Trivia: The son of Yugoslav immigrants, Karl Malden labored in the steel mills of Gary, Indiana before enrolling in Arkansas State Teachers College. While not a prime candidate for stardom with his oversized nose and bullhorn voice, Malden attended Chicago's Goodman Dramatic School, then moved to New York, where he made his Broadway bow in 1937. Three years later he made his film debut in a microscopic role in They Knew What They Wanted (1940), which also featured another star-to-be, Tom Ewell. While serving in the Army Air Force during World War II, Malden returned to films in the all-serviceman epic Winged Victory (1944), where he was billed as Corporal Karl Malden. This led to a brief contract with 20th Century-Fox -- but not to Hollywood, since Malden's subsequent film appearances were lensed on the east coast. In 1947, Malden created the role of Mitch, the erstwhile beau of Blanche Dubois, in Tennessee Williams' Broadway play A Streetcar Named Desire; he repeated the role in the 1951 film version, winning an Oscar in the process. For much of his film career, Malden has been assigned roles that called for excesses of ham; even his Oscar-nominated performance in On the Waterfront (1954) was decidedly "Armour Star" in concept and execution. In 1957, he directed the Korean War melodrama Time Limit, the only instance in which the forceful and opinionated Malden was officially credited as director. Malden was best known to TV fans of the 1970s as Lieutenant Mike Stone, the no-nonsense protagonist of the longrunning cop series The Streets of San Francisco. Still wearing his familiar Streets hat and overcoat, Malden supplemented his income with a series of ads for American Express. His commercial catchphrases "What will you do?" and "Don't leave home without it!" soon entered the lexicon of TV trivia -- and provided endless fodder for such comedians as Johnny Carson. From 1989-92, Malden served as president of the Academy of Motion Picture Arts and Sciences.

Trivia: Major star and producer, and member of one of Hollywood's most prominent families to boot, Michael Douglas was born to movie icon Kirk Douglas and British actress Diana Dill on September 25, 1944, in New Brunswick, NJ. From the age of eight he was raised in Connecticut by his mother and a stepfather, but spent time with his father during vacations from military school. It was while on location with his father that the young Douglas began learning about filmmaking. In 1962, he worked as an assistant director on Lonely Are the Brave, and was so taken with the cinema that he passed up the opportunity to study at Yale for that of studying drama at the University of California at Santa Barbara. At one point he and actor/director/producer Danny De Vito roomed together, and have remained friends ever since. Douglas also studied drama in New York for a while, and made his film debut as an actor playing a pacifist hippie draft evader who decides to fight in Vietnam in Hail Hero! (1969). He appeared in several more dramas, notably Summertree (1971). In 1972, he was cast as volatile rookie police inspector Steve Keller on The Streets of San Francisco. Douglas appeared in the series and occasionally directed episodes of it through 1976. In 1975, Douglas became one of the hottest producers in Tinseltown when he produced Milos Forman's tour de force adaptation of Ken Kesey's One Flew Over the Cuckoo's Nest, which starred Jack Nicholson in one of his best roles. Originally, Douglas' father Kirk owned the film rights to the story. Having appeared in the Broadway version, the elder Douglas had wanted to star in a film adaptation for years, but had no luck getting it produced. The younger Douglas persuaded his father to sell him the rights and give up the notion of starring in the film. The result: a box-office smash that earned five Oscars, including Best Picture. After this triumph, Douglas resumed acting and began developing his screen persona. His was a decidedly paradoxical persona: though ruggedly handsome with an honest, emotive face reminiscent of his father's, onscreen Douglas retained an oily quality that was unusual in someone possessing such physical characteristics. He became known for characters that were sensitive yet arrogant and had something of a bad-boy quality. Through the '70s, Douglas appeared in more films, most notably The China Syndrome, which he also produced. In 1984, Douglas teamed with Kathleen Turner to appear in Romancing the Stone, an offbeat romantic adventure in the vein of Indiana Jones. Co-starring old friend Danny De Vito, it was a major box-office hit and revitalized Douglas' acting career, which had started to flag. Turner, Douglas and De Vito re-teamed the following year for an equally entertaining sequel, The Jewel of the Nile. It was in 1987 that Douglas played one of his landmark roles, that of a reprehensible yuppie who pays a terrible price for a moment's weakness with the mentally unbalanced Glenn Close in the runaway hit Fatal Attraction. The performance marked Douglas' entrance into edgier roles, and that same year he played an amoral corporate raider in Oliver Stone's Wall Street, for which he earned his first Oscar as an actor. In 1989, Douglas reunited with Kathleen Turner to appear in Danny De Vito's War of the Roses, one of the darkest ever celluloid glances at marital breakdown. By the end of the decade, Douglas had become one of Hollywood's most in-demand and highly paid stars. Douglas found success exploring the darker realms of his persona in Black Rain (1989) and the notorious Basic Instinct (1992). One of his darkest and most repugnantly intriguing roles came in 1993's Falling Down, in which he played an average Joe driven to cope with his powerlessness through acts of horrible violence. In 1995, Douglas lightened up to play a lonely, widowed president in The American President, and returned to adventure with 1996's box-office bomb The Ghost and the Darkness. In 1997 he appeared in the David Fincher thriller The Game, and followed that with another behind-the-scenes role, this time as executive producer for the John Travolta/Nicholas Cage thriller Face/Off. Returning to acting in 1998, Douglas starred with Gwyneth Paltrow in A Perfect Murder, a remake of Hitchcock's classic Dial M for Murder. As the new millenium rolled in, Douglas remained a force on screen, most memorably in films like the critically acclaimed Wonder Boys, and Steven Soderbergh's drug-war epic Traffic -- a critical and box office smash. Douglas had other life successes as well, such as his marriage to longtime girlfriend Catherine Zeta-Jones in 2000, and the birth of their subsuquent children. Around this time, Douglas formed a new production company, Further Films. which saw its first wide release in 2001 with the ensemble comedy One Night at McCool's. In 2003 he made It Runs in the Family, a comedy concerning three generations of a dysfunctional family attempting to reconcile their longtime differences. Fiction reflected reality in the film due to the involvement of father Kirk and son Cameron portraying, conveniently enough, Michael's father and son respectively. The 2010's would see Douglas playing roles in films like The Sentinel , King of California, You, Me and Dupree, and the long awaited sequel Wall Street: Money Never Sleeps. In 2013, he played Liberace in the HBO TV movie Behind the Candelabra, which earned Douglas an Emmy award.

Trivia: Pamela Franklin was born in Japan, where her British father was a busy importer/exporter. Spending her early years in several Far East ports of call, Franklin was bundled off to England to study at the Elmhurst School of Ballet. At age 11, she made her motion-picture bow as the enigmatic "possessed" child, Flora, in 1961's The Innocents. Her American TV debut occurred in the 1963 Wonderful World of Disney two-parter "The Horse Without a Head." There was nothing Disneyesque about Franklin's portrayals of teen murderesses in both 1964's The Third Secret and 1965's Our Mother's House. Her first grown-up role (near-nude scene and all) was as the kidnap victim in Night of the Following Day (1969), but she was back to adolescents in Prime of Miss Jean Brodie (1969) as the rebellious, sexually inquisitive private-school student Sandy. Though still active in TV, Pamela Franklin made her last film in 1976.

Trivia: With ruggedly handsome looks and a lengthy screen career, actor-producer Nick Nolte has established himself as a major industry figure. His enviable standing as one of Hollywood's most distinctive leading men was further cemented with a 1998 Best Actor Oscar nomination for his role in Affliction. A native of Omaha, NE, Nolte was born February 8, 1941. While a student at Arizona State University, he revealed talent as a football player, but whatever promise he may have had on the field was aborted by his expulsion from the school for bad grades. A subsequent move to California convinced Nolte to try acting instead. He studied at the Pasadena Playhouse, then at Stella Adler's Academy in Los Angeles under Bryan O'Byrne, while he held down a job as an iron worker. After his training, Nolte spent 14 years traveling the country and working in regional theater, occasionally landing parts in B-movies and television films. Debuting onscreen with a small role in Dirty Little Billy (1972), Nolte was 34 when he finally got his break in the acclaimed television miniseries Rich Man, Poor Man (1976). His portrayal of Tom Jordache earned him an Emmy nomination and led to a starring role opposite Jacqueline Bisset in The Deep (1977). In addition to starring in the football exposé North Dallas Forty (1979), Nolte contributed to its screenplay, written by Peter Gent.Showing a marked preference for unusual and difficult films, it was not long before Nolte became known as a well-rounded actor who brought realism, depth, and spirit to even his most offbeat or even unsympathetic roles. Some of those parts include Beat author Neal Cassady in Heart Beat (1980), a homeless bum who helps a dysfunctional rich family in the hit comedy Down and Out in Beverly Hills (1986), a family man attempting to come to grips with his family's traumatic past while falling in love with his therapist in The Prince of Tides (1991), a midwestern basketball coach in Blue Chips, and a world-weary detective in Mulholland Falls (1996).For a grim period in the late '80s, Nolte's career was threatened by his unrestrained drug and alcohol use, but a subsequent rehabilitation strengthened his career, paving the way for roles such as Jake McKenna in Oliver Stone's neo-noir thriller U-Turn (1997) and his Oscar-nominated turn as Sheriff Wade Whitehouse in Paul Schrader's Affliction (1997), a picture Nolte also executive produced. Following this triumph, Nolte further re-established his reputation as a major Hollywood player with his role in Terrence Malick's 1998 adaptation of James Jones' The Thin Red Line, headlining a cast including George Clooney, Sean Penn, and John Travolta. If the subsequent adaptation of author Kurt Vonnegut Jr.'s acclaimed novel Breakfast of Champions failed to capture the essence of the written word, Nolte still managed to offer an impressive performance in the following year's The Golden Bowl.At this point in his career Nolte could certainly be counted on to turn in compelling performances regardless of the project, which made the return of his former demons more tragic than ever. On the heels of a mesmerizing lead performance as an aging gambler in director Neil Jordan's The Good Thief (a remake of the Jean-Pierre Melville classic Bob le Flambeur), Nolte's arrest for driving under the influence in September of 2002 made headlines when it was discovered that he was under the influence of GHB. The disheveled mugshot that followed made him the butt of many a joke; Nolte would later credit the arrest for helping him to clean up his act and get back on track with his onscreen career. A late-night jam that found neighbors phoning police made headlines the following year, and the Hulk came and went with disappointing results.In the subsequent period, Nolte remained in good form, with idiosyncratic and fascinating roles. He triumphed in the spectacular late 2004 drama Hotel Rwanda, as the politically impotent Col. Oliver during the Rwandan genocide. Neophyte director Hans Petter Moland then tapped Nolte for a pivotal characterization in his drama The Beautiful Country, released in July 2005. That same year, Nolte also triumphed on the festival circuit with his delicate work in Olivier Assayas's harrowing dysfunctional family drama Clean. In 2006, he voiced Vincent in the hit animated feature Over the Hedge, and claimed a seldom-seen but pivotal role in the thriller A Few Days in September, as an American spy desperate to reconnect with his children. Next up was Mysteries of Pittsburgh, an adaptation of Michael Chabon's debut coming-of-age novel.In 2008 Nolte appeared as the grizzled Vietnam Vet whose life the movie within the movie in Tropic Thunder is based on, and in the next few years he continued to lend his distinct, gravelly voice to a number of projects including the Kevin James vehicle Zookeeper.In 2011 his work in Warrior, as the father of two MMA fighters, earned him strong reviews as well as Oscar, BAFTA, and Screen Actors Guild nominations for Best Supporting Actor.

Trivia: Primarily an actress of stage and television, June Dayton occasionally appeared in feature films. Born Mary June Wetzel, she took her stage name from her native Dayton, OH, and made her Broadway debut in the 1940s. Those remembering the early-'50s television series The Aldrich Family will recognize her for playing Mary Aldrich during the 1952-1953 season. After that, she guest starred on numerous series through the mid-'70s, including Inner Sanctum, My Favorite Martian, Land of the Giants, and The Six Million Dollar Man. She would also show up in a few television movies such as Letters From Three Lovers (1973) and Something for Joey (1977). She made her feature film debut in 1963, appearing in the Norman Vincent Peale biopic One Man's Way and Twilight of Honor.

Trivia: American actress Celeste Holm made her first stage appearance in 1936 with a Pennsylvania stock company. Sophisticated and poised beyond her years, Holm was cast shortly afterward in a touring company of the ultra-chic Clare Boothe Luce comedy The Women, then played New York in such high-profile productions as The Time of Your Life. Rodgers and Hammerstein cast her as soubrette Ado Annie in Oklahoma! in 1943; both the production itself and Annie's show-stopping song "I Cain't Say No" affirmed Holm's future stardom. Following her film debut in Three Little Girls in Blue (1946), she was cast by her studio, 20th Century-Fox, in the role of the love-starved fashion editor in the prestige feature Gentlemen's Agreement (1947), for which she won an Academy Award. The important role of Bette Davis' understanding friend in another Oscar-winner, All About Eve (1950), has immortalized Holm amongst the film cultists. Stage, nightclub and television assignments followed (she starred in the short-lived 1950s sitcom Honestly, Celeste), and from the late 1950s onward, Holm was more at home on stage than in films. Her performance in the touring company of Mame won Holm the Sara Siddons Award -- coincidentally the same award presented to the title character at the beginning of All About Eve. Always choosy about her roles, Holm remained active through the early 2000s whenever a good part struck her fancy; one of her most frequently rebroadcast assignments was as a custody court judge in an early-1980s episode of Archie Bunker's Place and she appeared in several episodes of Touched By an Angel. She died in 2012 at the age of 95.