Trivia: Actor, producer, writer, and director Vin Diesel had a charmed entry into the world of screen acting: after seeing Multi-Facial, a short that Diesel wrote, produced, financed, directed, and starred in, Steven Spielberg created the role of Private Caparzo specifically for the talented young newcomer in his Saving Private Ryan (1998).Born in New York City on July 18, 1967, Diesel made his stage debut at the age of seven in "Theatre for the New City," which was produced in Greenwich Village. He continued to be involved with the theatre throughout his adolescence, and he went on to attend the city's Hunter College, where his studies in creative writing led him to begin writing screenplays. Diesel became active in filmmaking in the early '90s, first earning notice for the short Multi-Facial, which was selected for screening at the 1995 Cannes Festival. He followed up Multi-Facial with his first feature-length film, 1997's Strays, an urban drama in which he cast himself as a gang boss whose love for a woman inspires him to try to change his ways. Written, directed, and produced by Diesel, the film was selected for competition at the 1997 Sundance Festival, which led to a deal with MTV to turn it into a series.Following the success of Saving Private Ryan, Diesel could be heard voicing the title character of the animated The Iron Giant (1999), another critically praised feature. He then starred with fellow young actors Giovanni Ribisi, Ben Affleck, Jamie Kennedy, and Nicky Katt in Boiler Room, an off-Wall Street drama that cast him as one of the members of a shady brokerage firm. He also flexed his sci-fi muscles in Pitch Black (2000), an interplanetary thriller that featured him and fellow Earthlings doing battle with a host of nasty alien mutants. Diesel jumped genres yet again as a devious, determined hot-rodder in The Fast and the Furious (2001), a cheeky, action-packed street racing picture in the vein of '50s exploitation flicks. The low-profile, star-free summer release left skid marks at the box office as it grossed over $40 million dollars in its first weekend alone -- more than enough to cover its production costs, and enough to lead many to believe that Diesel had finally arrived as a bankable leading man.Indeed Diesel was growing increasingly comfortable in his role as a tough guy action icon, though the ex-NYC club bouncer's prominent smirky scowl (usually accompanied by a hearty smile and laugh) proved almost a wink to his fans that while it worked well for him, he didn't take the image altogether seriously. The following year found Diesel teetering on the edge of mega-stardom with the release of his eagerly anticipated reteaming with The Fast and the Furious director Rob Cohen, XXX. With images of a bulky Diesel adorning movie theaters nationwide and an advertising campaign that left almost no viable stone unturned, the duo were undoubtedly aiming to repeat the success of the muscle-car extravaganza. This time setting their sights on breathing life into the ailing secret agent action adventure genre, XXX's protagonist, a former extreme sports athlete recruited by the government to take on a dangerous mission, would prove a large-scale attempt at bringing James Bond style thrills into the 21st century. With his reputation set in stone, Diesel would spend the 2000's enjoying a steady stream of similar work, starring in action adventure films like The Chronicles of Riddick (a sequel to 2000's Pitch Black) and Babylon A.D., as well as occasional comedic turns, like The Pacifier. He eventually rejoined the Fast & Furious franchise, reprising his role of Dom Toretto in numerous sequels, and also working as a producer on the films. In 2014, he voiced the role of Groot in the smash hit Guardians of the Galaxy, and also recorded his iconic line "I am Groot" in numerous languages for international versions of the film.

Trivia: British director Guy Ritchie frequently attributes the success of his unorthodox crime films -- 1998's Lock, Stock, and Two Smoking Barrels, 2000's Snatch -- to the fact that his offbeat miscreants are more than believable, they are real. Preferring to cast for authenticity rather than resumé, Ritchie handpicks many of his actors from the true-life cult figures and rascals of London's underbelly. Actor Jason Statham is among the best of them.A one-time Olympic diver, fashion model, and black-market salesman, Statham came to acting by way of commercials and "street theater" -- a euphemism for hustling tourists on London's Oxford Street. Raised in Syndenham, London, he was the second son of a lounge singer and a dressmaker turned dancer. Although Statham had the familial background to go immediately into entertainment, he excelled first on the high dive. He was a member of the 1988 British Olympic Team in Seoul, Korea, and remained on the National Diving Squad for ten years. In the late '90s, a talent agent specializing in athletes landed Statham a gig in an ad campaign for the European clothing retailer French Connection. This led to an appearance in a Levi's Jeans commercial and a fledgling modeling career. Meanwhile, Statham had also earned local fame as a street corner con man, selling stolen jewelry and counterfeit perfume out of a briefcase. Thus, when French Connection's owner became one of the biggest investors in Lock, Stock, and Two Smoking Barrels, he naturally introduced the diver/model/hustler to knave-hunting Ritchie.Intrigued by Statham's past and impressed by his modeling work, Ritchie invited him to audition for a part in the film. The director challenged Statham to impersonate an illegal street vendor and convince him to purchase a piece of imitation gold jewelry. Statham was evidently so persuasive that Ritchie bought four sets. When the director attempted to return his worthless acquisition -- pretending that the gold had turned to stainless steel -- Statham was so graciously inflexible that Ritchie hired him.This unorthodox audition resulted in Statham's big screen debut as Bacon, one of Lock, Stock, and Two Smoking Barrels' four primary characters engaged in a risky get-rich-quick scheme to repay a massive gambling debt. Bacon supplies a streetwise discipline and restraint that the other characters lack and a sense of humility crucial to Ritchie's film. In the director's follow-up crime comedy, Snatch, Ritchie rehired Statham to play Turkish, a smalltime hood vainly trying to break into the world of underground boxing. As this amateur but respectable hoodlum, Statham is attractive, urbane, immaculate, and smart enough to be bewildered by even his own laughable criminal ineptitude. The role began as a small supporting part in Snatch's star-filled ensemble cast but expanded throughout shooting. By the time of the film's theatrical release, Statham received top billing as its narrator and chief anti-hero.The Guy Ritchie oeuvre that supplied his breakthrough performances is not Statham's only acting arena. In 2000, he made his American film debut as a British drug dealer in Robert Adetuyi's Turn It Up starring Pras Michel. By 2001, he had finished shooting John Carpenter's sci-fi thriller Ghosts of Mars and joined Delroy Lindo in the cast of the Jet Li vehicle The One. A chance to reteam with former Lock, Stock, and Two Smoking Barrel co-star Vinnie Jones proved too fun an opportunity to resist, and Stratham would round out a particularly busy 2001 with his role in the prison-bound sports remake Mean Machine. Just as audiences were finally standing up to take notice of the amiable tough-guy, Stratham stepped into his own as the action lead of the explosive 2002 adrenaline ride The Transporter. A sizable hit that would earn Statham increasingly prominent roles in such high profile pics as The Italian Job, and Cellular, The Transporter established Stratham as a bankable international action star and was eventually followed by a 2005 sequel that miraculously managed the improbable feat of upping the ante of the previous installment's over-the-top cartoon violence. A starring role in Ritchie's 2005 crime thriller Revolver found Stratham re-teaming with the director who launched his career with decidedly mixed results, and the following year it was off to race the clock and rescue the girl as a reformed assassin looking to make good in the hyper-intense action entry Crank. The positively outrageous Crank: High Voltage upped the ante (and the ampage) in every possible way in 2009, but not before Statham got behind the wheel for Resident Evil director Paul W.A. Anderson for the 2008 remake Death Race, discovered just how far a foolproof heist could go awry in The Bank Job, and once again put the pedal to the metal in The Transporter 3. All of this left little doubt that Statham had quickly become one of the most bankable action stars of his generation, and in 2010 he teamed with none other than Sylvester Stallone for the all-star action flick The Expendables. The action just kept coming in The Mechanic, Blitz, Killer Elite (which paired him with screen legend Robert DeNiro), Safe, and the super-sized The Expendables 2 in 2012. Statham next joined another franchise, making a cameo appearance in Fast & Furious 6. He also reprised his role in The Expendables 3. In 2015, Statham appeared in Furious 7 and flexed his comedy chops in Spy, opposite Melissa McCarthy, earning favorable reviews and opening him to another genre.

Trivia: If you can smell what the Rock is cookin' then you're no doubt familiar with superstar wrestler Dwayne Johnson's swaggeringly cocky alter ego. With his trademark right eyebrow raised and a penchant for implementing the patented "People's Elbow" to unwary opponents, the self-proclaimed "Most Electrifying Man in Sports-Entertainment" slammed, crashed, and crushed his way to becoming the youngest Intercontinental Champion in WWF history at the age of 24 before winning the WWF title record six times. After conquering the world of sports-entertainment, Johnson next set his sights on conquering Hollywood.Born May 2, 1972 in Hayward, CA, Johnson became a third-generation wrestler after shifting from a career in professional football to professional wrestling when an injury sidelined his gridiron aspirations. After flexing his acting muscles on television in Saturday Night Live, That '70s Show (in which he played his own father), and The Net, Johnson made his feature debut with his role as the dreaded Scorpion King in The Mummy Returns (2001). Returning as the same character the following year in the appropriately titled The Scorpion King, Johnson did little to enhance his reputation of a trained thespian, though he did get the summer film season off to a rousing start for audiences hungering for some energetic escapist fun. Recalling John Milius' 1982 hit Conan the Barbarian (another film that launched the cinematic action career of a then-little-known athlete named Arnold Schwarzenegger), the sword-and-sandal adventure raked in 36 million dollars on its opening weekend and stayed at the top of the box office in the weeks following its impressive debut.Though he would return to the ring for the remainder of 2002, it didn't take Johnson long to soften on the prospect of a return to the silver screen -- and with the following year's The Rundown, he did just that. Cast as a bounty hunter who is sent to Brazil to retrieve the son of a well-known mob boss (American Pie's Seann William Scott), the film provided Johnson with the sort of opportunity to display his comic flair -- a notable talent that was mostly neglected in the special-effects-laden Scorpion King. By this point, his screen career had earned the wrestler-turned-actor a notable fan base that reached well beyond the WWE universe, and in 2004 he took the law into his own hands with the feature remake (in name and general concept only) Walking Tall. Based on the exploits of hard-case Southern sheriff Buford Pusser (played by Joe Don Baker in the original 1973 version) -- the film found Johnson cast as an honest, retired soldier who -- upon return to his small, rural Washington State hometown -- discovers his former high-school rival Jay Hamilton (Neal McDonough) has corrupted the once-prosperous town by introducing drugs and gambling and effectively shutting down the formerly successful lumber mill. Anyone who saw the original (and even those who didn't) could no doubt tell what follows -- and if there ever was a man to lay the smack down on the criminal element, few could doubt that Johnson would be up for the task. With his role as a gay bodyguard in the 2005 Get Shorty sequel, Be Cool, Johnson showed once and for all that he wasn't above poking a little fun at his tough-guy persona, and though he would return to the action genre with the sci-fi video-game adaptation Doom, the next year found the increasingly prolific entertainer cast in the complex role of a sporadically amnesiac actor who begins to have trouble separating reality from fantasy in Donnie Darko director Richard Kelly's apocalyptic sophomore effort, Southland Tales. Later that same year, Johnson turned his attention toward the sport of football to tell the inspirational true story of a detention-camp probation officer who teaches his troubled young charges the meaning of self-respect and social responsibility in Gridiron Gang -- a feature adaptation of the Emmy-winning 1993 documentary of the same name.He would appear in Get Smart and Race to Witch Mountain the following year, followed by Why Did I Get Married Too? in 2010 -- all films that grounded the actor in relatable, humorous roles. Never one to shy away from his roots, however, Johnson was back to action fare soon enough, and he joined the Fast & Furious series for the fifth installment (Fast Five) in 2011 and played Roadblock in G.I. Joe: Retaliation. Johnson once again mixed action and comedy in Michael Bay's Pain & Jain. In 2014, he built up his already-impressive physique even more to play the title character in Hercules, and continued on the action route with roles in San Andreas and another Furious film.

Trivia: As legend has it, when director Karyn Kusama was casting the lead for her directorial debut, Girlfight, she wanted to find a young woman who would radiate the powerful, surly charisma of the young Marlon Brando. Her search for an actor with this enviable but elusive quality ended when Michelle Rodriguez, a 20-year-old Latina whose previous experience was limited to work as an extra, answered an ad in Backstage magazine that Kusama had posted. Cast as Diana Guzman, the fierce and vibrant protagonist of Kusama's story of a high school girl who takes up boxing, Rodriguez went on to earn almost universal acclaim for her powerful portrayal, winning the admiration of audiences and critics from Sundance to Toronto.Of Puerto Rican and Dominican descent, Rodriguez was born in Bell County, TX, on July 12, 1978. She moved around throughout her childhood and adolescence, living for a time in Texas, Puerto Rico, the Dominican Republic, and Jersey City, NJ. It was while she was working as an extra in various film productions that she answered Kusama's ad for actors; after being cast as Girlfight's protagonist, she trained intensively to condition her body like that of a boxer to such a degree that, at one point, she was even asked to go pro. Her dedication to the physical and emotional demands of her character paid off lavishly, when Girlfight premiered at the 2000 Sundance Film Festival it received the Grand Jury Prize, with Rodriguez's performance singled out as one of the most exciting breakthroughs in years; among the many kudos she subsequently received was the National Board of Review's prize for Best Breakthrough Performance.Rodriguez's status as one of the year's New Hot Young Thangs on the Block was duly reflected by the attention she was subsequently paid in both the media and Hollywood. In the following year, her projects included Rob Cohen's The Fast and the Furious, an urban adrenaline extravaganza in which she played the tough girlfriend of a gang leader alongside Vin Diesel, Paul Walker, and Jordanna Brewster, and 3 A.M., a made-for-cable drama which cast her as a taxi driver and was screened at the Sundance Festival.Striving to maintain the balance between sexy and tough, Rodriguez would take on zombies in Resident Evil (2002) before hitting the waves in Blue Crush. Though neither film proved a bona fide box-office smash, they did offer the up and coming actress the exposure needed to develop an enduring career. Rodriguez could next be seen opposite Colin Farrell in the hard-hitting action thriller S.W.A.T. In 2005, Rodriguez appeared briefly on the first season of NBC's endlessly enigmatic primetime drama Lost as Ana Lucia Cortez, a tough cop with a shady past. She reprised the role in the following season, when she clashed heads with fellow flight survivor Jack (Matthew Fox) and struggled with her changing status within the group. The actress also starred in The Breed and Battle in Seattle, and co-stars as a tough-as-nails pilot in Avatar (2009), director James Cameron's science fiction adventure.

Trivia: An L.A. native whose self-titled debut album quickly propelled him to the top of the charts, smooth-voiced R&B crooner Tyrese (born Tyrese Gibson on December 30th, 1978) immediately stood out from the pack, thanks to the remarkable honesty of his songwriting, his alluring passion, and his self-assured style behind the microphone. It was at the age of 14 that a series of wins on the local talent circuit gave the up-and-coming singer his first enticing taste of success, with a Coca Cola commercial providing the breakthrough that would soon propel him to release his eponymous debut album in 1998. Of course, anyone who happened to catch Tyrese's Coca Cola commercial couldn't help but notice the singing sensation's undeniable screen presence. After making his acting debut with a small role in acclaimed filmmaker Julie Dash's made-for-television drama Love Song, the singer-turned-actor jumped headlong into features, as the protagonist of John Singleton's Boyz 'N the Hood follow-up, Baby Boy. Cast as an urban mama's boy whose staunch refusal to leave the nest eventually stifles his transition into adulthood, Tyrese offered just the right mixture of naïveté and street-tough bravado to draw audiences in, while showing notable promise for the future. With two films, a hit album, and a series of television appearances in such series as Martin and Moesha under his belt, Tyrese returned to the music scene for his sophomore effort, 2000 Watts, before jumping into the driver's seat for the 2003 film 2 Fast 2 Furious. The following year Tyrese kept the action moving at a clip with a supporting role in Flight of the Phoenix before opting for more dramatic roles in director Justin Lin's Annapolis and former collaborator John Singleton's family-themed revenge drama Four Brothers. A supporting role in Better Luck Tomorrow director Justin Lin's Navy boxing misfire Annapolis was quickly followed by another headline performance as an ex-convict struggling to get his son back after his vehicle is carjacked with the boy still inside in the 2006 action thriller Waist Deep.

Trivia: One of a number of hip-hop musicians to successfully tackle a career in movies as well, Ludacris began his career as a humble radio DJ working in Atlanta, GA. He used the job as an opportunity to hone his skills as a musician and rapper, eventually hooking up with talents like super-producer Timbaland and getting signed to a subsidiary of Def Jam in 2000. He shortly thereafter released his first album, Inconegro, and soon became a household name, not to mention one of the most important forces in hip-hop. His fame was only boosted when, in 2002, he was signed to do a promotional deal with Pepsi, but the sponsorship was terminated when right-wing TV news shock-jocker Bill O'Reilly complained that Ludacris' image promoted violence. The controversy created much debate and attracted substantial attention, possibly more than the promo contract would have earned on its own, and the rapper's album sales continued to rise.It wasn't long before Ludacris' notoriety had movie directors tapping him to make appearances in their films. After a small role in 2003's 2 Fast 2 Furious, he was cast in the 2005 film Hustle & Flow, a movie starring Terrence Howard as Djay, an aspiring rapper trying desperately to make it. Ludacris played Skinny Black, a world-famous hip-hop star who started out in Djay's hometown of Memphis. The movie became a critical success, and Ludacris followed it up with a 2006 appearance on Law & Order: Special Victims Unit as the stepson of cast member Ice-T. His booming music career didn't make it easy, but Ludacris couldn't help signing onto another project in 2007, parodying his own street-tough image as a disgruntled elf in the Christmas comedy Fred Claus.

Trivia: Perhaps the ultimate thinking man's sex symbol, Helen Mirren is also one of the most respected actresses of British stage, screen, and television. With classical training, years of work on the London stage, an acclaimed television series, and dozens of films to her name, Mirren has proven herself an actress of talent, versatility, and unforgettable presence.Born Ilynea Lydia Mironoff on July 26, 1945, in London, Mirren is a descendant of the White Russian nobility. Her father was a member of an aristocratic Russian military family who came to England during the Russian Revolution, but while Mirren was growing up, he worked in turn as a violinist with the London Philharmonic, a taxi driver, and a driving instructor. His daughter, on the other hand, knew her true calling by the age of six, when she realized she wanted to become an actress, in the "old-fashioned and traditional sense." After trying to please her parents with a stint at a teacher's college, Mirren joined the National Youth Theatre, where she first made her mark playing Cleopatra. The acclaim for her performance led the way to other work, and she was soon a member of the vaunted Royal Shakespeare Company, with whom she performed a wide range of classics. Her stage career thriving, Mirren made her screen debut in 1968 in the somewhat forgettable Herostratus. The same year, she made a more auspicious appearance as Hermia in Peter Hall's lauded adaptation of A Midsummer Night's Dream, and her screen career soon took off. She worked steadily throughout the late '60s and '70s, starring in 1969's Age of Consent and working with such directors as Robert Altman on The Long Goodbye (1973) and Lindsay Anderson on O Lucky Man! (also 1973). In 1977, Mirren earned permanent notoriety for her work in Caligula, a mainstream porn offering from the powers at Penthouse that also starred such notables as Peter O'Toole, John Gielgud, and Malcolm McDowell.During the subsequent decade, Mirren continued to work on the stage, and she also broadened her cinematic resumé and fan base with such films as Excalibur (1981) and Cal (1984). Her portrayal of an older woman in love with a younger man in the latter film earned her a Best Actress award at the Cannes Film Festival and further established her reputation as an actress willing to explore the kind of unconventional relationships often ignored on the screen. The actress' willingness go beyond safe conventionality was demonstrated with her work in such films as The Mosquito Coast (1986), Pascali's Island (1988), The Cook, the Thief, His Wife and Her Lover (1989), and The Comfort of Strangers (1991). She again took on the role of an older woman in love with a younger man in Where Angels Fear to Tread in 1991, proving that seven years after Cal, her powers of attraction had been in no way tempered by time.At the beginning of the 1990s, Mirren began appearing on the television series Prime Suspect. Her character, Jane Tennison, a hard-boiled detective, proved immensely popular with viewers and critics alike, and she stayed with the series for its seven incarnations. Mirren also continued to do acclaimed work for the stage and screen, earning a Cannes Best Actress award and Oscar and BAFTA nominations for her work in The Madness of King George in 1994, and making her Broadway debut in Turgenev's A Month in the Country in 1995. The following year, she earned further acclaim for her work in Some Mother's Son, in which she played the mother of a Belfast prison hunger striker. In 1997, Mirren found the time to marry producer/director Taylor Hackford before signing on to provide the voice of the Queen in the Disney animated film The Prince of Egypt (1998). In 1999, she played the titular teacher in Kevin Williamson's disappointing Teaching Mrs. Tingle, earning the only good reviews given the movie, and she again won over critics with her title role in the made-for-television The Passion of Ayn Rand, earning an Emmy for her performance. Back on the big screen, Mirren continued with a lighthearted role as a master gardener in Greenfingers (2000), turned up in director Hal Hartley's comic monster fable No Such Thing (2001) and earned her second Oscar nomination for her re-teaming with Altman in the director's acclaimed comedy Gosford Park (2001).This pattern solidified for Mirren as her career moved through the new millennium. She was well received for her performance in yet another quirky British sleeper in 2003, with Calendar Girls. In it she played a middle-aged woman who raises money (as well as eyebrows) for a Women's Institute by posing nude with her peers. She also made notable appearances in movies like the thriller The Clearing (2004) and the romantic comedy Raising Helen (2004), before awing audiences with a performance in Shadowboxer (2005) as an assassin who is diagnosed with terminal cancer. 2005 would prove to be a special year for Mirren as September of that year would kick off a full 12 months of nonstop praise and excitement. Two of Mirren's projects would emerge during this period that would usher her into the upper tier of cinema's lead actresses -- a place that critics and fans had known she belonged all along. Coincidentally, these two projects would find her playing two different English monarchs who shared the same name. First, her performance as Queen Elizabeth I in the BBC miniseries Elizabeth I aired in September 2005, blowing viewers away with her ability to convey the full power and command of perhaps the most important crowned head in British history, all while confined to the small screen. Immersing herself into the opulent 16th century costumes and sets, Mirren tackled the Virgin Queen as a leader, a woman, and a human being, leaving such an impression that the miniseries was later aired in the U.S. By September 2006, the commotion over Mirren's performance had died down just enough for her to make an even bigger splash with her acclaimed role as Queen Elizabeth II in Stephen Frears' film The Queen. Despite the shared name, playing the modern-day figure was as different from her earlier role as it could be. Taking place in 1997 after the death of the globally beloved Princess Diana -- whose divorce from Prince Charles had been a source of epic tabloid controversy -- The Queen found Mirren playing a monarch who wielded little-to-no executive power, but whose title derived all its meaning from tradition, symbolism, and national pride. Mirren handled this queen with gentle attention to detail, following her on confused journeys both personal and in the national consciousness, showing her surprise and bewilderment as the stoic exterior on which a queen's public face had always been built suddenly caused her to be reviled. Mirren's two Elizabeths were both honored with Golden Globe wins, one for Best Actress in a Drama, and one for Best Actress in a TV Movie or Mini-Series. She was further rewarded for her efforts by capturing the Oscar for Best Actress in The Queen.In the next year she appeared in the blockbuster sequel National Treasure: Book of Secrets, but in 2009 she starred opposite Christopher Plummer in The Last Station as the wife of the dying Leo Tolstoy. For her work in that drama Mirren garnered acting nominations from the Screen Actors Guild, the Independent Spirit Awards, and the Academy. Substantial roles continued to rack up honors and acclaim for the actress in 2010, as she played an intriguing role as a former Mossad agent in The Debt, and no-longer-retired secret agent in Red, and none other than the leading role in William Shakespeare's The Tempest - with the gender of the part changed to female. Mirren would then make a comic turn in the 2011 remake of Arthur alongside British comedian Russell Brand, before delving back into drama once more with the reflective 2012 film The Door.

Trivia: One of the most iconic action stars of all time, Kurt Russell (born March 17th, 1951) is among the few to make the successful transition from child star to successful adult actor. As a youth, Russell aspired to follow the footsteps of his father, Bing Russell, who, in addition to being a big league baseball player, was also an actor (he was perhaps best known for his role as the sheriff on the TV Western Bonanza). That his heroes Mickey Mantle and Roger Maris did the same thing only strengthened Russell's resolve to have both a baseball and acting career.He first broke into acting on television, starring in the series The Travels of Jamie McPheeters, and he made his film debut playing the boy who kicks Elvis in the 1963 Elvis Presley vehicle It Happened at the World's Fair. After signing a ten-year contract with Disney, Russell got his big break as a juvenile actor in 1966, starring opposite Fred MacMurray in Disney's live-action feature Follow Me Boys! His association with the studio lasted through 1975, and produced such comedic family movies as The Horse in the Gray Flannel Suit (1968), The Computer Wore Tennis Shoes (1969), The Barefoot Executive (1971), and The Strongest Man in the World (1975). The last film marked Russell's final collaboration with Disney, aside from his voicing the character of Copper in the studio's The Fox and the Hound (1981). Still an avid baseball enthusiast during those years, Russell nurtured his dreams of becoming a professional ball player until a shoulder injury permanently changed his plans.After ending his association with Disney, Russell disappeared from features for a few years. He appeared in a few television movies, most notably playing the title role in Elvis, John Carpenter's made-for-television biopic. His next role as a sleazy used car salesman in Robert Zemeckis' hilariously caustic Used Cars (1980) allowed him to counter his wholesome, all-American nice guy image, and prove that he was an actor of untapped range. Director Carpenter recognized this and cast Russell as ruthless mercenary Snake Plissken in his brooding sci-fi/action film Escape From New York (1981). The role would prove to be one of legendary status, and one that would cement Russell as a cult hero for generations to come. Carpenter also cast Russell as a scientist stranded in the Antarctic in his chilling 1982 remake of The Thing. Realizing that his characters were larger than life, Russell typically played them with a subtle tongue- in-cheek quality. He also used this comic intuition in comedies like 1987's Overboard, in which he starred alongside his long-time life-partner and mother of his child Golide Hawn.In 1983, Russell moved to serious drama, playing opposite Cher and Meryl Streep in Silkwood. The success of that film helped him break into a more mainstream arena, and he was later able to win praise for his dramatic work in such films as Swing Shift (1984), Tequila Sunrise (1988), and Winter People (1989). However, it is with his performances in action films that Russell remains most widely associated. He has appeared in a number of such films, all of disparate quality. Some of Russell's more memorable projects include Big Trouble in Little China (1986), Tango and Cash (1989), Backdraft (1991), Tombstone (1993), and Executive Decision (1996). In 1996, he reprised his Snake Plissken character for Carpenter's Escape From L.A. The following year, he starred opposite Kathleen Quinlan in the revenge thriller Breakdown before returning to the sci-fi/action realm with Soldier in 1998. It would be two years before movie-going audiences would again catch a glimpse of Russell, though with his roles in 2000 Miles to Graceland (again carrying on the Elvis associations that have haunted his career) and Cameron Crowe's Vanilla Sky, the versatile actor proved that he was still very much on the scene. Is some of Russell's later day roles had stressed the action angle a bit more than the more dramatic aspects of the stories, the release of Dark Blue in 2003 combined both with Russell cast as a volitile police officer tracking a killer against the backdrop of the 1992 L.A. riots. In 2005, Russell played a frustrated father and horse-man in Dreamer: Inspired by a True Story, showing audiences that for all his on-screen bombast, he still had a sensitive side. He quickly leapt back into the action-packed saddle, however, with a leading role in 2006's remake of The Poseidon Adventure, Poseidon. Soon afterward, he accepted a role that took a decidedly self-aware perspective on his own fame as an over-the-top action star as he signed on for the leading role in Death Proof, Quinten Tarantino's half of the double-feature Grindhouse. A tribute to the fantastically violent B-exploitation films of its title, Grindhouse would cast Russell as Stuntman Mike, a literal lady-killer with a car that can be crashed and smashed without ever allowing the driver to be hurt.

Trivia: As legend has it, Charlize Theron was discovered by an agent while fighting with a bank manager on Hollywood Boulevard. Eighteen and starving, Theron purportedly got into the argument after the manager refused to cash her check. The outburst caught the agent's attention, and eight months later Theron got her first acting job. She subsequently went on to become one of the hottest young actors in Hollywood, thanks to a fortuitous combination of talent and the blonde, statuesque good looks so fervently adored by the camera. Born August 7, 1975, Theron was raised on a farm in Benoni, South Africa. Trained as a ballet dancer, she was sent to Milan at 16 to become a model following the death of her father (which, it was later revealed, occurred after he was shot by Theron's mother, who was defending herself from his drunken abuse). After tiring of modeling, Theron returned to her first love, dancing, which resulted in a move to New York to dance with the Joffrey Ballet. Unfortunately, her career was halted by a knee injury, which led Theron -- at her mother's behest -- to travel to Los Angeles to try her luck with acting. After a long, unprofitable struggle, fate smiled upon Theron in the form of the aforementioned bank encounter. Following an inauspicious bit part in 1994's Children of the Corn III, Theron won her first dose of recognition with 2 Days in the Valley (1996). The film wasn't particularly successful, but it did give her both much-needed exposure and critical praise. The film also served as the stepping stone to her first leading role, that of Keanu Reeves' embattled wife in The Devil's Advocate (1997). The film drew poor reviews, but Theron managed to win widespread praise for her performance. Her next project, Trial and Error (1997), surfaced briefly before disappearing with nary a trace, but the subsequent Mighty Joe Young (1998) netted Theron more positive notices. Her ascent was confirmed with her casting in Celebrity, Woody Allen's 1998 cameo-fest that also featured turns from everyone from Kenneth Branagh to Winona Ryder to Leonardo DiCaprio to Isaac Mizrahi. In her portrayal of a perpetually aroused supermodel, Theron shone in a role seemingly designed to allow her to flaunt her natural attributes and little else. She was rewarded with more substantial -- not to mention multilayered -- work in The Cider House Rules (1999), Lasse Hallström's Oscar-winning adaptation of John Irving's novel. As a troubled young woman with secrets to hide, Theron received star billing alongside Michael Caine and Tobey Maguire.In the wake of The Cider House Rules came a few highly publicized but ultimately disappointing projects, including John Frankenheimer's Reindeer Games (2000), Robert Redford's The Legend of Bagger Vance (2000), and Sweet November (2001), the last of which reunited her with erstwhile co-star Keanu Reeves. Theron was also reunited with Woody Allen in his The Curse of the Jade Scorpion (2001), another widely anticipated film that, despite a high-profile cast and stylish period design, was both a critical and commercial underachiever.None of this, however, nudged Theron from her A-list status, something that was confirmed by her casting in the flashy, star-studded 2003 remake of The Italian Job, a much-beloved 1969 comedy caper starring Michael Caine. The 2003 version featured Mark Wahlberg in the starring role, with Theron, Edward Norton, Seth Green, and Mos Def, among others, backing him up. That same year, Theron switched gears and dove headfirst into the "serious actress" category with her starring role in Monster, the crime drama based upon the real-life story of serial killer Aileen Wuornos, a prostitute who, in the late '80s, murdered seven men in Florida. Co-starring Christina Ricci as Wuornos' lover, the film promised to show audiences a side of Theron that certainly hadn't been hinted at in her previous portrayals of models, girlfriends, and Southern debutantes. It was evidently successful as Theron was showered with more than a dozen awards including an Oscar following her first-ever Academy Award nomination.2005 would be a decidedly mixed year for Theron. She first appeared in the live-action adaptation of the cult animated series Aeon Flux, a film that was nearly unanimously maligned by critics and largely avoided by audiences. Luckily, she also starred in the well-received docudrama North Country. Playing a woman who successfully battled sexual harassment, Theron was honored with her second Oscar nomination for the performance.In 2007 Theron earned critical praise for her supporting role as a detective in In the Valley of Elah, and joined the star-studded cast of The Road in 2008. Theron took a lead role the following year in Young Adult (penned by Juno collaborators Diablo Cody and Jason Reitman) as a recently divorced author who returns to her hometown with her sights set on winning back her high school sweet heart. Young Adult was received well by both box office and critical standards. 2012's Snow White and the Huntsman featured Theron as the diabolical queen, while Prometheus (2012) found the actress playing the cold but complex character of corporate representative Meredith Vickers. In 2014, she took on a out-of-character comic role, playing the romantic lead in Seth Macfarlane's A Million Ways to Die in the West, before returning to top form in Mad Max: Fury Road the following year.

Trivia: Most people would assume that being the son of a Hollywood legend would mean a life on easy street, but that wasn't the case for Scott Eastwood. His father, Clint Eastwood, insisted that he make his own way, which meant jobs in construction and parking cars before his own acting career took off. Scott might have gotten his first break via a small role in his dad's 2006 film Flags of Our Fathers, but his subsequent work has shown that he's not riding any coattails. Indeed, he was even credited as Scott Reeves (his mother's last name) in his early movies, including Flags, An American Crime, Pride, and Player 5150.Scott was born to Clint and former flight attendant Jacelyn Reeves on March 21, 1986. He grew up in Hawaii and has a younger sister named Kathryn, as well as five paternal half-siblings: Kimber Tunis, Kyle Eastwood, Alison Eastwood, Francesca Fisher-Eastwood, and Morgan Eastwood. After graduating from high school in 2003, Scott attended Loyola Marymount University in Los Angeles, receiving a degree in Communications in 2008. Preferring to avoid the glitz, glam, and occasional pretentiousness of L.A., he resides in a beach community outside of San Diego.After roles in films such as 2012's Trouble With the Curve and 2013's Texas Chainsaw 3D, as well as stints on television in Chicago Fire and Chicago P.D., Scott portrayed former champion bull rider Luke Collins in 2015's The Longest Ride -- a role that came naturally to the admitted adrenaline junkie, who fondly recalls visiting the Salinas Rodeo as a youth. He then switched gears dramatically by signing on to the supervillain film Suicide Squad and the biopic Snowden, proving he's no one-trick pony as his career continues to blossom.

Trivia: Welsh-born Luke Evans won a scholarship to The London Studio Centre in Kings Cross, London, in 1997 at age 18. He took the knowledge he gained there onto the stage, beginning his professional acting career with many prominent roles in productions on London's West End, like Rent and Miss Saigon. Evans took his time branching out into on-screen acting, landing his first film audition at age 30. He made his big-screen debut as the Greek god Apollo in 2010's Clash of the Titans. He then played Aramis in 2011's The Three Musketeers before taking on the role of another Greek god in 2011's Immortals, this time tackling the king of the pantheon, Zeus.

Trivia: Started acting as a child, and her breakthrough role came as Young Nala in the original London production of The Lion King in 1999. Got noticed on British TV playing Sasha Valentine on the soap opera Hollyoaks (2006-10). Made film debut in 2012 thriller Twenty8k, which also featured her future Game of Thrones costar Stephen Dillane. First appearance as Missandei on HBO's Game of Thrones came in the third-season premiere, "Valar Dohaeris," in 2013. Credits Game of Thrones role for opening doors to more work in feature films, including Furious 7 (2015) and Fast 8 (2017), the seventh and eighth installments, respectively, of The Fast and the Furious franchise, and Maze Runner: The Scorch Trials (2015) and Maze Runner: The Death Cure (2018), the second and third titles, respectively, in The Maze Runner movie series.

Trivia: Last name is Romanian for "someone who lived near a creek." Was inspired to act by her grandfather, who was a theater actor. Majored in journalism in college while taking acting classes in her free time. Launched a clothing line in 2004 called PTKY. Crossed over to the U.S. market with a supporting role in Snakes on a Plane (2006).

Trivia: As his grandmother and parents were both actors, his school gave him the lead role in Hamlet when he was 16 without an audition. Began acting at Oslo's National Theatre when he was 19. Appeared in Vera Henriksen's play The Sword in 2011. Shaved his trademark beard for a role in M. Night Shyamalan's After Earth (2013).

Trivia: Attended art school in Puerto Rico before moving to Miami with his family. Released his debut album, El Abayarde, in 2002. Was nominated for 2012 Latin Grammy for The Original Gallo Del Pais.

Trivia: After earning his BFA in drama from the Tisch School of Arts at New York University in 2001, Keith Powell got to work founding the Contemporary Stage Company in Wilmington, DE. In addition to helping direct and produce several successful stage productions, Powell also set to work cultivating an acting career, making several small appearances on shows like Law & Order before landing the supporting role of comedy writer Toofer on the popular series 30 Rock.

Trivia: Though he has proven to be a natural, allegedly Lucas Black's ambition is not to be an actor when he grows up. Born and raised in Alabama, Black became a professional actor when an open casting call landed him a bit part in Jon Avnet's The War (1994). After starring on TV's American Gothic (1995), Black definitively caught the audience's attention with his pivotal role in Billy Bob Thornton's award-winning drama Sling Blade (1996). Resisting child actor treacle, Black turned in a genuinely charming and moving performance as the young boy who befriends Thornton's mentally challenged ex-con. Despite the acclaim, however, Black opted to stay home in Alabama rather than go Hollywood. Black continued to act throughout his high school years, playing supporting roles in the racial drama Ghosts of Mississippi (1996) and the big-screen version of The X-Files (1998), and starring in the TV movie Flash (1997) and as the politically aware Peejoe in Crazy in Alabama (1999). In Thornton's second directorial effort All the Pretty Horses (2000), Black's performance as the young drifter who gets Matt Damon into trouble once again revealed his ability to hold his own against -- indeed outshine -- Hollywood's best. Black, however, has asserted that his ultimate goal is to become a professional fisherman. High profile roles as everything from a piano savant in Killer Diller to a high school football star in Friday Night LIghts and a fresh-faced Marine in Jarhead proved without question that Black had the acting range needed to craft and impressive and enduring career, and in 2006 Black put the peddle to the metal as a troubled teen whose trip to Tokyo finds him mastering the art of the drift in the adrenaline-charged sequel The Fast and the Furious: Tokyo Drift.