Trivia: "My name is Orson Bean. Harvard '47, Yale Nothing." Actually, that oft-repeated introduction is a double deception: actor Orson Bean didn't go to Harvard, and his name isn't really Orson Bean. As a boy magician, Dallas Frederick Burrows borrowed the first half of his stage name from another prestidigitator of note, Orson Welles. Bean made his legitimate stage bow in 1945, then worked up a nightclub comedy act which premiered in New York at the now-defunct Blue Angel (in 1954, he hosted a summer-replacement TV series emanating from this celebrated nightspot). Landing on Broadway in the 1953 production Men of Distinction, Bean won a Theatre World Award for his work in the 1954 revue John Murray Anderson's Almanac, and Critics' Circle Awards for his performances in Mister Roberts and Say Darling. His later stage credits included Broadway's Subways are for Sleeping (1962) and Never too Late (1964) not to mention his extensive tours in the Neil Simon-Burt Bacharah musical Promises, Promises. In films from 1955, Bean's best-received screen performance was as the testifying army physician in Otto Preminger's Anatomy of a Murder (1959). An inescapable presence on TV, Bean has participated in virtually every quiz show known to man, from the familiar (To Tell the Truth, I've Got a Secret) to the obscure (Laugh Line). He was also a regular as the ineffectual Reverend Brim on the Norman Lear syndicated series Mary Hartman, Mary Hartman (1977) and Forever Fernword (1978), and more recently was seen on a weekly basis as cranky general store owner Loren Bray on Dr. Quinn, Medicine Women (1993- ). Outside of his showbiz activities, Bean has proven a difficult subject to categorize: blacklisted for his outspoken liberal views in the early 1950s, he was an ardent supporter of Richard M. Nixon in 1968. A man of many interests, Orson Bean was the founder of the arts-oriented 15th Street School of New York, the author of the oddball 1971 volume Me and the Orgon, and one of the charter members of The Sons of the Desert, the famed Laurel & Hardy appreciation society.

Trivia: Actor/producer Chad Allen grew up in Hollywood, in the shadow of show business. A child actor from the age of four (when he appeared in a McDonald's commercial), he soon landed regular roles on series including Webster (1985-1986), Our House (1986-1988), and My Two Dads (1989-1990), in addition to a pivotal role on St. Elsewhere as the autistic and incommunicative child of Dr. Westphall (Ed Flanders), a boy whose delusions "created" St. Eligius. In the 1990s, Allen signed on to play Matthew Cooper, the adopted son of Dr. Michaela "Mike" Quinn on the western drama Dr. Quinn, Medicine Woman (1993-1998).Allen made headlines and then some beginning in 2001, when the thespian came out of the closet as a homosexual; in addition to embracing his status as a gay male (and discussing his orientation at length in a series of publications including The Advocate), he co-founded a production company, Mythgarden, devoted to dramatically expanding the number of LGBT themes explored in contemporary cinema and television. The Roman Catholic-raised actor stirred up some controversy in certain sectors when he signed on in 2005 to portray Nate Saint, a missionary murdered by Ecuadorian tribes, and Steve Saint, the missionary's son, in the inspirational religious drama End of the Spear (2005), though only because the feature found an audience among conservative evangelical audiences. In 2008, Allen produced and starred in the drama Save Me. The tale of a deeply confused gay man lured into a "Christian recovery center" by an evangelical couple, it critiqued conservative evangelical attitudes (and harsh hypocrisy) often directed toward the contemporary gay community.

Trivia: Former child actress and ingénue leading lady Erika Flores is best known for her portrayal of Colleen Cooper during the 1993 and 1994 seasons of Dr. Quinn, Medicine Woman. As a child actress, she first achieved prominence with a key guest role in "Disaster," an episode of Star Trek: The Next Generation (1992), in which she worked opposite Patrick Stewart for much of the show's running time. An unusually serious performer even at a young age, Flores was reportedly the only cast member to regularly attend the writing sessions for Dr. Quinn, Medicine Woman, and left the series rather than sign a five-year contract. Since then, she has appeared in several TV movies, including The Secret (1997), Buried Secrets (1996), and Baseball in Black and White (1996).

Trivia: Born in Germany to American parents, Rosemary Murphy was educated in Paris. When her family relocated to the U.S. in 1939, Murphy completed her schooling in Kansas City. After preparing for an acting career at Neighborhood Playhouse and the Actors Studio, she returned to Germany, where she made her film bow in Berlin Express (1948) and her stage debut in a 1949 production of Peer Gynt. The following year, she made her first Broadway appearance. Murphy's stage credits include Period of Adjustment (1961), Any Wednesday (1964) and A Delicate Balance (1966); she earned Tony nominations for all three, and was honored with the New York Critic's Poll award for her work in Balance. Her film and TV characterizations ranged from meek subservience to homicidal intensity. She spent several years as Loretta Fowler on the daytime soap opera Another World, and has played such "historical celebrity" roles as Sara Delano Roosevelet in Eleanor and Franklin (winning an Emmy for her work), Dorothy Parker in Julia (1977), Mary Ball Washington in the 1984 miniseries George Washington, and Rose Kennedy in the 1991 TV biopic A Woman Named Jackie. Rosemary Murphy has also been prominently featured in three recent Woody Allen productions: September (1987), Don't Drink the Water (1994), and Mighty Aphrodite. Her final film role was in the indie rom-com The Romantics. Murphy died in 2014, at age 89.

Trivia: Afrcian-American lead actress, onscreen from the '70s.

Trivia: Bearded, amiable American singer/actor Kenny Rogers launched his professional career as a member of the New Christy Minstrels, then first rose to fame as a member of the country-pop group the First Edition. After several years of hits like "Ruby, Don't Take Your Love to Town" (as well as popular syndicated TV series Rollin' on the River), the First Edition broke up in 1974. Rogers had some lean years immediately after the split, at one point making ends meet by promoting a correspondence school guitar course. The outlook became brighter in 1976 when Rogers recorded his first solo hit, "Love Lifted Me," which he followed up with the even more popular ballad "Lucille." He regained his following with a dozen TV specials and several duets with equally renowned female country artists. In 1980, Rogers made his TV-movie debut with The Gambler (1980), an agreeable Western based on one of his more successful songs ("You gotta know when to hold 'em/know when to fold 'em...etc."). The Gambler scored an immediate ratings coup, inspiring sequels over the next decade, the best of which was The Gambler Returns: The Luck of the Draw (1991), which had the added drawing card of guest appearances by several popular TV cowboy stars of days gone by. Rogers also pleased the crowd with the made-for-TV Coward of the County (1981), a dramatized elaboration of another of his top-selling songs. Less successful was Kenny Rogers' starring theatrical feature, Six Pack (1982), which proves that having six cute kids onscreen doesn't make you a Disney-quality hit.

Trivia: Daytime-drama addicts first became aware of American actress Gail Strickland when she was cast as Dorcas Trilling in the Gothic soaper Dark Shadows (1966-71). Strickland made her movie debut as villain Murray Hamilton's put-upon spouse in The Drowning Pool, sharing the film's soggy "thrill" highlight with star Paul Newman. She later played significant character roles in films like Norma Rae (1979) and Uncommon Valor (1981). On TV, she has been a regular on The Insiders (1985), What a Country (1986) and Dr. Quinn Medicine Woman (1992-). In the 1988 weekly series Heartbeat, Strickland played nurse-practitioner Marilyn McGrath, the first lesbian continuing character in Prime Time television. Gail Strickland continued to tote up impressive film credits into the 1990s, notably How to Make an American Quilt (1995) and An American President (1995).