Trivia: American leading actor Tom Hanks has become one of the most popular stars in contemporary American cinema. Born July 9, 1956, in Concord, CA, Hanks spent much of his childhood moving about with his father, an itinerant cook, and continually attempting to cope with constantly changing schools, religions, and stepmothers. After settling in Oakland, CA, he began performing in high-school plays. He continued acting while attending Cal State, Sacramento, and left to pursue his vocation full-time. In 1978, Hanks went to find work in New York; while there he married actress/producer Samantha Lewes, whom he later divorced.Hanks debuted onscreen in the low-budget slasher movie He Knows You're Alone (1979). Shortly afterward he moved to Los Angeles and landed a co-starring role in the TV sitcom Bosom Buddies; he also worked occasionally in other TV series such as Taxi and Family Ties, as well as in the TV movie Mazes and Monsters. Hanks finally became prominent when he starred opposite Daryl Hannah in the Disney comedy Splash!, which became the sleeper hit of 1984. Audiences were drawn to the lanky, curly headed actor's amiable, laid-back style and keen sense of comic timing. He went on to appear in a string of mostly unsuccessful comedies before starring in Big (1988), in which he gave a delightful performance as a child in a grown man's body. His 1990 film Bonfire of the Vanities was one of the biggest bombs of the year, but audiences seemed to forgive his lapse. In 1992, Hanks' star again rose when he played the outwardly disgusting, inwardly warm-hearted coach in Penny Marshall's A League of Their Own. This led to a starring role in the smash hit romantic comedy Sleepless in Seattle (1993).Although a fine comedic actor, Hanks earned critical respect and an even wider audience when he played a tormented AIDS-afflicted homosexual lawyer in the drama Philadelphia (1993) and won that year's Oscar for Best Actor. In 1994 he won again for his convincing portrait of the slow-witted but phenomenally lucky Forrest Gump, and his success continued with the smash space epic Apollo 13 (1995). In 1996, Hanks tried his hand at screenwriting, directing, and starring in a feature: That Thing You Do!, an upbeat tale of a one-hit wonder group and their manager. The film was not particularly successful, unlike Hanks' next directing endeavor, the TV miniseries From Earth to the Moon. The series was nominated for and won a slew of awards, including a series of Emmys. The success of this project was outdone by Hanks' next, Steven Spielberg's Saving Private Ryan (1998). Ryan won vast critical acclaim and was nominated for 11 Oscars, including a Best Actor nomination for Hanks. The film won five, including a Best Director Oscar for Spielberg, but lost Best Picture to Shakespeare in Love, a slight that was to become the subject of controversy. No controversy surrounded Hanks' following film, Nora Ephron's You've Got Mail (1998), a romantic comedy that paired Hanks with his Sleepless co-star Meg Ryan. Although the film got mixed reviews, it was popular with filmgoers, and thus provided Hanks with another success to add to his resumé. Even more success came soon after when Hanks took home the 2000 Golden Globes' Best Actor in a drama award for his portrayal of a shipwrecked FedEx systems engineer who learns the virtues of wasted time in Robert Zemeckis' Cast Away. Though absent from the silver screen in 2001, Hanks remained in the public eye with a role in the acclaimed HBO mini-series Band of Brothers as well as appearing in September 11 television special America: A Tribute to Heroes and the documentary Rescued From the Closet. Next teaming with American Beauty director Sam Mendes for the adaptation of Max Allan Collins graphic novel The Road to Perdition (subsequently inspired by the Japanese manga Lone Wolf and Cub, the nice-guy star took a rare anti-hero role as a hitman (albiet an honorable and fairly respectable hitman) on the lam with his son (Tyler Hoechlin) after his son witnesses a murder. That same year, Hanks collaborated with director Spielberg again, starring opposite Leonardo Dicaprio in the hit crime-comedy Catch Me if You Can.For the next two years, Hanks was essentially absent from movie screens, but in 2004 he emerged with three new projects: The Coen Brothers' The Lady Killers, yet another Spielberg helmed film, The Terminal, and The Polar Express, a family picture from Forrest Gump and Castaway director Robert Zemeckis. 2006 was a very active year for Hanks starting with an appearance at the Oscar telecast that talented lip-readers will remember for quite some time. In addition to helping produce the HBO Series Big Love, he scored a major international success by reteaming with director Ron Howard for the big-screen adaptation of {Dan Brown's novel The Da Vinci Code, which was such a success that he signed on for the sequel in 2009, Angels and Demons. His Playtone production company would have a hand in the animated feature The Ant Bully in 2008, and that same year he filmed The Great Buck Howard co-starring his son Colin Hanks. He also signed on to co-star with Julia Roberts in two different films: Mike Nichols' Charlie Wilson's War in 2008 and the romcom Larry Crowne in 2011. Later that same year, Hanks would make dramatic waves in the post-9/11 drama Extremely Loud and Incredibly Close, which was nominated for an Oscar for Best Picture.Ranked by Empire Magazine as 17th out of "The Top 100 Movie Stars of All Time" in October 1997, Hanks is married to actress Rita Wilson, with whom he appeared in Volunteers (1985). The couple have two children in addition to Hanks' other two from his previous marriage.

Trivia: Although she has also proven herself as a dramatic actress, Meg Ryan used her blonde hair, blue eyes, and effervescent personality to greatest effect in romantic comedies of the 1980s and '90s. Initially getting her start on television, Ryan became a star with her titular role in the smash 1989 comedy When Harry Met Sally, earning both fame and permanent notoriety for her ability to fake an orgasm for Billy Crystal during a scene in a New York restaurant.The daughter of a casting agent, Ryan was born Margaret Mary Emily Anna Hyra in Fairfield, Connecticut on November 19, 1961. Raised in New York, she went on to study journalism at New York University. In need of money to pay for her night classes, Ryan turned to acting to raise some extra cash. With her mother's help, she landed a role on a short-lived television series, and then made her film debut in Rich and Famous. The 1981 film -- director George Cukor's last -- cast Ryan as Candice Bergen's daughter, and proved to be a positive enough experience that the young actress was soon looking for more work. A lucky break led to her being cast in the daytime drama As the World Turns, on which she performed from 1982 until 1984.After appearing in Amityville 3-D (1983), Ryan secured more auspicious work when she was cast as the wife of doomed flyboy Goose (Anthony Edwards) in Top Gun (1986). Although her role was minor, the film's success paved the way for more work for the actress, and the following year she starred in Innerspace, a comedy that cast her as Dennis Quaid's girlfriend. Her onscreen status as Quaid's love interest soon became off-screen reality, and after starring together in D.O.A. (1988), the two married in 1991.In 1989, Ryan had her breakthrough role as Sally Albright in Rob Reiner's When Harry Met Sally. The following year, she starred opposite Tom Hanks in Joe Versus the Volcano. Although the film received a lukewarm critical and commercial reception, it began an onscreen collaboration between Ryan and Hanks that would prove to be very successful in future films. Before she next appeared onscreen with Hanks, Ryan took an uncharacteristic turn towards the purely dramatic, playing Jim Morrison's drug-addicted wife Pamela in Oliver Stone's The Doors (1991). She received wide critical praise for her portrayal, proving that she was capable of extending her range beyond light comedy. She further demonstrated her capabilities in the dark 1993 drama Flesh and Bone. Her performance as a hitchhiker received strong notices, although the film, which cast her opposite husband Quaid, was largely ignored by audiences.That same year, Ryan returned to romantic comedy, starring opposite Hanks in Sleepless in Seattle. Nominated for a Golden Globe for her work, she then starred in another romantic comedy, I.Q., the following year. However, 1994 also brought more dramatic roles with Restoration, a period drama that cast Ryan as Robert Downey, Jr.'s doomed love, and When a Man Loves a Woman, in which she played an alcoholic. After further bucking her bubbly persona with a turn as a Gulf War solider in Courage Under Fire (1996) and a somewhat nasty portrayal of a vengeful ex-girlfriend in Addicted to Love (1997), Ryan again starred opposite Hanks in You've Got Mail (1998). Another romantic comedy, it put the actress back in her most successful milieu and was popular among critics and audiences alike. That same year, Ryan had further success starring opposite Nicolas Cage in the romantic drama City of Angels, and essayed the unlikely role of a world-weary exotic dancer in Hurlyburly.2000 saw Ryan return to comedy, starring alongside Lisa Kudrow and Diane Keaton in Keaton's Hanging Up and also serving as the producer of the supernatural thriller Lost Souls. However, it was Ryan's offscreen activities that same year that truly aroused the public's notice and allowed her to break away from her perky, girl-next-door persona more effectively than any number of dramatic film roles could ever hope to: following the news of her affair with Proof of Life co-star Russell Crowe, Ryan and husband Quaid filed for divorce. Ironically, this real-life drama mirrored the premise of Proof, a romantic drama in which the wife (Ryan) of a man kidnapped in South America enlists the help of a "freelance hostage negotiator" (Crowe) to find her husband, only to enter into an adulterous affair with the negotiator.In 2001, Ryan took a short break from feature films in order to participate in a documentary titled In the Wild: The White Elephants of Thailand, though she would return to the top of the romantic-comedy It-list in the whimsical Kate and Leopold alongside then rising romantic lead Hugh Jackman. In 2002, Ryan provided interview footage with fellow acting colleagues Whoopi Goldberg, Diane Lane, Teri Garr, and Holly Hunter, among others, in Searching for Debra Winger, which was directed by Rosanna Arquette. In 2003, the actress reappeared on the scene for the release of In the Cut, a throwback to '70s psycho-sexual thrillers, which premiered at the Toronto Film Festival. In 2004, Ryan stared in Charles S. Dutton's feature-length directorial debut, which is based on the real-life story of Jackie Kallen, a small-time Michigan woman turned successful boxing manager. For her next film, Ryan joined the cast of the 2007 ensemble drama In the Land of Women, and then headlined another ensemble production, The Women, a poorly recieved update of the 1939 George Cukor film with the same name. 2009's Serious Moonlight, directed by Cheryl Hines, would be her last film before she took a long hiatus from acting.

Trivia: Displaying an off-kilter beauty and an ability to embrace the comically bizarre, Parker Posey has been repeatedly referred to as "The Queen of the Indies." Following her indie debut in Richard Linklater's 1993 Dazed and Confused, Posey went on to star in no less than 15 independent features over the next five years, proving time and again how worthy she was of her royal title.Born in Baltimore on November 8, 1968, Posey was named after '50s model and sometimes-actress Suzy Parker. At the age of 12, she moved with her parents and twin brother to Laurel, MS, where her father owned a Chevrolet dealership. After attending the North Carolina School of the Arts, Posey enrolled at S.U.N.Y. Purchase, where she studied acting and roomed with future ER doctor Sherry Stringfield. She dropped out just three weeks before graduation when opportunity came knocking in the form of a role on As the World Turns. As bad girl Tess Shelby, Posey stayed with the show from 1991 until 1992. The following year, Posey crossed over to celluloid with roles in three movies. Two of these, The Coneheads and Joey Breaker, featured the actress as little more than a glorified extra, but the third, Linklater's Dazed and Confused, allowed Posey to make a distinct impression. As cheerleader Darla, she used her relatively brief screen time to display the nastier side of teen popularity. She played a similar character the same year on the small screen, taking a memorable turn as ex-pep queen turned good-time girl Connie Bradshaw in PBS' Tales of the City (she would later reprise the role for More Tales of the City in 1998).Following secondary to miniscule parts in films like Sleep With Me, Amateur, and Mixed Nuts (all 1994), Posey had her breakthrough role as the titular heroine of Daisy von Scherler Mayer's Party Girl in 1995. She caused an art-house sensation with her portrayal of Mary, a downtown diva forced to take a day job as a librarian and began to ascend the ranks of indie royalty. Appearances in Hal Hartley's Flirt, Gregg Araki's The Doom Generation, and Noah Baumbach's Kicking and Screaming the same year further enhanced her reputation. Posey's work over the next two years reads like a Sundance Film Festival program: in 1996, she could be seen as a Dairy Queen waitress in the ensemble-driven Waiting for Guffman, famed gallery owner Mary Boone in Basquiat, and Hope Davis' sister in The Daytrippers. In 1997, Posey starred in no less than five independent films, including Henry Fool, her third Hartley outing; the temps-in-hell comedy drama Clockwatchers; Linklater's adaptation of Eric Bogosian's SubUrbia; and The House of Yes. For this last film, Posey garnered particular acclaim as the film's fabulously demented focal point. She shined as a young woman obsessed with both Jackie Onassis and her own twin brother (Josh Hamilton). Her performance, which perfectly displayed the hyperkinetic comic energy and sardonic wit that came to characterize many of the actress' portrayals, won her a "special recognition for acting" at Sundance that year.The year 1998 brought more independent work in the form of The Misadventures of Margaret, a romantic comedy in which Posey had the title role and a foray into mainstream features with a turn as Tom Hanks' book-editor girlfriend in Nora Ephron's You've Got Mail. The following year, she took another stab, so to speak, at mainstream fare with a part in Wes Craven's third installment of his Scream series, the aptly titled Scream 3. Though she wasn't necessarily known as a "method" actress to this point, Posey actually had real braces installed for her subsequent role in Waiting for Guffman and director Christopher Guest's popular dog show comedy Best in Show. Cast as the better half of a neurotic, hypertensive couple who will stop at nothing to see their pet win the number-one spot in the Mayflower Kennel Club Dog Show, Posey nearly stole the show with her hysterical, shrieking performance. Best in Show was immediately embraced by critics and audiences and went on to live a long and prosperous life on cable and DVD. By this point, Posey had gained quite a reputation for her effortless transitions between indies and blockbusters, and a role as a malicious recording industry boss in Josie and the Pussycats (2001) added much flavor to the energetic, pop-flavored comedy. If Posey was somewhat lost in the cast of the 2001 miniseries Further Tales of the City, she would certainly go on to impress in the popular indies The Anniversary Party (2001) and Personal Velocity: Three Portraits (2002). Her role as a philandering housewife in Personal Velocity in particular gave Posey an opportunity to truly shine.Her profile would fade a bit in the following few years despite a role in the widely released (but ill fated) comedy The Sweetest Thing (2002), and after performing at her bitchy best in the made-for-television Hell on Heels: The Battle of Mary Kay (2003) she was included in Reuters 2003 "What Ever Happened to" list. Ironically, it was that same year that Posey essayed her first lead role in quite some time with the independent drama The Event. Cast as a district attorney who is investigating a mysterious suicide, Posey was backed by a stellar cast that included Sarah Polley and Olympia Dukakis. Though she would once again join Guest for the 2003 mockumentary A Mighty Wind, she was pretty much lost in the shuffle in the divisive effort. With the approach of 2004, audiences were no doubt set to find out "What Ever Happened to" Posey with her roles in the high-profile efforts The Laws of Attraction and Blade: Trinity. Posey continued her work in independent films with large parts in The Oh in Ohio, The Sisters of Mercy, and Adam & Steve, but once again appeared in a Hollywood blockbuster as Lex Luthor's significant other in Bryan Singer's Superman Returns. At the end of 2006 she once again collaborated with Christopher Guest on his Hollywood satire For Your Consideration.Posey continued to build on her affinity for independent films by reteaming with Hal Hartley for 2006's Fay Grim, in which she reprised the self titled role from 1997's Henry Fool. Critical response to the film was mixed, but Posey was balancing her career with other projects, some of which had a broader audience, like the recurring role of Marlene Stanger on the hit show Boston Legal. She balanced her indie side with her Hollywood side once again the next year, appearing both in the Jessica Alba thriller The Eye, and in the indie dramedy Broken English. Posey spent much of 2011 working in television, appearing on the popular NBC series Parks and Recreation, Showtime's The Big C, and CBS' The Good Wife.

Trivia: With the handsome looks and winning sarcasm that befit a late-night television talk show host, it is no surprise that Greg Kinnear first shot to stardom as the host of the E! channel's Talk Soup. More surprising, and thus more impressive, has been Kinnear's success in making the leap from television to the big screen. With only his fourth major celluloid outing, As Good As It Gets, Kinnear scored his first Oscar nomination for Best Supporting Actor, effectively establishing himself as someone whose scope included screens small and large.Born June 17, 1963, in Logansport, IN, as the youngest of three sons, Kinnear led a peripatetic childhood. His father was a Foreign Services diplomat for the State Department, and his family accompanied him to places as far-flung as Beirut and Athens. While a student in Athens, Kinnear first ventured into the role of talk show host with his radio show School Daze With Greg Kinnear. Returning to the States for a college education, Kinnear attended the University of Arizona in Tucson, where he graduated in 1985, with a degree in broadcast journalism. From Arizona, he headed out to Los Angeles, where he landed his first job as a marketing assistant with Empire Entertainment. It was there that Kinnear got his first taste of show business, creating promotional campaigns for such films as Space Sluts in the Slammer. Following this stint, Kinnear found a job with the Movietime cable channel. Using an audition tape from a failed attempt at an MTV VJ position, Kinnear became a host and on-location reporter for the channel. All went swimmingly until he was fired, when Movietime became the E! Entertainment Network, and Kinnear soon found himself taking bit parts on such television shows as L.A. Law and Life Goes On.His luck began to change, however, when he became the creator, co-executive producer, and host of Best of the Worst, which aired from 1990 to 1991. In a more ironic and satisfying twist of fate, Kinnear was then hired back by E! to host Talk Soup, the network's new talk show. The show proved to be hugely popular, and Kinnear acted as its host and eventual executive producer until 1994, when he left the show for the NBC late-night talk show Later With Greg Kinnear. It was also in 1994 that he had his first big-screen role, as -- wait for it -- a talk show host in the Damon Wayans comedy Blankman. In 1995, he snared the part that was to give him more prominence among film audiences -- that of the irresponsible David Larrabee in Sydney Pollack's remake of Billy Wilder's 1954 classic romance Sabrina. The film was less than a success, but it did nothing to prevent Kinnear from getting the lead role in the 1996 comedy Dear God. That film, too, had a somewhat unfortunate fate, but Kinnear (now resigned from Later) more than rebounded with his next effort, James L. Brooks' As Good As It Gets (1997). The film was an unqualified hit, netting seven Oscar nominations and winning two, a Best Actor for Jack Nicholson and a Best Actress for Helen Hunt. Kinnear himself had the honor of both a Best Supporting Actor nomination and a Golden Globe nomination. Kinnear's next film, the romantic comedy A Smile Like Yours, had him starring opposite Lauren Holly as one-half of a couple trying to have a baby. The film met with lukewarm reviews and fairly anemic box-office results, but Kinnear's subsequent film, 1998's You've Got Mail, struck gold. He played Meg Ryan's significant other, a newspaper columnist wholly unlike what was to be his next character, that of Captain Amazing in the 1999 summer action film Mystery Men. With a stellar cast, including Ben Stiller, William H. Macy, Janeane Garofalo, Lena Olin, and Tom Waits, Kinnear was indeed in good company, further proof of how far he had come in a short amount of time. Unfortunately, both Mystery Men and the subsequent Garry Shandling comedy What Planet Are You From (in which Kinnear amusingly portrayed Shandling's sleazy co-worker) fared poorly with both critics and audiences, and by the time he landed the role of a much-desired soap-opera star in Nurse Betty, it seemed that his star may have faded a bit. His role as a smug, one-dimensional college professor in the 2000 comedy Loser seemed near the bottom of the barrel for the formerly Oscar-nominated actor. Despite the fact that none of these failures were necessarily the fault of everyone's favorite smirky former talk-show host, his choice of projects left many wondering what had become of Kinnear. Of course, where there's darkness there will always be room for hope, and thankfully for Kinnear, the choices he was making began to pay off.In 2000, Kinnear essayed the role of a missing woman's grieving fiancé in the dark Sam Raimi thriller The Gift; the film seemed to mark the beginning of a comeback. His next role as the catalyst for an investigative report into the nature of male behavioral patterns in Someone Like You (2001) proved a step in the right direction, and following supporting performances in Dinner With Friends (2001) and We Were Soldiers (2002), Kinnear's comeback had been primed. Cast as ill-fated television star Bob Crane in Paul Schrader's disturbing 2002 biopic Auto Focus, Kinnear's spot-on performance was so eerie that it made the film almost discomforting to watch. The spotlight was somewhat stolen however, by co-star Willem Dafoe's indescribably creepy turn as the man generally believed to have caused Crane's untimely death. The following year Kinnear lightened the mood considerably when he was cast (literally) alongside Matt Damon as one-half of a pair of conjoined twins in the Farrelly Brothers' comedy Stuck on You. Intent on following his dreams of becoming an actor, Kinnear's character drags his reluctant brother to Hollywood to hilarious results.Kinnear's next role would come as the grieving father of a dead son who goes to desperate lengths to recapture his former happiness in the horror flavored Godsend (2004).A fun turn as a salesman who becomes involved with in hitman in the Golden Globe-nominated crime comedy The Matador went largely unseen despite generally favorable critical response, and after lending his voice to the animated Robots and berating little-league players in The Bad News Bears, Kinnear later join an impressive ensemble cast to investigate America's love affair with burgers and fries in director Richard Linklater's Fast Food Nation. Later that same year, Kinnear would take family dysfunction to a whole new level as a motivational speaker attempting to get his daughter to a beauty pageant in Little Miss Sunshine, with a role as NFL coach Dick Vermeil following shortly thereafter in the inspirational sports drama Invincible. Kinnear would spend the following years maintaining his status as a bankable actor, appearing in films like Baby Mama, Green Zone, I Don't Know How She Does It, and the mini series The Kennedys.

Trivia: Each and every week from 1971 to 1980, the popular TV sitcom All in the Family was heralded by the glass-shattering offkey singing of Edith Bunker, aka "Dingbat." This tended to obscure the fact that Jean Stapleton, the woman who so brilliantly portrayed Edith not only possessed a lilting, well-modulated singing voice, but also was as far removed as possible from a "dingbat" in real life. While attending Hunter College, Stapleton began her performing career as a member of the Robert Shaw Chorale. She made her professional stage debut in 1941, then went on to fruitful work-study associations with the American Apprentice Theater, the American Actors Company, the American Theater Wing, and director-acting coach Harold Clurman. Her first Broadway appearance was in the 1953 production In the Summer House; the following year, she made her TV bow as a semi-regular on the daytime drama Woman With a Past. She endeared herself to Broadwayites with her wistfully funny characterizations in the SRO musicals Damn Yankees, Bells Are Ringing, and Funny Girl, roles that she would carry over into the film versions of these hits. In 1958, she made her first appearance at the Totem Pole Playhouse in Fayetteville, PA, a summer-stock operation managed by her husband, Bill Putch. Most of Stapleton's onscreen work in the 1960s and 1970s could be found in New York-based movies (Something Wild, Up the Down Staircase, Klute) and TV series (Car 54, Where Are You, The Defenders, The Patty Duke Show). Her earliest association with producer-director Norman Lear occurred in the 1969 theatrical feature Cold Turkey, in which she played a neurotic housewife named Edith. When Lear began assembling the cast for his upcoming TV sitcom All in the Family, he immediately thought of Stapleton for the role of slow-witted, strident, essentially kindhearted Bronx housewife Edith Bunker. Before leaving the series in 1980, Stapleton earned three Emmy Awards for her portrayal of Edith -- not to mention the undying affection of millions. Once free of All in the Family, she sought out roles that she hoped would demonstrate her versatility: She played the distraught mother of a drug-addicted teenager (enacted by her real-life son, John Putch) in the made-for-TV Angel Dusted (1981), and effectively portrayed Mrs. Eleanor Roosevelt in the 1982 TV biopic Eleanor: First Lady of the World. Stapleton kept her comic skills sharpened by appearing in the made-for-cable productions of Shelley Duvall: She was terrific as a no-nonsense Fairy Godmother ("Trust me. This is important.") in Duvall's Faerie Tale Theater adaptation of Cinderella, and even better as the title characters in Mother Goose Rock 'n' Rhyme and Mrs. Piggle-Wiggle. In 1990, she briefly returned to weekly television as co-star (with Whoopi Goldberg) of the offbeat sitcom Bagdad Café. Jean Stapleton was then an infrequent but always welcome TV guest-star presence; in 1995, she startled (and delighted) her Edith Bunker fans with her con brio portrayal of Lea Thompson's sex-starved aunt in an episode of Caroline in the City. In 1998 she had a major part in the romantic comedy You've Got Mail, and that same year she voiced a character in Pocahontas II: Journey to a New World. Stapleton retired from acting on screen in 2001. She passed away in 2013 at the age of 90.

Trivia: Like future co-stars Martin Lawrence, Eddie Murphy, and Norm MacDonald, Dave Chappelle entered the movie business via standup comedy. Born in Ohio and raised in Washington, D.C., Chappelle studied acting at D.C.'s Duke Ellington School of the Arts and honed his skills as a laid-back yet socially attuned comic in the city's clubs. After making his movie debut as one of the merry men in Mel Brooks' Robin Hood: Men in Tights (1993), Chappelle concentrated primarily on his comedy career and appeared regularly on late night and cable television. He returned to films with small yet key parts in two summer blockbusters: as a comic who helps spoil a date for Murphy's rotund scientist in The Nutty Professor (1996) and as a manic inmate aboard the hijacked convict plane in Con Air (1997). Hitting his movie stride in 1998, Chappelle co-wrote and starred in the prison/pothead caper Half Baked (1998), played a randy schemer in Woo (1998), and revealed that he could also play it (somewhat) straight as Tom Hanks' best friend in Nora Ephron's popular romantic comedy You've Got Mail (1998). Maintaining his dual professions, Chappelle turned a cameo role as Lawrence's former criminal partner into a full-fledged supporting turn in Blue Streak (1999), co-starred with MacDonald in the ill-received Screwed (2000), and returned to Washington, D.C., and HBO with his special Dave Chappelle: Killin' Them Softly (2000).Chappelle had better luck with his next film, the blaxploitation spoof Undercover Brother (2002). As the B.R.O.T.H.E.R.H.O.O.D.'s terminally paranoid agent Conspiracy Brother, Chappelle was a hilariously twitchy comic highlight in the hit-or-miss satire; Undercover Brother became a small hit amid the summer blockbusters. Chappelle's cutting humor could also be heard on TV that same season, with Chappelle lending his voice as a prank caller to Comedy Central's ribald puppet "reality" show Crank Yankers (2002). His characters on that show were a hit with audiences in search of a hearty laugh, and the following year Comedy Central gave the comedian his own series - the aptly titled Chappelle's Show. Perhaps one of the most controversial series - comedy or otherwise - to hit the airwaves in recent memory, Chappelle's Show offered searing social commentary while frequently pushing the boundaries of good taste. With sketch subjects including a blind black man who - not realizing his true race - heads the Ku Klux Klan and collaborators including former Sanford and Son writer Paul Mooney, the series frequently courted controversy much to the delight of its loyal legions of fans. 2005 marked the released of the comedian's brainchild, Dave Chappelle's Block Party, which documented a free, unpublicized, all-star hip-hop concert in the Clinton Hill neighborhood of Brooklyn, NY.

Trivia: Coleman attended a Virginia military school before studying law and serving in the army. While attending the University of Texas, Coleman became attracted to acting, and headed to New York, where he studied at the Neighborhood Playhouse. After stage experience and TV work, Coleman made his movie debut in 1965's The Slender Thread. Minus his trademarked mustache for the most part in the mid-1960s, Coleman specialized in secondary character roles. He began to branch into comedy during his supporting stint as obstetrician Leon Bessemer on the Marlo Thomas sitcom That Girl, but his most memorable role would come in 1980 as the nasty, chauvinistic boss in 9 to 5. He would go on to appear in other films, like On Golden Pond [1981], The Beverly Hillbillies [1993], You've Got Mail [1998], and Moonlight Mile, but the actor found more success in television, appearing on a few cult hits that were tragically cancelled, like Drexell's Class and Madman of the People, as well as The Guardian, Courting Alex, Heartland, and Boardwalk Empire.

Trivia: Making an art out of portraying dysfunctional losers and likable freaks, Steve Zahn worked for years before getting his due as one of the most engaging and unconventionally gifted actors in Hollywood. Hailing from Marshall, MN, where he was born in 1968, Zahn was first introduced to improvisational acting in high school. Following a year at Gustavus-Adolphus College, he was accepted at the prestigious American Repertory Theater in Cambridge, MA, where he trained for two years. After completing his tenure there, Zahn settled in Hoboken, NJ, and tried to support himself with acting in New York, working a variety of odd jobs on the side. He found work in various theater productions, including a 13-month road tour of Bye, Bye Birdie, which provided both steady employment and an introduction to his wife, who was a dancer in the musical.Zahn's break came when he was cast in Sophistry, a play that also starred Ethan Hawke. His performance was seen by Ben Stiller, who offered him a role in his upcoming film, Reality Bites. Zahn took the part of Sammy, Winona Ryder's amiable, slightly conflicted gay friend. The film, which was released in 1994, was actually Zahn's second feature, the first being the 1993 drama Rain Without Thunder. Reality Bites met with relative success and helped to jump-start not only Zahn's career, but those of Ben Stiller and Janeane Garofalo, as well. Zahn proceeded to take a significant role in Eric Bogosian's play SubUrbia and his work in the production led to his casting in the 1995 submarine thriller Crimson Tide, starring Denzel Washington. The following year, he won a leading role in Tom Hanks' That Thing You Do! and subsequently re-created his SubUrbia role for the play's film adaptation, which also featured Giovanni Ribisi and Parker Posey. In 1998, Hollywood began to take notice of the actor, as he was featured in four different films. Three of them, You've Got Mail, Out of Sight, and The Object of My Affection, proved to be box-office successes; the other one, Safe Men, was released into general obscurity. The following year, Zahn made an appearance in the romantic comedy Forces of Nature, co-starring Ben Affleck and Sandra Bullock, and had a leading role in Happy, Texas, which was released at Sundance. For his performance as a con artist forced to play gay, Zahn won a special acting award at the festival, a much-deserved token of appreciation for an actor as underrated as he is original.In the years that followed, Zahn elevated his portrayal of lovable losers to a virtual art form. Though he would head up an impressive cast in the 2000 feature Chain of Fools, the film would be inexplicably relegated to cinematic limbo and audiences would next catch an unexpected glimpse of the rising star in director Michael Almereyda's Hamlet (2000). If the following year's Saving Silverman found Zahn back to his usual antics, abysmal reviews and poor audience reaction quickly sunk the romantic comedy and audiences would catch their next glimpse of him in John Dahl's edge-of-your-seat thriller Joy Ride (also 2001). His portrayal of Drew Barrymore's character's well-intending but hopeless husband in the 2001 comedy drama Riding in Cars with Boys showed a dramatic side many audiences had yet to experience from Zahn, and after a brief break from the screen Zahn returned in 2003 with a pair of high profile comedies. After joining comedian/actor Martin Lawrence as one half of a pair of hapless security guards in the 2003 comedy National Security, Zahn attempted to bring up baby opposite actor/comedian Eddie Murphy in the family friendly comedy Daddy Day Care. A series of supporting performances in Shattered Glass, Speak and Employee of the Month (all 2004) were quick to follow, ensuring that audiences who couldn't get their fill of Zahn's unique and endearing quirkiness wouldn't be left out in the lurch for long.Behind the camera, Zahn has provided vocal work for such family films as Stuart Little (as well as its 2002 sequel), Doctor Dolittle 2 and Chicken Little (2005). In 2006, Zahn again tried his hand at more dramatic work with a role in the Werner Herzog POW film Rescue Dawn, but soon he was going back to his comedic roots with 2008's Sunshine Cleaning and Strange Wilderness. He was one of the stars of the thriller A Perfect Getaway in 2009. Zahn then changed gears by taking on the role of dad Frank Heffley in the Diary of a Wimpy Kid series.

Trivia: CCNY and Columbia University alumnus John Randolph was first seen on Broadway in the 1937 opus Revolt of the Beavers. Randolph served in the Air Force in World War II, then resumed what seemed at the time to be an increasingly successful, near-unstoppable acting career. But in 1951, Randolph found himself on a specious "Commie sympathizers" list. After appearing as a hostile witness before the House UnAmerican Activities Committee, Randolph was effectively blacklisted from movies, TV and radio commercials for the next twelve years. Fortunately, he could always rely upon the theatre to provide him an income, though it was touch-and-go for a while when a Broadway show in which he was appearing was picketed by anti-Red zealots. Throughout the 1950s, Randolph was featured in such major stage productions as Come Back Little Sheba, The Visit, Sound of Music and Case of Libel. In 1963, he was at long last permitted to guest-star on a network TV program, The Defenders. Appropriately, it was in an episode titled "Blacklist," which condemned the knee-jerk policy of banning artists because of their political views; ironically, Randolph was very nearly denied the part when the network complained that he hadn't been "cleared." Though he'd played a small part in 1948's The Naked City, Randolph's movie career began in earnest in 1965. In John Frankenheimer's Seconds, he was cast as aging businessman Arthur Hamilton, who through the magic of plastic surgery is given a fresh new identity (he emerges from the bandages as Rock Hudson)! Since his career renaissance, Hamilton hasn't stopped working before the cameras. He has been featured in films like Gaily Gaily (1969), Little Murders (1971), King Kong (1976), Heaven Can Wait (1978) Prizzi's Honor (1985; as Pop Prizzi); in TV movies like Wings of Kitty Hawk (1978; as Alexander Graham Bell) and The American Clock (1993); and as a regular in the TV series Angie (1979) Annie McGuire (1988) and Grand (1990). Though he'd probably rather you not mention it, Randolph is a dead ringer for former attorney general John Mitchell; accordingly, he played Mitchell in the TV miniseries Blind Ambition, and was heard but not seen in the same role in the 1976 theatrical feature All the President's Men. Despite the upsurge in his film and TV activities, Randolph has never abandoned the theatre: in 1986, he won a Tony Award for his work in Neil Simon's Broadway Bound. As if to slap the faces of those self-styled patriots who denied him work in the 1950s, Randolph has in recent years accepted the German Democratic Republic's Paul Robeson Award, and has served on the National Council for US-Soviet friendship. John Randolph has also served on the board of directors of all three major performing guilds: SAG, AFTRA and Equity. After taking on a variety of grandfatherly roles, including Jack Nicholson's father in Prizzi's Honor and Tom Hanks' grandfather in You've Got Mail), Randloph passed away at 88-years-old in April of 2004.

Trivia: Took classes at the Atlantic Theatre Company in New York and Second City in Chicago. Studied for one summer at Yale University's School of Drama. Appeared in This Is Our Youth on London's West End. Starred in an off-Broadway production of The Marriage of Bette and Boo in 2008.

Trivia: Deborah Rush performs in theater, feature films, and on television. In film, she has worked with a number of respected directors, including Woody Allen, John Schlesinger, Blake Edwards, and Sidney Lumet. Born in Chatham, NJ, Rush's interest in performing began in childhood, when she wrote and starred in a play about the founder of the Sisters of Charity. Following graduation from high school, Rush joined the Playhouse of the Ridiculous comedy troupe and this paved the way to her career in New York. There, she frequently appeared in Shakespeare in the Park productions, often working alongside the likes of such stars as Raul Julia and Meryl Streep. For her portrayal of Brooke in a Broadway production of Noises Off, Rush received a Tony nomination. On television, she has guest starred on numerous programs and has had regular roles on a few series, notably the ABC sitcom Spin City, where she briefly played the Mayor's busy wife. Rush made her feature film debut in Oliver's Story (1978). Her subsequent film roles include A Night in Heaven (1983), The Purple Rose of Cairo (1985), My Blue Heaven (1990), and In and Out (1997).

Trivia: British-born actress Cara Seymour entered into a budding film career after establishing herself on-stage in both England and the United States. In the U.K., her performance in Now and at the Hour of Our Death earned her a Time Out award; in New York, she won an Obie for her work in Mike Leigh's Ecstacy and a Drama Desk nomination for her work in Goose Pimples. The actress made her film debut in the 1999 independent drama A Good Baby, and, in 2000, appeared in two acclaimed and highly individual films, Dancer in the Dark and American Psycho. Seymour was also featured in two of the most eagerly awaited films of 2002, Adaptation and Gangs of New York.

Trivia: Studied acting with Uta Hagen. Once worked as a perfume sprayer at Bloomingdales. Wore the same dress to both her August 2010 wedding and the 2010 Tony Awards. Actor Peter Coyote presided over her wedding celebration.

Trivia: From his earliest days, Michael Badalucco could feel the beacon of show business drawing him ever closer to a career as an actor. There was just something about him that drew people's attention, and his love for film, combined with his natural knack for entertaining friends and family, helped the painfully shy youngster overcome his aversion to the spotlight and develop his talent with the full blessing of his mother and father. Badalucco is a Flatbush native whose Sicilian father worked as a movie set carpenter when he was growing up; his parents instilled in him a strong devotion to family and religion that would serve as a guiding light through his life and career. Badalucco was in the third grade when his father was working on the Sidney Lumet thriller Fail-Safe, and when the script called for a young boy, the elder Badalucco offered the services of his son without hesitation. Though his screen debut as an ill-fated Russian general's son was a non-speaking role that required little more than standing still for a few photographs, the aspiring young actor was already on the path to a successful acting career. In the following years, Badalucco earned his bachelor's degree in theater arts from the State University of New York at New Paltz, and it was there that he cut his teeth on-stage and made the acquaintance of another up-and-coming talent named John Turturro. During his years at S.U.N.Y. New Paltz, Badalucco essayed roles in over 20 plays. When their appearances in the off-Broadway production of Sam Shepard's Tooth of Crime caught the attention of actor Robert De Niro, both Badalucco and Turturro were called into director Martin Scorsese's office to audition for supporting roles in Raging Bull. Not only did the experience provide young Badalucco with the chance to appear onscreen with one of his cinematic idols, but it also set into motion a career that would find him turning up in such acclaimed films as Miller's Crossing (1990), Jungle Fever (1991), and The Professional (1994). Throughout the 1990s, Badalucco rose steadily through the ranks with a series of memorable supporting roles. His performance in the romantic comedy One Fine Day (1996) prompted star Michelle Pfeiffer to recommend Badalucco to husband David E. Kelley for a role in Kelley's weekly law drama The Practice. Not only did Badalucco get the part, but his performance as Jimmy Berluti would ultimately serve as his breakout role. After re-teaming with Jungle Fever director Spike Lee to essay the role of disturbed serial killer David Berkowitz in 1999's Summer of Sam, Badalucco stepped into the shoes of notorious gangster George "Baby Face" Nelson for the throwback Coen brothers comedy O Brother, Where Art Thou? the following year. His role in the Coens' subsequent film, The Man Who Wasn't There, found Badalucco threatening to become a Coen regular, and after appearing opposite Steve Buscemi in 13 Moons, the Practice star joined old friend Turturro in the comedy drama 2 B Perfectly Honest.

Trivia: While she is best known for her role as the independent Dr. Callie Torres on ABC's popular medical drama Grey's Anatomy, actress Sara Ramirez is also a singer and Tony award-winning actress. In 2005, Ramirez took home the coveted award for Best Performance by a Featured Actress in a Musical for her performance in Monty Python's Spamalot. Ramirez can also be seen in a number of small television and film productions; among her credits are You've Got Mail, Spider-Man, and Law & Order: SVU. In 2011 she released her first album, and also got engaged to business analyst Ryan Debolt.

Trivia: Actress Reiko Aylesworth honed and sharpened her dramatic gifts on-stage, with work in such off-Broadway productions as John Patrick Shanley's Kissing Christine/Missing Marisa and Marshall Mason's Robbers. After making her screen debut on the daytime soap One Life to Live, Aylesworth checked in as something of a television stalwart during the mid- to late '90s, with guest appearances on such programs as Law & Order, The Dead Zone, and CSI: Crime Scene Investigation, and occasional bit parts in films including You've Got Mail (1998) and Random Hearts (1999). Devotees of the action thriller series 24 will invariably recall Aylesworth on that program, in her role as CTU agent Michelle Dessler -- love interest, then wife and ex-wife, of Tony Almeida -- a role she maintained for several seasons. In the late 2000s, Aylesworth appeared on the popular medical drama ER as a hospital chaplain, tackled a supporting role as an attorney in Bruce A. Evans' psychological thriller Mr. Brooks, and signed for one of her premier big-screen leads as the heroine in Aliens vs. Predator: Requiem (2007). Aylesworth would remain active for years to come, appearing on series like Lost, Damages, and Hawaii Five-0.

Trivia: A character-oriented actor who specialized in playing American everymen, Chris Messina emerged in the mid-'90s, landing guest appearances on series programs such as Law & Order and mounting supporting parts in Hollywood features including You've Got Mail and Rounders (both 1998). Messina gained even more exposure when he joined the cast of the quirky HBO comedy drama Six Feet Under during that program's fifth and final season. On that series, Messina played Ted Fairwell, a Republican attorney smitten with Claire Fisher (Lauren Ambrose) who (as the program reveals) will eventually marry her. After Six Feet wrapped, Messina hearkened back to feature portrayals, this time as a lead, in director Jennifer Westfeldt's (Kissing Jessica Stein) critically praised sophomore effort Ira & Abby (2006). The actor proved he could hold his own with a multilayered turn as a neurotic therapist's son who rushes headlong into marriage only to watch his confidence fall to pieces when he learns of his new wife's two ex-husbands. In 2008, Messina took on a supporting role in Woody Allen's Vicky Cristina Barcelona, opposite Penélope Cruz and Scarlett Johansson. In the years to come, Messina would enjoy continued success as an established actor, appearing in films like Ruby Sparks and Argo, as well as on TV series like The Mindy Project and The Newsroom.

Trivia: Noted television and feature-film producer Lauren Shuler-Donner got her start as a camera operator following studies at Boston University. She was the first female member of the Hollywood Electronic Camera Union and rose to become a television associate producer. In 1979, she produced her first television movie, Amateur Night at the Dixie Bar and Grill. In 1983, she produced the hit feature film Mr. Mom. Two years later, she co-produced LadyHawke with filmmaker Richard Donner, whom she eventually married. By the mid-'90s, she became an executive producer.