Trivia: Mirroring the origins of his wife and professional partner Tamela Mann (who often appeared opposite him in musical and dramatic contexts), David Mann grew up in the Bible Belt, with a childhood and adolescence spent in the Texas heartlands. The product of a strict, disciplinary Pentecostal home, David began singing in the church choir at an early age and later joined then nascent gospel ensemble Kirk Franklin and the Family, where he both obtained stardom as a recording artist (thanks in no small part to the group's eponymous multiplatinum debut) and met future wife Tamela.Mann gravitated to acting around the age of 15, initially via comedic roles in high school productions and community theater. He later embarked on a professional acting tenure, first with a popular turn as the gangster Forty Ounce in David E. Talbert's play He Say? She Say? But What Does God Say? (subsequently adapted for television on UPN) and then via a series of stage and screen collaborations with popular African American playwright turned writer/director Tyler Perry, in whose films David and Tamela often costarred. Their efforts together include the 2008 Tyler Perry's Meet the Browns and the 2009 Tyler Perry's Madea Goes to Jail.

Trivia: Multifaceted performer Tamela Mann began life as the youngest of 14 children in a Fort Worth, TX, family. Significantly, she grew up in a household firmly rooted in the Christian faith, which paved the way for Mann's own devotion to the gospel as an adult. In time, this dovetailed with the young woman's preternatural gifts as a vocalist (which first revealed themselves during stints in her local church choir). She teamed up with the powerhouse worship ensemble Kirk Franklin and the Family during the early '90s, and attained fame alongside them, ultimately evolving into one of the most sought-after gospel recording artists of the early 21st century. Mann's later efforts as a soloist only heightened her popularity and visibility and included collaborations with artists such as Al Green, Mary J. Blige, Bono, and Celine Dion.During the mid-2000s Mann smoothly expanded her repertoire to include film roles via a series of collaborations with her husband, theater actor David Mann. The two frequently worked in tandem and made the majority of their appearances under the aegis of writer/director/star Tyler Perry, in whose stage plays they had starred. Efforts that featured the Manns included Tyler Perry's Meet the Browns (2008) and Tyler Perry's Madea Goes to Jail (2009).

Trivia: Ran track and field competitively in high school. Attended the Barbizon Modeling School of Atlanta; upon graduation, was immediately signed by a talent scout. Worked a one-episode-a-day schedule on Meet the Browns, considerably faster than most sitcoms. Had no professional dancing experience before landing role in Hit the Floor, which features full dance numbers in every episode. Was a featured speaker at December 2016's PowHERful Summit, annual conference for professional development of young women.

Trivia: Best known for playing unapologetically mature, assertive, and intelligent adult women, African-American supporting actress Jenifer Lewis originally launched her career as a vocalist, singing in a church choir in Kinloch, MO. Lewis' passion (and gift) for singing carried her to the Great White Way, where she appeared in a number of sell-out Broadway musicals -- including Ain't Misbehavin' and Dreamgirls. She subsequently migrated to the West Coast for a string of appearances in TV programs such as Roc, A Different World, Murphy Brown, Hangin' with Mr. Cooper, Touched by an Angel, and The Fresh Prince of Bel-Air, and graduated to features in 1992. The films in which Lewis has appeared run the gamut of quality, from outstanding (What's Love Got to Do With It?, 1993) to satisfactory (Sister Act, 1992; The Preacher's Wife, 1996) to downright abominable (Frozen Assets, 1992); many, however, demonstrated her fine gifts. More recently, Lewis attained some much-deserved recognition (and ascended to higher than usual billing) with her multi-season portrayal of Lana Hawkins in the prime-time medical drama Strong Medicine (2000).

Trivia: Blaxploitation superstar Richard Roundtree earned screen immortality during the 1970s as the legendary Shaft, "the black private dick that's the sex machine to all the chicks." Born July 9, 1942, in New Rochelle, NY, Roundtree attended college on a football scholarship but later gave up athletics to pursue an acting career. After touring as a model with the Ebony Fashion Fair, he joined the Negro Ensemble Company's acting workshop program in 1967. He made his film debut in 1970's What Do You Say to a Naked Lady?, but was still an unknown when filmmaker Gordon Parks Sr. cast him as Shaft. The role shot Roundtree to instant fame, launching the blaxploitation genre and proving so successful at the box office that it helped save MGM from the brink of bankruptcy. Thanks to the film's popularity -- as well as its two sequels, 1972's Shaft's Big Score! and the following year's Shaft in Africa, and even a short-lived television series -- Roundtree became an icon of '70s-era cool, and his image graced countless magazine covers. Outside of the Shaft franchise, he also appeared in films including the 1974 disaster epic Earthquake, 1975's Man Friday, and the blockbuster 1977 TV miniseries Roots. By the end of the decade, however, the blaxploitation movement was a thing of the past, and Roundtree's stardom waned; apart from the 1981 big-budget flop Inchon, he spent the 1980s appearing almost exclusively in TV roles or low-rent, direct-to-video features. Still, he continued working steadily, and in 1995 appeared in David Fincher's smash thriller Seven. The following year he co-starred in the acclaimed Once Upon a Time...When We Were Colored, and also teamed with fellow blaxploitation vets Pam Grier and Fred "the Hammer" Williamson in Original Gangstas. In 1997, Roundtree returned to series television in 413 Hope St.