Trivia: With his rugged, everyman exterior and quick wit, Aussie actor Bryan Brown has made an undeniable mark in the world of cinema with unforgettable roles in such efforts as Bruce Beresford's Breaker Morant (1980), the innovative action thriller F/X, and the bottle slingin' bartender drama Cocktail (1988). Although public misconception may be that Brown abandoned the Land Down Under for a film career in Hollywood, the lifelong Australian resident remains true to his homeland despite his status as a popular international film star. A former insurance salesman who was bitten by the acting bug early on, the Sydney native soon found stage work in both his hometown as well as London. His film debut as a lovelorn, mentally ill man in The Love Letters From Teralba Road (1977) soon followed, and after gaining positive critical notice for his performance, Brown appeared in minor capacity in such films as Phillip Noyce's Newsfront and Bruce Beresford's Money Movers before his breakout turn as a supporting player in the searing war drama Breaker Morant. His star on the rise in the early '80s, Brown subsequently appeared in the prison drama Stir before turning up in the acclaimed miniseries The Thorn Birds (1983). The musical drama Give My Regards to Broad Street proved a surprising gem to Paul McCartney and Brown fans alike the following year, and with the release of F/X in 1986, Brown became a bankable international star. The film's innovative use of special effects as a means to drive the plot, combined with a smart script and Brown's natural charisma, resulted in a modest hit that spawned both a sequel and a television series (albeit without him). After taking the lead in Tai-Pan (1986) and returning to Australia for the relationship drama The Good Wife (1987), Brown took his biggest Hollywood role to date as a veteran bartender opposite Tom Cruise in Cocktail. Although Brown would have little chance to truly shine opposite the Hollywood heavy, he did manage to steal a few scenes and have fun with the role. Shifting gears entirely for Gorillas in the Mist that same year, Brown was once again offered the opportunity to shine in the role of a National Geographic photographer who falls for primate researcher Dian Fossey Sigourney Weaver. Despite the fact that Brown's '80s momentum may not have carried into the '90s as strongly as fans might have hoped, those who did seek out his films found him still very much at the top of his game. From Nicolas Roeg's existential drama Full Body Massage (1995) to the intensely personal Dead Heart (1996), his performances were consistently thought provoking. After expanding his resumé to include producer credits with the 1991 F/X sequel, Brown did his best to bring stories to the screen that he found personally compelling. His association both in front of and behind the scenes of Twisted Tales (a sort of Down Under Twilight Zone meets The X-Files) helped to maintain his high profile in Australia, and, in 1999, Brown appeared opposite hot-Aussie export Heath Ledger in the comedy drama Two Hands. After more starring roles that year, Brown appeared in the sleeper drama Risk and the nuclear drama On the Beach (both 2000). Having been a youngster in 1960 Australia, the retro-gangster comedy Dirty Deeds had special appeal to Brown, and his turn as a Sydney-based crime syndicate leader who draws the ire of a fearsome Chicago crime family offered a fun take of the gangster-chic trend. Although Brown would threaten to take a break from acting following Dirty Deeds, it wasn't long before he was back in front of the cameras for the Ben Stiller comedy Along Came Polly Captured (2004).

Trivia: After majoring in history at Columbia University, brawny Brian Dennehy (born July 9, 1938) took a string of odd jobs to pay his way through Yale Drama School, and to afford private acting lessons. His first professional break came with the Broadway production Streamers. In films and TV from 1977, Dennehy is a most versatile actor, at home playing Western baddies (Silverado), ulcerated big-city cops (F/X), serial killers (John Wayne Gacy in the made-for-TV To Catch a Killer), by-the-book military types (General Groves in Day One, another TV movie), and vacillating politicos (Presumed Innocent). One of his most rewarding film assignments was as dying architectural genius Stourley Kracklite in Peter Greenaway's The Belly of an Architect (1987).In addition to his many TV-movie roles (one of which, good-old-boy Chuck Munson in 1993's Foreign Affairs, won him a Cable Ace Award), Dennehy has starred in the weekly series Big Shamus, Little Shamus (1977), Star of the Family (1981), and Birdland (1994), as well as the sporadically produced Jack Reed feature-length mysteries. It was in one of the last-mentioned projects, Jack Reed: A Search for Justice (1994), that Dennehy made his directorial debut. Aside from his work in film and television, Dennehy has also had considerable success on the stage, particularly with his Tony-winning portrayal of Willy Loman in the 1998 Broadway revival of Death of a Salesman.The actor continued to show his range in the 1995 comedy Tommy Boy (starring David Spade and the late comedian Chris Farley), in which he became well known for his role as Big Tom Callahan, and for a voice role in Ratatouille (2007) as Django, the father of rat and aspiring chef Remy.Dennehy joined Robert DeNiro and Al Pacino in Righteous Kill, a 2008 police drama, and worked alongisde Russell Crowe in the 2010 suspense film The Next Three Days. In 2011, Dennehy played the pivotal role of Clarence Darrow in Alleged, a romantic drama set during the infamous Scopes Monkey Trial.

Trivia: Julliard-trained actress Diane Venora made both her New York stage and film debut in 1981. The play was the off-Broadway production Penguin Touquet; the film was Wolfen. In 1983, Venora became the focus of voluminous press coverage for her appearance in the New York Shakespeare Festival production of Hamlet--not as Ophelia or Gertrude, but in the title role! Her subsequent film roles included Gloria Swanson in The Cotton Club (1984), Ellen in FX (1986), Peg in Ironweed (1987), and, best of all, Chan Parker, the put-upon wife of jazz great Charlie Parker (Forest Whitaker), in director Clint Eastwood's Bird (1988). Previously seen on television as Corinna in the 1985 miniseries AD and as Ed Asner's daughter in the pilot episode of the 1994 weekly series Thunder Alley (Robin Riker played the role in the series proper), Diane Venora was cast as Dr. Geri Infante in the CBS medical drama Chicago Hope (1994- ).

Trivia: American actor Cliff DeYoung began a stop-and-start film career with Pilgrimage in 1972; most of his work for the next several years was on stage and in television. DeYoung starred in the very brief 1975 TV series Sunshine, playing a widowed musician raising a young stepdaughter; the series was a spin-off of the 1973 TV movie of the same name, which also starred DeYoung. The actor also played the lead role of a blinded Vietnam vet in the Joseph Papp-produced CBS drama special Sticks and Bones (1973) which was blacked out by many affiliates due to its vitriolic antiwar stance. Three years later, DeYoung played Charles Lindbergh (to whom he bore a daunting resemblance) in the 1976 made-for-TV Lindbergh Kidnapping Case. After his attention-grabbing appearance in the 1983 horror film The Hunger, Cliff DeYoung concentrated on movie roles, with occasional returns to TV in such productions as the 1985 miniseries Robert Kennedy and His Times.

Trivia: Mason Adams was once described by a colleague as having a "non-actor's face." This has hardly hampered Adams' professional success, which has hinged almost exclusively on his instantly recognizable voice. After receiving an MA in Theater Arts and Speech from the University of Wisconsin, Adams became a teacher at New York's Neighborhood Playhouse. In radio from 1940 onward, Adams gained fame in the title role of the popular soap opera Pepper Young's Family. Typically cast in kindly, folksy roles, Adams enjoyed playing villains and psychos, notably the evil Atomic Man on the radio saga Superman. A prolific commercial spokesman, Adams has for nearly four decades been principal pitchman for the Smuckers condiment company. From 1977 through 1982, Adams played managing editor Charlie Hume on TV's Lou Grant. In films, Mason Adams has occasionally been permitted an opportunity to break free from his paternal TV image, e.g. his corporate bad-guy assignment in 1988's F/X.

Trivia: Jerry Orbach often commented, without false modesty, that he was fortunate indeed to have been a steadily working actor since the age of 20. Such was an understatement: graced with not only formidable dramatic instinct but one of American theater's top singing voices, Orbach resisted others' attempts to peg him as a character actor time and again and established himself as one of the most unique talents in entertainment per se. Television producer Dick Wolf perhaps put it best when he described Orbach as "a legendary figure of 20th century show business" and "one of the most honored performers of his generation."A native of the Bronx, Orbach was born to an ex-vaudevillian father who worked full time as a restaurant manager and a mother who sang professionally on the radio. The Orbachs moved around constantly during Jerry's youth, relocating from Gotham to Scranton to Wilkes-Barre to Springfield, Massachusetts and eventually settling in Chicago - a mobility that gave the young Orbach an unusual ability to adapt to any circumstance or situation, and thus presaged his involvement in drama. Orbach later attended Northwestern University, trained with Herbert Berghof and Lee Strasberg, and took his Gotham theatrical bow in 1955, as an understudy in the popular 1955 revival of Bertolt Brecht and Kurt Weill's The Threepenny Opera, eventually playing the lead role of serial killer Macheath. During the Threepenny run, Orbach made his first film appearance in the Manhattan-filmed low budgeter Cop Killer (1958). In 1960, Orbach created the role of flamboyant interlocutor El Gallo in the off-Broadway smash The Fantasticks, and later starred in such Broadway productions as Carnival (1961), Promises Promises (1966), Chicago (1975) and 42nd Street (1983). By day, Orbach made early-1960s appearances in several New York-based TV series, notably The Shari Lewis Show. In the early years, Orbach's film assignments were infrequent, but starting around 1981, with his pivotal role as officer Gus Levy in Sidney Lumet's masterful urban epic Prince of the City, the actor generally turned up in around one movie per year. His more fondly remembered screen assignments include the part of Jennifer Grey's father in Dirty Dancing (1987), Martin Landau's shady underworld brother in Woody Allen's Crimes and Misdemeanors (1989) the voice of the Chevalieresque candellabra in the Disney cartoon feature Beauty and the Beast (1990), and Billy Crystal's easily amused agent in Mr. Saturday Night (1992). Orbach perhaps made his most memorable contribution to television, however. After headlining a brief, short-lived detective series entitled The Law and Harry McGraw from September 1987 to February 1988 (a spinoff of Murder, She Wrote), Orbach landed a role that seemed to draw heavily from his Prince of the City portrayal: Detective Lennie Briscoe, a sardonic, mordant police investigator on Wolf's blockbuster cop drama Law & Order.Orbach carried the assignment for twelve seasons, and many attributed a large degree of the program's success to him.Jerry Orbach died of prostate cancer at the age of 69 on December 28, 2004. Three years later, Orbach turned up, posthumously, on subway print advertisements for the New York Eye Bank. As a performer with nearly perfect vision, he had opted to donate his eyes to two women after his death - a reflection on the remarkable humanitarian ideals that characterized his off-camera self.

Trivia: Stage actor Joe Grifasi was 33 when he made his inaugural movie appearance during the lengthy opening wedding sequence in 1978's The Deer Hunter as the bandleader. The actor has since been seen in such films as Still of the Night (1982) and Presumed Innocent (1990), appearing in the latter as Tommy Molto. In 1990, Joe Grifasi was cast in the regular role of TV-station public relations man Tony Pro on the brief TV series WIOU. A graduate of the Yale School of Drama, Grifasi first gained professional experience on the New York stage. In addition to his acting credits, Grifasi frequently appears in television commercials.

Trivia: American stage and film actor Trey Wilson first gained a measure of public exposure on a very short-lived satirical TV series, The News Is the News, in 1983. Though only in his mid-thirties, Wilson's gravelly voice and bulky frame enabled him to play a variety of middle-aged toughs. He was seen in this capacity as Jimmy Hoffa in the 1985 TV miniseries Robert F. Kennedy and His Times. Wilson's least menacing screen role was as Skip, the laconic minor league baseball manager, in 1988's Bull Durham. Trey Wilson died the following year of a cerebral hemmorhage; he was barely 40 years old.

Trivia: A performer who succinctly defines the term "character actor," Tom Noonan has appeared in over 20 feature films and numerous TV series and movies, and has also enjoyed a career as a playwright, director, and acting professor. A 1973 graduate of the esteemed Yale acting program, Noonan began his career as a guitarist and composer, working with such downtown theater troupes as Mabou Mines and The Wooster Group (which has included fellow actor Willem Dafoe among its ranks) until he found his niche in film and TV in the early '80s.Noonan began to find work as a premier villain in such films as Manhunter ([1986] the first film to feature the infamous Hannibal Lecter), The Monster Squad (1987), Robocop 2 (1990), and Last Action Hero (1993), the latter few representing Hollywood action-adventure pictures that helped subsidize smaller projects that the actor wished to take on. One of these projects was the 1994 Sundance Film Festival sleeper What Happened Was..., a startling examination of a truly awkward first date based on Noonan's play produced the previous year. The film, which Noonan wrote, directed, and starred in opposite Karen Sillas, won the Grand Jury Prize at Sundance that year, as well as the Waldo Salt Screenwriting Award. That same year, the film was released on the arthouse circuit and garnered accolades for Noonan, including several Ten Best citations from critics. What Happened Was... was featured in Scenario Magazine in the July 1995 issue as one of its featured screenplays.Noonan continued to appear in such mainstream fare as Michael Mann's cops-and-robbers epic Heat (1995) and more television offerings, including a memorable stint on the popular sci-fi show The X-Files. He then made a film called The Wife, based on his play Wifey, co-starring Wallace Shawn, Julie Hagerty, and Karen Young, all holdovers from the stage version, which premiered at his Paradise Theater, a small off-off-Broadway space in New York's East Village. This film was also accepted into the Sundance Film Festival and was (barely) released theatrically, not enjoying the same success as his 1994 play to film.Noonan is the author of several collections of fiction, as well as an unpublished novel titled Must Have. A former National Endowment of the Arts scholar, he has long used New York City as his home and professional base, and has taught classes in acting technique at the Paradise Theater, which for years has been host to original, quirky downtown theatre.

Trivia: African-American character actor James Pickens Jr. sustains one of the longest and fullest Hollywood resumés in recent memory, just in terms of sheer volume of work. Soap opera devotees may remember Pickens for one of his earliest achievements -- his portrayal of Zack Edwards on the long-running daytime drama Another World, from 1986 through 1990. Pickens subsequently divided his time between characterizations on such prime-time programs as Roseanne and Murder, She Wrote, and small roles in A-list Hollywood features. At least in the early years, these films were often, though not always, action vehicles with predominantly black casts, such as the Ice-T and Ice Cube action thriller Trespass (1992), the Wesley Snipes and Dennis Hopper cop picture Boiling Point (1993), and the bullet-ridden Hughes Brothers pictures Menace II Society (1993) and Dead Presidents (1995). Back on the small screen, Pickens could be seen on such popular series as The X-Files, The Practice, NYPD Blue, Six Feet Under, and Philly. Also, in spring 1998, he joined episode writer Larry David and co. as the detective who threw Jerry and his cronies in the slammer on the much-anticipated series finale of Seinfeld; David and Pickens re-teamed several years later for two 2005 episodes of Curb Your Enthusiasm. Pickens drew his greatest attention and acclaim, however, when he ascended from bit player to a prominent supporting role as Chief of Surgery Richard Webber on the blockbuster medical drama Grey's Anatomy. This series premiered in 2005 to sensational ratings and quickly became an American institution, thanks in no small part to Pickens's work.

Trivia: A respected actress of the stage, screen, and television, Angela Bassett has been one of the few African-American actresses to break Hollywood's color boundary. She has specialized in playing strong women familiar with adversity and has worked in genres from "chick flick" (Waiting to Exhale) to sci-fi action (Strange Days) to biography (What's Love Got to Do with It?), the last of which featured her in a star-making performance as Tina Turner.Born in New York City on August 16, 1958, Bassett was raised in St. Petersburg, Florida by her mother. Growing up in a household where money was tight, she was taught determination and independence. These values were called into service after an eleventh grade Upward Bound trip to Washington, D.C., when Bassett saw James Earl Jones in a Kennedy Center production of Of Mice and Men. Deciding that acting was her calling, she became involved in a number of local productions in St. Petersburg. She continued to act at Yale University, where she earned a scholarship; after completing a B.A. in African-American studies, she also spent three years at the Yale School of Drama. One of Bassett's mentors at Yale was the drama school's dean, stage director Lloyd Richards, who was so impressed with her talent that he cast her in two of his productions, Ma Rainey's Black Bottom and Joe Turner's Come and Gone. Although she enjoyed relative success on the stage, Bassett, like other African-American actors, had a difficult time finding roles in television and film.In 1986, Bassett made her screen debut in the cult favorite F/X. Following supporting roles in Kindergarten Cop (1990) and John Sayles' City of Hope (1991), she had her first significant screen role in John Singleton's acclaimed Boyz 'N the Hood, playing a struggling single mother. Two years later, after playing the wife of civil rights leader Malcolm X in Spike Lee's biopic and the Jackson Family matriarch in the made-for-TV The Jacksons: An American Dream, Bassett had her screen breakthrough as Tina Turner in What's Love Got to Do with It?, a performance that earned her a Best Actress Oscar nomination and a Golden Globe. As her newfound status allowed her to expand her range of work, Bassett went on to star in a series of diverse films. In 1995, a foray into futuristic action in Strange Days was complemented by a lead in the successful women's ensemble drama Waiting to Exhale (based on the novel by Terry McMillan), in which Bassett starred alongside Whitney Houston, Lela Rochon, and Loretta Devine. In 1998, she starred as the title character in another McMillan adaptation, How Stella Got Her Groove Back, playing a divorcee whose discontent is ably assuaged by a hunky twenty-year-old (Taye Diggs). The following year, she had a supporting role in Music of the Heart and again tried her hand at action in Supernova, a sci-fi thriller. Starring in former Orson Welles collaborator and blacklisted director John Berry's critically panned swansong Boesman and Lena in 2000, Bassett (along with co-star Danny Glover) earned praise for their sensitive performances as a troubled South African couple striving to seek stability in the face of Apartheid.Her career continued to evolve with a part in The Score in 2001. The next year she executive produced and starred in a biopic about civil rights figure Rosa Parks. She was part of the large ensemble John Sayles brought together for Sunshine State, and co-starred opposite Bernie Mac in the sports comedy Mr. 3000. In 2006 she played the mother in the spelling bee drama Akeelah and the Bee, and she continued to land parts in big-budget blockbusters such as Green Lantern and This Means War.Since 1997, Bassett has been married to actor Courtney B. Vance, whom she had known since their days at Yale.