Trivia: A muscular, darkly handsome actor who defies easy categorization, Brendan Fraser has an enviable versatility that has allowed him to be equally convincing in comedies, dramas, and adventure films alike. The son of a Canadian tourism executive, Fraser was born in Indianapolis on December 3, 1968. Thanks to his father's job, Fraser and his family led a fairly peripatetic existence, living in locales as varied as Ottawa, London, Rome, and Seattle. During his time in London, Fraser became interested in theater and eventually enrolled in Seattle's Cornish Institute for training.After an early appearance in Dogfight (1991), Fraser got his break in 1992's Encino Man as a Stone-Age man unfrozen in modern-day California. He went on to gain audience prominence in diverse roles such as a Jewish football player in an all-WASP environment in School Ties (1992), a grunged-out musician in Airheads (1994), a Harvard student who loses his thesis in With Honors (1994), and a quirky baseball phenom in The Scout (1994). Fraser has been quoted in one magazine article as saying that he seeks out roles combining "silliness and sexiness"; his work during the second half of the '90s certainly reflected this. Particular highlights were George of the Jungle (1997), a satire of jungle adventure films; Gods and Monsters (1998), the acclaimed rendering of the last days of director James Whale, for which Fraser earned particular praise in his role as Whale's strapping gardener; the romantic comedy Blast From the Past (1999); and a big-budget remake of The Mummy (1999) that effectively showcased Fraser as a hero well-suited to old-school adventure. So successful were the extravagantly computer generated exploits of the revived Mummy soon became a franchise, birthing sequels like The Mummy Returns (2001) and The Mummy: Tomb of the Dragon Emperor (2008). Fraser would spend subsuquent years appearing in a number of varied projects, including comedies like Bedazzled and Dickie Roberts: Former Child Star, dramas like The Quiet American and Crash, and adventure movies, like Journey to the Center of the Earth and Inkheart.

Trivia: A British actress whose name and dark looks effortlessly conjure up associations with Eastern European exoticism, Rachel Weisz first earned the attention of an international audience with her role as the spoiled daughter of a sculptor in Bernardo Bertolucci's Stealing Beauty (1996). The daughter of a Jewish-Hungarian inventor and an Austrian psychoanalyst (both sides of the family fled Fascist Europe during the '30s), Weisz was born in London on March 3, 1971. Much of her adolescence was spent modeling, and after attending Cambridge to study English, she broke into acting with a role in Sean Mathias' West End revival of Noel Coward's Design for Living.Weisz's performance in the play won her the Critics' Circle Best Newcomer award, and she subsequently took advantage of this recognition with a starring role in the BBC's TV adaptation of Scarlet & Black (1993), and then in 1996 with her aforementioned part in Bertolucci's Stealing Beauty. Although most attention was paid to Liv Tyler in her role as the film's protagonist, Weisz managed to garner notice of her own, and this recognition was furthered by her top billing opposite Keanu Reeves in Chain Reaction that same year. Unfortunately, the big-budget thriller was an unmitigated turkey; Weisz followed it with leads in smaller films such as The Land Girls (1997), a WWII drama that cast her as a young socialite sent to work on a farm; and Going All the Way (1997), a post-war coming-of-age drama starring Ben Affleck and Jeremy Davies that saw Weisz play Wasp, Affleck's Jewish girlfriend.After returning to Britain to star as a hairdresser in the noirish drama I Want You (1998), Weisz reappeared on the Hollywood radar as Brendan Fraser's damsel in distress in the 1999 summer blockbuster The Mummy. That same year, she played yet another love interest, that of a womanizing Ralph Fiennes in Sunshine, István Szabó's epic drama about three generations of a family of Hungarian Jews. Weisz' subsequent turn in the period drama Enemy at the Gates (2000) saw her play the inamorata of yet another Fiennes brother, Joseph. As a Russian-American sniper caught between the affections of a Russian party official (Fiennes) and a legendary sniper (Jude Law), the actress again returned to the early part of the 20th century (this time the Battle of Stalingrad) and to the deep end of the Fiennes family gene pool.Dutifully returning for The Mummy Returns a few short months later, that same year found the starlet gaining positive notice for her role in director Neil LaBute's biting stage drama The Shape of Things. Cast as a young art student whose latest "piece" is a strikingly original form of sculpture, Weisz's character would attempt to transform her boyfriend from schlub to stud to surprising effect. When the play was adapted to film in 2001, the team stuck together with Weisz and co-star Paul Rudd stepping before LaBute's all-seeing lens. For her role in the 2003 crime drama Confidence, Weisz would join a band of talented con artists in a daring bid to take a banker with ties to organized crime for all he's worth. Though the film may not have struck box-office gold, it did prove something of a sleeper and drew generally favorable reviews from critics. Confidence would be one of two films that found Weisz cast alongside screen legend Dustin Hoffman in 2003, the other being the courtroom thriller Runaway Jury. If her last few years had been slightly weighed down in drama, audiences could be assured that things would lighten up considerably when Weisz joined the cast of the Barry Levinson comedy Envy (2004).In 2005 she starred alongside Keanu Reeves again in the comic book adaptation Constantine. The dark film about a man trying to avoid his fate in hell by battling demons on Earth helped keep Weisz's name in circulation, but her next project would create the biggest buzz of her career thus far. Her role in Fernando Meirelles' The Constant Gardener garnered praise from critics and audiences alike, winning her an Oscar and a Golden Globe for Best Actress in a Supporting Role. Weisz played a British activist working in Kenya whose investigations into government corruption cause her to turn up dead, prompting her husband, Ralph Fiennes, to embark on an epic search to reveal the truth behind her murder. On the heels of this tremendous success, she joined the cast of Darren Aronofsky's psychological science-fiction film The Fountain-a story spanning a thousand years and exploring issues of love, death, and spirituality. Weisz joined Adrien Brody and Mark Ruffalo for The Brothers Bloom (2008), and worked with celebrated director Alejandro Amenabar in Agora (2009), a historical drama featuring Weisz in the lead role. In 2010, Weisz played a major role in The Whistleblower, which was inspired by a true story of a corporation involved in human trafficking, and later worked opposite Daniel Craig in director Terrence Malick's thriller Dream House (2011).

Trivia: With his gaunt handsomeness and infectious Scottish burr, John Hannah made a memorable impression on audiences on both sides of the Atlantic in his role as Simon Callow's lover in Four Weddings and a Funeral. The popularity of his portrayal was a significant feat for the actor, who, prior to the picture, had only appeared in one small film and numerous television shows in the United Kingdom.Born in 1962 in East Kilbride, a small town near Glasgow, Hannah worked as an electrician for four years before getting into acting. After training at a Glasgow drama school, the actor headed to London to find work. After his 1990 debut in a generally unheard of film called Harbour Beat, Hannah found work on television. After his breakthrough role in 1994's Four Weddings, he was able to do more film work, appearing the following year in three films, Madagascar Skin, The Final Cut, and The Innocent Sleep. After work in a few forgettable pictures and the title role on the British TV series McCallum, Hannah got his next significant role in Peter Howitt's 1998 romantic comedy Sliding Doors. The film was a relative success and Hannah netted praise for his work as Gwyneth Paltrow's love interest. The film paved the way for him to appear in his first Hollywood blockbuster, The Mummy (1999), in which he was cast against type as a ne'er do well English fop. Despite rotten reviews, the film scored massively at the box office, helping to ensure further work for the talented, versatile actor. Over the next several years, Hannah would remain active as an actor, appearing on shows like MDs, New Street Law, Spartacus, Vengeance, Spartacus: Gods of the Arena, and Damages.

Trivia: An actor who is best known for his role as the eponymous dead man with a grudge in 1999's The Mummy, Arnold Vosloo has been active in film since he immigrated to the U.S. from his native South Africa. Born the son of actors in Pretoria on June 16, 1962, Vosloo spent much of his childhood travelling South Africa with his parents. After leaving school, he went into the army and then spent two years with the Performing Arts Council of the Transvaal. Vosloo made a name for himself on the Pretoria stage, winning one of its most prestigious awards, the Dalro, and then set off for the U.S. Once there, he acted on the Chicago and New York stages, at one point performing alongside Al Pacino in the Circle in the Square's production of Salomé. Although Vosloo made his film debut in 1985, it was not until he starred in The Mummy that he gained any substantial measure of recognition. The film, which was one of 1999's summer hits, also starred Brendan Fraser, Rachel Weisz, and John Hannah. Vosloo and his fellow cast members reprised their roles two years later for the film's sequel, the aptly-titled The Mummy Returns.

Trivia: The seeming embodiment of the old cliché "tall, dark, and handsome," Israeli-born actor Oded Fehr has the worldly handsome looks that perfectly suited him for his breakthrough role of mysterious desert warrior Ardeth Bay in the 1999 blockbuster The Mummy. Born to European parents in Tel Aviv in November of 1970, Fehr served a three-year tenure in the Israeli Navy before relocating to Frankfurt, Germany, to work in business with his father. Enrolling in a few minor acting classes as a fluke, Fehr would take a role in playwright David Mamet's Sexual Perversity in Chicago before later deciding to cement his thespian tendencies with a three-year stay at the Bristol Old Vic in London. Not surprisingly taking on such stage roles as Don Juan in Don Juan Comes Back From War, Fehr was a familiar face to U.K. television audiences with his roles in The Knock and Killer Net in 1998 before his breakthrough in Hollywood. Also turning up as a male gigolo in SNL alumni Rob Schneider's Deuce Bigalow: Male Gigolo the following year, Fehr would later appear in American television with Cleopatra (1999) and Arabian Nights following his success in The Mummy. Not surprisingly returning to his role in that film's 2001 sequel, The Mummy Returns, the multi-lingual actor would become a permanent fixture on the small screen when he joined the cast of U.C. Undercover in 2001. Proving that his sense of humor was as healthy as his good looks, Fehr joined fellow Mummy cast member Arnold Vosloo in spoofing the film and its sequel at the 2001 MTV Movie Awards. Fehr's other television work include appearances on the WB's supernatural fan-favorite Charmed, in which he played a demon known as Zankou, and as the character of Farik on the Showtime drama Sleeper Cell (2005 -- 2006). In 2008, Fehr appeared in first-time writer/director Nancy Kissam's family drama Drool, while 2010 found the actor with a several guest appearances on USA's Covert Affairs.

Trivia: Patricia Velasquez, a model-turned-actress, was born on January 31, 1971, in Guajira, Venezuela, where she grew up. After graduating from San Vincente de Paul High School in 1987, she completed a year of college before being discovered and flying off to Milan, Italy, to begin her modeling career. Her exotic beauty bestowed her with enormous success in runway and print modeling for top designers, and in 1994, she appeared in Sports Illustrated Swimsuit Issue Video.Velasquez made her acting debut in 1996 in Le Jaguar, but it wasn't until 1999 that she was really noticed with her role in The Mummy. She kept busy with three other films that same year: Beowulf, No Vacancy, and Façade. The Mummy had earned her spotlight enough to compete for screen attention with Heather Graham in Committed (2000). In addition to roles in other films like Turn It Up and Saint Bernard (both 2000), Velasquez had appeared on television in the miniseries Fidel and the series Ed in 2001. Also, in 2001, she acted in the sequel to the film that had brought her acting breakthrough, The Mummy Returns. Velasquez had recurring roles on Arrested Development and The L Word, and she appeared on Celebrity Apprentice in 2012.

Trivia: Thanks in part to Alun Armstrong, the works of Charles Dickens enjoyed widespread exposure before television and theater audiences in the late 20th century. A longtime fan of Dickens, Armstrong performed in two highly acclaimed TV productions of Dickens: David Copperfield as Dan Pegotty and Oliver Twist as Mr. Fleming. In addition, he played the cruel schoolmaster Squeers in the Royal Shakespeare Company's stage adaptation of The Life and Adventures of Nicholas Nickleby. The production won four 1982 Tony Awards, including the award for Best Play, after it moved from London to New York. Armstrong also played Squeers in a 1982 TV production of Nickleby that won an Emmy and was nominated for a British Academy Award. Such is Armstrong's passion for Dickens that he turned down a role in a high-profile Clint Eastwood film to do the David Copperfield production. However, he has gratefully accepted challenging roles in many other high-profile motion pictures. For example, he played Mornay in Braveheart, Owens in Patriot Games, Corporal Davies in A Bridge Too Far, Lacourbe in The Duellists, and Keith in Get Carter.Theatergoers who have never seen Armstrong on the stage have been missing performances of the first rank. He was nominated for the coveted Laurence Olivier Award six times for work in such plays as Shakespeare's The Winter's Tale, Arthur Miller's The Crucible, and Victor Hugo's Les Misérables. He won the Olivier Award as Best Actor for his performance in Cameron Mackintosh's musical production of the Christopher Bond play Sweeney Todd. In film productions, Armstrong helped Jonathan Tammuz win a 1989 Oscar in the category of Best Live Action Short for his role as Stefano in The Childeater. And in TV productions, he earned a Best Actor nomination from the Royal Television Society for his performance in This Is Personal: The Hunt for the Yorkshire Ripper. Armstrong was born on July 17, 1946, in County Durham, England. Though his face may have once been handsome, it is now a relief map of crevasses that make him ideal for roles as Dickens characters. Such a countenance works well, too, for Shakespeare characters whose visages are etched with the hardships of living. Armstrong put his wrinkles to work in the Royal Shakespeare Company productions of The Tempest, Much Ado About Nothing, The Taming of the Shrew, The Winter's Tale, Troilus and Cressida, As You Like It, and Measure for Measure. Although never regarded as a famous actor, Armstrong has certainly been one of the hardest-working. Between 1999 and 2002, he performed in 17 productions, including two major films -- Sleepy Hollow and The Mummy Returns -- and a hit TV miniseries, The Aristocrats.

Trivia: If you can smell what the Rock is cookin' then you're no doubt familiar with superstar wrestler Dwayne Johnson's swaggeringly cocky alter ego. With his trademark right eyebrow raised and a penchant for implementing the patented "People's Elbow" to unwary opponents, the self-proclaimed "Most Electrifying Man in Sports-Entertainment" slammed, crashed, and crushed his way to becoming the youngest Intercontinental Champion in WWF history at the age of 24 before winning the WWF title record six times. After conquering the world of sports-entertainment, Johnson next set his sights on conquering Hollywood.Born May 2, 1972 in Hayward, CA, Johnson became a third-generation wrestler after shifting from a career in professional football to professional wrestling when an injury sidelined his gridiron aspirations. After flexing his acting muscles on television in Saturday Night Live, That '70s Show (in which he played his own father), and The Net, Johnson made his feature debut with his role as the dreaded Scorpion King in The Mummy Returns (2001). Returning as the same character the following year in the appropriately titled The Scorpion King, Johnson did little to enhance his reputation of a trained thespian, though he did get the summer film season off to a rousing start for audiences hungering for some energetic escapist fun. Recalling John Milius' 1982 hit Conan the Barbarian (another film that launched the cinematic action career of a then-little-known athlete named Arnold Schwarzenegger), the sword-and-sandal adventure raked in 36 million dollars on its opening weekend and stayed at the top of the box office in the weeks following its impressive debut.Though he would return to the ring for the remainder of 2002, it didn't take Johnson long to soften on the prospect of a return to the silver screen -- and with the following year's The Rundown, he did just that. Cast as a bounty hunter who is sent to Brazil to retrieve the son of a well-known mob boss (American Pie's Seann William Scott), the film provided Johnson with the sort of opportunity to display his comic flair -- a notable talent that was mostly neglected in the special-effects-laden Scorpion King. By this point, his screen career had earned the wrestler-turned-actor a notable fan base that reached well beyond the WWE universe, and in 2004 he took the law into his own hands with the feature remake (in name and general concept only) Walking Tall. Based on the exploits of hard-case Southern sheriff Buford Pusser (played by Joe Don Baker in the original 1973 version) -- the film found Johnson cast as an honest, retired soldier who -- upon return to his small, rural Washington State hometown -- discovers his former high-school rival Jay Hamilton (Neal McDonough) has corrupted the once-prosperous town by introducing drugs and gambling and effectively shutting down the formerly successful lumber mill. Anyone who saw the original (and even those who didn't) could no doubt tell what follows -- and if there ever was a man to lay the smack down on the criminal element, few could doubt that Johnson would be up for the task. With his role as a gay bodyguard in the 2005 Get Shorty sequel, Be Cool, Johnson showed once and for all that he wasn't above poking a little fun at his tough-guy persona, and though he would return to the action genre with the sci-fi video-game adaptation Doom, the next year found the increasingly prolific entertainer cast in the complex role of a sporadically amnesiac actor who begins to have trouble separating reality from fantasy in Donnie Darko director Richard Kelly's apocalyptic sophomore effort, Southland Tales. Later that same year, Johnson turned his attention toward the sport of football to tell the inspirational true story of a detention-camp probation officer who teaches his troubled young charges the meaning of self-respect and social responsibility in Gridiron Gang -- a feature adaptation of the Emmy-winning 1993 documentary of the same name.He would appear in Get Smart and Race to Witch Mountain the following year, followed by Why Did I Get Married Too? in 2010 -- all films that grounded the actor in relatable, humorous roles. Never one to shy away from his roots, however, Johnson was back to action fare soon enough, and he joined the Fast & Furious series for the fifth installment (Fast Five) in 2011 and played Roadblock in G.I. Joe: Retaliation. Johnson once again mixed action and comedy in Michael Bay's Pain & Jain. In 2014, he built up his already-impressive physique even more to play the title character in Hercules, and continued on the action route with roles in San Andreas and another Furious film.

Trivia: Grew up in London and Nigeria. Modeled in London and Milan before turning to acting (and after obtaining a master's degree in law); moved to the U.S. to pursue an acting career in 1994. Appeared in the music videos for EnVogue's "Giving Him Something He Can Feel" and Mary J. Blige's "Love No Limit." Nominated for NAACP Image Awards in the Best Supporting Actor: Drama Series category for his role in HBO's Oz in 1997 and 2000. The meaning of his name: "ade" (crown); "wale" (to come home); "akin" (warrior); "nuoye" (chief); "agbaje" (wealth, prosperity). Came up with the name of his Lost character, Mr. Eko, himself. Nickname is "Triple A."

Trivia: Had breakthrough role as Koop in Justin Kerrigan's cult hit Human Traffic (1999). His work with playwright-screenwriter Joe Penhall, who adapted Cormac McCarthy's The Road (2009), includes a 2001 stage version and 2005 TV adaptation of Blue/Orange, and the 2009 BBC drama Moses Jones. Badly injured his Achilles tendons in both legs while playing soccer, once while auditioning for Mean Machine (2001), starring Vinnie Jones. Stopped lifting weights because "muscle-bound isn't a good look for spouting Shakespeare."

Trivia: A purveyor of old-fashioned popcorn entertainment, writer/director Stephen Sommers hit pay dirt with his effects-driven action spectacle The Mummy (1999). Born in Indianapolis and raised in St. Cloud, MN, Sommers left the Midwest behind to attend college in New York and Seville, Spain. After spending several years as a performer and band manager in Europe, Sommers returned to the United States to study in U.S.C. Film School's graduate program. Following his directorial debut Catch Me If You Can (1989), Sommers gained further Hollywood notice with his live-action adaptations of The Adventures of Huck Finn (1993) and Rudyard Kipling's The Jungle Book (1994) for Disney. He moved to more grown-up action, and high-tech effects, with the Treat Williams ocean-liner thriller Deep Rising (1998), but the movie failed to make an impression at the box office. Sommers finally nabbed the Hollywood blockbuster brass ring, however, with his version of The Mummy (1999). Loosely updating the 1932 Universal Studios Boris Karloff chestnut with top-notch digital effects, Sommers' combination of flashy action, a monstrous, shape-shifting Imhotep, and amiably hunky hero Brendan Fraser won over the audience (if not all the critics), turning The Mummy into the first summer blockbuster of 1999. Sealing The Mummy's success, Sommers and his cast reunited for the sequel The Mummy Returns (2001). Heavily hyped and featuring a new little boy character to appeal to the young fry as well as an appearance by wrestling star The Rock as the Scorpion King, The Mummy Returns made a record-setting debut in early May 2001. Despite critical disdain for its chaotically amped-up special effects and paper-thin story, The Mummy Returns went on to become one of the biggest hits of the summer.