Trivia: For an actor almost universally associated with a single character -- Captain James Tiberius Kirk of the U.S.S. Enterprise -- William Shatner has found diverse ways to stay active in the public eye, even spoofing his overblown acting style in a way far more hip than desperate. Years after he last uttered "warp speed," Shatner remains a well-known face beyond Star Trek conventions, re-creating himself as the spoken-word pitchman for priceline.com, and starring in a popular series of smoky nightclub ads that featured some of the most cutting-edge musicians of the day.The Canadian native was born on March 22, 1931, in Montréal, where he grew up and attended Verdun High School. Shatner studied commerce at McGill University before getting the acting bug, which eventually prompted him to move to New York in 1956. He initially worked in such live television dramatic shows as Studio One and The United States Steel Hour in 1957 and 1958, as well as on Broadway. His big screen debut soon followed as Alexei in the 1958 version of Dostoyevsky's The Brothers Karamazov.Throughout the 1960s, Shatner worked mostly in television. His most memorable appearance came in a 1963 episode of The Twilight Zone entitled "Nightmare at 20,000 Feet," in which he plays a terrified airline passenger unable to convince the crew that there's a mysterious gremlin tearing apart the wing. He also appeared in such films as Judgment at Nuremberg (1961) and the bizarrely experimental Esperanto-language horror film Incubus (1963). In 1966, he got his big break, though neither he nor anyone else knew it at the time. Shatner was cast as the macho starship captain James Kirk on Star Trek, commanding a crew that included an acerbic doctor, a Scottish engineer, and a logician with pointy ears, on a mission "to boldly go where no man has gone before." However, the show lasted only three seasons, considered by many to be high camp. After providing a voice on the even shorter-lived animated series in 1973, Shatner must have thought Star Trek too would pass. A costly divorce and a lingering diva reputation from Star Trek left him with few prospects or allies, forcing him to take whatever work came his way. But in 1979, after a decade of B-movie labor in such films as The Kingdom of Spiders (1977) and a second failed series (Barbary Coast, 1975-1976), Shatner re-upped for another attempt to capitalize on the science fiction series with Star Trek: The Motion Picture. This time it caught on, though the first film was considered a costly disappointment. With dogged determination, the producers continued onward with Star Trek II: The Wrath of Khan (1982), at which point fans finally flocked to the series, rallying behind the film's crisp space battles and the melodramatic tête-à-tête between Shatner and Ricardo Montalban.Shatner had to wrestle with his advancing age and the deaths of several characters in Star Trek II and Star Trek III: The Search for Spock (1984), but by Star Trek IV: The Voyage Home (1986), the actor got to indulge in his more whimsical side, which has since characterized his career. As the series shifted toward comedy, Shatner led the way, even serving as director of Star Trek V: The Final Frontier (1989), which many considered among the series' weaker entries. During this period, Shatner also began parodying himself in earnest, appearing as host of Saturday Night Live in a famous sketch in which he tells a group of Trekkies to "Get a life." He also turned in a wickedly energetic mockery of a moon base captain in Airplane II: The Sequel (1982). Shatner made one final appearance with the regular Star Trek cast in Star Trek VI: The Undiscovered Country (1991), then served as one of the crossovers to the new series of films in Star Trek: Generations (1994), in which endlessly theorizing fans finally learned the fate of Captain Kirk.The success of the Trek movies reenergized Shatner's TV career, even if it didn't immediately earn him more film roles. Shatner played the title role on the successful police drama T.J. Hooker from 1982 to 1987, directing some episodes, then began hosting the medical reality series Rescue 911 in 1989. Shatner returned to the movies with another parody, Loaded Weapon I, in 1993, and in 1994 began directing, executive producing, and acting in episodes of the syndicated TV show TekWar, based on the popular series of Trek-like novels he authored. In the later '90s, Shatner was best known for his humorously out-there priceline.com ads, but also guested on a variety of TV shows, most notably as the "Big Giant Head" on the lowbrow farce Third Rock From the Sun. He also appeared as game show hosts both in film (Miss Congeniality, 2000) and real life (50th Annual Miss America Pageant, 2001). In 1999, Shatner suffered public personal tragedy when his third wife, Nerine, accidentally drowned in their swimming pool. The champion horse breeder and tennis enthusiast owns a ranch in Kentucky and remains active in environmental causes. Shatner took on a small role for 2004's Dodgeball: A True Underdog Story, and voiced the villainous wildebeest Kazar in Disney's animated adventure The Wild in 2006. Shatner returned to television for a starring role on the popular dramady Boston Legal, in which he plays Denny Crane, a once unbeatable lawyer who co-founded the successful law firm where he continues to work despite his reputation as an eccentric old man.

Trivia: The daughter of a lounge singer, Lisa Hartman grew up watching in fascination as audiences responded to her dad's nightclub act. Despite a peripatetic childhood, Hartman was determined to pursue a showbiz career as soon as she was old enough. She fronted a Houston rock band at 16, and headed to LA three years later, where she recorded her first album. It went directly to the one-dollar bin, but Hartman was only slightly fazed by this early failure; if the musical world didn't want her just yet, there were always modelling jobs and TV commercials. Her first TV series was 1977's Tabitha, a foredoomed attempt to bring the Bewitched baby into the adult world of giggles and jiggles. After several ups and down, Hartman was cast as saloon songstress Ciji on the nighttime serial Knot's Landing (1982). Ciji was eventually killed off, but Hartman was back on the series within months as a Ciji look-alike, waitress Cathy Geary. Though this series would firmly establish Hartman as one of TV's best "bad girls," she was able to take a few sabbaticals from villainy, notably as host of the syndicated magazine series Cover Story. Lisa Hartman has remained in the public eye into the 1990s, chiefly as the wife (and frequent singing partner) of country-western star Clint Black.

Trivia: Jonathan Banks began his film career in the sort of roles described by character actor Frank Faylen as "sneezers." For example: if you sneezed, you'd miss Banks' microscopic part in 1980's Stir Crazy. He was more visible in such roles as the hitchhiker in the 1982 biopic Frances and Algren in the 1983 seriocomedy 48 Hours. On television, Jonathan Banks was cast as the scurrilous extraterrestrial Commander Kroll in Otherworld (1985) and as Frank McPike, Ken Wahl's choleric boss, in Wiseguy (1987). Banks would continue to appear in several more films over the coming years, like Dark Blue and Reign Over Me, as well as TV shows like Breaking Bad.

Trivia: Lead actor, onscreen from 1963.

Trivia: American actor Michael Pataki's first film credit was 1958's Ten North Frederick. In the early phases of his career, Pataki was reminiscent of a young Rod Steiger; in point of fact, he played the 25-year-old version of the Steiger character in the made-for-TV The Movie Maker (1965). His later television work included the weekly series Paul Sand in Friends and Lovers (1974), as Sand's brother Charlie; Spider-Man (1977), as Captain Barbera; and Phyl and Micky (1980), as Soviet consular official Vladimir Jimenko. The Slavic nature of the last-named role was typical of the sort of characters Pataki played in the 1980s, which included Nikoli Koloff in Rocky IV (1985) and Rocky V (1990). Additionally, Pataki is among those lucky thespians who played guest spots on both the original Star Trek and its 1987 grandchild Star Trek: The Next Generation. On the production side, Pataki was director of the soft-core sex farce Cinderella and the low-budget scarefest Mansion of the Doomed (both 1977), and served as producer of the 1981 TV adaptation of Broadway's Pippin. More recently, Michael Pataki was heard as "The Sewer King" on the animated TVer Batman: The New Adventures (1992).