedly lousy student, he began acting while in college and then worked briefly in summer stock. He was expelled from the school three days before graduation because he did not complete his required thesis. In the mid-'60s, Ford and his first wife, Mary Marquardt (his college sweetheart) moved to Hollywood, where he signed as a contract player with Columbia and, later, Universal. After debuting onscreen in a bit as a bellboy in Dead Heat on a Merry-Go-Round (1966), he played secondary roles, typically a cowboy, in several films of the late '60s and in such TV series as Gunsmoke, The Virginian, and Ironside. Discouraged with both the roles he was getting and his difficulty in providing for his young family, he abandoned acting and taught himself carpentry via books borrowed from the local library. Using his recently purchased run-down Hollywood home for practice, Ford proved himself a talented woodworker, and, after successfully completing his first contract to build an out-building for Sergio Mendez, found himself in demand with other Hollywood residents (it was also during this time that Ford acquired his famous scar, the result of a minor car accident). Meanwhile, Ford's luck as an actor began to change when a casting director friend for whom he was doing some construction helped him get a part in George Lucas' American Graffiti (1973). The film became an unexpected blockbuster and greatly increased Ford's familiarity. Many audience members, particularly women, responded to his turn as the gruffly macho Bob Falfa, the kind of subtly charismatic portrayal that would later become Ford's trademark. However, Ford's career remained stagnant until Lucas cast him as space pilot Han Solo in the megahit Star Wars (1977), after which he became a minor star. He spent the remainder of the 1970s trapped in mostly forgettable films (such as the comedy Western The Frisco Kid with Gene Wilder), although he did manage to land the small role of Colonel G. Lucas in Francis Ford Coppola's Apocalypse Now (1979). The early '80s elevated Ford to major stardom with the combined impact of The Empire Strikes Back (1980) and his portrayal of action-adventure hero Indiana Jones in Raiders of the Lost Ark (1981), which proved to be an enormous hit. He went on to play "Indy" twice more, in 1984's Indiana Jones and the Temple of Doom and Indiana Jones and the Last Crusade in 1989. Ford moved beyond popular acclaim with his role as a big-city police detective who finds himself masquerading as an Amish farmer to protect a young murder witness in Witness (1984), for which he received a Best Actor Oscar nomination for his work, as well as the praise of critics who had previously ignored his acting ability. Having appeared in several of the biggest money-makers of all time, Ford was able to pick and choose his roles in the '80s and '90s. Following the success of Witness, Ford re-teamed with the film's director, Peter Weir, to make a film adaptation of Paul Theroux's novel The Mosquito Coast. The film met with mixed critical results, and audiences largely stayed away, unused to the idea of their hero playing a markedly flawed and somewhat insane character. Undeterred, Ford went on to choose projects that brought him further departure from the action films responsible for his reputation. In 1988 he worked with two of the industry's most celebrated directors, Roman Polanski and Mike Nichols. With Polanski he made Frantic, a dark psychological thriller that fared poorly among critics and audiences alike. He had greater success with Nichols, his director in Working Girl, a saucy comedy in which he co-starred with Melanie Griffith and Sigourney Weaver. The film was a hit, and displayed Ford's largely unexploited comic talent. Ford began the 1990s with Alan J. Pakula's courtroom thriller Presumed Innocent, which he followed with another Mike Nichols outing, Regarding Henry (1991). The film was an unmitigated flop with both critics and audiences, but Ford allayed his disappointment the following year when he signed an unprecedented 50-million-dollar contract to play CIA agent Jack Ryan in a series of five movies based upon the novels of Tom Clancy. The first two films of the series, Patriot Games (1992) and Clear and Present Danger (1994), met with an overwhelming success mirrored by that of Ford's turn as Dr. Richard Kimball in The Fugitive (1993). Ford's next effort, Sydney Pollack's 1995 remake of Sabrina, did not meet similar success, and this bad luck continued with The Devil's Own (which reunited him with Pakula), despite Ford's seemingly fault-proof pairing with Brad Pitt. However, his other 1997 effort, Wolfgang Petersen's Air Force One, more than made up for the critical and commercial shortcomings of his previous two films, proving that Ford, even at 55, was still a bona fide, butt-kicking action hero. Stranded on an island with Anne Hesche for his next feature, the moderately successful romantic adventure Six Days, Seven Nights (1998), Ford subsequently appeared in the less successful romantic drama Random Hearts. Bouncing back a bit with Robert Zemeckis' horror-flavored thriller What Lies Beneath, the tension would remain at a fever pitch as Ford and crew raced to prevent a nuclear catastrophe in the fact based deep sea thriller K-19: The Widowmaker. As the 2000's unfolded, Ford would prove that he had a strong commitment to being active in film, continuing to work in projects like Hollywood Homicide, Firewall, Extraordinary Measures, Morning Glory, and Cowboys & Aliens. Ford would also reprise one of his most famous roles for the disappointing Indiana Jones and the Kingdom of the Crystal Skull.

Trivia: Standing a burly 6'4", Liam Neeson was once described by a theatre critic as a "towering sequoia of sex." To say that he has undeniable charisma is certainly accurate, but it is a charisma composed as much of impressive talent as of broken-nosed physical appeal. Bearing both versatility and quiet forcefulness, Neeson has been touted as one of the most compelling actors of the late 20th century.Born June 7, 1952, in Ballymena, Northern Ireland, Neeson had an upbringing partially defined by his involvement in boxing. He became active in the sport as a teenager, earning his distinctive broken nose in the process; he stayed with boxing until he began experiencing black-outs from repeated blows to the head. Initially interested in a career as a teacher, Neeson attended Belfast's Queens College, but he aborted his studies after developing a desire to act. In 1976, he joined Belfast's Lyric Theatre, and two years later he began performing the classics at Dublin's famed Abbey Theatre. While he was with the Abbey, Neeson was discovered by director John Boorman, who cast him as Gawain in 1981's Excalibur. Following his part in that action fantasy, Neeson had supporting roles in such films as The Mission (1986), and he was featured in leads opposite Cher in Suspect (1987) and Diane Keaton in The Good Mother (1988). He got his first starring vehicle in 1990 with Sam Raimi's Darkman; unfortunately, the film was a relative disappointment. Neeson continued to do starring work in such films as Big Man (1991), which featured him as a boxer, Ethan Frome (1992), and Under Suspicion (1992), but ironically, it was his work on the stage that led to his true screen breakthrough. In 1992, the actor was turning in a Tony-nominated performance in Anna Christie opposite Natasha Richardson (whom he would marry in 1994) on Broadway. His work attracted the notice of Steven Spielberg, who was so impressed with what he saw that he cast Neeson as Oskar Schindler in his landmark Holocaust drama Schindler's List (1993). Neeson received Best Actor Oscar and British Academy Award nominations for his performance, and he subsequently didn't have to worry about finding work in Hollywood, or elsewhere, again.More high-profile work followed for Neeson, who went on to star in such films as Nell (1994), Rob Roy (1995), and Michael Collins (1996). However acclaimed his previous work had been, none of it received the hype of one of Neeson's 1999 projects, Star Wars: Episode I - The Phantom Menace. Although the film, which starred Neeson as a Jedi master, ultimately earned a galaxy's worth of negative reviews, it mined box office millions. Its success further enhanced Neeson's status as one of the world's most visible actors, and it even helped to downplay the disappointment of The Haunting, his other film that year.Neeson would enter the new millennium with a variety of projects on his to-do list, appearing in the Martin Scorsese period piece Gangs of New York in 2002, and the extremely popular romantic comedy Love Actually in 2003. The following year would find him tackling a meatier role, however, as he singed on to portray pioneering scientist and researcher on human sexuality Alfred Kinsey in the biopic Kinsey. The part would earn Neeson a Golden Globe nomination, and Neeson would follow its success with performances in Ridley Scott's Kingdom of Heaven, as well as one in the blockbuster superhero reboot Batman Begins in 2005. He would also sign on to provide the voice of lion king Aslan in the Chronicles of Narnia fantasy franchise.In 2008, Neeson starred in the thriller Taken, portraying a former CIA officer who employs his brutal skills learned on the job to find his kidnapped daughter. Audiences weren't accustomed to seeing the actor hold down the lead in an action film, but Neeson succeeded and the film was a categorical success. Sadly, the following year, Liam's wife actress Natasha Richardson died suddenly after suffering a severe head injury during a skiing accident. Neeson was left in care of their two children, Michael and Daniel, but was later able to resume his career. Neeson would find himself appearing in many action/adventure films over the coming years. He starred as the cigar-chomping ohn "Hannibal" Smith in the big-screen adaptation of The A-Team in 2010, and a man fleeing for his life and fighting for his identity in 2011's Unknown. The following year, Neeson played an oil driller stranded amid a pack of wolves in The Grey.

Trivia: An actor who has demonstrated a fearless capacity for exploring the darker side of human nature, Peter Sarsgaard became synonymous with the term "edgy young performer." With looks that allow him to either play soft-skinned pretty boys or greasy-haired white trash refuse, Sarsgaard has used his malleable features and brooding charisma to great effect in such films as Kimberly Peirce's Boys Don't Cry.A graduate of St. Louis' Washington University, where he was a co-founder of the improvisational group Mama's Pot Roast, Sarsgaard studied at the Actors' Studio in New York. After he completed his studies, he was cast in the off-Broadway production of Horton Foote's Laura Dennis, and, as a member of Douglas Carter Beane's Drama Department, he appeared in John Cameron Mitchell's off-Broadway production of Kingdom of Earth.Sarsgaard made his screen debut in Tim Robbins' Dead Man Walking (1995) but had his first substantial role in The Man in the Iron Mask (1998), which cast him as the ill-fated son of John Malkovich's dueling Muskateer. He then appeared in a series of largely unseen independent features, including Larry Clark's Another Day in Paradise and Morgan J. Freeman's Desert Blue (both 1998). In 1999, Sarsgaard broke out of obscurity with his role in Kimberly Peirce's Boys Don't Cry. Cast as a violent yet charismatic ex-con, the actor managed to stand out in a film saturated with strong performances, and the film's unanticipated success provided him with an introduction to a wide audience. His increased profile was reflected in the number of projects he was involved with the following year, including P.J. Hogan's Unconditional Love, a drama about a woman (Kathy Bates) who joins forces with the lover of a dead pop star to track down the star's murderer.Sarsgaard reached a new level of critical acclaim with his supporting performances in two little-seen but highly praised features: 2003's journalist drama Shattered Glass and 2004's biopic Kinsey. In the former, he played dedicated, soft-spoken New Republic editor Chuck Lane, who becomes increasingly more agitated as he catches hotshot reporter Steven Glass fabricating stories. Racking up scores of Best Supporting Actor nods from critics' groups and the Golden Globes, it seemed inevitable that the Academy would recognize Sarsgaard, but he was passed over. A similar fate occurred with Kinsey, in which the actor convincingly played the curious, bisexual assistant - and occasional lover - of the sex researcher.Though ignored by the Oscars, Sarsgaard found his profile rising with powerful casting directors, and in turn, the public. After memorably essaying the role of a stoner gravedigger in the popular 2004 indie Garden State, the actor broke through to mass audiences in 2005 with a trio supporting performances in big-budget genre films: the supernatural thriller The Skeleton Key, the blockbuster Flighplan, and the war memoir Jarhead. Bringing his distinctively low-key delivery to a range of parts that were by turns mystical, sinister and conflicted, Sarsgaard secured his place in the pantheon of great Hollywood character actors.Saarsgard delivered solid performances in Year of the Dog and Rendition (both 2007), and co-starred with Dennis Hopper and Patricia Clarkson for the psychological drama Elegy in 2008. The following year he played the role of a man who becomes increasingly concerned about the behavior of his adoptive daughter for The Orphan, and took on the part of the much-older boyfriend of a 16-year-old girl (Carey Mulligan) for the coming of age drama An Education. Saarsgard joined Cameron Diaz and Tom Cruise for a supporting role in the action comedy Knight and Day (2010), and joined the cast of The Green Lantern in 2011.

Trivia: Worked as program director of Hobart College's public radio station WEOS. Performed with the inaugural company of the Globe Theatre in London. Opened Fast Ashleys Studios, a Brooklyn garage and photo studio in 2000. Received Special Citations at the 2009 Obie Awards for his performance in Hamlet. In 2010, participated in the second season of Sam Mendes' Bridge Project, playing roles in As You Like It and The Tempest.

Trivia: Another illustrious graduate of London's Central School of Speech and Drama, Joss Ackland made his first professional stage appearance at 17 in the 1945 production The Hasty Heart. For the next decade, Ackland learned his craft in a variety of regional theatre troupes, taking time out for an unheralded film debut in 1949's Seven Days to Noon. He quit acting in 1955 to manage a Central African tea plantation, finding creative outlets as a playwright and radio disc jockey. Upon his return to the British theatre in 1957, Ackland joined the Old Vic. From 1962 through 1964, he was associate director of the Mermaid Theatre. He subsequently established himself on the West End musical stage, playing such showcase roles as Captain Hook in Peter Pan and Juan Peron in Evita. Launching his film career proper in 1965, Ackland has flourished in characterizations calling for outsized gestures and orotund vocal calisthenics. Among his better-known screen roles are Greta Scacchi's decadent, untrustworthy aristocrat husband in White Mischief (1988), and homicidal South African diplomat Arjen Rudd in Lethal Weapon 2 (1990). On TV, Ackland was seen as C.S. Lewis in the 1985 BBC production of Shadowlands, and as Isaac in the 1994 made-for-cable Biblical drama Jacob. He has also provided voiceovers for the animated features A Midsummer's Night's Dream (1961) and Watership Down (1978). Over the coming decades, Ackland would appear in several projects over the coming decades, including K-19: The Widowmaker, Asylum, and Flawless.

Trivia: Studied the arts at a very young age, taking classes in piano, ballet and modern dance. After graduating from the University of Western Ontario, attended the George Brown Theater School in Toronto, where he became an active member of the local theater scene. Early theater experience includes roles in John Palmer's Singapore, Fabrizio Filippo's Waiting for Lewis, William Shakespeare's Love's Labour's Lost and Robin Fulford's Steel Kiss. Plays the bass and acoustic guitar in the Los Angeles-based band Analog Smith. Holds a fourth degree black belt in Legacy Shorin Ryu.

Trivia: Actor Sam Spruell made one of his earliest film appearances in Kathryn Bigelow's Hollywood actioner K-19: The Widowmaker (2002), then followed it up with work on numerous British television series including The Ghost Squad, Rosemary & Thyme, and Silent Witness. Spruell received an international crossover role with his turn as a nasty hoodlum in Paul Andrew Williams' big-screen urban thriller London to Brighton (2006), then tackled a bit part in Shekhar Kapur's arthouse period drama Elizabeth: The Golden Age (2007) and a supporting role in Lisa Gornick's offbeat comedy drama Tick Tock Lullaby (2007). In 2008, he appeared in the Edward Zwick WWII drama Defiance, starring Daniel Craig.

Trivia: Canadian-born Peter Stebbings moved to New York City to study theater in his early twenties, but he didn't opt to stay in the Big Apple. Instead, after landing a few minor appearances on American TV, he returned to Canada, where he ended up starring in the acclaimed series Madison starting in 1993 -- eventually earning two Gemini nominations. Stebbings would remain comfortable with the format of television, going on to appear on a wide variety of shows over the coming two decades, like Traders, The Hoop Life, Relic Hunter, Jeremiah, Across the River to the Motor City, Flashpoint, Murdoch Mysteries, The Listener, and more. Stebbings would find a home in movies as well, notably playing the Greek god Helios in the 2011 film The Immortals.

Trivia: On stage, the classically trained, stark-featured English character actor John Shrapnel wove a forceful, occasionally even scabrous dramatic undercurrent into his evocations of the figures inhabiting the great tragedies of literature. Maintaining a frequent presence at theaters such as The Aldwych, The Warehouse, and The Piccadilly, Shrapnel earned enthusiastic notices for his supporting contributions to productions of Julius Caesar, The Greeks, Hamlet, and innumerable others. On camera, the thespian built up a massive resumé beginning in the early '70s and emphasized both television and cinematic work. Filmed roles in the early years (such as that of Petya in the 1971 Nicholas and Alexandra, or that of Hector in the 1982 Troilus and Cressida) seemed primarily an offshoot of his theatrical stock, but by the late 1980s, he expanded his repertoire to include more commercial (Hollywood-oriented) fare. On that note, Shrapnel did effective supporting work in films as diverse as How to Get Ahead in Advertising (1989), 101 Dalmatians (1996), and K-19: The Widowmaker (2002). Producers still often reserved him for classical and/or historical roles, however, per his portrayal of Lord Howard in Shekhar Kapur's Elizabeth: The Golden Age (2007).

Trivia: Quintessentially British character actor Donald Sumpter tackled a host of roles in his native Britain before breaking through to international acclaim. He landed guest parts (as different characters) on the U.K. cult fantasy series Doctor Who, then segued to features throughout the 1970s, '80s, and '90s in such pictures as Meetings with Remarkable Men (1979), Curse of the Pink Panther (1983), Rosencrantz and Guildenstern Are Dead (1990), and Richard III (1995). Sumpter's popularity increased substantially in the mid- to late 2000s when he landed pivotal supporting roles in two major features: Fernando Meirelles' The Constant Gardener (2005) and David Cronenberg's Eastern Promises (2007).

Trivia: Supporting actor, onscreen from the '70s. He is the son of actor Edward Woodward.

Trivia: Quit school to take a role in K-19: The Widowmaker, which his father was also in. Played Romeo in the Chichester Festival Theatre's 2002 production of Romeo and Juliet. Was nominated for the Milton Shulman Award for Outstanding Newcomer at the 2008 Evening Standard Awards for his work in Henry IV Part I. Appeared in 2009's Minder, a reboot of the popular series that originally debuted in 1979.

Trivia: British leading man William Lucas came to films at age 30, after a decades' worth of stage experience. Lucas' first important movie role was an unusually complex part in X the Unknown (1955). While he made occasional film appearances thereafter, most of his time was taken up by stage and TV work. In the 1990s, William Lucas was a regular on two British TV series: The New Adventures of Black Beauty (1990) and Eldorado (1992).

Trivia: Was born in Colorado, but moved to London with his parents when he was a baby. At age 17, backpacked around Tibet with his brother. Made his television debut in 1999's Heartbeat. Appeared in London's West End stage production of Ring Around the Moon in 2008.

Trivia: Won junior nationals in the Canadian National Pentathlon at age 18. Began acting as a way to make money for his pentathlon competitions. His first acting role was as Ivanhoe in the TV movie Young Ivanhoe. Studied acting at The Actor's Studio in New York.

Trivia: Actor Jacob Pitts made his on-camera debut in his twenties and specialized in playing slightly ragged, antisocial rebels. Pitts took one of his first bows as a guest star, with a small role in a 1999 episode of the Comedy Central series Strangers with Candy, then signed for a supporting turn in Peter Yates' made-for-television psychodrama A Separate Peace (2002), a lead in the frat-boy comedy Eurotrip (2003), and a bit part as a rap magazine employee in Julie Taymor's controversial Beatles phantasmagoria Across the Universe (2007). In 2008, Pitts made a memorable contribution to Robert Luketic's inspired-by-real-events thriller 21. He played Fisher, a long-haired MIT brainiac-turned-gambler who makes the fatal mistake of enjoying a drunken night at the gaming tables and letting a few choice words slip to one of his fellow students. He was part of the original cast of another well-regarded series, Justified, when he was cast in the part of Tim Gutterson on that award-winning cable program based on characters created by Elmore Leonard.

Trivia: Canadian-born actor Joshua Close bowed onscreen in the early 2000s and immediately cultivated and honed a reputation for tackling difficult, emotionally demanding roles. Assignments included the lead in Twist (2003), a gritty, violent and profane contemporization of Charles Dickens' Oliver Twist; a small but potent turn as the college friend of the demon-possessed title character in The Exorcism of Emily Rose (2005); and an obsessed young documentarian in George A. Romero's gore-drenched Diary of the Dead (2007).

Trivia: After appearing in a stage production of Twelve Angry Men, dropped out of art school---where he was studying painting---to become a full-time actor. His off-Broadway performance as the title character in Bertolt Brecht's Baal led to his film debut in K-19: The Widowmaker (2002). First starring role on TV was as copywriter Paul Kinsey on the acclaimed AMC drama Mad Men. Resembles legendary director/actor Orson Welles, whom Gladis was set to play in a biopic until funding fell through. Performs with the New York theater company Partial Comfort Productions. Is an avid acoustic-guitar player and songwriter.

Trivia: Jeremy Akerman traveled one of the most unusual roads into show business in memory. Born in Alvechurch, England, he moved to Canada and began his professional life not on-stage or in front of movie cameras, but in politics, as a leader of the Nova Scotia New Democratic Party. Akerman commenced film roles in the early '90s with a series of Canadian and U.S. productions. These included: Pit Pony (1997), The Christmas Shoes (2002), The Riverman (2004), and Just Buried (2007).