Trivia: With his electrifying gaze, elegant comportment, and lips that look as if they could breathe life into concrete, Ralph Fiennes has caused many a jaded filmgoer to reaffirm the existence of British sex appeal. Since 1993, when he first impressed international audiences in the decidedly unglamorous role of Nazi sadist Amon Goeth in Schindler's List, Fiennes has delivered performances marked by dignified passion and relentless intensity.The oldest of six children, Fiennes was born in Suffolk on December 22, 1962. His father was a self-taught photographer and his mother a novelist who wrote under the pen name Jennifer Lash, professions which virtually ensured a unique upbringing. Fiennes' family moved a number of times while he was growing up, and the children were encouraged in their creative pursuits. Thus, it is less than surprising that four out of the six Fiennes siblings went on to work in the entertainment business, with Ralph and his brother Joseph becoming actors, his two sisters a director and a producer, and another brother a musician. Originally wanting to be a painter, Fiennes enrolled at the Chelsea College of Art and Design before transferring to London's Royal Academy of Dramatic Art to study acting. Following graduation, he joined the Royal National Theatre in 1987, and he became part of the Royal Shakespeare Company a year later. While a member of the company, he performed a wide range of the classics, playing everyone from Romeo to King Lear's Edmund. Fiennes first became known to a wider audience in 1991, when he starred as the title character in the acclaimed British television production of A Dangerous Man: Lawrence After Arabia. The next year, he gained additional exposure, making his film debut as Heathcliff in Wuthering Heights. Starring opposite Juliette Binoche, Fiennes glowered his way across the screen with suitable aplomb, something that he would do again to devastating effect the next year in Schindler's List. As the psychotic Nazi commandant Amon Goeth, Fiennes blended quiet yet absolute menace with surprising charisma (even more surprising given that he had gained over 30 pounds for his role) to such great effect that he earned a Best Supporting Actor Oscar nomination and a British Academy Award for his portrayal. Fiennes' work in the film incited a flurry of interest in the actor, whose intensity and odd name (its correct pronunciation is "Rafe Fines") made him the subject of many a magazine article.Interest in Fiennes only increased the following year, when, back to his normal weight and sporting an American accent, he played the more sympathetic (but tragically flawed) Charles Van Doren in Robert Redford's Quiz Show. Critics loved him in the role, and he further consolidated his acclaim two years later in Anthony Minghella's Oscar-winning adaptation of Michael Ondaatje's The English Patient, which won Fiennes Oscar and Golden Globe nominations as Best Actor. Given his newfound heartthrob status, many audience members were surprised to see Fiennes next turn up in the title role of the gawkish, ginger-haired minister with a gambling problem (playing opposite a then-unknown Cate Blanchett) in Oscar and Lucinda (1997). He gave a highly eccentric performance in the film, which received a mixed critical reception. Where Oscar and Lucinda was only vaguely disappointing, Fiennes' next project, a 1998 film version of the popular 1960s TV series The Avengers, was one of the most lambasted films of the year. Fiennes somehow managed to avoid most of the critical wrath directed at the film, and in 1999 he could be seen starring in no less than three disparate projects. In Onegin, directed by his sister, Martha, Fiennes played the title character, a blasé Russian aristocrat; in The End of the Affair, directed by Neil Jordan, he portrayed a novelist embroiled in an adulterous affair with the wife (Julianne Moore) of his best friend (Stephen Rea); while in Sunshine, directed by István Szabó, he played three different roles in a saga tracing 150 years of the affairs and intrigues of a family of Hungarian Jews.If his roles to date had served to showcase Fiennes' talent at about the rate of a solid performance per year, 2002 provided a trio of diverse and demanding roles that would prove just how well he could perform under pressure. In Red Dragon -- the first of those efforts to hit stateside screens that year -- Fiennes' chilling performance as serial killer Francis Dolarhyde shifted between meekness and menace at the drop of a hat. Thankfully eschewing the grandiose theatrics of Hannibal for a tone more in keeping with the original Silence of the Lambs, the film proved a hit at the box office, and Fiennes' performance rivaled that of Ted Levine's in providing the film with a chilling villain straight from the pages of the most lurid true-crime encyclopedia (Fiennes' character was purportedly based on the exploits of an uncaptured Wichita serial killer who went by the name "Bind, Torture, Kill"). A few short months later, audiences were treated to yet another deeply disturbed characterization by Fiennes, that of a schizophrenic man haunted by his childhood in director David Cronenberg's dark psychological drama Spider, based on author Patrick McGrath's bleak novel of the same name. Fiennes' performance substituted the menace of Red Dragon with a more sympathetic protagonist whose memory slowly regresses to reveal a scarring childhood tragedy. No doubt having had his fill of disturbed characters that year, Fiennes once again caught audiences off guard with a disarmingly charming role in the romantic comedy Maid in Manhattan.Fiennes would continue to find substantial and challenging roles in the years to come, most notably in his sister's film Chromophobia, the Merchant-Ivory film The White Countess, The Constant Gardener, the James Bond film Skyfall, and the ever-popular Harry Potter series, in which Fiennes played baddie Lord Voldemort. Fiennes would also earn accolades for directing and starring in a cinematic adaptation of William Shakespeare's war epic Coriolanus.

Trivia: Was scouted as a model at age 16, while walking outside Harrods Department Store by Sarah Doukas of Storm Management.Previously trained in ballet.Made her film debut playing Feeder Girl in the 2014 comedy Vampire Academy.First lead role in a film was Thomasin in the 2015 horror film The Witch. Played the lead in the music video for Skrillex's remix of GTA's Red Lips.

Trivia: Discovered at age 3 while attending a production of The Caucasian Chalk Circle by a director who noticed his intense concentration. Mother accompanied him on set for all his projects until he began filming the TV series Skins when he was 17. Visited slums in the Kenyan city of Nairobi in 2010 to raise awareness about poverty as part of Christian Aid Week. Appeared in the video for the song "Lez be Friends" by the British musical-comedy act Midnight Beast in 2010. Modelled eyewear in a advert for the 2010 Tom Ford spring collection after appearing in Ford's film A Single Man. Played a villain in a 2014 commercial for Jaguar, part of a series that also featured Ben Kingsley and Tom Hiddleston.

Trivia: Parents were among the refugees who fled Vietnam by boat after the end of the Vietnam War in 1979.Grew up in New Orleans.Initially studied creative writing at Boston University, but later changed her major to film studies.Started acting in hopes of overcoming her introvertedness.Worked at PBS after college.

Trivia: Although British audiences had been familiar with her work since the mid-'80s, it wasn't until Janet McTeer's Oscar-nominated performance in 1999's Tumbleweeds that American filmgoers also began to take notice. A Newcastle native whose versatile physical features compliment her ability to truly realize a character (no matter how foreign), McTeer made her film debut opposite screen siren Sigourney Weaver in the 1986 feature Half Moon Street. Though her looks and talent for intense personal drama made comparisons to veteran star Vanessa Redgrave common, McTeer soon distinguished herself on the London stage with roles in The Grace of Mary Traverse and Greenland, small-screen parts in Precious Bane (1989) and Portrait of a Marriage (1990) proved that her talent transferred outside the theater, as well. Critics also singled out her performance in the 1992 adaptation of Wuthering Heights. That same year, McTeer stepped into the shoes of super-sleuthing professor Loretta Lawson in the made-for-TV mystery A Masculine Ending, and she reprised the role in the following year's Don't Leave Me This Way. It was her turn as a determined prison warden in the popular U.K. series The Governor, however, that found McTeer truly coming into her own on television. Her imposing (six foot-one inch) frame and emotional vulnerability worked in perfect harmony to create a compelling character, and McTeer began to become a familiar face to PBS viewers in the U.S. thanks to roles in such efforts as Precious Bane (1989) and The Black Velvet Gown (1991). After winning both Olivier and Tony awards in 1997 for her performance in the stage version of A Doll's House, McTeer began to work almost exclusively in films. Just a year after she made a vocal impression on stateside audiences as the narrator of Todd Haynes' glam rock-tribute Velvet Goldmine in 1998, American audiences were offered a face to accompany the voice (though thanks to her masterful Southern accent, they may not have recognized it) with the release of the mother/daughter road drama Tumbleweeds. Cast as a nomadic, free-spirited mother, McTeer's Oscar-nominated performance left quite an impression, even if the film itself ultimately didn't. The actress followed this film with three titles in 2000: Waking the Dead, Songcatcher, and The King Is Alive. She then took a two-year break from the screen before returning with 2002's The Intended, which she also co-wrote.McTeer continued to work steadily on the stage, on TV, and in movies, but her next big awards splash came in 2011 when her supporting work in the gender-bending drama Albert Nobbs garnered her nominations from the Academy, the Golden Globes, and the Screen Actors Guild.

Trivia: Paul Adelstein originated in Chicago, and traveled that well-tread road of so many aspiring actors: he waited tables while working toward the proverbial big break. A stint as a server at the Windy City's Café du Midi helped him put food on the table, while -- in off-hours -- he trained with John Cusack's New Crimes stage ensemble and at the Piven Theatre Workshop in Evanston. Following a one-episode appearance on television's ER (1999) and involvement in the short-lived series Cupid (1998-1999), Adelstein signed on to work for Harold Ramis, in the director's late 2000 remake Bedazzled -- and tackled multiple roles in the picture. Adelstein collaborated with the Coen Brothers and fellow ER vet George Clooney on their late 2003 divorce comedy Intolerable Cruelty, and played opposite John Travolta and Vince Vaughn in the poorly received crime comedy Be Cool (2005), then participated in two series: the 2005 Prison Break (as a federal agent) and the 2007 Private Practice (as a key member of a Santa Monica medical team). He maintained a film career by appearing in the indie films The Missing Person and Frenemy. Once Private Practice wrapped in 2013, he stayed in the Shonda Rimes family with a reccuring gig on Scandal, and also landed a series regular role on Girlfriends' Guide to Divorce.

Trivia: John Leguizamo is a Colombian-born comedian and actor best known for his memorable, often sharply satirical, characterizations of Latinos on stage and in films. He began his career as a stand-up comedian in New York clubs and as a performer in small independent feature films. These engagements led to his playing small roles in major features such as Casualties of War (1989) and Die Hard 2 (1990) where he was typically cast as a violent, unsavory fellow; none of these films seemed to utilize his talents and potential on film. Leguizamo has fared better in smaller films such as Time Expired (1991). His stage career also continues to grow. For his one-man show Mambo Mouth, a scathing look at Hispanic stereotypes, he won awards and great acclaim. His follow-up play Spic-o-Rama is equally funny and thought provoking. Leguizamo played his first leading film role in Super Mario Brothers. (1993). That year he also played an important and acclaimed role in De Palma's Carlito's Way. In 1995 he finished two movies, A Pyromaniac's Love Story and To Wong Foo, Thanks for Everything, Julie Newmar where he played the lovely drag queen Miss Chi Chi Rodriguez. That year, Leguizamo also created, scripted, executive produced and starred in a sketch comedy show on Fox, House of Buggin. Done in the style of Fox's smash hit series In Living Color, Leguizamo's show was billed as the first show of its kind to feature an all Latino cast. Unfortunately, though the show received good ratings, it failed to attract an audience and was cancelled after only a few months. The Colombian funnyman has since returned to feature films. In 1996, he starred, wrote and co-produced another showcase for his talents, The Pest.

Trivia: Started performing in local theatre productions at the age of 14. Graduated from college in two years, with a degree in International Relations. Made her Off-Broadway debut in What Rhymes with America in 2012. Fluent in Spanish, which helped with her recurring role as a Nicaraguan Sandinista on The Americans.

Trivia: Though she is normally recognized as Angela Bower, the prissy, executive counterpart to Tony Danza's rough-hewn Italian nanny on the long-running television series Who's the Boss?, Judith Light considers her crowning achievement to be her activism in the fight against AIDS and gender discrimination. Born in Trenton, NJ, Light discovered her passion for the performing arts at a Pennsylvania summer camp at 12 years old. Light's high school drama teacher later encouraged her to attend the prestigious Carnegie Mellon University, and the young actress found herself with a role in a Broadway production of A Doll's House by the mid-'70s. Despite her initial success, however, Light still found herself extraordinarily poor, at one point living on only ten dollars per week. Rather than holding her back, though, poverty not only increased Light's determination to act, but to use it as a tool in the fight against all forms of bigotry.Light's big break came in the form of One Life to Live, the Emmy-winning soap opera, which offered the aspiring actress a role that brought with it a steady paycheck until the inception of Who's the Boss? in 1983. In addition to her sitcom performances, Light starred with great success in The Ryan White Story, a docudrama concerning the real-life fight of a hemophiliac who contracted the AIDS virus through a blood transfusion. In addition to having established herself as one of the first celebrity activists in the battle against HIV and AIDS, Light also became a passionate volunteer for a variety of charitable organizations including Heart Strings and Project Angel Food.In 1998, after a long, successful stint in the television-movie world, Light flexed her comedy muscles again for The Simple Life, a short-lived television series featuring Light as a big-shot businesswoman whose move to the country is far from what she had expected. A year later, Light immersed herself in Wit, the Pulitzer Prize-winning play revolving around a brash, no-nonsense cancer victim's slow acceptance of her own mortality. In 2004, Light starred in The Stones, a CBS television series. She would go on to star on Ugly Betty and Law & Order: Special Victim's Unit as Judge Elizabeth Donnelly.