Trivia: With his electrifying gaze, elegant comportment, and lips that look as if they could breathe life into concrete, Ralph Fiennes has caused many a jaded filmgoer to reaffirm the existence of British sex appeal. Since 1993, when he first impressed international audiences in the decidedly unglamorous role of Nazi sadist Amon Goeth in Schindler's List, Fiennes has delivered performances marked by dignified passion and relentless intensity.The oldest of six children, Fiennes was born in Suffolk on December 22, 1962. His father was a self-taught photographer and his mother a novelist who wrote under the pen name Jennifer Lash, professions which virtually ensured a unique upbringing. Fiennes' family moved a number of times while he was growing up, and the children were encouraged in their creative pursuits. Thus, it is less than surprising that four out of the six Fiennes siblings went on to work in the entertainment business, with Ralph and his brother Joseph becoming actors, his two sisters a director and a producer, and another brother a musician. Originally wanting to be a painter, Fiennes enrolled at the Chelsea College of Art and Design before transferring to London's Royal Academy of Dramatic Art to study acting. Following graduation, he joined the Royal National Theatre in 1987, and he became part of the Royal Shakespeare Company a year later. While a member of the company, he performed a wide range of the classics, playing everyone from Romeo to King Lear's Edmund. Fiennes first became known to a wider audience in 1991, when he starred as the title character in the acclaimed British television production of A Dangerous Man: Lawrence After Arabia. The next year, he gained additional exposure, making his film debut as Heathcliff in Wuthering Heights. Starring opposite Juliette Binoche, Fiennes glowered his way across the screen with suitable aplomb, something that he would do again to devastating effect the next year in Schindler's List. As the psychotic Nazi commandant Amon Goeth, Fiennes blended quiet yet absolute menace with surprising charisma (even more surprising given that he had gained over 30 pounds for his role) to such great effect that he earned a Best Supporting Actor Oscar nomination and a British Academy Award for his portrayal. Fiennes' work in the film incited a flurry of interest in the actor, whose intensity and odd name (its correct pronunciation is "Rafe Fines") made him the subject of many a magazine article.Interest in Fiennes only increased the following year, when, back to his normal weight and sporting an American accent, he played the more sympathetic (but tragically flawed) Charles Van Doren in Robert Redford's Quiz Show. Critics loved him in the role, and he further consolidated his acclaim two years later in Anthony Minghella's Oscar-winning adaptation of Michael Ondaatje's The English Patient, which won Fiennes Oscar and Golden Globe nominations as Best Actor. Given his newfound heartthrob status, many audience members were surprised to see Fiennes next turn up in the title role of the gawkish, ginger-haired minister with a gambling problem (playing opposite a then-unknown Cate Blanchett) in Oscar and Lucinda (1997). He gave a highly eccentric performance in the film, which received a mixed critical reception. Where Oscar and Lucinda was only vaguely disappointing, Fiennes' next project, a 1998 film version of the popular 1960s TV series The Avengers, was one of the most lambasted films of the year. Fiennes somehow managed to avoid most of the critical wrath directed at the film, and in 1999 he could be seen starring in no less than three disparate projects. In Onegin, directed by his sister, Martha, Fiennes played the title character, a blasé Russian aristocrat; in The End of the Affair, directed by Neil Jordan, he portrayed a novelist embroiled in an adulterous affair with the wife (Julianne Moore) of his best friend (Stephen Rea); while in Sunshine, directed by István Szabó, he played three different roles in a saga tracing 150 years of the affairs and intrigues of a family of Hungarian Jews.If his roles to date had served to showcase Fiennes' talent at about the rate of a solid performance per year, 2002 provided a trio of diverse and demanding roles that would prove just how well he could perform under pressure. In Red Dragon -- the first of those efforts to hit stateside screens that year -- Fiennes' chilling performance as serial killer Francis Dolarhyde shifted between meekness and menace at the drop of a hat. Thankfully eschewing the grandiose theatrics of Hannibal for a tone more in keeping with the original Silence of the Lambs, the film proved a hit at the box office, and Fiennes' performance rivaled that of Ted Levine's in providing the film with a chilling villain straight from the pages of the most lurid true-crime encyclopedia (Fiennes' character was purportedly based on the exploits of an uncaptured Wichita serial killer who went by the name "Bind, Torture, Kill"). A few short months later, audiences were treated to yet another deeply disturbed characterization by Fiennes, that of a schizophrenic man haunted by his childhood in director David Cronenberg's dark psychological drama Spider, based on author Patrick McGrath's bleak novel of the same name. Fiennes' performance substituted the menace of Red Dragon with a more sympathetic protagonist whose memory slowly regresses to reveal a scarring childhood tragedy. No doubt having had his fill of disturbed characters that year, Fiennes once again caught audiences off guard with a disarmingly charming role in the romantic comedy Maid in Manhattan.Fiennes would continue to find substantial and challenging roles in the years to come, most notably in his sister's film Chromophobia, the Merchant-Ivory film The White Countess, The Constant Gardener, the James Bond film Skyfall, and the ever-popular Harry Potter series, in which Fiennes played baddie Lord Voldemort. Fiennes would also earn accolades for directing and starring in a cinematic adaptation of William Shakespeare's war epic Coriolanus.

Trivia: Jennifer Lopez's first serious screen role in Gregory Nava's 1995 Latino melodrama My Family followed years of training in television movies and series. Like Rosie Perez, Lopez began her career as a Fly Girl -- a dancer on the sketch comedy series, In Living Color -- and appeared in music videos by Puff Daddy and Janet Jackson. Her big break came in 1997 when she appeared in the title role of Nava's Selena, the story of the successful Tejano singer who was tragically murdered in 1995. Lopez was at first cast as a femme fatale -- due in no small part to her classic Latina beauty (she was born in the Bronx to parents of Puerto Rican descent) -- and worked almost exclusively with acclaimed directors: Francis Ford Coppola (Jack, 1996), Oliver Stone (U-Turn, 1997), and Bob Rafelson (Blood and Wine, 1996). In 1998, she had one of her most acclaimed roles, starring opposite George Clooney in Out of Sight, Steven Soderbergh's adaptation of the Elmore Leonard novel. Cast as a deputy federal marshal who falls for a charming criminal (Clooney), Lopez won raves for her tough, sexy performance, and in the process, she became the highest paid Latina actress in Hollywood history. That same year, she earned an introduction to a new generation of fans by lending her voice to the popular Antz (1998). The lavish but much more adult-oriented thriller The Cell (2000) followed shortly thereafter, bringing Lopez one of her first number-one openings. In an attempt to curry favor from the rom-com crowd, Lopez lightened things up a bit opposite Matthew McConaughey in 2001's romantic comedy The Wedding Planner. Though Lopez was consistently smooth in her frequent transitions from actress to songstress, her next role in the supernatural romance Angel Eyes (2001) failed to click with audiences and critics alike, and her role in the cathartic revenge thriller Enough (2002) likewise disappeared from theaters shortly after its release. Though Maid in Manhattan (2002) was ultimately relegated to a similar fate as her last few films, few could anticipate the outright hostility with which her 2003 comedy Gigli would be greeted. In the movie, Lopez was cast as a female gangster assigned to keep an eye on a kidnapper (played by then-real-life-boyfriend Ben Affleck) who is holding a psychologically challenged young boy hostage. The harsh public backlash against the film was likely due (at least in part) to over-saturated media coverage of the duo's tumultuous off-screen relationship. Though the film's failure wasn't exactly what one would call a career-ender for either star, their shoddy onscreen dynamic reportedly led director Kevin Smith to excise most of Lopez' role in the Affleck-starrer Jersey Girl.Finally, in 2005, it appeared the actress' string of bad box-office luck had possibly reached its end. Teaming up with Jane Fonda for the latter thespian's first feature in over a decade, Lopez scored a modest hit with the comedy Monster-In-Law. The Lasse Hallstrom-helmed drama An Unfinished Life followed later the same year with Lopez opposite heavy-hitters Robert Redford and Morgan Freeman. Lopez married singer Marc Anthony in 2006, and gave birth to twins in 2007. She subsequently worked less over the next few years, opting to spend time with her family. Lopez would get back into acting with the 2010 romantic comedy The Back-up Plan, but sadly, she and Anthony would separate in 2011. She continued to slip effortlessly between film, music and television, including taking a job as a judge on American Idol, setting up a residency in Las Vegas and starring and producing in her own show on NBC, Shades of Blue.

Trivia: The daughter of British actress Vanessa Redgrave and director Tony Richardson, Natasha Richardson was named for the heroine in Leo Tolstoy's War and Peace. Richardson made her film bow at age four, playing one of her own mother's bridesmaids in Charge of the Light Brigade (1968), which was directed by her father. Trained at the Central School for Speech and Drama, Richardson did her first professional stage work at the Leeds Playhouse in 1983 then went on to specialize in Shakespeare (like virtually everyone else of Redgrave lineage) at the Old Vic. In the company of her mother Vanessa and her Aunt Lynn, Richardson made an excellent impression in a 1985 staging of Chekhov's The Three Sisters; the following year, she won the London Theatre Critics Award for Most Promising Newcomer. The honor was a trifle belated, as Richardson had been acting on stage for three years and costarring in films since 1984's Every Picture Tells a Story. Her film roles have ranged from passive to aggressive but have always been distinctive. Among Richardson's most memorable film assignments have been A Month in the Country (1987), The Handmaid's Tale (1990), Widows Peak (1994), and the successful 1998 remake of The Parent Trap. She has done her most celebrated work on the stage, appearing in a 1993 performance in a PBS restaging of Suddenly Last Summer; an acclaimed Broadway revival of Eugene O'Neill's Anna Christie that same year (in which she starred opposite then-lover and eventual husband Liam Neeson); an incredibly popular 1998 Broadway revival of Cabaret, in which she gave a Tony-winning portrayal of Sally Bowles; and the 1999 Broadway production of Patrick Marber's Closer, in which she starred alongside Rupert Graves, Anna Friel, and Ciaran Hinds. Richardson died in a skiing accident in 2009.

Trivia: Like many another contemporary movie and TV favorite, Stanley Tucci is a graduate of the drama department at SUNY-Purchase. Tucci made his film bow in 1985's Prizzi's Honor, after which he specialized in playing lowlifes and scuzzbags, despite his offscreen credentials as a loyal friend and loving family man. Some of his more memorable appearances were as Rick Pinzolo in TV's Wiseguy (1987-1989), a minor-league thug named Vernon in Beethoven (1992), and a Middle-Eastern assassin in The Pelican Brief (1993). Tucci acquired a fan following of sorts for his slimy year-long role of Richard Cross on the weekly TV series Murder One (1995).In 1996, Tucci broke loose from his established screen persona by playing an ambitious Italian-American restaurateur in Big Night, the most delightfully "gastronomic" film since Like Water for Chocolate. The art-house favorite was a sheer labor of love for Tucci, who served as its producer, co-wrote its script with his cousin Joe Tropiano, and shared directorial duties with his friend Campbell Scott. Tucci again directed two years later with The Impostors, a farcical comedy that cast him and longtime friend Oliver Platt as two stowaways on an ocean liner. Unlike Big Night, however, the film did not do well with audiences or critics. After starring in A Midsummer Night's Dream (1998) as Puck and In Too Deep (1999) as a police supervisor, Tucci again stepped behind the camera, this time to direct Joe Gould's Secret (2000). A historical drama about an eccentric man (Ian Holm) living on the streets of Greenwich Village, it received a very enthusiastic reception at the 2000 Sundance Festival, where it premiered. The early 2000s seemed to be a winning period for the versatile actor, with Tucci also taking home the Best Supporting Actor in a television movie award for his role in Conspiracy (2001). That same year he appeared in America's Sweethearts as an intense movie mogul. He continued doing solid work even when the finished films were sometimes lacking. He played in the Jennifer Lopez hit Maid in Manhattan, Sam Mendes' Road to Perdition, the American remake of Shall We Dance?, and landed his largest role in a major Hollywood production when Steven Spielberg cast him as the ambitious, officious manager of The Terminal. Tucci lent his voice to the animated film Robots in 2005, and the next year earned solid notices for his work as a fashion magazine editor loyal to the diva editor in chief Meryl Streep in The Devil Wears Prada.The highly-respected character actor continued to work steadily in a variety of projects, but a pair of high-profile supporting roles in 2009 earned him strong reviews and awards consideration. As the husband to Julia Child in Julie & Julia, Tucci got to work opposite Meryl Streep yet again in another box-office hit, but it was his creepy turn as a child killer in the big screen adaptation of The Lovely Bones that earned him Screen Actors Guild, Golden Globe, and Academy Award nominations.In 2010 he appeared opposite Cher in Burlesque, and was a loving father in the sleeper hit Easy A. In 2012, Tucci was cast as the announcer and emcee Caesar Flickman in the hit adaptation of the smash novel The Hunger Games. Tucci continued to be a work horse, appearing in seven films in 2014, including Transformers: Age of Extinction and a cameo in Muppets Most Wanted.

Trivia: Attended his first audition with his father when he was 6. Parents run an internet community for child actors and their families. Learned to speak the Lakota language for a role in the 2005 mini-series Into the West. Sings and plays bass guitar in the band Lost in Kostko.

Trivia: Although Bob Hoskins first became widely known to American audiences as a detective assigned to investigate a cartoon rabbit in Who Framed Roger Rabbit (1988), the balding, burly actor had long been recognized in his native England as a performer of exceptional versatility, capable of playing characters from working-class toughs to Shakespearean villains.Born in Bury St. Edmunds, Suffolk, on October 26, 1942, where his mother had been sent to get away from the then-raging London Blitz, Hoskins was sent back to London with his mother when he was only two weeks old. Growing up in a solidly working-class family in post-war London, Hoskins stayed in school until he was 15, and he then abandoned formal education in favor of a string of diverse jobs. Over the course of the next ten years, he worked as a Covent Garden porter, member of the Norwegian Merchant Marines, steeplejack, plumber's assistant, banana picker, circus fire-eater, trainee accountant, and even spent time working on a kibbutz in Israel. At the age of 25, having garnered a lifetime's worth of unusual experiences, Hoskins got into acting. Hanging out at a pub one night with a friend who was auditioning for a play, he was asked to read for a part in the production. He got the part, and in the course of performing, was approached by an agent who suggested that Hoskins take up acting professionally and began arranging auditions for him. From there, Hoskins began acting onstage, working throughout the '60s, '70s, and '80s with such theatres as London's Royal Court and National Theatre and as a member of such troupes as The Royal Shakespeare Company.Hoskins made his film debut in 1972 with a minor role in the comedy Up the Front. Three years later he got his first substantial film role in the forgettable Inserts, but in 1980, he made a significant breakthrough, turning in a brilliant portrayal of a successful gangster whose world suddenly begins to fall apart in The Long Good Friday. He found even greater success six years later portraying a gangster-turned-chauffeur assigned to a high-priced call girl in Mona Lisa. His performance earned him Best Actor awards from the British Academy, the Cannes Film Festival, and the New York Film Critics Circle, and a Best Actor Academy Award nomination. For all of the acclaim surrounding his work, it was not until he starred in the aforementioned Who Framed Roger Rabbit? in 1988 that Hoskins became known to a mainstream American audience. His American accent in the film was so convincing, that in addition to earning him a Golden Globe nomination, it led some viewers to assume that he was actually an American actor.Hoskins could subsequently be seen in a number of American films in addition to those he made in Britain, appearing in such features as Mermaids (1990), in which he played Cher's love interest; Heart Condition (1990), in which he played an unhinged racist detective; and Nixon (1995), which featured him as another crazed law enforcement official, J. Edgar Hoover. In 1997, he returned to his roots in Twentyfourseven, earning a European Film Academy Best Actor Award for his portrayal of a man trying to set up an amateur boxing league for working-class young men in economically depressed, Thatcher-era England. Two years later, Hoskins turned in a similarly gripping performance as a caterer with a dangerous secret in Felicia's Journey, a psychological thriller directed by Atom Egoyan.Hoskins continued to work steadily into the beginning of the next decade in a variety of projects including acting opposite Michael Caine in Last Orders and playing a supporting role in the Jennifer Lopez romantic comedy Maid in Manhattan. He continued to appear in an eclectic series of films including Kevin Spacey's Bobby Darin biopic Beyond the Seas, as a very bad guy in the martial-arts film Unleashed, the costume drama Vanity Fair, and earning strong reviews playing opposite an Oscar nominated Judi Dench in Mrs. Henderson Presents. He also lent his very distinctive voice to one of the animated characters in the sequel Gairfield: A Tale of Two Kitties. That same year he portrayed a movie studio chief who may have had something to do with the death of George Reeves in the drama Hollywoodland opposite Ben Affleck, Adrien Brody, and Diane Lane. He appeared in Disney's A Christmas Carol, Made in Dangenham, and 2012's Snow White and the Huntsman. In addition to acting, Hoskins has worked behind the camera in a number of capacities. In 1989, he made his directorial and screenwriting debut with The Raggedy Rawney, a drama about a band of gypsies set during World War II. He also served as an executive producer for The Secret Agent in 1996.In August of 2012 Hoskins announced his retirement from acting in part because he was diagnosed with Parkinson's disease. He passed away after a bout of pneumonia in 2014, at age 71.

Trivia: Veteran stage actress Frances Conroy studied drama at the Neighborhood Playhouse and the Juilliard School in New York. During the '70s, she performed regularly with regional and touring theater companies, including an off-Broadway production of Othello with Richard Dreyfuss and Raul Julia. One of her first film appearances was as a generic Shakespearean actress in Woody Allen's 1979 classic Manhattan. In 1980, she made her Broadway debut in The Lady From Dubuque. Small roles followed in feature films like the sports drama Amazing Grace and Chuck and the family drama Rocket Gibraltar (as one of Burt Lancaster's daughters). She mainly focused on her stage career for the rest of the '80s, appearing with the Broadway cast of Our Town and receiving several Drama Desk nominations.In 1992, Conroy became friends with famed playwright Arthur Miller. This friendship led to much involvement in his productions, on both stage and screen. During this time, she also appeared on some television shows, miniseries, and made-for-TV movies, and met and married fellow actor Jan Munroe. She was nominated for a Tony Award in 1998 for her work on the Broadway hit Ride Down Mt. Morgan. Like many of her theatrically trained colleagues, she received unexpected attention for the award-winning HBO dramatic series Six Feet Under. For her role of family matriarch Ruth Fisher, she's been recognized by the Screen Actor's Guild, the Golden Globes, and the Emmys. Following small roles in the mainstream Maid in Manhattan and the independent Die Mommie Die, Conroy portrayed legendary actress Katharine Hepburn's mother, Kit, in Martin Scorsese's 2004 Howard Hughes biopic The Aviator.In 2005 she had a small part in the drama Broken Flowers, and appeared in the ill-fated remake of The Wicker Man in 2006. In 2008 she lent her vocal talents to the cast of The Tale of Despereaux and in 2010 she acted with Robert De Niro in the drama Stone. 2011 saw her return to the small screen with a part in American Horror Story.

Trivia: His numerous collaborations with Whit Stillman making him inseparable from the director's films, Christopher Eigeman has earned a reputation as the poster boy for acerbic postmodern male angst. Making his screen debut in Stillman's Metropolitan (1990) as an officious snob, Eigeman went on to work with the director on no less than three subsequent projects, turning in performances that managed to be at once misanthropic and all too human.A native of Denver, where he was born March 1, 1964, Eigeman first took a serious interest in acting while a student at Vermont's Putney School, and continued to nurture his aspirations during his studies at Kenyon College in Ohio. After toiling for a few years in almost complete obscurity, he answered an open casting call for Stillman's Metropolitan, the result of which was his big-screen debut. An arch comedy of manners set among a group of Manhattan trust fund brats, the film earned a substantial degree of critical approval, as well as something of a cult following. Following the film's release, Eigeman took to the stage for a time with the well-regarded Actor's Theatre Company of Louisville, Kentucky.Eigeman and Stillman again collaborated on Barcelona, the 1994 follow-up to Metropolitan. Also starring the earlier film's Taylor Nichols, Barcelona featured Eigeman as a snotty -- and oblivious -- military man visiting his cousin (Nichols) in the eponymous city. Another droll comedy of manners, it set the stage for Eigeman's work with Noah Baumbach in both Kicking and Screaming (1995) and Mr. Jealousy (1997). The former cast the actor as a philosophical recent college graduate, while the latter netted him some of the best reviews of his career for his portrayal of a successful yet deeply conflicted novelist. Following a starring role in a 1996 episode of Homicide: Life on the Streets directed by Stillman, Eigeman and the director teamed up once more for The Last Days of Disco (1998), the last installment in the trilogy that included Metropolitan and Barcelona. Cast in a supporting role as a morally dubious club underboss, the actor shared the screen with a cast that included Chloe Sevigny, Kate Beckinsale, Matt Keeslar, and Mackenzie Astin. Like its two predecessors, the film took a witty, shabby-genteel look into the lives of privileged urban youths, and, also like its predecessors, it earned strong reviews, which extended to the performances of its stellar ensemble cast.

Trivia: Comedianne Amy Sedaris confronts vulgarity with a daring innocence to create her wickedly absurd characters. You may best remember her as America's most lovable skank, Jerri Blank, from the hyper-irreverent series Strangers With Candy. Raised in North Carolina, Sedaris got her start at Second City in Chicago before moving to N.Y.C. to write plays with her brother, author David Sedaris, who has hilariously documented their family's history in many of his novels. Calling themselves "The Talent Family," they wrote, directed, and starred in numerous plays in N.Y.C., winning some Obie and Drama Desk awards. Along with fellow Second City vets Stephen Colbert and Paul Dinello, she wrote and starred in the sketch show Exit 57, which ran on Comedy Central.Sedaris has made a few small appearances on the big screen, from minor roles in major studio releases like Six Days, Seven Nights and Maid in Manhattan to short films like Bad Bosses Go to Hell; however, her breakthrough performance was in the TV series Strangers With Candy. An absurdist satire of afterschool specials, the show only ran from April 1999 to October 2000 on Comedy Central. Sedaris wrote it with her old cohorts from Second City, and also birthed the character of Jerri Blank, the ex-junkie and former prostitute who goes back to high school at age 46. In its 30-episode run, the show gained her a devoted following and several other television appearances. Though cancelled, sales of the show's DVD sets proved profitable enough to warrant a feature, and in 2006 Sedaris and company transferred their skewed worldview to the big screen, with a feature-length installment of Strangers With Candy. Packed with star cameos and even-cruder-than-cable-allows humor, the movie seemed destined to become a cult hit.Sedaris continues to work in the theater, while also running a cupcake and cheeseball business out of her West Village home, collecting taxidermied animals, and sometimes appearing on Sex and the City and Just Shoot Me. In collaboration with Dinello and Colbert, she is also co-author of the book Wigfield: The Can-Do Town That Just May Not.

Trivia: Began her acting career at the age of 14.Appeared in television after-school specials in the 1980s.Is a Phi Beta Kappa graduate of Barnard College.Starred in many off Broadway and Broadway plays.Was introduced to Jace Alexander, her husband, by mutual friends.Known for Some Kind of Wonderful (1987), The Adventures of Ford Fairlane (1990) and Maid in Manhattan (2002).

Trivia: A Michigan native, clean-cut actor and television emcee Jeff Hephner broke himself in as an actor by performing in regional theatrical productions in the Great Lakes State and in Florida. He attended Ferris State University in Grand Rapids, MI, before debuting on film with a small supporting role in the 2000 Joel Schumacher period drama Tigerland and a bit part as a waiter in the 2002 comedy Maid in Manhattan. Hephner received his broadest exposure, however, with recurring roles on the television series The Jury (as attorney Keenan O'Brien), and a multi-episode stint as Matt Ramsey on the primetime, teen-oriented soaper The O.C. Meanwhile, Hephner made guest appearances on programs including House, Nip/Tuck, and Without a Trace. In 2008, Hephner signed for the lead role of Morgan Buffkin in the CW primetime drama series Easy Money. A role in the short-lived CW cheerleading drama Hellcats follwed in 2009, and two years later Hephner could be seen opposite Kelsey Grammer in the dark Starz crime drama Boss.

Trivia: Supporting actor, onscreen from the '80s.

Trivia: Her father was a lieutenant commander in the Navy and helped design Gillette razors and scuba diving gear. First met her husband at age 14 and married him a few years later after the two reconnected at a friend's wedding. Surgery to remove a tumor paralyzed her face, but she learned to work through it and continued to pursue acting. Entered college with plans to study both acting and genetics until she realized acting was her true passion. While a senior in college, she performed in an off-Broadway production of Song Night In The City. Before creating the role of lawyer Nora Hanen on the ABC soap opera One Life to Live in 1992, she had prior daytime television experience as Kit on The Doctors and as a recast for female cop Margo Hughes on As the World Turns. Won the Daytime Emmy for Outstanding Lead Actress in a Drama Series in 1994 and was nominated for the same award in 2000.

Trivia: Of Lithuanian descent from her mother's side.Grew up in Camrose, Alberta, Canada.Has American and Canadian citizenships.Studied dance in New York City.Worked as a model in New York, London, Germany, Greece and South Africa.Studied acting at the Lee Strasberg Theatre and Film Institute in New York.Is an avid and talented cook.