Trivia: A radio singer at age 5, American actress Ann Blyth studied for an operatic career, making her debut in this endeavor with the San Carlo Opera Company. In 1943, at age 15, Ann was playing Paul Lukas' daughter in the Broadway production Watch on the Rhine; two years later she was under contract to Universal studios as the latest in that company's "threats" against their recalcitrant resident soprano Deanna Durbin. Blyth wasn't given anything close to a chance to show her talents until she was cast as Joan Crawford's hateful daughter Veda in Mildred Pierce (1945). For this performance, which ran the gamut from thinly veiled insults addressed at Crawford to the murder of her mother's paramour (Zachary Scott), she was nominated for an Academy Award. After recovering from a back injury, Blyth worked ceaselessly in films, alternating between sappily sweet parts in such fluff as Free for All (1949) and Sally and St. Anne (1951) and tougher assignments like the white-hot truculence expended in her portrayal of Regina Hubbard in Another Part of the Forest (1948). Perhaps the most off-kilter of her starring roles was in Mr. Peabody and the Mermaid (1948) wherein she played the female half of the title, spending much of the film in a state of (implied) toplessness. In 1954, she was finally permitted to display her beautifully trained voice in such musicals as The Student Prince (1954), Rose Marie (1955) and Kismet (1956). But when called upon to play a real-life songstress in The Helen Morgan Story (1957), she was dubbed by Gogi Grant! Helen Morgan Story was Blyth's final film role; she spent the rest of her career on stage, TV and in concert - and, in the late 1970s, she showed up as the surprisingly domesticated spokesperson for Hostess Cupcakes.

Trivia: A versatile, commanding, leathery character actor, he learned to raise and ride broncos on his family's ranch during his youth. He attended college for two years, became a seaman, then began his performing career as a radio announcer; he became nationally known as an announcer on the "March of Time" broadcasts. Onscreen from the late '40s, he often portrayed law officers; he was also convincing as a villain. He was well-known for his TV work; he starred in the series Naked City and Wagon Train. He was married to actress Jeanette Nolan, with whom he appeared in Saddle Tramp (1950) and Two Rode Together (1961); they also acted together on radio, and in the late '60s they joined the cast of the TV series The Virginian, portraying a married couple. Their son was actor Tim McIntire.

Trivia: Redheaded leading man Robert Horton attended UCLA, served in the Coast Guard during World War II, and acted in California-based stage productions before making his entree into films in 1951. Horton's television career started off on a high note in 1955, when he was cast in the weekly-TV version of King's Row as Drake McHugh (the role essayed by Ronald Reagan in the 1942 film version). The series barely lasted three months, but better things were on the horizon: in 1957, Horton was hired to play frontier scout Flint McCullough in Wagon Train, which became the highest-rated western on TV. Horton remained with Wagon Train until 1962. He then did some more stage work before embarking on his third series, 1965's The Man Called Shenandoah. When this one-season wonder ran its course, Horton toured the dinner-theatre circuit, then in 1982 accepted a major role on the popular daytime soap opera As the World Turns. Horton continued acting until the late 1980s. He died in 2016, at age 91.

Trivia: Though he spoke most of his movie dialogue in a slow Western drawl, actor Slim Pickens was a pure-bred California boy. An expert rider from the age of four, Pickens was performing in rodeos at 12. Three years later, he quit school to become a full-time equestrian and bull wrangler, eventually becoming the highest-paid rodeo clown in show business. In films since 1950's Rocky Mountain, Pickens specialized in Westerns (what a surprise), appearing as the comic sidekick of Republic cowboy star Rex Allen. By the end of the 1950s, Pickens had gained so much extra poundage that he practically grew out of his nickname. Generally cast in boisterous comedy roles, Pickens was also an effectively odious villain in 1966's An Eye for an Eye, starting the film off with a jolt by shooting a baby in its crib. In 1963, director Stanley Kubrick handed Pickens his greatest role: honcho bomber pilot "King" Kong in Dr. Strangelove. One of the most unforgettable of all cinematic images is the sight of Pickens straddling a nuclear bomb and "riding" it to its target, whooping and hollering all the way down. Almost as good was Pickens' performance as Harvey Korman's henchman in Mel Brooks' bawdy Western spoof Blazing Saddles (1974). Slim Pickens was also kept busy on television, with numerous guest shots and regular roles in the TV series The Legend of Custer, B.J. and the Bear, and Filthy Rich.