Trivia: Initially known as one of the cast members of Saturday Night Live (she joined in 2005), comedian Kristen Wiig cemented her reputation as a schtickmeister with hilarious and memorable SNL characterizations of such personalities as Drew Barrymore, Katharine Hepburn, and Megan Mullally, and performed a particularly memorable recurring bit on that program as an overanxious Target employee. Like Will Forte, Will Ferrell, and others, Wiig arrived on SNL as an alumnus of The Groundlings, Los Angeles' legendary comedic ensemble. Wiig broke through to feature-film acclaim in 2007, with supporting roles in the comedies Bill, Knocked Up, and The Brothers Solomon. Brothers, a picture co-starring a number of Wiig's fellow SNL cast mates including Maya Rudolph and Will Arnett, told the story of two socially backward loser brothers seeking a woman to have their baby. In 2007, Wiig also showed up in the music-biopic spoof Walk Hard: The Dewey Cox Story, playing the rock star's first wife.She continued to work steadily in films even as she became one of the most celebrated SNL performers in that show's rich history, becoming one of the few performers to get nominated for an acting Emmy for her work on the program. Big-screen credits like Whip It, MacGruber, and Date Night, eventually led to her starring role in Bridesmaids, the R-rated comedy that not only became a box-office smash, but garnered Wiig an Oscar nomination as well as a WGA nod for Best Original Screenplay. In 2012 she left SNL, getting a memorable send-off where she was serenaded by Mick Jagger and danced with every other member of the cast. In the years to come, Wiig would continue her upward trajectory in the comedy world, appearing in numerous projects as well as continuing to flex her muscles behind the camera as a writer and producer.

Trivia: Although some of her recognition may stem from her 1992 marriage to Warren Beatty, Annette Bening has established herself as an actress capable of far more than domesticating one of Hollywood's most notorious playboys. After winning raves for her role in 1990's The Grifters, Bening turned in a series of strong performances in films ranging from The American President to Richard III to American Beauty.Born in Topeka, Kansas, on May 29, 1958, Bening moved with her family to San Diego, California when she was very young. It was there that she began to pursue her career, first as a dancer in various productions at a local college. Eventually graduating from San Francisco University (an education she paid for by working as a cook on a charter boat), Bening acted with San Francisco's American Conservatory Theatre before moving to New York to further her stage experience. Her career in New York had its auspicious moments, such as winning a Tony Award nomination and a Clarence Derwent Award for Outstanding Debut Performance for her performance in Coastal Disturbances, but Bening endured a five-year struggle before breaking into film.She made her debut as Dan Aykroyd's irritable wife in The Great Outdoors in 1988; more substantial work followed in the form of Milos Forman's Valmont, a 1989 adaptation of Chodleros de Laclos' Les Liaisons Dangereuses that featured Bening as the scheming, manipulative Marquise de Merteuil. The film suffered in comparison to Stephen Frears's Dangerous Liaisons, which had been released the previous year; fortunately, the same couldn't be said of Bening's next major effort, 1990's The Grifters. Frears's gripping, stylish adaptation of Jim Thompson's novel of the same name, The Grifters met with almost unanimous critical acclaim, much of which was aimed at the performances of Anjelica Huston, John Cusack, and Bening as the film's protagonists. Bening won special praise for her portrayal of an ill-fated con artist, accruing Best Supporting Actress nominations from the Academy, the New York Film Critics Circle, and the British Academy.Her performance also won the attention of Warren Beatty, who was so impressed with her work that he cast her as his love interest in his 1991 Bugsy. Although the film proved a relative disappointment, it did result in both a Golden Globe nomination for Bening and a 1992 marriage for her and Beatty. The two could be seen collaborating again onscreen two years later in Love Affair, a remake of the 1957 An Affair to Remember. Unfortunately, the film fared poorly, both at the box office and at the hands of disapproving critics. Bening had more luck with her subsequent role as Michael Douglas' presidential love interest in Rob Reiner's The American President (1995), and then went on to explore politics of a different sort with Richard Loncraine's 1996 adaptation of Richard III. Her starring turn as the embattled Queen Elizabeth drew praise, and the attention she garnered for her performance helped to lighten the load of antipathy directed toward Tim Burton's Mars Attacks!, the actress' other film that year.Following lead roles in 1998's underperforming The Siege and 1999's ill-fated In Dreams, Bening could be seen in American Beauty (also 1999) as Kevin Spacey's status-obsessed, control-freak wife. As part of the film's superb ensemble cast, which also featured Chris Cooper, Thora Birch, Wes Bentley, and Mena Suvari, the actress won praise for her work, and the added distinction of being part of what many hailed as one of the best films of the year. Her first Best Actress Oscar nomination followed, although Bening's near-lock on the award was stolen away from her by Hilary Swank, a newcomer almost as auspicious as she once was.Adding insult to injury, Bening lost the Oscar at the same time she could be seen in theaters alongside Garry Shandling in the much-derided sci-fi comedy What Planet Are You From? Perhaps as a result of this -- or due to her decision to spend more time with her four children -- the actress chose her parts very carefully in the coming years. She re-emerged in a leading role in 2003 opposite Kevin Costner in the sleeper-hit western Open Range, and followed that comeback with a triumphant diva turn as the title character in Being Julia, an adaptation of M. Somerset Maugham's back-stabbing, backstage comic melodrama Theater. Though little-seen, the film garnered immense praise for Bening -- including a Best Actress nod from the National Board of Review -- and an eventual Best Actress Oscar nomination. However, in a moment of Hollywood irony that echoed both her character's situation in Being Julia and the fate of the 2000 awards ceremony, Bening was denied the award in favor of Hilary Swank's tour-de-force as a doomed boxer in Oscar favorite Million Dollar Baby.She was the mother in the cinematic adaptation of Running With Scissors, and had a major part in the big-budget misfire remake of The Women. In 2010 she won the SAG award for best actress and was nominated for the Oscar in that same category for her work as a lesbian mother of two who finds out her partner is cheating on her in the comedy The Kids Are All Right.

Trivia: For a long time, Matt Dillon was a teen idol known mostly for his Tiger Beat-ready looks, but he was able to make a successful transition from pubescent star to adult actor. As he grew, his physical attributes -- the dark, pretty-boy eyes and glacier-cut cheekbones -- matured with him, making him well-suited to portray characters whose golden-boy pasts have been eclipsed by adult experience. A native of New Rochelle, NY, where he was born on February 18, 1964, Dillon was a product of a pop-culture milieu. The nephew of comic-strip artist Alex Raymond, creator of Flash Gordon, Jungle Jim, and Rip Kirby, he was named for the protagonist of the TV Western Gunsmoke. Dillon was raised as the second oldest of the five sons and one daughter of a stockbroker and a homemaker. He began acting in elementary school, and, at the age of 14, he was discovered by Warner Bros. talent scouts while cutting class. After making a memorable impression on casting director Vic Ramos with an eerily accurate impersonation of the character he was asked to audition for, Dillon won the part and made his film debut as a school bully in Jonathan Kaplan's 1979 teenage drama Over the Edge. His work in the film opened the floodgates for roles in similar teen movies, and over the next few years, Dillon could be seen as the photogenic mouthpiece for adolescent discontent in such films as My Bodyguard (1980), Little Darlings (1980), Tex (1982), Rumble Fish (1983), and that seminal exploration of teenage alienation, The Outsiders (1983). By the mid-'80s, Dillon sought to move beyond the teen mold and began taking more adult roles. His breakthrough into the grown-up realm came with his somber, unheroic portrayal of a junkie trying to come clean in Gus Van Sant's acclaimed Drugstore Cowboy (1989). His status as an adult performer firmly established, Dillon went on to star in films of varying quality, doing some of his most memorable work in Singles (1992), as the egocentric slacker head of a terrifically bad grunge band; To Die For (1995), as the well-meaning but tragically dim husband of a psychotic weather girl (Nicole Kidman); Kevin Spacey's Albino Alligator (1995), as a small-time New Orleans crook; and Beautiful Girls (1996), in which Dillon was perfectly cast as a small-town snow plower unable to make good on the promise of his high-school glory days.Dillon had pivotal roles in several Hollywood hits between 1997 and 1998. The first, In & Out, called for him to caricature himself as a peroxided movie star who unwittingly outs his ex-high school teacher on national television. The following year, he again proved his capacity for bottom-dwelling when he played a woefully unqualified high-school guidance counselor in the delightfully trashy Wild Things and once more when he starred alongside then-girlfriend Cameron Diaz in There's Something About Mary as a sleazy personal investigator, only to drop off the radar for three years before starring in the disappointing One Night at McCool's (2001) with John Goodman and Liv Tyler. The year 2002 found Dillon in the director's chair as well as on the big screen in The City of Ghosts, in which he played a young man under suspicion of insurance fraud. Though the film -- which Dillon also helped write -- received mixed reviews critically, Dillon was lauded for a nonetheless impressive directorial debut. The same year featured Dillon as a mobster in director Scott Kalvert's Deuces Wild and later as an interviewee in the documentary Rockets Redglare!, which also included Steve Buscemi and Willem Dafoe. After participating in 2003's Breakfast With Hunter, which centered on gonzo writer Hunter S. Thompson, Dillon went on to film 2004's Employee of the Month with Steve Zahn and Christina Applegate, which screened at that year's installment of the Sundance Film Festival.2005 would prove to be quite a big year for Dillon, with him appearing a no less than four films of varying size. In addition to the lead in the low-budget Charles Bukowski adaptation Factotum, the actor could also be seen in two ensemble dramas: the Kevin Bacon-directed Loverboy and Crash, a film from Million Dollar Baby scribe Paul Haggis about the intertwining lives of a group of Los Angelenos that would earn Dillon his first Oscar nomination. He also appeared as the villain in the rebirth of Disney's classic Lovebug series, Herbie: Fully Loaded.Dillon would spent the coming years appearing in a wide variety of projects, like the Oscar winning ensemble drama Crash, the wacky comedy You, Me and Dupree, and the action thriller Armored.

Trivia: Mother is a native of the Philippines. Made professional stage debut at age 10 in a San Francisco production of Fanny. Played drums in his brother Chuck's rock band as a teenager; also plays violin, guitar and piano. Had the lead role (Harry Potter) in the send-up A Very Potter Musical, a theater production created by University of Michigan students that went viral on YouTube. Sang in L.A. cafés before making TV debut in the ABC series Eastwick in 2009. Billboard-chart accomplishments include first student musical ever to make a Top Cast Musical chart (Me and My D.) and first performance on Glee to debut at No. 1 on any chart (Katy Perry's Teenage Dream). Is a founding member of Team StarKid, the theater company (now based in Chicago) behind A Very Potter Musical and A Very Potter Sequel. Older brother Chuck is a member of the New York-based rock group the Freelance Whales.

Trivia: Met her comedy partner, Casey Wilson, in a clown class at NYU. After graduating from college, she and Wilson wrote and performed a two-woman sketch show called Rode Hard and Put Away Wet at Upright Citizens Brigade. The pair was named the Best Comedic Duo at the 2005 Emerging Comics of NY Awards. Cowrote the screenplay for 2009's Bride Wars, starring Kate Hudson and Anne Hathaway. In 2010, began hosting a popular podcast with husband Paul Scheer and Jason Mantzoukas called How Did This Get Made?, in which the three skewer movies.

Trivia: With her wild curls, gawky build, and street-smart attitude, Natasha Lyonne presents a refreshing departure from the many blow-dried, plasticized young actors of her generation. Since appearing in Woody Allen's Everyone Says I Love You in 1996, Lyonne has consistently wowed critics with her intelligent, no-nonsense portrayals of teenage girls who are anything but typical.Born into a conservative Jewish family on April 4, 1979, in New York City, Lyonne spent her childhood in New York and Israel. She broke into show business early with her role as Opal on Pee-Wee's Playhouse (1986). Her first film of any import (aside from Heartburn (1986), in which she had an uncredited role) was 1993's Dennis the Menace. It was her next film, Everyone Says I Love You, that won Lyonne initial recognition. Critics praised her portrayal of Woody Allen's daughter, praise that was magnified with her role in Tamara Jenkins' The Slums of Beverly Hills (1998). The film won almost unanimous critical praise, as did Lyonne's endearingly jaded portrayal of Vivian Abramowitz. The success of Slums was inversely proportional to that of Lyonne's next film, Krippendorf's Tribe, which also starred Richard Dreyfuss and Jenna Elfman. However, the disappointment of that movie was more than made up for by Lyonne's following project, the very successful American Pie. As the wise and weary Jessica, Lyonne, in the minds of many critics, stole the show with her all-too limited appearance. Fortunately, thanks to both the film's success and her consistently solid performances, it was virtually ensured that critics and audiences alike would be able to see a great deal more of her, though her roles in the sequels American Pie 2 and Scary Movie 2 amounted to little more than glorified cameos, almost unrecognizably so in the case of the latter.

Trivia: Performed with the improv group Upright Citizens Brigade. Appeared in commercials for Verizon, Coors, Dunkin' Donuts and X-Box. Costarred with Morgan Fairchild in the 2004-05 traveling Broadway production of The Graduate. Got his big break in the short-lived television comedy-drama Studio 60 on the Sunset Strip (2006-07) from Emmy winner Aaron Sorkin, and got a starring role with another Emmy winner, David E. Kelley, with the 2011 debut of the legal drama Harry's Law.

Trivia: Was rejected from UCLA and USC film schools.Learned screenwriting from Cal State Northbridge professor Eric Edson.While attending her senior year in college, was an intern at an agency which led to a few auditions and, a couple of years, acting work.Devoted herself to writing after her father's passing.Often works as a writer, producer and actor in her projects.

Trivia: Met her husband onstage during a theater production, which is the same way her parents met. Considers her parents the most influential people in her career. Appeared on Broadway in Getting Away With Murder in 1996. Won a Robby Award (a California theater award) for her performance in The Violet Hour with South Coast Repertory in 2002.

Trivia: Raised in Wembley Downs, a suburb of Perth. Attended the National Institute of Dramatic Art (NIDA) in Australia at the same time as Cate Blanchett. Began his acting career on Australian soap operas. Moved to the United States from Australia in 2000. Appeared in the Australian touring company's stage production of The Boy From Oz with Hugh Jackman in 2006.

Trivia: Playing a succession of bespectacled, soft-spoken, yet vaguely superior characters, Bob Balaban carved himself a niche as a reliable character actor in the last quarter of the 20th century, while also getting the occasional opportunity to write and direct for the screen. The nephew and cousin of industry personages, Balaban got the acting bug at Colgate University and N.Y.U., inspiring him to study with Uta Hagen and Viola Spolin. After some exposure on and off-Broadway in the late 1960s, Balaban made his film debut in Midnight Cowboy (1969), playing the high school student who meets Jon Voight in the movie theater for a tryst. Working sporadically through the '70s, more in theater and TV than film, Balaban developed a more familiar face with such roles as the cartographer and French translator from Close Encounters of the Third Kind (1978) and the attorney hired to help Richard Dreyfuss' quadriplegic choose to die in Whose Life Is It Anyway? (1981). Balaban's major contribution to the industry in the 1980s was as a director, first of the disappointing Showtime movie The Brass Ring (1983) and then of the macabre weekly TV series Tales of the Darkside (1984) and Amazing Stories (1985). His big-screen directorial debut, the cannibal-themed black comedy Parents (1989), was considered either an objectionable failure by some or a devious cult classic by others; two later forays into directing (My Boyfriend's Back in 1993, The Last Good Time in 1994) were better received.In the 1990s, Balaban returned his focus to acting, especially as he caught on with more regular parts in the latter half of the decade. His most widely seen role was the NBC executive who accepts, then declines, then accepts again the pilot written by George and Jerry on the popular sitcom Seinfeld. His Russell Dalrymple appeared in only six episodes in the 1992-1993 season but was featured prominently in the season finale, lost at sea and presumed dead in his all-consuming quest to win Elaine's affections. It was this Seinfeld gig that netted Balaban the most regular and prominent work of his career in the years that followed. Although often still appearing in serious roles, Balaban indulged his talent for subtle comedy by linking up with actor/director Christopher Guest and appearing in two of his acclaimed faux documentaries, Waiting for Guffman (1996) and Best in Show (2000).Balaban scored a major art-house and critical successes producing and playing one of the main characters in Robert Altman's murder-mystery Gosford Park, and appearing as an ineffective father in Ghost World. That same year he appeared in important supporting roles in such big-budget fare as The Mexican and The Majestic. He maintained his carer in the independent world hooking up again with Christopher Guest for A Mighty Wind, and making a cameo appearance in the Oscar nominated Capote. Balaban appeared in and helped produce the animated Hollywood satire Hopeless Pictures, which ran on IFC in 2005. 2006 proved to be a very busy year for the multi-talented Balaban. In addition to another ollaboration with Guest, For Your Consideration, he played a film critic in M. Nght Shyamalan's The Lady in the Water. He also directed Ralph Finnes and Susan Sarandon in Doris and Bernard.Over the coming years, Balaban would continue to find outlets for his unique screen presence, appearing on the popular comedy series Web Therapy, and narrating the Wes Anderson comedy Moonrise Kingdom.

Trivia: Moved to New York with her family when she was 2. Became the youngest Obie Award winner for her portrayal of Small Alison in the original Off-Broadway cast of Lisa Kron and Jeanine Tesori's musical Fun Home. Has been cast as younger versions of two different Kristen Wiig characters. Has acted alongside her brother Jake in a Campbell's soup commercial and the film She's Funny That Way.

Trivia: A true-blue New York actress who has worked on the stage and screen since her adolescence, Cynthia Nixon is probably best known to pop culture aficionados as Miranda Hobbes, the high-powered lawyer who has dated some of New York City's most dysfunctional men on HBO's Sex and the City. Although Nixon's starring role on the hugely popular series may have brought her to the attention of a new audience, observers of the New York theater had been watching the actor on and off Broadway since 1980, where she had performed in productions that included David Rabe's Hurlyburly, Tom Stoppard's The Real Thing, Angels in America, and Indiscretions, for which she earned a Tony nomination.Born in New York City on April 9, 1966, Nixon made her film debut in the 1980 movie Little Darlings. She worked steadily through the rest of the decade, appearing in films ranging from Sidney Lumet's Prince of the City (1981) to Milos Forman's Oscar-winning Amadeus (1984) to Robert Altman's satirical Tanner '88, which cast her as the daughter of the titular politician. Nixon also worked on television, popping up in various miniseries, including the 1982 abortion drama My Body, My Child, in which she co-starred with Vanessa Redgrave and future Sex and the City co-star Sarah Jessica Parker. Continuing to appear on-stage in productions of Wendy Wasserstein's The Heidi Chronicles, Edward Albee's Who's Afraid of Virginia Woolf? (for which she won a Los Angeles Drama Critics Award), and Philadelphia Story (for which she won a Theater World Award), Nixon also became a founding member of the off-Broadway theater group The Drama Dept. In 1998, after appearing onscreen sporadically throughout the 1990s, in such films as Addams Family Values (1993), the actor landed the most widely recognized role of her career up to that point, on Sex and the City. Co-starring alongside Sarah Jessica Parker, Kim Cattrall, and Kristin Davis, Nixon, as the hilariously caustic Miranda, enjoyed critical praise and a number of awards and nominations for her work on the show, which formed another entry on an already long and varied resumé. She would reprise the role for big screen adaptations of the show, in addition to movie roles in Lymelife and An Englishman in New York, as well as a popular turn on the Showtime series The Big C.

Trivia: The youngest of the three children of actors Hume Cronyn and Jessica Tandy, Tandy Cronyn prepared for her own theatrical career at London's Central School of Speech and Drama. Cronyn's first Broadway appearance occurred in 1969, when she joined the cast of the long-running musical Cabaret. She then chalked up some impressive stage credits in such classics as Ibsen's An Enemy of the People, Brecht's Good Woman of Setzuan, Sophocles' Antigone, as well as contemporary dramas like The Killing of Sister George. Tandy Cronyn's earliest film appearance was in the obscure agit-prop comedy Praise Marx and Pass the Ammunition (1970); she has since been seen in such productions as All Night Long (1981), Once Upon a Time in America (1984), and the made-for-TV The Story Lady (1991), in which she co-starred with her mother, Jessica Tandy.

Trivia: The son of a Lithuanian coal miner, American actor Charles Bronson claimed to have spoken no English at home during his childhood in Pennsylvania. Though he managed to complete high school, it was expected that Bronson would go into the mines like his father and many brothers. Experiencing the world outside Pennsylvania during World War II service, however, Bronson came back to America determined to pursue an art career. While working as a set designer for a Philadelphia theater troupe, Bronson played a few small roles and almost immediately switched his allegiance from the production end of theater to acting. After a few scattered acting jobs in New York, Bronson enrolled in the Pasadena Playhouse in 1949. By 1951, he was in films, playing uncredited bits in such pictures as The People Against O'Hara (1951); You're in the Navy Now (1952), which also featured a young bit actor named Lee Marvin; Diplomatic Courier (1952); Bloodhounds of Broadway (1952), as a waiter(!); and The Clown (1953). When he finally achieved billing, it was under his own name, Charles Buchinsky (sometimes spelled Buchinski). His first role of importance was as Igor, the mute granite-faced henchman of deranged sculptor Vincent Price in House of Wax (1953). The actor was billed as Charles Bronson for the first time in Drum Beat (1954), although he was still consigned to character roles as Slavs, American Indians, hoodlums, and convicts. Most sources claim that Bronson's first starring role was in Machine Gun Kelly (1958), but, in fact, he had the lead in 1958's Gang War, playing an embryonic version of his later Death Wish persona as a mild-mannered man who turned vengeful after the death of his wife. Bronson achieved his first fan following with the TV series Man With a Camera (1959), in which he played adventurous photojournalist Mike Kovac (and did double duty promoting the sponsor's camera products in the commercials). His best film role up until 1960 was as one of The Magnificent Seven (1960), dominating several scenes despite the co-star competition of Yul Brynner, Steve McQueen, Eli Wallach, and others. Most of Bronson's film roles after Seven remained in the "supporting-villainy category," however, so, in 1968, the actor packed himself off to Europe, where American action players like Clint Eastwood and Lee Van Cleef were given bigger and better opportunities. Multiplying his international box-office appeal tenfold with such films as Guns for San Sebastian (1967), Once Upon a Time in the West (1968), Cold Sweat (1970), and The Valachi Papers (1971), Bronson returned to Hollywood a full-fledged star at last. His most successful films of the 1970s were Death Wish (1974) and its sequels, a series of brutal "vigilante" pictures which suggested not so subliminally that honest people would ultimately have to dole out their own terminal justice to criminals. In many of his '70s films, Bronson co-starred with second wife Jill Ireland, with whom he remained married until she lost her fight against cancer in 1990. Bronson's bankability subsequently fell off, due in part to younger action stars doing what he used to do twice as vigorously, and because of his truculent attitude toward fans. He did little but television work after 1991's The Indian Runner (Sean Penn's directorial debut), with Death Wish 5: The Face of Death (1994) his only feature since. Bronson's onscreen career would soon draw to a close with his role as law enforcing family patriarch Paul Fein in the made-for-cable Family of Cops series.On August 30, 2003 Charles Bronson died of pneumonia in Los Angeles. He was 81.

Trivia: Comedienne and actress Henriette Mantel made her feature film debut playing Alice the housekeeper in The Brady Bunch Movie (1996) and A Very Brady Sequel (1997). Before that, she was a regular on the standup comedy circuit, frequently appearing on such comedy television anthologies as Caroline's Comedy Hour and Evening at the Improv, as well as making guest appearances on the nightly series Politically Incorrect With Bill Maher. Born and raised on a Vermont farm, she was a natural at funny business and honed her comedic skills on her brothers and sisters. Before making her debut as a standup comedienne at a San Francisco club in 1985, Mantel had worked at various jobs, including a time in Washington, D.C., as part of the consumer advocate group Nader's Raiders.