Trivia: Left university to perform with the Royal Shakespeare Company. Was narrator of BBC series Airport between 1996 and 2005. Appointed an OBE in 2010. Awarded an honorary doctorate at the University of Plymouth in 2012. Patron of The Mare and Foal Sanctuary.

Trivia: Walkden, England, native David Bamber nearly avoided the proscenium altogether, with early plans to enter a training program for special education instructors. At the last yawning moment, however, Bamber decided to jump ship and head into acting, courtesy of the dramatic arts program at Bristol University and -- later -- a scholarship to the Royal Academy of Dramatic Art (RADA). As a student, the thespian distinguished himself from many of his colleagues by acquiring a marked preference for contemporary material over classicist plays. As a stage actor, Bamber (though openly heterosexual, with a wife and children) sustained a particularly fine reputation for convincing portrayals of (often repressed) gay characters in such plays as My Night with Reg and Pride and Prejudice. He also gained recognition for comic physicality deemed brilliant by many critics. In terms of on-camera work, Bamber's work (somewhat ironically) has leaned more toward period material than his stage efforts. Following an appearance in the all-star British seriocomedy Privates on Parade (1982), he signed for roles in such projects as the made-for-television outings The Merchant of Venice (2001) and Pollyanna (2002), and the HBO miniseries Rome (2005) as Marcus Tillius Cicero. In 2008, Bamber joined co-stars Tom Cruise, Tom Wilkinson, Kenneth Branagh, and others for the Cruise-produced Hitler assassination thriller Valkyrie with a frightening turn as Adolf Hitler.

Trivia: Starred in the 1975 Birmingham Rep production of Equus. Played Sasha in a 1978 production of Ivanov at the Old Vic. Portrayed the role of Joyce Barnaby in Midsomer Murders between 1997 and 2011. Performed in a world tour of Hamlet throughout 1978, alongside Sir Derek Jacobi. Is a Drama tutor at London's Guildhall School of Music and Drama.

Trivia: At the age of nine, presented radio broadcasts for Children's Hour. Worked as a stage hand at the Birmingham Rep at the age of 16. Moved to London to become an actor immediately upon getting his O-Levels. Worked as a fight director and stunt man throughout the 1960s, under the name 'Jack Barry'. Portrayed Dr George Bullard in Midsomer Murders from 1998 to 2011.

Trivia: Joined the National Youth Theatre as a teenager. Won the Alec Clunes award for Best Actor while studying drama at LAMDA. In 1998, performed in a Royal Shakespeare Company production of The Herbal Bed. Between 2005 and 2017, played DI Ben Jones in ITV Drama Midsomer Murders. In 2012, was nominated for the Outstanding Actor in a Drama Series award at the Monte Carlo TV Festival for his role in Midsomer Murders.

Trivia: Born to Australian parents. Debuted on American TV in Charles & Diana: A Love Story (1982). Performed on stage in starring roles with the prestigious Royal Shakespeare Company, Royal National Theater and Royal Court. Emerged in the U.S. in two Steven Spielberg films: as the wife of Peter Banning in Hook; and the wife of Oskar Schindler in Schindler's List. Met cinematographer husband Nicola Pecorini on the set of Cliffhanger. He is the co-founder of the Steadicam Operators Association. Played a Queen of England (Mists of Avalon), British Prime Minister (Me & Mrs. Jones) and First Lady (Chasing Liberty) in a three-year span from 2001-2004.

Trivia: Stout, jovial character actor Simon Callow has been enlivening the stage and screen for years, often in roles that highlight his versatility and capacity for a particular brand of good-natured, self-deprecating humor.Born in London on June 13, 1949, Callow began going to the theatre when he was 18 and working at a bookstore with no idea of what to do with his life. He took a particular interest in the Old Vic, which was being run by Laurence Olivier at the time. Deeply impressed with Olivier's talent, Callow wrote to him. To his great surprise, the esteemed actor responded in kind, telling the young man that if he was interested in acting, he should consider taking a job at the Old Vic's box office. Callow did so, and thus made his entrance into the theatre world. He subsequently became a fixture on the London stage, appearing in numerous productions over the years.Callow made his film debut with a substantial supporting role in 1984 in Milos Forman's Amadeus. Two years later, he endeared himself to transatlantic audiences with his portrayal of the bumbling reverend Mr. Beeb in Merchant-Ivory's celebrated adaptation of E.M. Forster's A Room with a View. He would also appear in two more Merchant-Ivory-Forster adaptations, Maurice (1987), in which he had a brief role as the title character's deluded school teacher, and Howards End (1992), which featured him in the small but memorable role of a pompous lecturer on music appreciation.In addition to his numerous collaborations with Merchant-Ivory (which also include Mr. and Mrs. Bridge, 1990, and Jefferson in Paris, 1995), Callow has worked in a number of diverse British and American productions. Perhaps one of his best-loved and most recognizable roles was in the popular Four Weddings and a Funeral (1994). As one of Hugh Grant's motley circle of friends, the ebullient, flamboyant Gareth, Callow injected both poignance and joie de vivre into the proceedings. His character particularly stood out for being in an open, unapologetic relationship with another man (John Hannah), something that at the time had few parallels in American films. The character also highlighted Callow's status as one of Britain's openly gay actors, which also had regrettably few parallels across the Atlantic.Among the other diverse films he appeared in throughout the '90s, Callow particularly stood out in the animated James and the Giant Peach (1996), in which he voiced the wise Grasshopper; the acclaimed Shakespeare in Love (1998), which featured him as the obnoxious, party-pooping Master of Revels; and Rose Troche's omnisexual romantic comedy Bedrooms & Hallways (1998), in which Callow starred as the painfully sincere guru of a men's consciousness-raising group.Keeping busy into the new millenium, Callow noteably appeared among the ensemble cast of Mike Nichols' critically-acclaimed HBO mini-series Angels in America.In addition to working in front of the camera, Callow has spent a fair amount of time behind it as a director. In 1991, he made his feature directorial and screenwriting debut with the film version of Carson McCullers' Ballad of the Sad Cafe. Two years earlier, he had made his Broadway debut as the director of Shirley Valentine. And, apparently averse to having too much free time, Callow is also the author of numerous books on acting and actors. In particular, his biographies of Orson Welles and Charles Laughton have met with great acclaim, further establishing Callow as an actor who is more than just the sum of his parts.

Trivia: A respected character actress who is also part of one of Britain's most celebrated show business families, Sophie Thompson has brought life to a bevy of characters on the stage, screen, and television. The daughter of actors Eric Thompson and Phillyda Law, and the younger sister of actress Emma Thompson, Sophie Thompson was born in London in 1962. She began acting at a very young age and had already done TV work by the time she attended the Old Vic Theatre School. Following two seasons with the Old Vic, the actress transferred her talents to the West End for a number of prestigious Shakespearean productions, including Judi Dench's Much Ado About Nothing and Derek Jacobi's Hamlet, as well as countless contemporary works by the likes of Tennessee Williams and Tom Stoppard. Over the course of her stage career, Thompson has earned many honors, most notably two Olivier nominations for Best Supporting Actress for her work in Alan Ayckbourne's Wildest Dreams and Company, and a Clarence Derwent Award for her performance in the former.Onscreen, Thompson has appeared to memorable effect in a variety of films, often stealing the light from her more prominent co-stars. Although she made her film debut in 1982 with an uncredited role as a prostitute in The Missionary, it was not until the 1990s that she began to gain any sort of recognition amongst filmgoers. Thompson did hilarious work in the 1994 hit Four Weddings and a Funeral, playing a bride whose very vocal and energetic wedding night antics cause no end of discomfort for a hapless Hugh Grant. She also provided priceless support in a pair of Jane Austen adaptations, first in Roger Michell's acclaimed 1995 film adaptation of Persuasion, in which she played Mrs. Musgrove, the heroine's disagreeable hypochondriac sister and then in Douglas McGrath's Emma (1996), which saw her play the socially inept Miss Bates. The latter film allowed Thompson to act alongside her mother, who, in no great stretch of casting, portrayed Mrs. Bates, her onscreen mother. Although she has repeatedly demonstrated her comedic ability in a number of films, Thompson is equally well-suited to drama, as she memorably demonstrated in Dancing at Lughnasa (1998), a drama about five close-knit Irish sisters that cast her as a simple-minded and ultimately tragic young woman.