Trivia: Another member of the Saturday Night Live Screen Actors Guild, Will Ferrell made his major film debut as Steve Butabi, one of the spectacularly clueless brothers who serve as the protagonists of A Night at the Roxbury (1998). The character originated on SNL, where Ferrell had been a regular since 1995, entertaining audiences with his celebrity impressions and such characterizations as Craig the Spartan Cheerleader and junior high-school teacher Marty Culp.Born in Irvine, CA, on July 16, 1967, Ferrell attended the University of Southern California, graduating with a degree in sports information. Following graduation, he worked as a sportscaster on a weekly cable show, but he soon found his interests leaning toward acting and standup comedy. He enrolled in classes and workshops given at a local community college, and after only a year of training, he was invited to join the Groundlings, an infamous L.A. comedy improv group. Ferrell's involvement with the Groundlings led to his SNL discovery; from that point on, the previously unknown comic found himself enjoying growing recognition and a steady paycheck.Although A Night at the Roxbury turned out to be a complete and utter flop, it did little to prevent Ferrell from finding more screen work; the following year, he could be seen as journalist Bob Woodward in Dick and as the object of fellow SNL castmate Molly Shannon's unwanted affection in Superstar. A series of scene-stealing supporting roles followed for Ferrell in such films as Drowning Mona, Zoolander, and, most-notably, Old School. In the 2003 Todd Phillips film, Ferrell sunk his teeth into the role of Frank "The Tank", delivering several lines that would forever be quoted by frat guys the world over.But it was Ferrell's other 2003 film that truly announced his arrival as a Hollywood star. As the oversized titular character in director Jon Favreau's holiday comedy Elf, Ferrell delighted audiences and critics alike, making the modestly-budgeted film a surprise box-office smash.In the wake of Elf's success, Ferrell's 2004 plate was full, starring as fictional '70s TV newscaster Ron Burgundy in Anchorman (a film which had enough outtakes to merit an entire second feature upon being released to home video), taking a role in the Woody Allen's Melinda and Melinda, and signing on for lead roles in two long-anticipated projects: the filmed adaptation of John Kennedy Toole's cult novel A Confederacy of Dunces and the big-screen version of the classic sitcom Bewitched. Though the curse that had plagued the big-screen adaptation of Confederacy seemed to persist when, by mid-2006, there still seemed to be no signs that the film would be going before the cameras anytime soon, Ferrell continued to crack-up audiences with a hilarious cameo in the popular Vince Vaughn/Owen Wilson comedy Weddng Crashers, as well as a memorable turn in The Producers - a big screen adaptation of the smash Broadway hit that was inspired by Mel Brooks' 1968 comedy classic of the same name. As the 2000's unfolded, it became clear that Ferrell's comic fame could not be matched. He would score box office gold with many movies to comes, such as Talladega Nights: The Ballad of Ricky Bobby, Stranger Than Fiction, Blades of Glory, Step-Brothers, Everything Must Go, and The Campaign, in addition to popular runs on TV series like The Office and Eastbound & Down.

Trivia: Originally famous as the bodacious, brain-challenged Bundy offspring Kelly on Fox's long-running dysfunctional family sitcom Married...With Children, Christina Applegate parlayed her comic talents and sexy image into a parallel movie career. A natural blonde Hollywood baby, Applegate was raised by her actress mother, Nancy Priddy, after Priddy split from Applegate's father, record executive Bobby Applegate. Making her acting debut as an infant with her mother on TV's Days of Our Lives, Applegate subsequently landed her first movie role at age ten when she appeared with Priddy in the low-grade horror flick Jaws of Satan (1981). After playing Grace as a child in the TV biopic Grace Kelly (1983), Applegate guest starred on several TV shows before landing her own permanent series role in the short-lived Heart of the City (1986). Her next series, however, proved the charm. Debuting in 1987 on the fledgling Fox TV network, Married...With Children withstood criticisms about its all-around vulgarity to become one of Fox's first signature hits. During its ten-year run, Married...With Children also spawned the TV movie It's a Bundyful Life (1992), featuring Applegate and the rest of the Bundy clan in a spoof of holiday chestnut It's a Wonderful Life (1946). A bona fide teen heartthrob and star, Applegate attempted to show her serious side as a prostitute and drug addict in the gritty drama Streets (1990). Teen comedy Don't Tell Mom the Babysitter's Dead (1991) tried to capitalize on Applegate's TV fame while showcasing her as a smart, resourceful, anti-Bundy character. Also during Married...With Children's run, Applegate appeared in the female road movie Across the Moon (1994), mutilated rock musician-drama Vibrations (1995), and as the town whore in Walter Hill's underrated Western Wild Bill (1995). Applegate's Married fame further landed her a small part in the all-star ensemble populating Tim Burton's science fiction parody Mars Attacks! (1996), and wryly shaded her presence in Gregg Araki's Los Angeles teen anomie opus Nowhere (1997), the slickest entrant in his "teen apocalypse trilogy."Ready to leave the TV-bred teen realm behind after Married went off the air in 1997, Applegate co-starred with Mark Wahlberg in the Hong Kong-tinged action comedy The Big Hit (1998) and played the WASP fiancée of a Mob scion in Jim Abrahams' Mafia movie parody Mafia! (1998). She co-starred with her eventual husband, Johnathon Schaech, and erstwhile teen idol Molly Ringwald in the high-school reunion thriller The Giving Tree (1999) as well. Inspired by her experience with her mother growing up, though, Applegate agreed to return to TV to star as a single mom balancing work and family in the sitcom Jesse (1998). Despite choice time slots, however, Jesse was canceled in 2000. Applegate returned to movie comedy co-starring with Jean Reno as a princess and modern gal in the ill-received remake of a French time-travel yarn Just Visiting (2001). Subsequently holding her own opposite some of her more lustrous film peers, Applegate earned far better reviews than the movie itself as Cameron Diaz's levelheaded best friend in the raunchy female bonding romp The Sweetest Thing (2002), and flew the friendly skies with Gwyneth Paltrow in the flight attendant comedy A View from the Top (2003).In 2004, Applegate landed herself leading-lady roles in two of the year's most anticipated films. First, in July, she starred opposite Will Ferrell in the 70s-era comedy Anchorman: The Legend of Ron Burgundy. Then, the following November, she could be seen with Ben Affleck in the holiday film Surviving Christmas.In 2007 Applegate finally found success on the small-screen yet again with the sitcom Samantha Who?, but the actress made headlines in 2008 when she revealed she was fighting breast cancer, an illness she survived. Meanwhile, on the big screen she scored major parts in the comedy The Rocker, and played Jason Sudeikis' long-suffering wife in the Farrelly Brothers comedy Hall Pass.In 2011 she was cast opposite Will Arnett in the sitcom Up All Night which would become her third television program to run for at least two years.

Trivia: Displaying the type of understated, dark-eyed good looks that make him a natural candidate for an art house pinup, Paul Rudd impressed filmgoers throughout the latter half of the 1990s with his talent for turning in performances marked by thoughtful insight and an unassuming charisma. Since his turn as Alicia Silverstone's endearingly self-righteous stepbrother in the 1995 film Clueless, Rudd has enjoyed a sort of low-key fame that has allowed him to branch out both in film and on the stage.The son of British-born parents, Rudd came into the world via Passaic, NJ, on April 6, 1969. Because of his father's job in the airline industry, Rudd and his family traveled a great deal, eventually settling in Kansas City, KS. After graduating from high school, Rudd attended the University of Kansas, where he majored in theater. Following his graduation, he was accepted as a student at the American Academy of Dramatic Arts/West in Los Angeles. His studies there led to a three-month theater workshop at Oxford University's British Drama Academy, where he was tutored by the producer and editor Michael Kahn. During his time in England, Rudd also co-produced the Globe Theatre's Bloody Poetry, in which he starred as the poet Percy Shelley, and then performed the title role of Hamlet, in a production directed by Ben Kingsley. Back in the States, Rudd made his television debut in 1992, in the series Sisters. As Ashley Judd's boyfriend Kirbie Philby, Rudd stayed with the show until 1995. During this time, he also appeared in other television productions, including the short-lived series Wild Oats (1994). In 1995, he made his big-screen debut in Amy Heckerling's Clueless, a film that met with a lavish dose of unanticipated success. Although much of the limelight was reserved for the film's star Alicia Silverstone, Rudd also received a fair amount of press, as well as the adulation of a new generation of fans who warmed to the actor's unconventional appeal. The same year, he played the lead in the sixth Halloween installment, Halloween: The Curse of Michael Myers. The year 1996 proved to be one of hits and misses, as it included his leading part in the straight-to-video Overnight Delivery, co-starring Reese Witherspoon, and the highly successful William Shakespeare's Romeo + Juliet, in which he played against type as the arrogant Dave Paris. The same year, Rudd starred in the obscure but critically praised Canadian independent The Size of Watermelons, before going on to make the equally obscure, critically trashed The Locusts (1997). Theatrically, however, 1997 provided positive experience in the form of a Broadway production of Alfred Uhry's The Last Night of Ballyhoo, in which Rudd had a lead role. There were further positive experiences for Rudd in 1998, as in addition to his principal role in the well-received The Object of My Affection, he starred in the high-profile Lincoln Center production of Twelfth Night, which co-starred Helen Hunt and was directed by Nicholas Hytner, his Object director. Rudd continued his theater work the following year, with Neil LaBute's Bash, an off-Broadway show that also featured Calista Flockhart and Ron Eldard. In addition, he had a starring role in 200 Cigarettes, a film remarkable for both its enviable ensemble cast (including Christina Ricci, Ben Affleck, and Martha Plimpton) and the overwhelmingly desultory reviews it received. However, even the most savage of critics were able to single out Rudd for praise, further reflecting the actor's ability to make a favorable impression in even the most unfavorable of films.After a turn as Nick Caraway in a made-for-television adaptation of F. Scott Fitzgerald's The Great Gatsby, Rudd showed off his ability pull off broad-comedy in the largely improvised 2001 parody film Wet Hot American Summer. He changed gears considerably for his next project, The Shape of Things which saw him reteam with director LaBute.In 2004, Rudd again flexed his skills as a comedic scene-stealer with a supporting role in the 70s-era Will Ferrell vehicle Anchorman: The Legend of Ron Burgundy. Keenly aware that he was very much on to a good thing, Rudd kept the laughs coming in Tennis, Anyone...? and The Baxter before hitting yet another comedy homerun in the 2005 Steve Carrell comedy The 40 Year Old Virgin. The movie moved Rudd several notches up on the radar of comedy fans, and he followed it up with memorable turns in many more laugh-fests over the coming years, including Knocked Up in 2007, Forgetting Sarah Marshall in 2008, Role Models in 2009, and I Love You, Man in 2009. Having made himself a favorite comic actor in the industry, Rudd was soon able to pick and choose increasingly perfect roles for his style, starring in 2010's Dinner for Schmucks with Steve Carrell in 2010, and Our Idiot Brother with Zooey Deschanel in 2011. The following year, on the heels of the big screen comedy Wanderlust and a recurring role on television's Parks and Recreation, Rudd reprised his role from Knocked Up in writer/director Judd Apatow's semi-sequel This is 40.

Trivia: Possessing a sort of surreal, outlandish, and childish comic persona that is only enhanced by his deceptively straight-laced appearance, comic performer Steve Carell first gained a faithful following thanks to an enduring run as a correspondent on the popular Comedy Central news satire series The Daily Show. Though Carell had been performing on the small screen in such shows as The Dana Carvey Show and Over the Top since the early '90s, it was his grating but hilariously obnoxious reports on The Daily Show that truly made him a talent to watch.A native of Concord, MA, and an alumni of Chicago's famed Second City comedy troupe, Carell gained early experience with stints at the Windy City's Goodman and Wisdom Bridge Theaters. Following his feature debut in the 1991 comedy Curly Sue, Carell made a name for himself in television as a writer/performer on The Dana Carvey Show. In the years that followed, he would frequently alternate between film and television, and he continued to do so after joining the cast of The Daily Show in 1999. Sharp-eared television viewers would recognize Carell as the voice of crime-fighter Gary (a role that he played opposite Daily Show co-star Stephen Colbert) on Saturday Night Live's popular TV Funhouse segment "The Ambiguously Gay Duo." Following roles in such little-seen features as Tomorrow Night and Suits, Carell would return to the small screen for a key supporting role in ex-Seinfeld star Julia Louis-Dreyfus' short-lived sitcom Watching Ellie.In 2003, Carell nearly stole the show from comic megastar Jim Carrey with his role as an obnoxious television newscaster in the heavenly comedy Bruce Almighty, before once again stepping into a faux television studio to portray cerebrally challenged weather forecaster Brick Tamland in the 2004 Will Ferrell vehicle Anchorman. Carell then stepped out of the newsroom and into cubicle-land for the lead in NBC's American remake of the popular British sitcom The Office, for which he won a Golden Globe for Best Actor in a Comedy Series in 2005. Carell also made a brief but indelible cameo opposite Anchorman co-star Ferrell in the big-screen adaptation of Bewitched.Carell's Anchorman colleagues also aided him in realizing his breakout role, later that same summer: the hapless innocent title character of The 40-Year-Old Virgin. Written by Carell and co-scripted and directed by Anchorman producer Judd Apatow, the raunchy-yet-sweet comedy had an inauspicious August release, yet its bawdy, adult-oriented laughs resonated with much of the same audience that made The Wedding Crashers an R-rated success story just a few weeks prior. Like Ferrell before him, Carell suddenly found himself in the enviable position of being able to pick and choose from a number of high-priced, high-profile comedic starring roles, among them the Bruce Almighty sequel Evan Almighty, as well as Get Smart, Horton Hears a Who!, and Dinner For Schmucks. Carrel would continue to pepper his resume with low-key roles as well, however, appearing in dramedies like Dan in Real Life and Crazy, Stupid, Love.He continued to work steadily in smaller films like The Way Way Back and Seeking a Friend for the End of the World, as well as sequels like Despicable Me 2 and Anchorman 2: The Legend Continues. In 2014 Carell picked up the first Oscar nomination of his career for playing against type as the billionaire John DuPont in Bennett Miller's true-crime psychological drama Foxcatcher.

Trivia: Though he would remain one of the comedy world's best-kept secrets through the later half of the 1990s, improvisational comic-turned-actor David Koechner, (born August 24, 1962) later made a successful transition from SNL and Late Night With Conan O'Brien funnyman to supporting feature player roles when word of his talent spread, thanks to stellar supporting parts in such wide-release films as A Guy Thing and Anchorman. The Tipton, MO, native studied political science at the University of Missouri, with a subsequent career in the family business (manufacturing turkey coops) narrowly averted by a post-college move to Chicago. It was there that Koechner attempted to master his comic skills under the tutelage of improv master Del Close, with further studies at the Windy City's ImprovOlympic cementing the skills of the up-and-coming talent. A subsequent stint at Chicago's Second City Theater led to Koechner's lucky break when he was whisked away by SNL creator Lorne Michaels to become a player in the long-running weekly comedy mainstay. Though he would remain with SNL for merely one season, Koechner continued to impress on the small screen as a performer on Late Night with Conan O'Brien in the 1996-1997 season. As his reputation continued to grow due to appearances on such popular shows as Mad About You and Dharma & Greg, Koechner also made an impression in features thanks to small but memorable roles in Austin Powers: The Spy Who Shagged Me, Man on the Moon, and My Boss's Daughter. Though he would continue to work in minor capacity on the small screen, Koechner seemed to be focusing on features at this point in his career, with a turn as a chauvinistic sportscaster in the 2004 Will Ferrell comedy Anchorman offering what was perhaps his most substantial feature performance to date. Koechner played a tobacco lobbyist in 2005's media satire Thankyou for Smoking, and reunited with Will Ferrell to for a supporting role in Talladega Nights: The Ballad of Ricky Bobby in 2006. In 2008 he joined the cast of Get Smart, the big-screen adaptation of Mel Brooks' popular 1960s-era comedy series, and proved himself no stranger to camp in Final Destination 5 (2011) and Piranha 3DD (2012).

Trivia: Born in the Midwest and educated in the military, actor Fred Willard has proven his talent for improvisational comedy on the stage, television, and the big screen. His characters are frequently grinning idiots or exaggerated stereotypes, but Willard's skillful timing has always added a unique spin. An alumni of Second City in Chicago, he's worked with many of the biggest-named comedians of his time. His early TV credits include a regular stint on The Burns and Schreiber Comedy Hour, a supporting part on the sitcom Sirota's Court, and the role of Jerry Hubbard, sidekick of TV talk-show host Barth Gimble (Martin Mull) in the satirical Fernwood 2Night. He went on to appear in subsequent incarnations of Fernwood and continued to work with Mull and his gang for the next few decades. In the early '80s, he hosted the actuality series Real People and co-hosted the talk show Thicke of the Night. Some of his small, yet memorable, performances in feature comedies included President Fogerty in National Lampoon Goes to the Movies; the garage owner in Moving Violations who's mistaken for a doctor; the air force officer in This Is Spinal Tap; and Mayor Deebs in Roxanne. Doing a lot of guest work on television, he was also involved in Martin Mull's The History of White People in America series and was the only human actor amid a cast of puppets on the strange show D.C. Follies. In the '90s, he worked frequently in the various projects of fellow satirists Harry Shearer, Christopher Guest, and the like. He was travel agent Ron Albertson in Waiting for Guffman, TV announcer Buck Laughlin in Best in Show, and manager Mike LaFontaine in A Mighty Wind. He also appeared in Eugene Levy's Sodbusters, Permanent Midnight with Ben Stiller, and showed up in Austin Powers: The Spy Who Shagged Me. On television, he picked up a regular spots on The Tonight Show With Jay Leno, Roseanne (as Martin Mull's lover), and Mad About You, along with voice-over work on numerous cartoons. He also received an Emmy nomination for his role as Hank McDougal on Everybody Loves Raymond. Since 2000, he has shown up in quite a few mainstream commercial films, including The Wedding Planner, How High, and American Wedding; but he also played Howard Cosell in the TV movie When Billie Beat Bobby. Projects for 2004 include Anchor Man: The Legend of Ron Burgundy and Harold and Kumar Go to White Castle.IHe also joined up with his Mighty Wind and Waiting for Guffman castmates again in 2006 with For Your Consideration, a satire of Hollywood self importance injected with Willard's trademark clever silliness. The next year he appeared in the spoof Epic Movie, as well as the romantic comedy I Could Never Be Your Woman. He was in the Pixar sci-fi film WALL-E, and had a role in the 2009 comedy Youth In Revolt. In 2012 he starred in Rob Reiner's The Magic of Belle Isle opposite Morgan Freeman.

Trivia: A Saturday Night Live cast member who received his grooming in the familiar Groundlings comedy breeding ground, a few of funnyman Chris Parnell's favorite parody subjects include Tom Brokow in addition to his frightfully funny Eminem impression.Born and raised in Memphis, TN, Parnell took to acting and comedy after his family relocated to nearby Germantown and he got involved with the Poplar Pike Playhouse. Constantly auditioning for nearly every production while taking multiple acting and music classes, Parnell attended the North Carolina School of Arts after graduation and later worked at Houston's Alley Theater after obtaining his B.F.A. Later teaching acting, film, and video back at Germantown High before moving to Los Angeles, the future SNL star worked at FAO Schwartz while taking classes at the Groundlings theater and acting in small roles in commercials and television sitcoms. Parnell was flown to New York for an SNL audition after he was spotted by a talent scout from the show, joining the cast in the fall of 1999 alongside fellow freshmen Jimmy Fallon and Horatio Sanz. After his feature debut in 1996's Jingle All the Way, Parnell could be seen on the big screen in fellow SNL cast member Tim Meadows' The Ladies Man in 2000. He had a part in Anchorman, but he became part of SNL history when he starred along with Andy Samberg in the digital short Lazy Sunday, often cited as the first bit from the show to go viral. He had a recurring role as the seriously demented Dr. Spaceman on 30 Rock, and teamed with Samberg again for the comedy Hot Rod.He appeared in the music biopic spoof Walk Hard, and was in the comedy Labor Pains. In 2010 he was cast in the animated series Archer, providing the voice for Cyril Figgis, and two years later he appeared in three of the biggest comedies of the year including The Dictator, 21 Jump Street, and The Five-Year Engagement.

Trivia: A native of Cleveland, OH, actress Kathryn Hahn received her first taste of show business in the late '80s, when the then-teenager scored a live-action role opposite several puppets on the locally produced children's program Hickory Hideout. Hahn formally studied acting at the Yale School of Drama, and just prior to her final year of 2000-2001 (in mid-summer stock), the performer caught the attention of an NBC casting recruiter, who tapped her for a regular role on the prime-time drama Crossing Jordan; she played amiable grief counselor Lily Lebowski for the full run of the series (2001-2007).Meanwhile, film roles began pouring in right and left, beginning with visible turns as Kate Hudson's health editor roommate in the hit romantic comedy How to Lose a Guy in 10 Days (2003), and as a barmaid with more than a passing crush on Topher Grace in Robert Luketic's gentle romantic comedy Win a Date with Tad Hamilton! (2004). Hahn subsequently commenced a long series of assignments for Hollywood's highest-profiled directors and producers, including bit parts in the Judd Apatow-Adam McKay farce Anchorman: The Legend of Ron Burgundy (2004) and Nancy Meyers' romantic comedy The Holiday (2006), and a small supporting role in the Robert Shaye-directed fantasy The Last Mimzy (2007). After her Crossing Jordan role ended with the series' cancellation in 2007, Hahn was able to work more freely in other venues, which became apparent with her output in 2008. She took on another cinematic supporting turn in the Will Ferrell-John C. Reilly comedy Step Brothers and starred opposite Leonardo DiCaprio and Kate Winslet in the period suburban drama Revolutionary Road. That same year, Hahn made her Broadway debut in the Tony award-winning play Boeing-Boeing. Over the next serveral years, Hahn would remain an active force on screen, appearing in fukns kuje The Dictator and Our Idiot Brother, as well as on shows like Parks and Recreation and Girls. Throughout her various assignments, Hahn drew high praise for her comedic ability, which netted occasional comparisons to Carol Burnett.

Trivia: A comedic actor whose legacy is deeply intertwined with his long-standing involvement as a performer on NBC's Saturday Night Live, Fred Armisen graduated to on-camera work via an unlikely and wholly circuitous route. He studied film production at New York City's School of Visual Arts, then enjoyed a stint as a drummer in several punk bands including Trenchmouth and Those Bastard Souls, and performed with the Chicago production of the Blue Man Group. Shortly thereafter, Armisen authored a comedic short, Fred Armisen's Guide to Music and SXSW, which found him tooling through the South by Southwest Music Festival and conducting Sacha Baron Cohen-style parodistic interviews with legitimate musicians (most fully unaware of the joke being played). Upon playing at underground film festivals, that short turned the heads of HBO executives and prompted the network not only to sign Armisen as a regular correspondent on their music seires Reverb (a look at blossoming talent in the world of music), but to give him comedic interstitial segues in between regular programs, entitled Fred.From there, it was only a short leap to SNL stardom, and executive producer/creator Lorne Michaels brought Armisen in for a multi-season tenure beginning in 2002. On that program, as in his comedy shorts and standup acts, Armisen displayed a proclivity for sinking so completely into character that it became frequently difficult to separate the actor from the role; recurring characterizations included Martin Scorsese, Liberace, Tony Danza, Vicente Fox, and others. Armisen also landed supporting roles and cameo appearances in big-screen comedies; these included Anchorman: The Legend of Ron Burgundy (2004), the same year's Eurotrip (in a memorable bit as a creepy gay Italian), Tenacious D in the Pick of Destiny (2006), and Aqua Teen Hunger Force Colon Movie Film for Theaters (2007). In 2008, Armisen tackled a supporting role in the workplace comedy The Promotion, starring Seann William Scott, John C. Reilly, and Jenna Fischer.He continued to land small roles in big-screen comedies such as Easy A, Cop Out, and Confessions of a Shopoholic, but his first big success outside of SNL came when he teamed up with longtime friend and musician Carrie Brownstein to create, write, and star in Portlandia, a sketch-comedy show about Portland that aired on IFC. The series earned critical raves, and enough buzz to earn a second season.Though he married Mad Men actress Elizabeth Moss in 2009, their union lasted just ten months, and his next high-profile relationship was with his fellow SNL castmate Abby Elliot.

Trivia: Canadian-born actor Seth Rogen tapped into his skills as a comedian when he was only 13, signing up for comedy classes and honing his deadpan style. He tooled around as an amateur for a few years but eventually took his act down south, hoping to find success as an actor and standup comedian in the U.S. He was soon discovered by Judd Apatow and was cast in his short-lived series Freaks and Geeks. After its cancellation, Apatow cast Rogen in his next series, Undeclared -- for which Rogen significantly contributed as a writer. Undeclared met the same fate as Freaks and Geeks and was canceled mid-season, but both series became surprisingly hot cult hits upon their DVD releases. Rogen went on to write for Da Ali G Show and take minor roles in Donnie Darko and Anchorman: The Legend of Ron Burgundy before being tapped by Apatow once again for a new project, this time on the big screen. The film was 2005's The 40-Year-Old Virgin, and Rogen's role as Steve Carell's well-meaning friend Cal finally brought him the large-scale success that made his comic skills a valuable commodity. Rogen also acted as co-producer on the film, which was touted as the funniest movie in years by critics and audiences alike, eventually grossing well over a hundred million dollars. There was obviously good chemistry on the set of The 40 Year Old Virgin, so Rogen signed on to appear in Apatow's 2007 comedy Knocked Up. Appearing alongside his old cast mates Paul Rudd and Leslie Mann, Rogen starred as a man who is forced to deal with serious unforeseen consequences when his one-night stand becomes pregnant. After the filmmakers' initial plans to cast Anne Hathaway in the opposite role fell through, Grey's Anatomy star Katherine Heigl signed on to star as the female lead. The smash success of Superbad made him one of the biggest comedy stars of his generation and led to Pineapple Express, a pot comedy opposite James Franco. He was Zack in Zack and MIri Make a Porno, and took a screenwriting credit on Drillbit Taylor in 2008. He lent his distinctive gravelly voice to a number of animated films including Kung Fu Panda and Monsters vs. Aliens. In 2009 he stretched himself, reteaming with Apatow for Funny People, and taking the lead in the black comedy Observe and Report. In 2011 he was The Green Hornet, but he also appeared as the best friend to a young cancer victim in the comedy 50/50. He also played the husband of Michelle Williams in Sarah Polley's Take This Waltz.

Trivia: Comedian Paul F. Tompkins began his career in the mid-'80s, appearing as a stand-up comedian in his hometown of Philadelphia, often with partner-in-comedy Rick Roman. After moving to L.A. in the mid-'90s, Tompkins found an outlet for his mix of silliness and sarcasm working as a writer and contributor for the sketch comedy series Mr. Show and Real Time With Bill Maher. He would also find success as a media personality, appearing on Countdown with Keith Olbermann and The Daily Show with Craig Kilborn.Tompkins would continue to do stand-up, with his act often appearing on Comedy Central. He would also work as a comedic actor, appearing in movies like Anchorman and on thecomedy series Tenacious D, The Sarah Silverman Program, and Pushing Daisies. In 2008, Tompkins became the host of the VH1 pop culture clip show Best Week Ever.

Trivia: With his intimidating, tattooed, muscle-bound appearance, character actor Danny Trejo has formed a successful career as the all-purpose hard case over his curious and enduring cinematic career. Beating the odds of repeat offender syndrome after being released from prison, Trejo has risen through the ranks to find himself in high demand as an actor, and has even expanded his talents to include a producer credit to his resumé. His life story is just about as pristine an example of rehabilitation as one could ask for.Raised in the mean streets of East L.A., Trejo spent many of his early years incarcerated in such legendary prisons as Folsom and San Quentin on drug and robbery convictions. Channeling his intense energy into the boxing ring and winning numerous lightweight and welterweight titles, Trejo was released as a new man after completing a life-changing 12-step rehabilitation program to overcome his addictions. Applying the ideas that changed his life in an attempt to help others headed down a similar path, upon release Trejo became involved with numerous rehabilitation and counseling programs. A chance meeting with a young man who asked for his support at a Cocaine Anonymous meeting in 1985 later found the sympathetic ex-con meeting the struggling addict on the set of Runaway Train, and Trejo was quickly offered a role as a convict presumably based on his threatening appearance. Chance piled upon chance found an old prison buddy/screenwriter who remembered Trejo's hard-hitting boxing skills on the same set, and Trejo was then offered a chance to train Eric Roberts for a film, and was eventually offered the role as his opponent in the ring. Following with roles in The Hidden (1987), and later Lock-Up (1989), Marked for Death (1990), Mi Vida Loca (1993), and Heat (1995), Trejo formed an alliance with director Robert Rodriguez with Desperado in 1995, and soon graduated to such bigger-budget films as Con Air (1997) and The Replacement Killers (1998) in the latter 1990s. The Rodriguez-Trejo twosome found the actor taking on the role of Uncle Isadore "Machete" Cortez in the director's 2001 smash hit Spy Kids, and was later cast in both the film's sequel and Rodriguez's Once Upon a Time in Mexico (2002). Trejo continued to work steadily on the big and small screens in a variety of projects such as Alias, Monk, The Devil's Rejects, Snoop Dogg's Hood of Horror, the indie drama SherryBaby, and Smiley Face. He enjoyed one of his rare big-screen starring vehicles when Robert Rodriguez made Machete -- a feature-length version of the trailer he created for Grindhouse -- in 2007. He went on to appear in Valley of Angels, Saint John of Las Vegas, A Very Harold & Kumar Christmas, and Bad Ass.

Trivia: African-American actor and comic Jerry Minor attended secondary school at Southwestern Academy in Flint, MI, graduating in 1985. He subsequently performed (at various times) at all three Second City venues. In 2000, Minor became one of the inimitable "Not Ready for Prime Time Players," during Saturday Night Live's 25th season. Following writing assignments on Cedric the Entertainer's variety program, Cedric the Entertainer Presents, and a supporting role in the 2006 sports comedy Artie Lange's Beer League, Minor joined the casts of two sitcoms: the 2006 Lucky Louie and the 2007 Carpoolers.

Trivia: An accomplished character actor most readily at home playing average and undistinguished domestic types (particularly fathers and husbands), Holmes Osborne appeared in scattered projects very occasionally during the 1970s and '80s, but his career only took off at the tail end of the 1990s, culminating with a small role in Alexander Payne's critically worshipped high-school satire Election (1999) -- as the father of class jock Paul Metzler (Chris Klein) and "bad girl" Tammy Metzler (Jessica Campbell). Osborne went on to grace the casts of several key Hollywood and independent films during the next several years, including Donnie Darko (2001), Windtalkers (2002), Cheaper by the Dozen (2003), and Anchorman: The Legend of Ron Burgundy (2004), in addition to scattered appearances on such television programs as Ally McBeal, The Drew Carey Show, and Invasion. In 2006, Osborne re-teamed with Darko director Richard Kelly for the filmmaker's epic-sized dystopian black comedy Southland Tales.

Trivia: Whether appearing on camera or simply stepping in front of the microphone to voice one of countless animated characters, actor/writer/producer and director Jay Johnston had a way of bringing the laughs to every project he worked on. While Johnston's career got off to a respectable start thanks to walk-on roles in Ellen and Just Shoot Me, it was the multi-faceted funnyman's involvement with Mr. Show that truly served to launch his career. Later, in between roles in such features as Jack Frost, Bicentennial Man, Not Another Teen Movie, and Anchorman: The Legend of Ron Burgundy, Johnston kept busy with appearances on Curb Your Enthusiasm and Malcolm in the Middle. By the time Johnston assumed the role of Officer Taylor on Arrested Development, he was widely considered one of the comedy world's best-kept secrets. A role in the 2006 comedy Tenacious D in The Pick of Destiny found Johnston helping to bring the self-proclaimed "Greatest Band in the World" to the big screen, with a recurring role on The Sarah Silverman Program following in quick succession. In 2007, Johnston signed on as writer/producer/voice star of the cynical, clay-animated religious satire Moral Orel -- which took direct aim at such kitchy religious propaganda as Davey and Goliath.

Trivia: Published a novel titled Quick Shots of False Hope (1995). Has been featured in comedy specials on networks including Comedy Central and HBO. Said in a Boston Herald interview that she dislikes the term "ladies' night" at comedy clubs because it implies that women are "working with a handicap." Has created/appeared in several popular videos for Web-comedy site Atom, including 2011's "American Heroine."

Trivia: Born in 1968, the television sketch comedy scripter, big screen writer/director, and occasional performer Adam McKay first entered the public eye (and established himself professionally) when he helped found the Upright Citizens Brigade comic improv troupe in 1990, alongside Matt Besser, Ian Roberts, Horatio Sanz, and others. McKay subsequently worked at the ImprovOlympic theater in Chicago and joined the cast of SCTV, contributing heavily to its infamous sketch "The Piñata Full of Bees." Later (in the early '90s), McKay auditioned for the cast of Saturday Night Live. He failed to make the cut as an SNL performer, but submitted (highly politicized) material to the program which was so sharp and funny that it secured him a position as a regular SNL contributor (of scripts and occasional short films) from 1995 through 2001. For three of those years, McKay served as SNL head writer; longtime friend (and SCTV alumnus) Tina Fey succeeded him in the role.During his SNL stint, McKay met and befriended funnyman Will Ferrell. Not long after McKay departed from the program, the two formed a professional partnership, teaming up to co-write the summer 2004 big screen comedy vehicle Anchorman: The Legend of Ron Burgundy; McKay took the director's chair for that turn. Unsurprisingly, the film -- about an oversexed, chauvinistic, mentally-deficient San Diego newsman in the mid-'70s (Ferrell) -- became a massive hit. It prompted a follow-up, Talladega Nights: The Ballad of Ricky Bobby, with the same pedigree as Anchorman, but this time around, McKay posed a triple threat, not only co-authoring the script with Ferrell, but portraying Terry Cheveaux in the cast.He continued his association with Ferrell, directing him in films like Step Brothers (2008), The Other Guys (2010) and Anchorman 2: The Legend Continues (2013), while continuing to produce and write other films. He was briefly considered to direct Ant-Man in 2015, but instead only contributed to the screenplay. In 2015, McKay directed two films- Daddy's Home, reuniting him with Ferrell, and The Big Short, his first directing venture without Ferrell. The film, about the 2007-08 financial crisis, starred Christian Bale and Steve Carell, and earned a slew of rave reviews and an Academy Award nomination for Best Director and a win, for Best Adapted Screenplay, for McKay.

Trivia: A talented screenwriter/producer whose television work is often critically praised before being prematurely canceled, Judd Apatow has a dedicated fan base that has nevertheless continued to grow thanks to such winning efforts as The Ben Stiller Show and Freaks and Geeks. Work on a high-school radio show offered the showbiz hopeful his first taste of success, and in the years following his high-school graduation, the quick-witted aspiring standup comedian hit the comedy circuit to generally positive notice. Apatow's act eventually became a staple of FOX's Comic Strip Live, and when the series was canceled in 1994, he opted to shift his focus toward writing and producing. Though he had already achieved some amount of notoriety as a result of his involvement with such efforts as The Larry Sanders Show and The Ben Stiller Show, Apatow began to move into feature territory as the writer and executive producer of Heavyweights and Celtic Pride. Though neither film proved a hit at the box office, they did find a healthy second wind on home video, and Apatow's next endeavor as a producer was the widely panned Jim Carrey film The Cable Guy. Directed by friend and frequent collaborator Ben Stiller, The Cable Guy offered a pointed satire on media influence with Carrey's dark, disturbing performance deviating about as far from the antics of Ace Ventura: Pet Detective as one could get. Once again, Apatow's vision was simply ahead of its time, and it wasn't until The Cable Guy hit home video that the filmgoing masses were truly able to digest the warped masterpiece. When Freaks and Geeks hit the air in 1999, it appeared as if Apatow finally had a hit on his hands. A funny, touching, and endearingly realistic take on high-school life among the less popular set, the show was quickly canceled and never afforded the chance to find an audience thanks to overzealous network executives. Apatow's next series, Undeclared (essentially Freaks and Geeks goes to college), fared only moderately better, with 16 episodes aired before the plug was pulled. In 2003, Apatow served as producer for the made-for-television feature Life on Parole, and shortly thereafter, he returned to feature-film territory as the producer of the throwback Will Ferrell comedy Anchorman (2004). By this point it was only logical that the increasingly-prolific writer/producer would try his hand at writing directing a feature film, and after penning the 2005 Jim Carrey comedy Fun with Dick and Jane, Apatow seemed to find the ideal collaborator in the form of wildly unpredictable Daily Show correspondent Steve Carell; their work together ultimately yielding the suprisingly endearing 2005 comedy hit The 40 Year Old Virgin. A brief return to the producer's chair found Apatow teaming with former Freaks and Geeks co-hort Jake Kasdan for the 2006 comedy The TV Set, and after joining Will Ferrell and company for a side-splitting trip to the racetrack as producer of Talladega Nights: The Ballad of Ricky Bobby, the busy multi-hyphenate would take on triple duty by writing, producing, and directing the 2007 comedy Knocked Up - a one-night-stand laugher that featured a number of Apatow's old small-screen cast members including Freaks and Geeks' Seth Rogen, Martin Starr, Jason Segel, and Undeclared's Jay Baruchel. That film would become another box-office blockbuster and establish Rogen and Katherine Heigl as movie stars.He continued his hot streak in 2008 acting as producer on three well-regarded comedies - Pineapple Express, Step Brothers, and Forgetting Sarah Marshall, while 2009 found Apatow back in the director's chair for the ambitious showbiz/cancer comedy Funny People with Adam Sandler.In addition to helping produce hit comedies like Get Him to the Greek, Wanderlust, and the Oscar-nominated Bridesmaids, Apatow continued to work on his own projects as well, releasing the sort-of sequel to Knocked Up, This Is 40, for the Christmas season in 2012.Since 1997 Apatow has been married to actress Leslie Mann who has been in many of her husband's films including The 40-Year-Old Virgin, Knocked Up, Funny People, and This Is 40.

Trivia: Although he made his film debut in the acclaimed independent film Bottle Rocket, actor Luke Wilson, born on September 21st, 1971, initially got more recognition for his real-life role as Drew Barrymore's boyfriend than for his acting. Fortunately for Wilson, his onscreen talents outlasted his relationship with Barrymore, and he has enjoyed steady employment and increasing visibility through substantial roles in a number of films.A native Texan, Wilson was born in Dallas in 1971. The son of an advertising executive and a photographer, he was raised with two brothers, Owen and Andrew. The three would all go on to make their careers in film, with Wilson discovering his love of acting while a student at Occidental College. In 1993, the brothers Wilson collaborated with Wes Anderson to make Bottle Rocket, which was initially a 15-minute short. The gleefully optimistic story of three Texans who aspire to become successful thieves, Bottle Rocket premiered at the 1993 Sundance Festival, where it attracted the attention of director James L. Brooks. With Brooks' help, the short became a full-length feature film released in 1996. That same year, Wilson also appeared in the coming-of-age drama Telling Lies in America.After large roles in three 1998 comedies, Bongwater, Home Fries, and Best Men (the latter two co-starring Barrymore), Wilson went on to star in another three comedies the following year. The first, Dog Park, was a Canadian film directed by Kids in the Hall alum Bruce McCulloch and featured Wilson as one of a group of twenty-somethings undergoing the trials and tribulations of love. Blue Streak starred the actor as the sidekick of robber-turned-policeman Martin Lawrence, while Kill the Man (which premiered at the 1999 Sundance Festival) cast him as the owner of a small copy center competing with a large chain store across the street.Though he would stick closely to comedy through 2001 with roles in Charlie's Angels (2000) and Legally Blonde (2001), Wilson took a turn for the sinister in the thrillers Preston Tylk and Soul Survivors (both 2001), before reteaming with his brother Owen and Wes Anderson to give one of his most memorable performances as Richie, the suicidal tennis pro in The Royal Tenenbaums.In 2003, Wilson reprised two past roles, appearing in both Charlies Angels: Full Throttle and Legally Blonde 2: Red, White and Blonde. That same year, he also scored a hit as one of the stars of Todd Phillips' Old School. 2004 saw Wilson embark on The Wendell Baker Story, a film he stars in, co-directs with brother Andrew Wilson, and co-writes with brother Owen Wilson. Laced with supporting roles and cameos from such iconic friends as Harry Dean Stanton, Kris Kristofferson, and Eddie Griffin, this quirky low-budgeter made the festival rounds in 2005-6 and the responses were encouragingly supportive; Variety's Joe Leydon observed, "The co-directing Wilson siblings smartly refrain from pushing anything too hard or too often, making the unpredictable eruptions of straight-faced absurdity all the more effective. Luke Wilson is extremely engaging in lead role." Many praised the Wilson brothers' directorial and scriptwriting intuition and their willingness to take risky-yet-triumphant gambles onscreen.Wilson joined the cast of early 2006's box-office sleeper hit The Family Stone, a family drama with an ensemble that includes Diane Keaton, Craig T. Nelson and Sarah Jessica Parker; the remainder of the year sees Wilson appearing in a string of supporting roles in light and dark comedies. In a minor performance in May 2006's Hoot, Wilson plays Officer David Delinsky, who attempts to sabotage a plot by local children to blow up a pancake house. His appearance in July 2006's My Super Ex-Girlfriend marks director Ivan Reitman's return to the big screen since 2001's box-office disappointment Evolution; it stars Uma Thurman as a superhero who gets even with her ex-beau (Wilson) after he casts her aside. He also highlights summer 2006's Mini's First Time, a black comedy about an incestuous daughter and stepfather who have the mother committed to a mental hosiptal; co-stars include Jeff Goldblum and Carrie-Anne Moss. Idiocracy, directed by cult fave (and Beavis and Butthead creator) Mike Judge, has Wilson as a moron hurled a thousand years into the future by the U.S. Government, only to discover he is the most intelligent person on the planet.In the tradition of 8mm, 2007's jet-black paranoid thriller Vacancy will co-star Wilson and Sex and the City's Sarah Jessica Parker as husband-and-wife who check into a hotel and unwittingly become the targets of a snuff film, while, in that same year's semi-spoof Dallas (2007) (adapted from the early-eighties TV sensation and directed by Gurinder Chadha) Wilson will tentatively co-star as Bobby Ewing, alongside Jennifer Lopez as Sue Ellen, Shirley MacLaine as Miss Ellie, and John Travolta as the infamous J.R.. Wilson's additional film roles throughout 2007 include Barry Munday (an indie pic helmed by Chris d'Arienzo and adapted from Frank Hollon's novel Life is A Strange Place, about a chauvinist who wakes up and discovers his own emasculation); and Last Seduction helmer John Dahl's mafioso comedy You Kill Me. In 2010, Wilson appeared in the films Death at a Funeral and Middle Men.

Trivia: An actor whose strong features and sinewy 6'4" physique appear to have been chiseled from a slab of testosterone, Vince Vaughn is Hollywood's closest human approximation of a Chevy pick-up. Born March 28th, 1979, Vaughn's roles invariably reflect these qualities, and have given him a genial affability among middle Americans. Thanks to Vaughn's skills as a performer, however, he continues to resist typecasting, lending effortless portrayals to characters ranging from slick bachelors to raging psychopaths to morally conflicted limo drivers. A tried-and-true Midwestern boy, Vaughn was born in Minneapolis on March 28, 1970, and raised in the wealthy Chicago suburb of Lake Forest. The son of a self-made businessman and a stock and real-estate broker, Vaughn diverged from the upwardly mobile path forged by his parents. A hyperactive teen (and lackluster student), Vaughn spent time in special ed. and ran with a fast crowd (though he later claimed that he never felt the need for all-out rebellion). Despite his poor scholastic performance, Vaughn derived ambition from his interest in acting -- an interest that first blossomed at the age of seven -- and even served as senior class president. Upon graduation, with only his diploma and a role in a Chevy commercial as his credentials, Vaughn headed for Hollywood. Upon arrival, he proceeded to work in almost complete obscurity for the next seven years.During this period, Vaughn made the acquaintance of Jon Favreau, another struggling actor who hailed from the East. Their ensuing friendship and real-life adventures provided the inspiration for their ticket to the bigtime, 1996's Swingers. Directed by Doug Liman, the comedy stars Vaughn and Favreau (who also co-wrote the script) as two amiable, Rat Pack-obsessed, "so money" bachelors prowling the streets and bars of L.A. for "beautiful babies" and the occasional job opportunity. This irreverent-but-insightful Miramax release became a bona-fide sleeper hit. Vaughn, whose character, Trent, was the film's resident fast-talking ladies' man, emerged as a sex symbol in the making. A supporting role in Steven Spielberg's The Lost World: Jurassic Park heightened the actor's profile and revealed his ability to transition with great fluidity between indie films and box-office blockbusters. Nevertheless, Vaughn subsequently took the small, quiet film route, starring in The Locusts (1997), an overheated but half-baked melodrama in debt to both Tennessee Williams and East of Eden, and A Cool, Dry Place, a family drama that garnered a cool, dry reception from both audiences and critics. In 1998, the actor fared substantially better with his turn as a limo driver who is called upon to make a great sacrifice for a friend in Joe Ruben's Return to Paradise, and he brought a fine admixture of dark humor and sublimated menace to his part as a charismatic sociopath in Clay Pigeons. Vaughn evoked colossal mental dysfunction as Norman Bates in Gus Van Sant's truly ugly and ill-advised remake of Psycho that same year. Critics and viewers regarded his performance -- like the film itself -- with a tepid blend of indifference and bewilderment. After that egregious misfire, Vaughn wisely took a couple of years off before re-emerging with a number of projects in 2000. These included The Cell, a surrealistic horror picture co-starring Jennifer Lopez and Vincent D'Onofrio, Prime Gig, with Vaughn as California's best telemarketer, and South of Heaven, West of Hell, an ensemble western that marked the directorial debut of country singer Dwight Yoakam. Following-up with a part in writer Favreau's Made, Vaughn's next big role arrived in the form of a deceptive stepfather harboring a dark secret in the thriller Domestic Disturbance. Unfortunately, the film bombed on a critical front. Vaughn again ducked out of sight for several years, but Todd Phillips's 2003 comedy Old School brought him back to the top of the heap. Teaming Vaughn with Will Ferrell and Luke Wilson as a trio of over-the-hill party animals who relive their Animal House days by returning to frat house life, Old School became a sleeper hit, and inspired the press to term Vaughn, Wilson, Will Ferrell, Ben Stiller, Jack Black and others as The Frat Pack. The next of the "Frat Pack" vehicles arrived in 2004, with Todd Phillips's spoofy retread of the 1970s hit Starsky & Hutch, featuring Vaughn as the slimy villain, Reese Feldman. The picture (predictably) became a mega-hit, and the actor's newfound momentum continued to build when, only a few months later, he starred in Dodgeball: A True Underdog Story. Apparently channeling Bill Murray circa-1985, Vaughn received positive reviews for playing the good-guy opposite muscle-bound baddie Ben Stiller.Vaughn next graced the Will Ferrell vehicle Anchorman: The Legend of Ron Burgundy (2004) with a small but memorable role, before he made an about-face for the comedy-drama Thumbsucker. Vaughn impressed critics with his characterization and received praise for his funny and heartfelt performance. He returned to the popcorn humor that initially made him a star, however (and joined the $200-million-gross club in the process) with a leading part in the comedy The Wedding Crashers, a raunchy, R-rated film that proved once and for all the actor could open a movie.Throughout 2006, rumors swarmed about Vaughn's offscreen life, and alleged romantic relationship with newly divorced Jennifer Aniston -- a relationship that blossomed on the set of The Break-Up (ironically, a comedy about an couple ending their two-year relationship and trying to divide their possessions, friends and condo without killing each other). Gossip amped up anticipation and heightened curiosity. Meanwhile, Aniston aggressively denied rumors of an engagement. Upon release, The Break-Up bolstered Vaughn's reputation as a strong comic lead, and became another surprise hit.In the holiday comedy Joe Claus -- which marks Vaughn's third outing with director David Dobkin -- he plays the title character, the no-account, loser brother of Santa Claus who teams up with his more famous sibling at the North Pole to defeat villain Kevin Spacey. Vaughn undertook a personal venture for the documentary Vince Vaughn's Wild West Comedy Show, tooling around the country on a tour bus with four aspiring stand-up comics as they travel from gig to gig. And he stayed true to form with another "Frat Pack" comedy, Outsourced. In the years to come, Vaughn would remain an ever present force in the comedy world, appearing in movies like Four Christmases, Couples Retreat, and The Watch, as well as producing projects like The Internship and the sitcom Sullivan & Son.

Trivia: As the son of comedians Jerry Stiller and Anne Meara Ben Stiller's decision to establish himself as a comic writer and actor surprised almost no one.Born in New York City on November 30, 1965, Stiller began to shoot his own comic films from the age of ten. After high-school graduation, Stiller attended UCLA and landed bit parts in several features, notably the Steven Spielberg-directed, Tom Stoppard and Menno Meyjes-scripted, late 1987 opus Empire of the Sun.Meanwhile, Stiller continued to turn out comedy shorts, including the 30-minute Elvis Stories (1989), a spoof of obsessive Elvis fans featuring an already-established John Cusack. One of Stiller's shorts, a Tom Cruise parody called The Hustler of Money, won him a spot as a writer and player on Saturday Night Live in 1989. His stint on the show was short-lived, but led to his own eponymous series, The Ben Stiller Show, first on MTV (1990) and later on Fox (1992-1993). The program failed to draw a substantial audience, and folded within a couple of months on each network, but Stiller netted an Emmy for comedy writing in 1993.The following year, Stiller debuted as a feature film director with the twentysomething angst romcom Reality Bites (1994), in which he also starred alongside Winona Ryder and a memorably grungy Ethan Hawke. The film was a relative critical and commercial success and scored with Gen-Xers; unfortunately, Stiller's next directorial effort, 1996's The Cable Guy failed to register with critics and audiences. After a small part as nursing-home orderly Hal in the Adam Sandler comedy Happy Gilmore (1996), Stiller rebounded with a starring role in David O. Russell's Flirting With Disaster (1996). The relatively positive reception afforded to that comedy helped to balance out the relative failure of Stiller's other film that year, If Lucy Fell. It was not until two years later, however, that Stiller truly stepped into the limelight. Thanks to starring roles in three wildly, wickedly different films, he emerged as an actor of versatility, equally adept at playing sensitive nice guys and malevolent hellraisers. In the smash gross-out comedy There's Something About Mary (1998), Stiller appeared as the former type, making comic history for outrageous sight gags that involved misplaced bodily fluids and mangled genitalia. That same summer, Stiller did time as a gleefully adulterous theatrical instructor in Neil LaBute's jet-black evisceration of contemporary sexual mores, Your Friends and Neighbors. Finally, Stiller starred in the intensely graphic and disturbing addiction drama Permanent Midnight, earning critical acclaim for his portrayal of writer-cum-heroin addict Jerry Stahl -- a personal friend of the Stiller family from Stahl's days scripting the TV series ALF. Now fully capable of holding his own in Hollywood, with the license to prove it, Stiller starred alongside William H. Macy, Paul Reubens, Hank Azaria, and pal Janeane Garofalo in the fantasy comedy Mystery Men (1999) as the leader of a group of unconventional superheroes. Stiller also landed a supporting role in The Suburbans, a comedy about the former members of a defunct new wave band. The following year, Stiller starred as a rabbi smitten with the same woman as his best friend, a Catholic priest (Edward Norton), in the well-received romantic comedy Keeping the Faith (2000), which Norton also co-produced and directed. Stiller found his widest audience up to that point, however, with the Jay Roach-directed madcap comedy Meet the Parents. As the tale of a nutty father-in-law to be (Robert De Niro) who wreaks unchecked havoc on his daughter's intended (Stiller) via covert CIA operations and incessant interrogation, this disastrously humorous tale of electrical interference gone wild scored with ticket-buyers and qualified as the top box-office draw during the holiday season of 2000.In the autumn of 2001, Stiller brought one of his most popular MTV Video Music Awards incarnations to the big screen in the outrageously silly male-model comedy Zoolander, in which he successfully teamed with (real-life friend) Owen Wilson to carry stupidity to new heights.In 2001 Stiller once again teamed with Wes Anderson collaborator Wilson for the widely praised comedy drama The Royal Tenenbaums. Cast as the estranged son of eccentric parents who returns home, Stiller infused his unmistakable comic touch with an affecting sense of drama that found him holding his ground opposite such dramatic heavies as Gene Hackman and Anjelica Huston. Though his work in 2002 offered little more than a few cameo performances and some vocal contributions to various animated children's shows, the busy comedic actor returned to the big screen for the 2003 comedy Duplex, directed by Danny DeVito. Though the film pairs Stiller and Hollywood bombshell Drew Barrymore as a couple willing to go to horrific extremes to land the much-desired eponymous living space, reviews were unkind and the comedy died a quick death at the box office. Stiller's next film -- the romantic comedy Along Came Polly -- fared considerably better on a fiscal level, but suffered from an implausible premise.Spring 2004 promised a rebound when the electrifying duo of Stiller and Owen Wilson returned to the big screen with director Todd Phillips' celluloid recycling job Starsky & Hutch. Though Stiller and Wilson seemed the ideal pair for such a conceptually rich re-imagining of 1970s television, and the film boasted wonderful villainous turns by rapper Snoop Dogg and Vince Vaughn, reviews were once again lackluster and the film struggled to find an audience. Yet Starsky & Hutch did actually reap a profit, which (in a business sense) placed it miles ahead of Stiller's next film. Released a mere two months after Starsky & Hutch, the Barry Levinson comedy Envy sports a wacky premise; it explores the comic rivalry that erupts between two longtime friends and neighbors when one invents a product that makes dog excrement disappear. It also boasts a marvelous cast, replete with Stiller, the maniacal Jack Black, and the brilliant Christopher Walken. But for whatever reason (speculated by some as the film's inability to exploit the invention at the story's center) the film's sense of humor failed to catch fire and Envy died a quick box-office death. Stiller fared better with the ribald, anarchic summer 2004 comedy Dodgeball: A True Underdog Story, starring himself, Vince Vaughn, and Rip Torn. For the following two years, Stiller once again contented himself largely with bit parts (2004's Anchorman: the Legend of Ron Burgundy, 2006's Tenacious D in the Pick of Destiny) until the Christmas 2006 release A Night at the Museum. In this effects-heavy fantasy, adapted from the popular children's book by Milan Trenc, Stiller plays Larry Daley, the new night watchman at New York City's Museum of Natural History, who discovers that the exhibits all spring to life after hours, from a giant skeletal Tyrannosaurus Rex to a waxen Teddy Roosevelt -- and seem content to hold Larry hostage. The effort split critical opinion, but shot up to become one of the top three box-office draws during the holiday season of 2006.Meanwhile, Stiller signed on to team with the Farrelly brothers for The Heartbreak Kid (2007), a remake of the 1972 Elaine May comedy of the same title; he also produced Blades of Glory, a comedy with Will Ferrell and Jon Heder as rival figure-skating champions vying with one another for Olympic gold. He wrote, directed and starred in the hit comedy Tropic Thunder (2008) as a moronic Hollywood actor toplining a war film, voiced Alex in the same year's animated picture Madagascar: Escape 2 Africa, and in 2009, reprised his Larry Daley role for Night at the Museum: Battle of the Smithsonian. Stiller's emphasis on sequels then continued with 2010's Little Fockers and 2012's Madagascar 3. In 2013, Stiller picked up the role originally made famous by Danny Kaye, as the lead in the remake The Secret Life of Walter Mitty, which Stiller also directed and produced. The following year, he appeared in the next film in the Night at the Museum series, Secret of the Tomb.

Trivia: Actor, musician, and cult idol ascendant, Jack Black is known for both the characters he portrays on the screen and as one of the forces behind Tenacious D, a rock band/standup routine that Black has described as "a Smothers Brothers for the Dungeons and Dragons misfits set."A native of Santa Monica, CA, Black attended the University of California at Los Angeles. He got his professional start on the stage, appearing in Tim Robbins' production of Carnage at the 1989 Edinburgh Fringe Festival. He would go on to collaborate with Robbins throughout his career, making his screen debut in the director's 1992 political satire Bob Roberts and appearing in Robbins' Dead Man Walking (1995) and Cradle Will Rock (1999). Black spent the '90s playing supporting and lead roles in a variety of films, including Demolition Man (1993), The Cable Guy (1996), which cast him as the best friend of Matthew Broderick's character, and Jesus' Son (1999), in which Black had a small but extremely memorable role as a pill-popping hospital orderly.In 2000, Black had one of his most recognizable and enthusiastically received screen roles to date in High Fidelity. Stephen Frears' popular adaptation of Nick Hornby's novel of the same name, it featured Black as Barry, a thoroughly obnoxious record-store employee. The part allowed the actor to do some of his own singing, a talent that he had previously inflicted on numerous audience members during his years with the aforementioned Tenacious D. The band, comprised of Black and fellow holy terror Kyle Gass, had existed since 1994, and it had been featured on the TV comedy series Mr. Show and as the subject of their own HBO series entitled (tongue firmly in cheek) Tenacious D: The Greatest Band on Earth. It was only a matter of time before Black stepped up from supporting character to leading man, and with the Farrelly brother's Shallow Hal Black may just have found the ideal vehicle for the successful transition. As a superficial man who falls in love with a 300-pound woman after being hypnotized to see only the "inner beauty" of the opposite sex, Black co-starred alongside Gwyneth Paltrow and Jason Alexander in what promised to be a charmingly offensive addition to the Farrelly canon.Though MTV Films' heavily marketed Orange County (2002) was not a huge commercial success, Black's supporting role as the lead character's slacker brother was well received by critics and long-time fans alike, and the once obscure figure began appearing on media outlets including Saturday Night Live, Primetime Glick, commercials for The Osbournes, and various MTV music and film awards. In 2003, Black starred in his first big hit -- director Richard Linklater's musical comedy School of Rock, which featured Black as a disgruntled heavy metal-guitarist doing a substitute teaching gig for extra cash. Critics were so taken by his performance that he was honored with a Golden Globe nomination.2004 saw Black turn in a cameo in the Will Ferrell vehicle Anchorman, after starring opposite Ben Stiller in director Barry Levinson's black comedy Envy. While the film was a box-office bomb after having its release pushed back several times, Black still had much to celebrate when it was announced he would be taking the lead in Peter Jackson's highly anticipated 2005 remake of King Kong. The epic film helped transition Black from a cult hero to a traditional movie star, though he was still careful to keep his original fans happy. In 2006, he starred in Napoleon Dynamite director Jared Hess' comedy Nacho Libre. The part of a disgruntled monk turned Lucha Libre idol was a perfect fit for the bombastic star, and he followed the performance up with another comic offering for his serious fans as he and Kyle Gass, his partner in Tenacious D, starred in Tenacious D in The Pick of Destiny. This big screen telling of the band's mythical history promised to be full of the over-the-top laughs that rocked fans of the group's HBO series, and also included appearances by rock and metal idols like Ronnie James Dio and Meatloaf, who portrayed Black's dad. Black didn't abandoning straight acting. He would appear in a number of more conventional, and even dramatic roles over the coming years, like in The Holiday and Margot at the Wedding, while still pursuing the broad comedic roles he was known for in full force, with comedies like Be Kind Rewind, Tropic Thunder, Year One, and The Big Year. In 2012, Black reteamed with Richard Linklater for a unique blending of comedy, drama, and crime, playing a congenial southern murder suspect in Bernie.

Trivia: Born to a pair of lawyers in Syracuse, NY, and raised in nearby Lynchburg, Dylan Baker attended Georgetown Prep and William and Mary College before earning his B.F.A. at Southern Methodist University, where his passion for acting was ignited with numerous stage roles. Later refining his talents at Yale's School of Drama, Baker would turn professional with big screen roles in movies like Planes, Trains and Automobiles, Delirious (1991), and Love Potion No. 9 (1992). The mid-'90s found the increasingly busy actor dividing his time between stage, screen, and television, and Baker would soon wed actress Becky Ann Baker (the couple later appeared together in Woody Allen's Celebrity [1998]). A successful stage performance of La Bete found Baker nominated for Tony and Drama Desk Awards, and Baker and his wife continued to develop a close association with New York's Drama Department theater troupe. Following his remarkable performance in Happiness, Baker would appear in films such as Random Hearts, The Cell, and Thirteen Days (all 2000). As the 2000's unfolded, Baker would remain an active force on screen, appearing in movies like The Tailor of Panama, and Along Came a Spider, and on TV shows like 24, Damages, and Hawaii Five-O.

Trivia: Meagan Good started acting onscreen in the late '90s, and has worked in a wide array of genres. Her first major film role was in Kasi Lemmons' gently observed, well-received ensemble drama Eve's Bayou (1997). Good followed it up with such projects as the romantic comedy Deliver Us From Eva (2002), the teen dance film You Got Served (2004), and the post-noir mystery Brick (2005). In 2007, Good signed for a supporting role in the Mike Myers comedy The Love Guru (2008). Though that film was an infamous turkey, she continued to find work in projects such as 35 & Ticking (which she co-produced), Jumping the Broom, and the sleeper box office hit Think Like a Man, as well as the drama The Obama Effect.

Trivia: With the handsome looks and winning sarcasm that befit a late-night television talk show host, it is no surprise that Greg Kinnear first shot to stardom as the host of the E! channel's Talk Soup. More surprising, and thus more impressive, has been Kinnear's success in making the leap from television to the big screen. With only his fourth major celluloid outing, As Good As It Gets, Kinnear scored his first Oscar nomination for Best Supporting Actor, effectively establishing himself as someone whose scope included screens small and large.Born June 17, 1963, in Logansport, IN, as the youngest of three sons, Kinnear led a peripatetic childhood. His father was a Foreign Services diplomat for the State Department, and his family accompanied him to places as far-flung as Beirut and Athens. While a student in Athens, Kinnear first ventured into the role of talk show host with his radio show School Daze With Greg Kinnear. Returning to the States for a college education, Kinnear attended the University of Arizona in Tucson, where he graduated in 1985, with a degree in broadcast journalism. From Arizona, he headed out to Los Angeles, where he landed his first job as a marketing assistant with Empire Entertainment. It was there that Kinnear got his first taste of show business, creating promotional campaigns for such films as Space Sluts in the Slammer. Following this stint, Kinnear found a job with the Movietime cable channel. Using an audition tape from a failed attempt at an MTV VJ position, Kinnear became a host and on-location reporter for the channel. All went swimmingly until he was fired, when Movietime became the E! Entertainment Network, and Kinnear soon found himself taking bit parts on such television shows as L.A. Law and Life Goes On.His luck began to change, however, when he became the creator, co-executive producer, and host of Best of the Worst, which aired from 1990 to 1991. In a more ironic and satisfying twist of fate, Kinnear was then hired back by E! to host Talk Soup, the network's new talk show. The show proved to be hugely popular, and Kinnear acted as its host and eventual executive producer until 1994, when he left the show for the NBC late-night talk show Later With Greg Kinnear. It was also in 1994 that he had his first big-screen role, as -- wait for it -- a talk show host in the Damon Wayans comedy Blankman. In 1995, he snared the part that was to give him more prominence among film audiences -- that of the irresponsible David Larrabee in Sydney Pollack's remake of Billy Wilder's 1954 classic romance Sabrina. The film was less than a success, but it did nothing to prevent Kinnear from getting the lead role in the 1996 comedy Dear God. That film, too, had a somewhat unfortunate fate, but Kinnear (now resigned from Later) more than rebounded with his next effort, James L. Brooks' As Good As It Gets (1997). The film was an unqualified hit, netting seven Oscar nominations and winning two, a Best Actor for Jack Nicholson and a Best Actress for Helen Hunt. Kinnear himself had the honor of both a Best Supporting Actor nomination and a Golden Globe nomination. Kinnear's next film, the romantic comedy A Smile Like Yours, had him starring opposite Lauren Holly as one-half of a couple trying to have a baby. The film met with lukewarm reviews and fairly anemic box-office results, but Kinnear's subsequent film, 1998's You've Got Mail, struck gold. He played Meg Ryan's significant other, a newspaper columnist wholly unlike what was to be his next character, that of Captain Amazing in the 1999 summer action film Mystery Men. With a stellar cast, including Ben Stiller, William H. Macy, Janeane Garofalo, Lena Olin, and Tom Waits, Kinnear was indeed in good company, further proof of how far he had come in a short amount of time. Unfortunately, both Mystery Men and the subsequent Garry Shandling comedy What Planet Are You From (in which Kinnear amusingly portrayed Shandling's sleazy co-worker) fared poorly with both critics and audiences, and by the time he landed the role of a much-desired soap-opera star in Nurse Betty, it seemed that his star may have faded a bit. His role as a smug, one-dimensional college professor in the 2000 comedy Loser seemed near the bottom of the barrel for the formerly Oscar-nominated actor. Despite the fact that none of these failures were necessarily the fault of everyone's favorite smirky former talk-show host, his choice of projects left many wondering what had become of Kinnear. Of course, where there's darkness there will always be room for hope, and thankfully for Kinnear, the choices he was making began to pay off.In 2000, Kinnear essayed the role of a missing woman's grieving fiancé in the dark Sam Raimi thriller The Gift; the film seemed to mark the beginning of a comeback. His next role as the catalyst for an investigative report into the nature of male behavioral patterns in Someone Like You (2001) proved a step in the right direction, and following supporting performances in Dinner With Friends (2001) and We Were Soldiers (2002), Kinnear's comeback had been primed. Cast as ill-fated television star Bob Crane in Paul Schrader's disturbing 2002 biopic Auto Focus, Kinnear's spot-on performance was so eerie that it made the film almost discomforting to watch. The spotlight was somewhat stolen however, by co-star Willem Dafoe's indescribably creepy turn as the man generally believed to have caused Crane's untimely death. The following year Kinnear lightened the mood considerably when he was cast (literally) alongside Matt Damon as one-half of a pair of conjoined twins in the Farrelly Brothers' comedy Stuck on You. Intent on following his dreams of becoming an actor, Kinnear's character drags his reluctant brother to Hollywood to hilarious results.Kinnear's next role would come as the grieving father of a dead son who goes to desperate lengths to recapture his former happiness in the horror flavored Godsend (2004).A fun turn as a salesman who becomes involved with in hitman in the Golden Globe-nominated crime comedy The Matador went largely unseen despite generally favorable critical response, and after lending his voice to the animated Robots and berating little-league players in The Bad News Bears, Kinnear later join an impressive ensemble cast to investigate America's love affair with burgers and fries in director Richard Linklater's Fast Food Nation. Later that same year, Kinnear would take family dysfunction to a whole new level as a motivational speaker attempting to get his daughter to a beauty pageant in Little Miss Sunshine, with a role as NFL coach Dick Vermeil following shortly thereafter in the inspirational sports drama Invincible. Kinnear would spend the following years maintaining his status as a bankable actor, appearing in films like Baby Mama, Green Zone, I Don't Know How She Does It, and the mini series The Kennedys.

Trivia: Initially known as one of the cast members of Saturday Night Live (she joined in 2005), comedian Kristen Wiig cemented her reputation as a schtickmeister with hilarious and memorable SNL characterizations of such personalities as Drew Barrymore, Katharine Hepburn, and Megan Mullally, and performed a particularly memorable recurring bit on that program as an overanxious Target employee. Like Will Forte, Will Ferrell, and others, Wiig arrived on SNL as an alumnus of The Groundlings, Los Angeles' legendary comedic ensemble. Wiig broke through to feature-film acclaim in 2007, with supporting roles in the comedies Bill, Knocked Up, and The Brothers Solomon. Brothers, a picture co-starring a number of Wiig's fellow SNL cast mates including Maya Rudolph and Will Arnett, told the story of two socially backward loser brothers seeking a woman to have their baby. In 2007, Wiig also showed up in the music-biopic spoof Walk Hard: The Dewey Cox Story, playing the rock star's first wife.She continued to work steadily in films even as she became one of the most celebrated SNL performers in that show's rich history, becoming one of the few performers to get nominated for an acting Emmy for her work on the program. Big-screen credits like Whip It, MacGruber, and Date Night, eventually led to her starring role in Bridesmaids, the R-rated comedy that not only became a box-office smash, but garnered Wiig an Oscar nomination as well as a WGA nod for Best Original Screenplay. In 2012 she left SNL, getting a memorable send-off where she was serenaded by Mick Jagger and danced with every other member of the cast. In the years to come, Wiig would continue her upward trajectory in the comedy world, appearing in numerous projects as well as continuing to flex her muscles behind the camera as a writer and producer.