Trivia: Blonde, round-faced actress Ann Jillian was the daughter of Lithuanian war refugees. Her mother, for whom the phrase "stage-struck" might well have been coined, determined that the family would settle in Los Angeles so that her children would grow up in the heart of showbiz. In 1961, 11-year-old Ann made her film debut as Bo Peep in Disney's Babes in Toyland (1961). Two years later, she was cast as young Dainty June in Gypsy (1963); her talent and dedication prompted producer Mervyn LeRoy to forecast a "most rewarding future in show business" for the young actress. But after essaying her first semi-adult role as secretary Millie Ballard in the TV sitcom Hazel, Jillian dropped out of acting for three years to study psychology in college; during this period, she paid her tuition by working in a department store. She returned to performing as one half of a singing act (Debra Shulman was the other half) which opened for such Las Vegas headliners as Robert Goulet. In the late 1970s, Jillian scored a personal triumph in the Broadway musical Sugar Babies, holding her own on stage despite the howitzer-shell competition of stars Mickey Rooney and Ann Miller (her role was later reduced in size, reportedly because Miller felt she was being upstaged). Under the guidance of her manager-husband, ex-policeman Andy Murcia, Jillian went onward and upward in 1980 as star of the long-running sitcom It's a Living; later television projects included the short-lived series Jennifer Slept Here and the title role in the TV biopic Mae West, which earned her the first of two Emmy nominations (the second was for 1984's Ellis Island). After undergoing a double mastectomy in 1985, Ann Jillian celebrated her survival by starring in another made-for-TV biography, The Ann Jillian Story (1988)

Trivia: A graduate of San Diego State University and a veteran of the San Francisco theatre scene, Robert Hays began showing up on TV in the mid-1970s, first as co-star of the well-received television movie Young Pioneers, then in the regular role of Dr. Brad Benson on the 1979 sitcom Angie. On the basis of his dead-pan comedy performances in such films as Airplane (1980) and Take This Job and Shove It (1981), Robert Hays should have been a big-time movie star of the 1980s. Alas, the momentum of Hays' career was laid low by too many bad scripts and too many desultory TV series like Starman (1986) and FM (1989). Robert Hays remains a likeable screen presence into the 1990s, even if it's only in the occasional TV commercial or such Disney family fare as Homeward Bound: An Incredible Journey (1993).

Trivia: One of the screen's most grizzled actors, Jack Palance defined true grit for many a filmgoer. The son of a Ukrainian immigrant coal miner, he was born Volodymyr Palahnyuk (Anglicized as Walter Jack Palaniuk) on February 18, 1920, in Lattimer Mines, Pennsylvania. As a young man, Palance supported himself with stints as a miner, professional boxer, short-order cook, fashion model, lifeguard, and radio repairman. During WWII service, he enlisted in the AAC and piloted bombers, one of which crashed, knocking him unconscious in the process. The severe burns he received led to extensive facial surgery, resulting in his gaunt, pinched face and, ironically, paving the way for stardom as a character actor. Palance attended the University of North Carolina and Stanford University on the G.I. Bill and considered a career in journalism, but drifted into acting because of the comparatively higher wages. Extensive stage work followed, including a turn as the understudy to Anthony Quinn (as Stanley Kowalski in the touring production of A Streetcar Named Desire) and the portrayal of Kowalski on the Broadway stage, after Marlon Brando left that production. Palance debuted on film in Elia Kazan's 1950 Panic in the Streets, as a sociopathic plague host opposite Richard Widmark. He landed equally sinister and villainous roles for the next few years, including Jack the Ripper in Man in the Attic (1953), Simon the Magician (a sorcerer who goes head to head with Jesus) in The Silver Chalice (1954), and Atilla the Hun in Sign of the Pagan (1954). Palance received Best Supporting Actor Oscar nominations for his performances in both Sudden Fear (1952) and Shane (1953). Beginning in the late '50s, Palance temporarily moved across the Atlantic and appeared in numerous European pictures, with Jean-Luc Godard's 1963 Le Mépris/Contempt a particular highlight. Additional big-screen roles throughout the '60s and '70s included that of Ronald Wyatt in Freddie Francis's horror episode film The Torture Garden (1967), the monastic sadist Brother Antonin in Jesús Franco's Justine (1969), Fidel Castro in Che! (1969), Chet Rollins in William A. Fraker's Western Monte Walsh (1970), Quincey Whitmore in the 1971 Charles Bronson-starrer Chato's Land, and Jim Buck in Portrait of a Hitman (1977). Unfortunately, by the '80s, Palance largely disappeared from the cinematic forefront, his career limited to B- and C-grade schlock. He nonetheless rebounded by the late '80s, thanks in no small part to the German director Percy Adlon, who cast him as a love-struck painter with a yen for Marianne Sägebrecht in his arthouse hit Bagdad Cafe (1987). Turns in Young Guns (1988) and 1989's Batman (as the aptly named Carl Grissom) followed. In 1991, Palance was introduced to a new generation of viewers with his Oscar- and Golden Globe-winning performance in Ron Underwood's City Slickers. The turn marked something of a wish-fulfillment for the steel-tough actor, who had spent years believing, in vain, that he would be best suited for comedy. These dreams were soon realized for a lengthy period, as the film's triumph yielded a series of additional comic turns for Palance on television programs and commercials.Accepting his Best Supporting Actor award at the 1992 Academy Awards ceremony, Palance won a permanent place in Oscar history when he decided to demonstrate that he was, in fact, still a man of considerable vitality by doing a series of one-handed push-ups on stage. He reprised his role in the film's 1994 sequel, City Slickers II: The Legend of Curly's Gold.Over the years, Palance also starred in the TV series The Greatest Show on Earth (ABC, 1963-4), as a hard-living circus boss, and Bronk (CBS, 1975-6) as a pipe-smoking police lieutenant, as well as in numerous TV dramas, notably Rod Serling's Requiem for a Heavyweight (1956). From 1982-1986, he hosted the ABC revival of Ripley's Believe It Or Not. He also established himself as an author in the late '90s, by publishing the 1996 prose-poem Forest of Love. Accompanying the work were Palance's pen-and-ink drawings, inspired by his Pennysylvania farm; he revealed, at the time, that he had been painting and sketching in his off-camera time for over 40 years. After scattered work throughout the '90s and 2000s, Jack Palance died on November 10, 2006 at his home in Montecito, California. He had been married and divorced twice, first to Virginia Baker from 1949-1966 (with whom he had three children), and then to Elaine Rogers in 1987. Two of his children outlived him; the third died several years prior, of melanoma, at age 43.