Trivia: A veteran of film and television, Chris Noth is probably best known for his work on Law and Order and HBO's Sex and the City, the latter of which featured him as the charming but terminally untrustworthy Mr. Big, erstwhile boyfriend/bad habit of the series' heroine, Carrie Bradshaw (Sarah Jessica Parker). Hailing from Madison, WI, where he was born November 13, 1954, Noth moved around a lot throughout his childhood, living in England, Yugoslavia, and Spain. Returning to the States, he studied with the storied acting coach Stanford Meisner before being accepted into the prestigious Yale School of Drama.Noth got his start on the stage and in television performing at the American Shakespeare Festival in Stratford, CT, and appearing in productions with theater companies across the country, including the Manhattan Theater Club and Los Angeles' Mark Taper Forum. Working in television beginning in 1982, he did a number of shows before breaking into film with small parts in Off Beat (1986) and the Diane Keaton comedy Baby Boom (1987). Noth's big break came in 1989, when he was chosen to play Det. Mike Logan on Law and Order. Noth portrayed the young policeman for five seasons, winning both critical nods and fans, many of whom were saddened when his Law and Order contract was not renewed in 1995. Noth continued to work on television and did minor work in films such as Naked in New York (1994) before getting his next big break in the form of Sex and the City (1998). As Big, he was one of the few male characters who could hold his own in the presence of the series' strong female protagonists, played by Parker, Cynthia Nixon, Kim Cattrall, and Kristin Davis. The show proved to be an enormous critical and commercial hit, in the process winning Noth more fans. He would reprise the role for subsuquent big screen adaptations of the show, in addition to other films like My One and Only and Lovelace. Noth would also enoy successful turns on Law & Order: Criminal Intent, The Good Wife, and Titanic: Blood and Steel.

Trivia: From the catwalk to the silver screen, model-turned-actress Julianne Nicholson has a way of turning heads. A freckled starlet whose fresh-faced beauty and boundless energy have no doubt served her well in juggling multiple projects in film and television, Nicholson first made a name for herself in a trio of independent dramas before achieving recognition among the masses with a role in the 1999 Stephen King miniseries Storm of the Century. Born and raised the oldest of four siblings living in Medford, MA, Nicholson dabbled in modeling following graduation from high school. Later studies at New York's Hunter College found the aspiring actress waiting tables in the Big Apple to support herself, though it didn't take long for Nicholson to throw caution to the wind and take up acting full time. Following her appearance in Storm of the Century Nicholson returned to features for a slew of supporting roles, and in 2000, she made her first foray into weekly television as a college student with the gift of second sight in The Others. Despite the series' short lifespan, Nicholson escaped relatively unscathed, resurfacing later the same year with an Independent Spirit Award-nominated role in the indie drama Tully. Back on the small screen Nicholson offered a breath of fresh air to Ally McBeal when she joined the cast of the popular series in 2001, with a brief leap back to the big screen in I'm With Lucy preceding a stint with a stethoscope on the 2002 medical drama Presidio Med. Cast opposite Jay Mohr as the bride-to-be in the 2004 feature Seeing Other People, Nicholson proved without a doubt that she had more than enough charm to carry the small comedy before moving on to a supporting role in the wide-release romantic comedy Little Black Book and getting meatier television roles on Law & Order: Criminal Intent, Boardwalk Empire, and The Good Wife.

Trivia: Frequently mislabeled as a performance artist, Eric Bogosian is a writer and an actor known for his comedic monologues and social commentary. Born on the East Coast and educated in the Midwest, he wrote and performed numerous one-man shows around New York during the late '70s and early '80s. After doing shows in art spaces like The Kitchen, he eventually had his solo work Fun House committed to video. The 1987 production was taped in front of a live audience. During this time he had also started acting in other people's projects, including Robert Altman's made-for-TV movie The Caine Mutiny Court Martial. The next year, he teamed with Oliver Stone for the film version of his off-Broadway show Talk Radio, starring himself as D.J. Barry Champlain. As a cinematic expansion of his original monologue, the film earned Bogosian a Silver Bear award at the Berlin Film Festival and a nomination at the Independent Spirit awards. His next big one-man show, Sex, Drugs, and Rock & Roll, was also made into a film, published in book form, and released on CD by Capitol. During the early '90s, he appeared as a television guest star on Law & Order and The Larry Sanders Show, and continued to publish his writing. In 1994, he finished work on the play Suburbia, which was later adapted to film by director Richard Linklater. As an actor, he had supporting roles in Dolores Claiborne, Under Siege 2, and Deconstructing Harry, followed by numerous cameos and vocal appearances. After finishing the play Griller, he went back to solo shows with Wake Up and Smell the Coffee, which was committed to film by InDigEnt. After Simon & Schuster published his novel Mall, he appeared in several TV movies and feature films, including the CBS miniseries Blonde, Atom Egoyan's Ararat, and the summer blockbuster Charlie's Angels: Full Throttle.

Trivia: Actress Michelle Trachtenberg was born on October 11, 1985, in New York City, and made a recognized splash into the Hollywood scene only 11 years later when she starred with Rosie O'Donnell in Harriet the Spy. Before the film, she had commercial and television acting experience, most notably with future Buffy the Vampire Slayer co-star Sarah Michelle Gellar on the soap opera All My Children. After Harriet, Trachtenberg made smaller film appearances, along with additional television roles. In 1999, she co-starred as Penny in Inspector Gadget with Matthew Broderick. She took on the role of Gellar's younger sister on the WB series Buffy the Vampire Slayer in 2001, and a recurring turn as pop star Celeste on Six Feet Under in 2004. She appeared in Ice Princess and Black Christmas. In 2009 she joined the cast of the series Mercy, and continued to work on the big-screen in projects like 17 Again, Cop Out, and Take Me Home Tonight.

Trivia: The son of an editor for the New Yorker, the diminutive comedic actor Wallace Shawn achieved immortality for his portrayal of the Sicilian Vizzini in the 1987 classic The Princess Bride. A graduate of both Harvard and Oxford University, he has taught several courses in English and struggled as a playwright in the early '70s; in 1977 he translated Machiavelli's The Mandrake. Shawn broke into films soon after, building a successful career as a supporting actor to help fund his playwriting. He debuted in two of the best films of 1979: Woody Allen's Manhattan and Bob Fosse's All That Jazz.In 1981, he co-wrote the semi-autobiographical My Dinner With André, a talky comedy starring himself and theater director André Gregory in a dinner conversation, directed by Louis Malle. The movie was acclaimed by critics and a cult favorite. After this personal project, Shawn would build a career out of playing brief but surprisingly memorable roles in a long list of movies. His performance as the leader of the misfit criminal gang in The Princess Bride proved a pivotal moment, and that same year, he supplied the heroic voice for the Masked Avenger in Woody Allen's Radio Days. Shawn would also go on to do voice acting in projects like The Goofy Movie, All Dogs Go to Heaven, and the Toy Story series. He would also continue to work with Woody Allen throughout the next decade, and picked up a new generation of fans playing debate teacher Mr. Hall in the 1995 high school classic Clueless. Shawn would also take his quirky persona to the small screen with appearances on TV shows likeMurphy Brown, The Cosby Show, Star Trek: Deep Space Nine, Sex and the City, as well as the ABC sitcom version of Clueless. Throughout his acting career, Shawn has managed to continue writing successful plays, and eventually adapted one of them, The Designated Mourner, for a feature film in 1997. In 2002, he played the publishing boss Mr. Gelb for the "Greta" story in Rebecca Miller's Personal Velocity: Three Portraits. Shawn would continue to appear regularly on screen in the years to come, playing recurring roles on The L Word, Gossip Girl, and Eureka,

Trivia: Born November 29, 1933, CNN mainstay Larry King reshaped the landscape of broadcast journalism when his talk show Larry King Live debuted in June 1985; that program's groundbreaking admixture of cutting-edge political discussion, incisive celebrity-directed Q & A, and viewer phone-in rocked the world and drew an audience of tens of millions. By 2007 -- King's 22nd year on cable and his 50th year in broadcasting -- the CNN website revealed that King had chalked up 40,000 interviews, including one with every United States president since Gerald Ford. Uncoincidentally, that was the same year King achieved an honor claimed by very few: a city block -- the street surrounding the CNN building -- was christened "Larry King Square" in his honor. King lent his voice to several animated features including Bee Movie (2007), Shrek the Third (2007), and Shrek Forever after (2010).

Trivia: Pat Murphy is one of Ireland's more prominent filmmakers; two of her notable projects include Maeve (1981) and Anne Devlin (1984). She began directing while still enrolled in a London art school. Her first film was the short Rituals of Memory (1977). Maeve is an interesting film because it uses an experimental narrative form to chronicle the feelings of alienation experienced by the female protagonist as she deals with her place in a patriarchial nation. Anne Devlin looks back at the place of women in 19th-century Ireland. Unlike Maeve, it utilizes traditional narrative to tell its story.

Trivia: The first Asian filmmaker to helm a major Hollywood feature, John Woo initially emerged as the leading light of the Hong Kong action renaissance of the late '80s. Celebrated for his unique, much-imitated style -- a Molotov cocktail of graceful slow-motion sequences, staccato edits, freeze-frames, and dissolves -- Woo brought a new depth of emotion and visual beauty to the action genre, perfecting an operatic, highly stylized brand of mayhem laced with melodrama, savage wit, and homoerotic undercurrents.Woo was born Wu Yu Sen on May 1, 1946, in the Guangzhou Canton Province of China, his parents relocating the family to Hong Kong three years later to escape life under communism. The Woos were quite poor, and were homeless for several years. His father, a philosopher, was later hospitalized with tuberculosis for over a decade. It was his mother who introduced Woo to the cinema, where he fell under the sway of American musicals and the films of the French New Wave, with Jean-Pierre Melville emerging as his greatest influence. After the death of his father, Woo was forced to leave school at the age of 16. He took a job at a newspaper called the Chinese Student Weekly, learning film theory by stealing books on motion pictures from area libraries and shops.Influenced by Western cinema, Woo grew increasingly dissatisfied with the Hong Kong production industry, and decided to begin making his own films in 1968. Over the next two years he made a number of shorts in 8 mm and 16 mm, most of which were later lost. By the close of the decade he was employed as a production assistant and script supervisor at Cathay film studios. By the early '70s, Woo had been elevated to the position of assistant director under the aegis of the prolific Shaw Brothers Studios. At the same time he drew great inspiration from the new breed of American filmmakers including Sam Peckinpah and Stanley Kubrick, the hypnotic violence of their work leaving a profound effect. At Shaw Brothers, Woo began working under martial arts director Chang Che, whose expressive, emotional brand of action filmmaking left an indelible mark on his protegé. After assisting Chang on several films, including Four Riders and Boxer From Shantung, Woo was finally tapped by the rival Golden Harvest Studios to direct his own feature, 1973's The Young Dragons. An innumerable string of low-budget efforts followed, ranging from chop-socky pictures like 1974's The Dragon Tamers and 1975's Hand of Death (Jackie Chan's first major star turn) to the 1975 Chinese opera Princess Chang Ping. In 1977, he directed The Pilferer's Progress, a comedy starring Ricky Hui. The tremendous success of the film established Woo as a comic filmmaker, and of the many features he subsequently helmed, including 1978's Last Hurrah for Chivalry, 1979's From Riches to Rags, and 1982's Plain Jane to the Rescue, the majority were comedies. By the mid-'80s, Woo's career had largely come to a halt. His later films, including a pair of efforts shot in Taiwan (1984's The Time You Need a Friend and 1985's Run Tiger Run), had all failed miserably at the box office. With the aid of producer Tsui Hark, Woo was able to mount his longtime pet project, A Better Tomorrow, a fusion of the themes of traditional martial arts tales with the kind of ambivalent protagonists and graphic violence found in Western action films. Released in 1986, the film was Woo's commercial and critical breakthrough, becoming Hong Kong's top box-office attraction of the year and launching stars Chow Yun Fat and Leslie Cheung into the upper echelon of Eastern film talent. A Better Tomorrow marked the true emergence of Woo's balletic action style, an aesthetic he continued to hone in films like 1987's A Better Tomorrow II and 1989's masterful The Killer, which became his American breakthrough when released in the U.S. a few years later. The Vietnam war drama Bullet in the Head followed in 1990, and after the success of 1992's Hard-Boiled, Hollywood came calling. With star Jean-Claude Van Damme in the lead, Woo took the helm for 1993's Hard Target. An updating of The Most Dangerous Game, Hard Target ultimately fell victim to overzealous editing after it was stamped with the dreaded "NC-17" rating by the MPAA. Additionally, the film was inexplicably deemed "too Chinese" by the studio and by the time the film reached stateside theaters it was an little more than an anemic ghost of prime Woo. In its original, uncensored form (which was the form it was released in overseas), the film stands alongside many of Woo's most entertaining Hong Kong efforts. In the years to come, Woo would remain active in the American film industry, but he never seemed to recapture the magic of his Hong Kong productions. While a few of his Hollywood projects scored comercial success despite critical scorn (like 1996's Broken Arrow), many of Woo's English language films were flat out disappointments for critics and audiences alike (like 1999's Mission: Impossible II), and still others would prove to be so bonkers and strange, they became cult favorits (like 1997's Face/Off). Interestingly, when Woo returned to his roots with period pieces about Chinese history like the Mandarin language war epic Red Cliff, he seemed to regain considerable credability, adding yet a new and fascinating phase to the legendary filmmaker's already storied career.

Trivia: Born and raised in the Boston area, Erbe left her hometown to study drama at New York University. After making her TV debut as Lynn Redgrave's daughter on the short-lived TV sitcom Chicken Soup (1989), she returned to New York and was cast in the acclaimed 1990 Broadway production of The Grapes of Wrath. Erbe soon scored her first major film credit as Richard Dreyfuss' daughter in the Bill Murray comedy What About Bob? (1991) and alternated stage work as a member of the Steppenwolf Theatre Company and Atlantic Theatre Company with TV and films throughout the 1990s, most notably in Rich in Love (1992), George Wallace (1997), Kiss of Death (1995), The Addiction, (1995), and Stir of Echoes. Erbe also earned major acclaim on the HBO series Oz. As the 2000's unfolded for the actress, she found continued success in TV, playing the role of Detective Alexandra Eames on Law & Order: Criminal Intent.

Trivia: An actor whose hulking presence belies his ability to slip quietly into an astonishing variety of roles, Vincent D'Onofrio is one of Hollywood's most unpredictable and compelling performers. Throughout his career, D'Onofrio has played a diverse range of characters, from Full Metal Jacket's fatally unhinged army recruit to a wholly convincing Orson Welles in Ed Wood to a bisexual porn star in The Velocity of Gary.Born in Brooklyn, NY, on June 30, 1959, D'Onofrio was raised in the diverse locales of Hawaii, Colorado, and Miami's Hialeah section. His career as an actor began on the stage, with study under Sonia Moore of New York's American Stanislavsky Theatre and Sharon Chatten at the Actors Studio. D'Onofrio's early years in the theater were filled with an obligatory helping of obscurity and miniscule paychecks (so miniscule that he worked for a time as a bouncer to help pay the bills). His fortunes began to shift in 1984, when he joined the American Stanislavsky Theatre as a performer. There, he appeared in such well-regarded productions as Of Mice and Men and David Mamet's Sexual Perversity in Chicago, and also made his Broadway debut in Open Admissions.D'Onofrio debuted onscreen in the straight-to-oblivion 1983 comedy The First Turn-On!, but it was not until his haunting portrayal of Pvt. Pyle (a role for which the actor gained 70 pounds) four years later in Stanley Kubrick's Full Metal Jacket that he earned much-deserved notice for his work. Defying easy categorization, D'Onofrio next appeared in the romantic comedy Mystic Pizza (1988), slimming down to his normal weight and giving a convincing portrayal as Lili Taylor's lovestruck boyfriend.Having thus given audiences a glimpse of his remarkable versatility, D'Onofrio spent the next few years making his presence felt in such films as JFK (1991), in which he played assassination witness Bill Newman; The Player (1992), which cast him in the pivotal role of ill-fated screenwriter David Kahane; and Nancy Savoca's Household Saints (1993), which, through a particularly odd feat of casting, had him playing the father of Lili Taylor. Although D'Onofrio worked at a prolific pace, it was not until he portrayed Conan the Barbarian author Robert E. Howard in the 1996 The Whole Wide World that he really had his screen breakthrough. A low-key romantic drama about the relationship between Howard and a schoolteacher (Renée Zellweger), the film allowed D'Onofrio to take center stage, rather than lend support to better-known co-stars. Critics roundly applauded his performance, but although the actor kept working steadily, he was by no means a Hollywood fixture. Eschewing the limelight, he turned in particularly memorable performances in Feeling Minnesota (1996) as Cameron Diaz's cuckolded fiancé and in the 1997 blockbuster Men in Black, which cast him as the film's resident bad guy.D'Onofrio had long since become an established actor by the 2000's, and he would remain a solid force on screen in such films as The Cell, Happy Accidents, Steal This Movie, andThumbsucker. D'Onofrio would also find just as much notoriety on the small screen, most notably as Detective Robert Goren on the phenomenally successful Law & Order spin-off Criminal Intent, and even step behind the camera, penning, helming and starring in the drama Mall.

Trivia: Character actor Jamey Sheridan has had a prolific acting career in theater, television, and film productions. Born in California to a family of actors, he made it to Broadway and earned a Tony nomination in 1987 for his performance in the revival of Arthur Miller's All My Sons. After several TV movie appearances, he landed a reoccurring role as lawyer Jack Shannon on Shannon's Deal, which ran for one season in 1990. His later television roles include Dr. John Sutton on Chicago Hope (from 1995-1996) and Captain Deakins on Law & Order: Criminal Intent (since 2001). Sheridan started his film career in the late '80s with small roles, and by the '90s he was playing the token family man, a role he would continue in both film and television. He was also capable of playing villains, as he did in the 1994 miniseries adaptation of Stephen King's The Stand. Other interesting roles include Marty Stouffer in Wild America and the psychotic neighbor in Video Voyeur: The Susan Wilson Story. After a long history of performing Shakespeare on the stage, Sheridan appeared in Campbell Scott's production of Hamlet in 2000 as well as the Hamlet-inspired modern noir film Let the Devil Wear Black in 1999. He's also given fine supporting performances in The Ice Storm, Cradle Will Rock, Life as a House, and numerous TV movies. In teh early 2000s Sheriden frequently alternated between film and television, though it was his role on the popular detective series Law and Order: Criminal Intent that offered him the most exposure. It was during his five year run on that show that he was diagnosed with Bell's palsy, a nerve disorder that temporarily causes partial facial paralysis, and the writers ultimately incorporated that condition into the show. In 2011 Sheridan joined the cast of the Showtime drama Homeland, which centered on a Marine sergeant and war hero who returns home to the U.S. after eight years missing in Iraq, only to be pursued by a CIA officer who's convinced he's been turned into a terrosit by Al-Qaeda.Sheridan and his wife, actress Colette Kilroy, have two children.

Trivia: Although he had been appearing in both film and television productions since the mid-'80s, it took nearly two decades for actor Courtney B. Vance to finally receive recognition. The Detroit native was bitten by the acting bug while a student at Harvard, and though he had originally intended to study history, he felt the lure of the stage and was soon appearing in productions at Harvard before eventually joining the Boston Shakespeare Company. After graduation, Vance continued his acting career at the Yale School of Drama, and it was there that he first gained notice for his role opposite James Earl Jones in the August Wilson drama Fences. In 1987, Vance made his film debut in the war drama Hamburger Hill, and though he remained true to his stage roots in the ensuing years, screen roles kept rolling in. The actor climbed the credits throughout the 1990s with a series of supporting roles in The Hunt for Red October (1990), Beyond the Law (1992), and The Adventures of Huck Finn (1993). 1995 proved something of a breakthrough year for the rising star, with roles in Panther, Dangerous Minds, and The Last Supper offering him more screen time than ever. In 1996, Vance held his own as a minister opposite Denzel Washington and Whitney Houston in The Preacher's Wife. Drawing from his own faith -- which had recently been reawakened by the suicide of his father -- for the role, Vance also had memorable performances in Cookie's Fortune in 1999 and Space Cowboys the following year. He portrayed Martin Luther King Jr. in the dramatic miniseries Parting the Waters (2000) and made another solid impression on television viewers the next year with a role in the popular series Law & Order: Criminal Intent.Vance would stick with the series for five years, concurrently appearing on the long-running medical drama ER. By the time he had finished his run on both programs, he was on to the science fictions series Flash Forward from 2009-2010, before signing on to appear alongside Michael Biehn in the post-apocalyptic horror flick The Divide in 2011.

Trivia: Tall, gangly, and oddly handsome, stage, screen, and television actor Jeff Goldblum is an unlikely sex symbol. But for many women, especially those fond of eccentric intellectual types, he fits the role perfectly. Known for the range of quirky, often otherworldly characters he has portrayed, Goldblum is adept at playing lead and supporting roles in dramas and comedies alike. A native of Pittsburgh, PA, where he was born October 22, 1952, Goldblum moved to New York at the age of 17 to pursue an acting career. He got his start at Sanford Meisner's distinguished Neighborhood Playhouse, and in the '70s began performing in a wide variety of on and off-Broadway productions. When he was 22, Goldblum made his film debut with a small role as a rapist in Michael Winner's brutal revenge drama Death Wish (1974). He was performing on-stage in the El Grande de Coca Cola review when Robert Altman gave him a small part in California Split (1974) and a slightly larger role in Nashville (1975). Afterwards, Goldblum was steadily employed as a bit player in both major and minor features, turning in one of his most notable performances as a nervous houseguest struggling to remember his mantra in the Los Angeles-set segment of Annie Hall (1977). In 1980, Goldblum branched out into television, starring opposite Ben Vereen in the short-lived television detective comedy Tenspeed and Brown Shoe. As Brown Shoe, Goldblum played an uptight stockbroker trying to make it as a hardboiled private detective. Although the role may have given him greater recognition, the actor gained his first really favorable reviews playing a tabloid magazine reporter in The Big Chill (1983). This led to leading roles in such films as Into the Night (1985), where Goldblum played an aerospace engineer opposite Michelle Pfeiffer, and Silverado (also 1985), which cast him as a villainous gambler. In 1986, he had his first hit movie with David Cronenberg's terrifying sci-fi-horror film The Fly (1986), playing a driven scientist whose research turns him into a gruesome mutant. His co-star was his then-wife, Geena Davis, whom he met while they were on the set of the comedy-thriller Transylvania 6-5000 (1985). The couple divorced in the early '90s and Goldblum then embarked on a highly publicized relationship with actress Laura Dern that broke up in the mid-'90s.In 1989, Goldblum made a favorable transatlantic impression in the British romantic comedy The Tall Guy, playing a perpetually unemployed actor who is cast as the lead of a musical about the Elephant Man. He continued to work steadily throughout the subsequent decade, appearing in films of markedly varying quality. He found great success in Steven Spielberg's Jurassic Park, playing a mathematician in one of the decade's biggest blockbusters. In 1996, Goldblum again explored blockbuster territory with a leading role as a computer genius in Independence Day. He reprised his role from Jurassic Park in that film's sequel 1997 sequel, The Lost World: Jurassic Park. He starred opposite Eddie Murphy in the notorious bomb Holy Man.At the beginning of the next decade Goldblum worked primarily in independent films such as Burr Steers' debut Igby Goes Down, and playing the romantic and professional rival to Bill Murray in Wes Anderson's The Life Aquatic with Steve Zissou. In 2006 he scored a role in his most mainstream film in quite sometime as part of the impressive ensemble in Barry Levinson's satire Man of the Year. In 2009, Goldblum joined the cast of Law & Order: Criminal Intent in the show's eighth season to play the role of Detective Zach Nichols. 2010 found the actor co-starring with Harrison Ford and Diane Keaton for the showbiz comedy Morning Glory. In 2014, he re-teamed with Anderson in The Grand Budapest Hotel. The following year, he appeared opposite Johnny Depp in Mortdecai and began filming his role in the long-awaited Indepdendence Day sequel, due in 2016.

Trivia: Tall, slim, and possessing impossibly large cheekbones, English actress Saffron Burrows first came to the attention of international audiences with her role in Circle of Friends (1995). Burrows, who had made her screen debut two years earlier in Jim Sheridan's In the Name of the Father, was cast as one of Minnie Driver's titular circle, an Irish girl who makes the mistake of getting involved with an older, morally suspect Englishman (Colin Firth).Thanks to the film's great success, Burrows found herself steadily employed, though not always in films of great quality. In 1999, she earned the label of "star on the rise" thanks to leading roles in four different films. Two of these, Wing Commander and Deep Blue Sea, were big-budget action films, while the others were art-house dramas directed by Mike Figgis. The first, The Loss of Sexual Innocence, cast Burrows as identical twins separated at birth, while the second, Miss Julie, was an adaptation of August Strindberg's play that featured Burrows as the title character, a wealthy young woman who enters into a ruinous affair with a servant.Later gravitating toward television with roles in Boston Legal, My Own Worst Enemy, Law & Order: Criminal Intent, Bones, Agents of S.H.I.E.L.D., Burrows continued to hone her skills as a journalist by penning articles for such prominent British publications as The Guardian and The Times of London while she wasn't plying her trade in front of the cameras.

Trivia: The daughter of first generation Italian-Americans, Mary Elizabeth Mastrantonio was born in Oak Park, IL. Oak Park was also the home town of Ernest Hemingway; some of his "don't mess with me" spirit seems to have been passed on by osmosis to Mastrantonio, who has made her career playing a number of feisty, strong-willed women. Trained for an operatic career, she studied voice at the University of Illinois, Champaign, and had one of her first gigs in an Opryland production of Showboat. Once in New York, Mastrantonio was hired for the 1981 revival of West Side Story, and was lauded in the press for her peppery portrayal of Viola in a New York Shakespeare Festival staging of Twelfth Night.Mastrantonio's first film was Scarface (1983), in which she played Al Pacino's sister (the incestuous subtext was just as pronounced here as in the original 1931 version). She then essayed the role of Benito Mussolini's embittered daughter Edda in the TV miniseries Mussolini: The Untold Story, which starred George C. Scott in the title role. In both of these productions, Mastrantonio tended to be overshadowed by her male co-stars, but she more than held her own opposite such heady company as Paul Newman and Tom Cruise in The Color of Money (1986), an assignment which won her both a Best Supporting Actress Oscar nomination and a Golden Globe nomination.After appearing in a few more films -- most notably The Abyss, in which she played Ed Harris' estranged engineer wife -- she starred as Maid Marian in Kevin Costner's Robin Hood: Prince of Thieves in 1991. As a mark of the impression the actress had made in strong, self-reliant roles, her transformation into a damsel in distress during the film's final scenes were greeted with audible audience groans. Unfortunately, following the huge commercial -- if not critical -- success of the film, Mastrantonio's visibility receded; over the next few years she could be seen in a number of relatively obscure films, perhaps the most notable of which was Two Bits (1995) with Al Pacino. However, in 1999 Mastrantonio reemerged in the public -- or at least art house -- consciousness, thanks to lead roles in My Life So Far, in which she played Colin Firth's wife, and John Sayles' Limbo, in which she portrayed another strong-willed woman, an itinerant lounge singer who meets an uncertain fate in deepest, darkest Alaska.In the years to come, Mastrantonio would appear in many successful projects to come, most notably on the TV series Without a Trace and Law & Order: Criminal Intent.

Trivia: Born in Connecticut and raised in New York City, Annabella Sciorra began her formal acting training at 13 years old, when she began attending the prestigious Hagen-Berghoff theatrical studios. By the time she was an adult, Sciorra was able to make a well-received film debut as an angst-ridden, Italian-American, Brooklyn-raised bride in 1989's True Love. Before long, the young actress found herself starring largely in wife and girlfriend roles opposite Hollywood A-listers including Tim Robbins, Robin Williams, and Richard Gere. Sciorra's supporting roles in Reversal of Fortune (1990) and The Hard Way (1991) were so successful, in fact, that they led to her breakout performance as Angie Tucci, the Italian-American woman in love with the African-American protagonist, played by Wesley Snipes, in director Spike Lee's groundbreaking urban drama Jungle Fever (1991). Sciorra's skill led to a slew of roles throughout the 1990s, most of them character parts; from Mr. Wonderful to The Hand That Rocks the Cradle to Romeo Is Bleeding, the actress proved her ability, though it wouldn't be until 1997's Cop Land that Sciorra's talent as a supporting actress was showcased to her fans' satisfaction. After a powerful performance as Annie Nielson, who contemplates suicide after the death of her husband and children in What Dreams May Come (1998), Sciorra participated in a variety of moderately faring movies until 2001, when she made her debut as tough-as-nails Italian-American Gloria Trillo in the third season of HBO's hit series The Sopranos.

Trivia: Born in Chile, Pascal and his family fled the country in the 1970s as political refugees during the dictatorship of Augusto Pinochet. Spent time in Denmark, Texas and Southern California, before moving to New York City at age 18 to pursue theatre. Was a competitive swimmer as a child, qualifying for the state championships in Texas at age 11. The stage veteran received the Los Angeles Drama Critics Award and Garland Award for his role in the International City Theatre production of Orphans. Directed original productions for the Rattlestick Playwrights Theatre and as a member of Off-Broadway's renowned LAByrinth Theatre Company. Before filming Series 1 of Narcos, he and his co-star Boyd Holbrook spent a week in Virginia, during which they were able to train at Quantico and met the real-life undercover DEA agents they portray on the Netflix series. Appeared with Heidi Klum in a video set to Sia's "Fire Meet Gasoline" filmed for the model's Intimates Lingerie collection.

Trivia: Started acting in local community theater productions.Studied swinging trapeze as a teenager at French Woods Festival of the Performing Arts.Spent two summers in college singing and dancing in shows at Six Flags New England.In 2005, attended Shakespeare and Company's month-long intensive in the Berkshires.Attended Circle in the Square's summer program.Known for her red hair and porcelain white skin.

Trivia: Is the granddaughter of Pauline Betz Addie, a tennis player who won Wimbledon in 1946. Won the English-Speaking Union's National Shakespeare Competition during high school. In 2005, played Ophelia in Mill Mountain Theatre's stage production of Hamlet. Played the role of Kalina in Bruce Norris' production of The Pain and the Itch at Playwrights Horizons theater in 2006. Portrayed Anne Frank in the Denver Center for the Performing Arts' stage production of Anne Frank in 2007. In 2014, was named in Indiewire's list of 10 Comic Actresses Who Deserve A Big-Screen Leading Role.