Trivia: An idiosyncratic actor known for both his versatility and sinewy, off-kilter sexiness, Sam Rockwell is one of the stage and screen's most imaginative and least predictable performers. Once dubbed "the male Parker Posey" for his voluminous work in independent films, Rockwell has also earned notice for his work in more mainstream fare, including Frank Darabont's The Green Mile (1999).Born in Daly City, CA, on November 5, 1968, Rockwell enjoyed a steadfastly bohemian upbringing. The son of artists and actors, Rockwell moved to New York City with his parents when he was two. Three years later, his parents divorced, and he spent much of his youth traveling back and forth between them. Raised by his father in San Francisco, he spent his summers in New York with his mother, whose unconventional lifestyle -- replete with sex, drugs, and flamboyant hippies -- introduced Rockwell to some very adult pastimes at an extremely young age. It was through his mother that he became involved in theater, making his stage debut at the age of ten. He later attended San Francisco's High School of the Performing Arts, where, at the age of 18, he was chosen to star in Clown House (1988), an ill-fated thriller revolving around three brothers' fight to the death with a group of maniacal circus entertainers.Following his screen debut, Rockwell moved to New York and proceeded to make 20 more films, including Last Exit to Brooklyn (1990) and Tom Di Cillo's Box of Moonlight (1996). It was the actor's work in the latter film that first won him recognition: as The Kid, a coonskin cap-clad free spirit whose backwoods existence alters the mundane life of a burnt-out engineer (John Turturro), Rockwell gave an engaging performance that sparked industry attention; unfortunately, the independent film disappeared at the box office. The actor next garnered attention for his lead role in John Duigan's Lawn Dogs (1997), a tale about the unconventional friendship between a white trash lawn boy (Rockwell) and a ten year-old girl (Mischa Barton) with a heart problem. Employing a heavy helping of magical realism to tell its story, the film earned fairly positive reviews, and Rockwell drew particular praise for his complex, low-key performance.The actor subsequently appeared in a series of comedies that made good use of his quirky persona, most notably Safe Men (1998), which cast him and Steve Zahn as two singers of dubious quality who find themselves the unwitting targets of the Jewish mafia. In 1999, more mainstream audiences were introduced to Rockwell thanks to his memorable work in three films: A Midsummer Night's Dream, which cast him as the cross-dressing Francis Flute; Galaxy Quest, a comedy spoof in which Rockwell played a cast member of a failing circa-'70s sci-fi TV series; and The Green Mile, in which the actor got to fully exhibit his twisted versatility as Wild Bill, a death-row inmate whom Rockwell himself characterized as "a disgusting, racist, pedophile freak." Switching gears almost as much as humanly possible, Rockwell's following role in Galaxy Quest (1999) found him a quirky cast member of a Star Trek-like television sci-fi series. The contrast between Rockwell's ultra-lightweight Galaxy Quest characterization and his former role as a genuinely revolting criminal was a testament to his versatility, and though he would stick to comedy with Charlie's Angels, a series of small roles would follow before Rockwell teamed with actor George Clooney for Welcome to Collinwood and Confessions of a Dangerous Mind (both 2002). Appearing as former host of the cult television sensation The Gong Show in the latter, Rockwell brought Chuck Barris' compellingly quirky (and partially fictionalized) biography to the screen under first-time director George Clooney. In addition to his work onscreen, Rockwell has continued to act on the stage, appearing in such productions as a 1998 off-Broadway run of Mike Leigh's Goosepimples.Over the next several years, Rockwell would remain a constant force on screen, appearing in films like The Assassination of Jesse James, Choke, Frost/Nixon, Choke, Moon, Conviction, Cowboys & Aliens, and The Sitter.

Trivia: Irish actress Saoirse Ronan got her start in her native land on the television series The Clinic and Proof before parlaying her small-screen success into a career in Hollywood. Her first big-screen gig came in 2007, with a small supporting role in the Amy Heckerling romantic comedy I Could Never Be Your Woman, and later that year she could be seen as the 13-year-old version of the character Briony Tallis in the highly acclaimed drama Atonement, adapted from the Ian McEwan novel. Her work in that film garnered her strong notices, as well as Golden Globe and Oscar nominations for Best Supporting Actress. She followed up that critically acclaimed work by taking the central role of the ill-fated adolescent girl, Susie Salmon, in Peter Jackson's 2008 adaptation of Alice Sebold's acclaimed novel The Lovely Bones. In 2011 she was the title character, a young assassin, in the action film Hanna which reteamed her with Atonement director Joe Wright. In 2012, she appeared in Neil Jordan's vampire tale Byzantium. The following year, she played the lead in The Host, a scifi thriller based on a novel by Stephenie Meyer. In 2014, Ronan had a small, but pivotal role, in Wes Anderson's ensemble film The Grand Budapest Hotel. She earned her second Oscar nomination in 2015 for her work in John Crowley's Brooklyn.

Trivia: An actor who hovered far too long on the brink of stardom before getting his due recognition, Adrien Brody spent much of his early career falling victim to the slings and arrows of outrageous PR. Possessing undeniable talent and looks that recall both the wasted elegance of an Aubrey Beardsley illustration and a young and hungry Al Pacino, Brody spent much of the 1990s as a candidate for his generation's "next big thing." But despite roles in two high-profile movies -- Terrence Malick's The Thin Red Line (1998) and Spike Lee's Summer of Sam (1999) -- and the publicity that accompanied them, it was not until Brody was cast as the lead in Roman Polanski's The Pianist (2002) that he won the recognition which had previously eluded him.Born on April 14, 1973, in New York City, Brody was raised in Queens. The son of a schoolteacher and a celebrated photojournalist, he was drawn to acting from an early age. Brody's first taste of show business came when he was 12-years-old and performed as a magician at children's parties; with his mother's encouragement, he subsequently enrolled in acting classes, attending both the American Academy of Dramatic Arts and the High School for the Performing Arts. He found his earliest work in off-Broadway productions, and made his television debut in 1998 with a PBS movie and a turn as Mary Tyler Moore's son in the comedienne's ill-fated sitcom Annie McGuire. Following his professional debut, the actor returned to school and attended a year of college before being cast in Steven Soderbergh's 1993 Depression-era drama King of the Hill. The film, which cast Brody as its protagonist's delinquent mentor, met with wide critical acclaim and presented him with new opportunities. He won roles in several films, including 1994's Angels in the Outfield and 1997's The Last Time I Committed Suicide, a paean to the beat generation that co-starred Keanu Reeves, Gretchen Mol, and Claire Forlani. That same year, Brody had lead parts in The Undertaker's Wedding and Six Ways to Sunday, two fairly obscure films that paved the way for both more high-profile work and a turn as one of Vanity Fair's "Hot, Young, and Full of Fun" cover boys. With the 1999 cover and principal roles in two highly anticipated films, The Thin Red Line and Summer of Sam, Brody seemed perfectly positioned to step into the limelight. Unfortunately, his scenes in the former ended up on the cutting room floor, victims of time constraints. But Brody's turn as a bisexual punk in the latter earned positive notices, and was hailed by numerous critics as one of the strongest points in Lee's flawed but compelling film. Brody continued to do solid work in films like Barry Levinson's Liberty Heights (1999) and Ken Loach's Bread and Roses (2000), but it wasn't until he was cast as the eponymous protagonist of Roman Polanksi's The Pianist that critics -- and the Academy -- really took notice of his work. For his portrayal of the real-life Wladyslaw Szpilman, a Polish pianist struggling to survive the Holocaust in the Warsaw Ghetto, Brody invested himself mentally, emotionally, and physically in the role, and was rewarded for his dedication with numerous honors, including the French César and an Oscar that made him the youngest-ever recipient of the Best Actor award. Many observers felt the quality of his performance in the film was matched by that of his acceptance speech, given only days after the U.S. went to war with Iraq: after bestowing a long kiss on a very surprised Halle Berry, who presented him with the award, he went on to give a speech that managed to combine heartfelt gratitude with an eloquent plea for peace and goodwill. It was an accomplishment that brought much of the ceremony's audience to a standing ovation and ensured that although fame had eluded him in the past, Brody had finally and deservedly won his time in the limelight.Brody followed up his triumph as The Village idiot in M. Night Shyamalan's allegorical film, and starred in the little-seen psychological thriller The Jacket. However, in 2005, Brody starred in Peter Jackson's gargantuan remake of King Kong. He returned to more independent films as a man attempting to unravel the mysterious death of George Reeves in Hollywoodland, and teamed with Todd Haynes in his unconventional Bob Dylan biopic I'm Not There: Suppositions on a Film Concerning Dylan. Brody would cement himself as a leading in Hollywood over the coming years, with appearances in everything from precocious, indie-fare like Darjeeling Limited and The Brothers Bloom to action explosions like Predators and Wrecked.

Trivia: British actress Ruth Wilson took her on-camera bow in her early twenties. Wilson first participated in a comedy series on Channel 5 entitled Suburban Shootout, then -- almost immediately after drama school -- signed for a role that netted her significant acclaim and a Golden Globe nod for Best Actress: a portrayal of Jane Eyre in director Susanna White's 2006 BBC miniseries adaptation of the seminal Charlotte Brontë novel. After Eyre, Wilson acted under the aegis of the legendary director-cum-playwright Stephen Poliakoff -- opposite Maggie Smith and others -- in Poliakoff's 2007 telemovie A Real Summer.

Trivia: As a child, lived for seven years in Nigeria, where his parents were born and his family descended from royalty. Was a member of London's National Youth Music Theatre, which is where he met his wife. Played King Henry VI in a 2001 Royal Shakespeare Company trilogy of the Bard's plays, and was the first black actor to portray an English king in an RSC production. For his role in the British spy drama Spooks, he met with British-intelligence officers. Co-wrote a 2006 romantic comedy-drama for the BBC called Graham and Alice, about two London loners who decide to rob a betting shop. Fulfilled a bucket-list wish by working with Steven Spielberg on 2012's Lincoln. As part of the training for his role as a WWII Tuskegee Airman in 2012's Red Tails, he got to fly in vintage P-51 Mustangs. Appointed an OBE (Officer of the Order of the British Empire) in the 2016 New Year Honours.

Trivia: Joined a theater program at the age of 15. Tried to study film and theater, but dropped out of school at the age of 17. Almost joined the Marines. Attended RAW Academy in London. Studied local accents while filming Beach Rats (2017) in the United States.

Trivia: While at Bretton Hall College, became friends with fellow students Steve Pemberton, Mark Gatiss and Jeremy Dyson. Together, they would create the award-winning comedy The for his performance as The League of Gentlemen. Based his infamous character of Papa Lazaru in The League of Gentlemen on his and Pemberton's landlord, down to the tone of his voice. Played Leo Bloom in The Producers on the West End in 2006. Received an honorary doctorate from Hull University in 2014. Created an original art piece for the Stars On Canvas charity to display and then auction to raise money. Appeared in the title role in The Dresser in 2017 at the Chichester Festival Theatre, and reunited with The League of Gentlemen in three TV specials, transmitted on BBC2 in December 2017. Appeared as himself in the 2018 short film To Trend on Twitter to raise funds for the charity CLIC Sargent which supports young people with cancer. Received a nomination in 2020 for the Laurence Olivier Award for Best Actor in a Supporting Role for his performance as The President and Jon in A Very Expensive Poison at the Old Vic.

Trivia: Her father worked for the local council and her mother was an executive assistant.Grew up in Ealing, a district of West London.Participated in youth theater as she knew she wanted to be an actor.Worked as a writing consultant before studying at the Royal Academy of Dramatic Art.Met co-star and creator of Fleabag, Phoebe Waller-Bridge, while attending the Royal Academy of Dramatic Art.Founder of the online wellness and meditation platform Still Space.

Trivia: A former childhood thrush who has since moved on to find success as an actress, Scottish-born stage and screen star Shirley Henderson has come a long way from her working-class roots with roles in such internationally popular features as Bridget Jones's Diary, Once Upon a Time in the Midlands, and Harry Potter and the Chamber of Secrets. The eldest of three sisters whose striking voice set her apart from the pack, Henderson found early success on the local music circuit before moving on to study drama at Kirkaldy Technical College. Her tenure at Kirkaldy eventually led her to study at the acclaimed Guildhall School of Music and Drama, and it wasn't long before Henderson made an impression on the stages of The National Theater, The Royal Court, and the Hampstead Theater. Equally adept at performances of both the classical and contemporary variety, Henderson's stage experience served her well when she appeared opposite Robert Carlyle in the 1995 television series Hamish Macbeth. After going international the following year with a role in the big-screen hit Rob Roy, Henderson would next appear opposite Carlyle once again in the heroin-flavored arthouse hit Trainspotting. A key role in director Michael Winterbottom's 1999 drama Wonderland, coupled with critical acclaim for her role in the same year's Topsy-Turvy, gave Henderson a reputation for versatility and talent onscreen, with subsequent supporting roles in The Claim and 24 Hour Party People finding her becoming something of a stock player for Winterbottom. A role as the eponymous characters' best friend in the 2001 comedy Bridget Jones' Diary found Henderson's profile rising on the other side of the Atlantic, and in 2002, the then-36-year-old actress pulled off the unlikely feat of portraying Hogwarts student Moaning Myrtle in Harry Potter and the Chamber of Secrets. Arthouse success in Wilbur Wants to Kill Himself served well to balance out Henderson's mainstream success, and after appearing in a series of shorts, the increasingly busy actress appeared in no less than three films in 2004, including the eagerly anticipated sequel Bridget Jones: The Edge of Reason.