Trivia: One of the first ladies of contemporary British stage and cinema, Emma Thompson has won equal acclaim for her work as an actress and a screenwriter. For a long time known as Kenneth Branagh's other half, Thompson was able to demonstrate her considerable talent to an international audience with Oscar-winning mid-1990s work in such films as Howards End and Sense and Sensibility. Born April 15, 1959 in Paddington, West London, Thompson grew up in a household well-suited for creative expression. Both of her parents were actors, her father, Eric Thompson, the creator of the popular TV series The Magic Roundabout, and her actress mother, Phyllida Law, a cast member of This Poisoned Earth (1961), Otley (1968) and several other films. Thompson and her sister, Sophie (who also became an actress), enjoyed a fairly colorful upbringing; as Emma later said, "I was brought up by people who tended to giggle at funerals." She excelled at school, was well liked, and went on to enroll at Cambridge University in 1978. It was at Cambridge that Thompson started performing as part of the legendary Footlights Group, once home to various members of Monty Python, who provided a huge inspiration to the fledgling comedienne. Unfortunately, Thompson's studies and her work with fellow Footlights members Hugh Laurie and Stephen Fry were interrupted when her father had a debilitating stroke. Thompson went home for a few months, where she taught him how to speak again. After her return to Cambridge, she graduated in 1980 with a degree in English, and she got her first break working for a short-lived BBC radio show. Personal tragedy struck for Thompson in 1982 when her father died of a heart attack. Ironically, it was in the wake of this turmoil that her professional life began to move forward: she got a job touring with the popular satire Not the Nine O'Clock News and worked with co-conspirators Fry and Laurie on the popular BBC comedy sketch show Alfresco. This led to Thompson's biggest break to date when she was picked for the lead in a revised version of the musical Me and My Girl. Coincidentally featuring a script by Fry, the show proved popular and established Thompson as a respected performer. She stayed with the show for over a year, after which she got her next big break when she was cast as one of the leads in the miniseries Fortunes of War (1988). The other lead happened to be Kenneth Branagh, and the two were soon collaborating off-screen as well as on. Following Thompson's BAFTA Award for her work on the series (as well as a BAFTA for her role on the TV series Tutti Frutti), she helped Branagh form his own production company, Renaissance Films. In 1989, the same year that she starred in the nutty satire The Tall Guy (which teamed her with Black Adder stalwarts Rowan Atkinson, Richard Curtis and Mel Smith)and in a televised version of Look Back in Anger with Branagh, she appeared as the French queen in Branagh's acclaimed adaptation of Henry V. Following the success of Henry V, Thompson had a droll turn as a frivolous aristocrat in Impromptu (1990) and then collaborated with Branagh on the noirish suspense thriller Dead Again in 1991. The film proved a relative hit on both sides of the Atlantic, and it further established the now-married Branagh and Thompson as the First Darlings of contemporary British theatre. The following year, Thompson came into her own with her starring role in Merchant Ivory's Howards End. She won a number of awards, including an Oscar, BAFTA, and Golden Globe for her portrayal of Margaret Schlegel, and she found herself an international success almost overnight.After a turn in the ensemble comedy Peter's Friends that same year, Thompson starred as Beatrice opposite Branagh's Benedict in his adaptation of William Shakespeare's Much Ado About Nothing in 1993. That year proved an unqualified success for the actress, who was nominated for both Best Actress and Best Supporting Actress Oscars, the former for her portrayal of a repressed housekeeper in Merchant Ivory's The Remains of the Day and the latter for her role as Daniel Day-Lewis's lawyer in In the Name of the Father. Although she didn't win either award, Thompson continued her triumphant streak when -- after starring in Junior in 1994 -- she adapted and starred in Jane Austen's Sense and Sensibility in 1995. Directed by Ang Lee, the film proved popular with critics and audiences alike, and it won Thompson a Best Adapted Screenplay Oscar. She also earned a Best Actress Oscar nomination, a BAFTA Best Actress Award, and a Golden Globe for Best Adapted Screenplay.1995 also proved to be a turning point in Thompson's personal life, as, after a much-publicized separation, she and Branagh divorced. Just as well publicized was Thompson's subsequent relationship with Sense and Sensibility co-star Greg Wise. The somewhat tumultuous quality of her love life mirrored that of Dora Carrington, the character she played that year in Carrington. This story of the famed Bloomsbury painter was not nearly as successful as Sense, and Thompson was not seen again on the screen until 1997, when she starred in Alan Rickman's The Winter Guest. The film -- which featured the actress and her mother, Law, playing an estranged daughter and mother -- received fairly positive reviews. The following year, Thompson continued to win praise for her work with a starring role in Primary Colors and a guest spot on the sitcom Ellen, for which she won an Emmy. In 1999, Thompson announced her plans for semi-retirement: pregnant with Wise's child, she turned down a number of roles -- including that of God in Dogma -- in order to concentrate on her family. The two married in July 2003. In the years that followed Thompson would still remain fairly active onscreen, with roles as a frustrated wife in Love Actually (which found her BAFTA nominated for Best Supporting Actress) and a missing journalist whose husband (played by Antonio Bandaras) is looking for answers in Missing Argentina (which marked the second collaboration, after Carrington, between Thompson and director Christopher Hampton) serving to whet the appetites of longtime fans. For her role as a respected English professor who is forced to re-evaluate her life in Mike Nichols' made-for-television drama Wit (2001), the renowned veteran actress and screenwriter would earn Emmy nominations for both duties. Following an angelic turn in the HBO mini-series Angels in America, Thompson essayed a pair of magical roles in both Harry Potter and the Prisoner of Azkaban and Nanny McPhee - in which she potrayed a governess who utilizes supernatural powers to reign in her unruly young charges.Thompson then joined the cast of Marc Forster's fantasy comedy Stranger than Fiction, which Columbia slated for U.S. release in November of 2006. She plays Kay Eiffel, an author of thriller and espionage novels suffering from a massive writer's block. The central character in Eiffel's book (an IRS agent played by Will Ferrell) hears Kay's audible narration and - realizing that she's planning to kill him off - tries to find a way to stop her, with the help of Professor Jules Hilbert (Dustin Hoffman). She appeared opposite Dustin Hoffman in Last Chance Harvey, and in 2009 had a memorable turn as the head of the school in An Education. In 2010 she wrote and starred in the sequel Nanny McPhee Returns. In 2012 she had a hand in tow big hits, playing Agent O in the third Men In Black film, and voicing the mother in Pixar's Brave.

Trivia: As Mr. Darcy in the acclaimed 1995 television adaptation of Pride and Prejudice, Colin Firth induced record increases in estrogen levels on both sides of the Atlantic. Imbuing his role as one of literature's most obstinate lovers with surly, understated charisma, Firth caused many a viewer to wonder where he had been for so long, even though he had in fact been appearing in television and film for years.The son of two university lecturers, Firth was born in England's Hampshire county on September 10, 1960. Part of his early childhood was spent in Nigeria with missionary grandparents, but he returned for schooling in his native country and eventually enrolled in the Drama Centre in Chalk Farm. While playing Hamlet in a school production during his final term, the actor was discovered, and he went on to make his London stage debut in the West End production of Julian Mitchell's Another Country. Starring opposite Rupert Everett, Firth played Tommy Judd, a character based on spy-scandal figurehead Donald Maclean (Everett played Guy Bennett, based on real-life spy Guy Burgess). He went on to reprise his role for the play's 1984 film version, again playing opposite Everett. Despite such an auspicious beginning to his career, Firth spent the rest of the decade and half of the next working in relative obscurity; he starred in a number of television productions -- including the highly acclaimed 1993 Hostages -- and worked steadily in film. Some of his more notable work included A Month in the Country, in which he played a World War I veteran opposite Kenneth Branagh and Natasha Richardson, and Valmont, Milos Forman's 1989 adaptation of Les Liaisons Dangereuses, in which Firth starred in the title role. The film also provided him with an introduction to co-star Meg Tilly, with whom he had a son.However, it was not until he again donned breeches and a waistcoat that Firth started to emerge from the shadows of BBC programming. With his portrayal of Mr. Darcy in the popular TV adaptation of Pride and Prejudice, Firth was propelled into the media spotlight, touted in a number of articles as the latest in the long line of thinking women's crumpets; he was further rewarded for his work with a BAFTA award. The same year, he appeared as an amorous cad in the similarly popular Circle of Friends and went on the next year to appear as Kristin Scott Thomas' cuckolded husband in The English Patient. Firth garnered praise for his role in the film, which went on to win international acclaim and Academy Awards.After a turn as a morally ambiguous man who gets involved with both Jessica Lange and Michelle Pfeiffer in A Thousand Acres, Firth took a comically sinister turn as Gwyneth Paltrow's intended husband in the 1998 Shakespeare in Love. The following year, he starred in two very different movies: My Life So Far, a tale of family dysfunction in the Scottish Highlands, and Fever Pitch, initially released in the U.K. in 1997, in which Firth played a rabid English football fan forced to choose between his love of the sport and the woman in his life. Headlining the low-key comedy My Life So Far the following year, Firth's performance as the father of a family living in a post World War I British estate was only one of five roles that the busy actor would essay that particular year (including that of William Shakespeare in Blackadder Back and Forth). His finale of the year -- Donovan Quick -- offered a memorable updating of the legend of Don Quixote with Firth himself in the titular role. Firth's supporting role in the 2001 comedy Bridget Jones's Diary preceded a more weighty performance in the chilling drama Conspiracy, with the former earning him a BAFTA nomination and the latter an Emmy nod. Comic performances in Londinium (2001) and The Importance of Being Earnest (2002) found Firth continuing to maintain his reputation as one of England's most talented comic exports, and if his lead in 2003's Hope Springs failed to capitalize on his recent string of success, his role as teen starlet Amanda Bynes' celluloid father in What a Girl Wants (2003) at least endeared him to a new generation of moviegoers before the adult-oriented drama Girl With a Pearl Earring hit theaters later that same year. After rounding out the busy year with a return to romantic comedy in Love Actually, Firth kicked off 2004 with a turn as a haunted widower in Trauma while preparing to return to familiar territory in Bridget Jones: The Edge of Reason.Firth continued to work steadily in projects ranging from the family friendly Nanny McPhee with Emma Thompson to the hit musical Mama Mia, playing one of the three men who might have fathered Meryl Streep's daughter. But it was his leading role in fashion designer Tom Ford's directorial debut, A Single Man, that garnered him awards attention like he had never received previously. For his work as a gay professor grieving the death of his lover, Firth scored nominations from the Screen Actors Guild, the Academy, and the Independent Spirit Awards.After appearing in the 2009 adaptation of A Christmas Carol, Firth would achieve further accolades for his role as the stuttering King George VI in director Tom Hooper's breathtaking historical drama The King's Speech (2010). In addition to taking home the Academy Award for Best Actor, Firth also took home awards from the British Academy of Film and Television Arts, the L.A. Film Critics Association, and the Screen Actors Guild. 2011 was no less exciting a year for the actor, who co-starred with Gary Oldman in Let the Right One In director Tomas Alfredson's award winning spy thriller Tinker Tailor Soldier Spy, an adaptation of John Le Carré's novel about an ex-British agent who comes out of retirement in hopes of solving a dangerous case. Firth is slated to star in Bridget Jone's Baby, Gambit, and The Railway Man in 2013.

Trivia: Scottish actress Kelly Macdonald was planning to go to drama school when director Danny Boyle cast her in Trainspotting (1996). A surprise international hit, it featured Macdonald, a native of Glasgow, as the acid-tongued schoolgirl who gives heroin junkie Ewan McGregor one of the more memorable nights -- and surprises -- of his young life. Following the film's great success, Macdonald began finding steady work in a number of films as both a lead and supporting player. In the immediate wake of Trainspotting, she could be seen playing the title character, a teenage prostitute, in Stella Does Tricks. Subsequently, she nabbed a lead role in the period drama Cousin Bette (1997) and a small but memorable part in the lavish historical epic Elizabeth (1998). In 1999, Macdonald was featured in four very diverse films: the first, My Life So Far, cast her as a young girl growing up in 1920s Scotland, while Entropy featured the actress in the thoroughly modern milieu of the 20-something romantic angst drama. Later that year, Macdonald appeared in Mike Figgis' The Loss of Sexual Innocence, playing the young girlfriend of the film's protagonist; and in Gregg Araki's Splendor, a romantic comedy in which she played the blue-haired best friend of the film's heroine.After a slew of similar supporting roles, including a memorable turn as the daughter of Mary Elizabeth Mastrantonio and Colin Firth in My Life So Far, MacDonald was given possibly her biggest break since Trainspotting when Robert Altman cast her as a lead (albeit one of many) in Gosford Park (2001). One-part comedy of manners, one-part murder mystery, the film featured MacDonald in the pivotal role of a young maid who finds herself caught up in a whirl of intrigue, deception, and exceedingly tiresome snobs over the course of a hectic weekend at a country estate.She was the female lead in the highly-respected British miniseries State of Play in 2003, and the next year she was Peter Pan in the Oscar nominated Finding Neverland. In 2005 she was in The Girl in the Café, and she was the love interest in the hit children's film Nanny McPhee. She played the woman who gets to play scenes opposite all three of the leading men in the Oscar-winning No Country for Old Men, and followed that up in the odd romantic black comedy Choke. In 2010 she was cast as the romantic interest for Nucky Thompson, the prohibition era gangster in the award-winning HBO series Boardwalk Empire. She became yet another luminary to join the Harry Potter franchise in 2011 and in 2012 she became part of the Pixar family voicing the lead role in Brave.

Trivia: British actor Thomas Sangster caught audience's attention in 2003's Love Actually when he was 13. He would go on to appear in films like Nanny McPhee, Tristan and Isolde, and Bright Star, as well as provide the voice of Ferb on the animated TV series Phineas and Ferb.

Trivia: Pretty, blonde-haired British actress Eliza Bennett broke into entertainment at the age of nine, with an 18-month turn on the London stage in the Sherman-Sams musical Chitty Chitty Bang Bang, then quickly moved into features -- achieving a steady output of film roles by mid-adolescence. During her early years, she specialized largely, though not exclusively, in science fiction and fantasy, a somewhat ironic fact given her reportedly limited off-camera interest in those genres. Her cinematic work commenced with a supporting turn as Princess Arabella in Martha Coolidge's lighthearted romantic comedy The Prince & Me. After that, Bennett appeared in such projects as the big-screen fantasy comedy Nanny McPhee (2005), the disaster-themed sci-fi telemovie Supernova (2005), the family-oriented time travel fantasy From Time to Time (2009), and the Iain Softley-directed literary fantasy Inkheart (2009), for which she took on a lead role.

Trivia: Angela Lansbury received an Oscar nomination for her first film, Gaslight, in 1944, and has been winning acting awards and audience favor ever since. Born in London to a family that included both politicians and performers, Lansbury came to the U.S. during World War II. She made notable early film appearances as the snooty sister in National Velvet (1944); the pathetic singer in The Picture of Dorian Gray (1945), which garnered her another Academy nomination; and the madam-with-a-heart-of-gold saloon singer in The Harvey Girls (1946). She turned evil as the manipulative publisher in State of the Union (1948), but was just as convincing as the good queen in The Three Musketeers (1948) and the petulant daughter in The Court Jester (1956). She received another Oscar nomination for her chilling performance as Laurence Harvey's scheming mother in The Manchurian Candidate (1962) and appeared as the addled witch in Bedknobs and Broomsticks (1971), among other later films. On Broadway, she won Tony awards for the musicals Mame (1966), Dear World (1969), the revival of Gypsy (1975), Sweeney Todd (1979) and, at age 82, for the play Blithe Spirit (2009). Despite a season in the '50s on the game show Pantomime Quiz, she came to series television late, starring in 1984-1996 as Jessica Fletcher in Murder, She Wrote; she took over as producer of the show in the '90s. She returned to the Disney studios to record the voice of Mrs. Potts in Beauty and the Beast (1991) and to sing the title song and later reprised the role in the direct-to-video sequel, The Enchanted Christmas (1997). Lansbury is the sister of TV producer Bruce Lansbury.

Trivia: Wanted to be a ballerina, but was rejected from the Royal Ballet; as a result, she suffered from anorexia and spent three months in psychiatric hospital as part of her recovery. Made her stage debut at age 16 as a chorus girl at a theatre in Colchester, England. Discovered on the BBC series Who Do You Think You Are that one of her ancestors was imprisoned in the infamous Tower of London, and another was accused of plotting to kill King Charles II. Released her debut novel, Not Quite Nice, in 2015.

Trivia: With an expansive range that stretches from Shakespeare to Chicken Run and just about everything in between, actress Imelda Staunton has, not surprisingly, become one of the most highly respected actresses working in the U.K. If her penchant for playing what many would consider to be mundane, everyday characters found Staunton criminally overlooked in the early years of her career, it was her keen ability to inject those characters with a remarkable complexity that eventually made the stage mainstay-turned-small-screen powerhouse one of Britain's most sought-after talents.A London native and graduate of the Royal Academy of Dramatic Arts, Staunton wasted no time launching her career following graduation, becoming associated with such prestigious venues as The Old Vic and the National Theatre. A trio of productions with the Royal Shakespeare Company gained her numerous critical accolades, and in 1986 Staunton made an impressive television debut in the legendary BBC production of Dennis Potter's The Singing Detective. Increasingly busy throughout the 1990s, Staunton continued to gain momentum on-stage while earning three Oliviers for her performances in the The Corn Is Green, A Chorus of Disapproval, and Stephen Sondheim's Into the Woods. As Staunton's numerous stage roles continued to earn her critical success, frequent television and film roles made her a familiar and endearing face to the general public. Though many of her U.K. television roles went unseen by stateside audiences, supporting roles in such features as Much Ado About Nothing, Sense and Sensibility, and Shakespeare in Love found Staunton slowly working her way into the conscience of U.S. film buffs as well. Moving into the new millennium, Staunton's roles in such films as Chicken Run (for which she provided the voice of Bunty), Crush, Bright Young Things, and I'll Be There found the established television actress actively distancing herself from the small screen in favor of feature films. Of course, every actor dreams of the breakthrough role that will make him or her an international star, and for Imelda Staunton that role was of a 1950s era abortionist caught in a downward spiral in director Mike Leigh's 2004 drama Vera Drake. Her undeniably affecting portrayal of the title role -- a selfless housewife and cleaning woman who makes a name for herself performing illegal abortions -- earned her near-universal praise. After earning accolades from both The Venice Film Festival and The New York Film Festival as well as the Los Angeles and Chicago film critic associations, Staunton had undeniably arrived when the role earned her a Best Actress nomination for the 77th Annual Academy Awards.Subsequent roles in the U.K. television comedy Little Britain as well as the features Nanny McPhee and Freedom Writers served well to introduce her to entirely new, often American, audiences. In 2007, just one year after appearing in a colorful Masterpiece Theatre production of the children's classic The Wind and the Willows, she remained in the world of fantasy for her role in Harry Potter and the Order of the Phoenix. Staunton played Dolores Umbridge -- the latest in a long line of Defense Against the Dark Arts professors -- whose severe disposition drew the ire of Harry Potter himself. She was part of the cast of the well-respected television production Cranford, and appeared in the inspirational drama Freedom Writers. She teamed with Mike Leigh again for 2010's Another Year, and that same year she appeared in Tim Burton's Alice in Wonderland. She continued to work in animated family films such as Arthur Christmas and The Pirates! Band of Misfits.

Trivia: One of Britain's most distinguished stage performers, Derek Jacobi is one of two actors (the other being Laurence Olivier) to hold both Danish and English knighthoods. Primarily known for his work on the stage, he has also made a number of films and remains best-known to television audiences for his stunning portrayal of the titular Roman emperor in I, Claudius.Born in Leytonstone, East London, on October 22, 1938, Jacobi was raised with a love of film, and he began performing on the stage while attending an all-boys school. Thanks to the school's single sex population, his first roles with the drama club -- until his voice broke -- were all female. It was with one of his first male roles that Jacobi earned his first measure of acclaim: playing Hamlet in a school production staged at the 1957 Edinburgh Festival, he made enough of an impression that he was approached by an agent from Twentieth Century Fox. Ultimately deemed too young to be signed to the studio, Jacobi instead went to Cambridge University, where he studied history and continued acting. His stage work at Cambridge was prolific and allowed him to work with classmates Ian McKellen and Trevor Nunn, and, thanks to his performance as Edward II, landed him his first job after graduation. Jacobi acted with the Birmingham Repertory Theatre until his portrayal of Henry VIII attracted the attention of Laurence Olivier. Olivier was so impressed with Jacobi's work that he invited him to London to become one of the eight founding members of the prestigious National Theatre.Jacobi went on to become one of his country's most steadily employed and respected actors, performing in numerous plays over the years on both sides of the Atlantic (in 1985, he won a Tony Award for his work in Much Ado About Nothing). He also branched out into film and television, making his film debut with a secondary role in Douglas Sirk's Interlude (1957). He acted in numerous film adaptations of classic plays, including Othello (1965) and The Three Sisters (1970). However, it was through his collaborations with Kenneth Branagh on various screen adaptations of Shakespeare that he became most visible to an international film audience, appearing as the Chorus in Branagh's acclaimed 1989 Henry V and as Claudius in the director's 1996 full-length adaptation of Hamlet. Jacobi made one of his most memorable (to say nothing of terrifying) screen impressions in Branagh's Hitchcock-inspired Dead Again (1991), portraying a hypnotist with a very shady background. In 1998, Jacobi earned more recognition with his portrayal of famed painter Francis Bacon in John Maybury's controversial Love Is the Devil: Study for a Portrait of Francis Bacon.On television, in addition to his celebrated work in I, Claudius, Jacobi has also earned praise for his roles in a number of other productions. In 1989, he won an Emmy for his performance in the 1988 adaptation of Graham Greene's The Tenth Man.In 1994 he began a successful run as a mystery-solving monk in the TV series Cadfael, a program that ran for three years. He had a Shakespeare heavy 1996 playing Claudius opposite Branagh's Hamlet, and appearing in Al Pacino's documentary Looking for Richard. He lent his voice to the animated version of Beowulf. He began the new century appearing in the Best Picture winner Gladiator, and was part of the rich ensemble compiled by Robert Altman for Gosford Park. In 2005 he was in the cast of the hit children's film Nanny McPhee, and two years later he was in The Golden Compass. In 2010 he appeared in another Oscar winning best picture when he was in The King's Speech. The next year he appeared in Anonymous as well as My Week With Marilyn.

Trivia: Began acting at age 9. Made his Broadway debut in a revival of Private Lives in 2002. Stepped in last minute to take on the lead role in the controversial play Paul in London in 2005. Researched autism for several months before portraying Raymond Babbitt in the 2008 stage adaption of Rain Man in London. Was unfamiliar with the comic-book series Powers before landing a role on the related TV series of the same name.

Trivia: An esteemed actress, known both for her portrayals of flinty, dry-witted women and her real-life role as the mother of actresses Emma and Sophie Thompson, Phyllida Law has been acting in her native Britain for over 40 years. Born in Glasgow, Scotland, in 1932 and married to fellow actor Eric Thompson until his death in 1982, Law has spent much of her career working as a character actress both on television and in film. She has done particularly notable work in Douglas McGrath's 1996 adaptation of Jane Austen's Emma, which cast her as the meddlesome Mrs. Bates (and daughter Sophie Thompson as her equally meddlesome daughter Miss Bates); Alan Rickman's acclaimed drama The Winter Guest, in which she and daughter Emma starred as an estranged mother and daughter; and Nigel Cole's Saving Grace (2000), a comedy in which she portrayed the busybody neighbor of a woman (Brenda Blethyn) who has taken to growing pot in her backyard. An accomplished performer on stage, screen, and even radio plays, Law also authored books in which she discussed her experiences caring for her mother, who suffered from dementia, with refreshing, light hearted humor and wit.