Trivia: Born Leonard Rosenberg, Randall moved to New York at age 19 and studied theater with Sanford Meisner and at the Neighborhood Playhouse. His stage debut was in The Circle of Chalk (1941). From 1942-46 he served with the U.S. Army, following which he acted on radio and TV. He began appearing onscreen in 1957 and was a fairly busy film actor through the mid '60s. He is best known for his work on TV, particularly for his portrayal of fastidious Felix Unger on the sitcom "The Odd Couple." He also starred or costarred in the series "One Man's Family," "Mr. Peepers," "The Tony Randall Show," and "Love, Sidney." He frequently appears on TV talk shows, where he is witty, erudite, and urbane. In 1991 he created the National Actors Theater, a repertory company; its purpose is to bring star-filled classic plays to broad-based audiences at low prices.

Trivia: Commenting on his notorious on-set irascibility in 1977, Jack Klugman replied that he was merely "taking Peter Falk lessons from Robert Blake," invoking the names of two other allegedly hard-to-please TV stars. Klugman grew up in Philadelphia, and after taking in a 1939 performance by New York's Group Theatre, Klugman decided that an actor's life was right up his alley. He majored in drama at Carnegie Tech and studied acting at the American Theatre Wing before making his (non-salaried) 1949 stage-debut at the Equity Library Theater. While sharing a New York flat with fellow hopeful Charles Bronson, Klugman took several "grub" jobs to survive, at one point selling his blood for $85 a pint. During television's so-called Golden Age, Klugman appeared in as many as 400 TV shows. He made his film debut in 1956, and three years later co-starred with Ethel Merman in the original Broadway production of Gypsy. In 1964, Klugman won the first of his Emmy awards for his performance in "Blacklist," an episode of the TV series The Defenders; that same year, he starred in his first sitcom, the 13-week wonder Harris Against the World. Far more successful was his next TV series, The Odd Couple, which ran from 1970 through 1974; Klugman won two Emmies for his portrayal of incorrigible slob Oscar Madison (he'd previously essayed the role when he replaced Walter Matthau in the original Broadway production of the Neil Simon play). It was during Odd Couple's run that the network "suits" got their first real taste of Klugman's savage indignation, when he and co-star Tony Randall threatened to boycott the show unless the idiotic laughtrack was removed (Klugman and Randall won that round; from 1971 onward, Odd Couple was filmed before a live audience). It was but a foretaste of things to come during Klugman's six-year (1977-83) reign as star of Quincy, M.E.. Popular though Klugman was in the role of the crusading, speechifying LA County Coroner's Office medical examiner R. Quincy, he hardly endeared himself to the producers when he vented his anger against their creative decisions in the pages of TV Guide. Nor was he warmly regarded by the Writer's Guild when he complained about the paucity of high-quality scripts (he wrote several Quincy episodes himself, with mixed results). After Quincy's cancellation, Klugman starred in the Broadway play I'm Not Rappaport and co-starred with John Stamos in the 1986 sitcom You Again?. The future of Klugman's career -- and his future, period -- was sorely threatened when he underwent throat surgery in 1989. He'd been diagnosed with cancer of the larynx as early as 1974, but at that time was able to continue working after a small growth was removed. For several years after the 1989 operation, Klugman was unable to speak, though he soon regained this ability. He continued working through 2011, and died the following year at age 90.

Trivia: To younger generations, the slightly diminutive and balding American character actor Richard Stahl was probably best known as Howard Miller, the deadpan, stone-faced chef (and indifferent receptor of Marian Mercer's affections) on the long-running syndicated sitcom It's a Living. Stahl inherited the position from fellow supporting player Bert Remsen, and sustained it for four seasons, until the program wrapped in September 1989. But Stahl's visage graced a much broader spectrum of films and television shows than his behind-the-counter presence at the Above the Top restaurant -- and if viewers have trouble making a list, this is only a reflection on Stahl's ability to blend in successfully with fellow cast members and settings. Such is the essence of a gifted character player. Stahl made his first bow in 1966, as Steve Parsons on the "Dear Sally Rogers" episode of The Dick Van Dyke Show (its final season). He subsequently became a mainstay on the television airwaves, and his resumé reads like a laundry list of '70s and '80s hit prime time series, including but not limited to: That Girl, The Partridge Family, Love American Style, Bonanza, Columbo, All in the Family, Good Times, The Odd Couple, Maude, Happy Days, The Facts of Life, Murder, She Wrote, Hill Street Blues, and a handful of particularly memorable turns on Newhart. He reinforced his small-screen presence (and audience familiarity) with feature film appearances in such motion pictures as Five Easy Pieces (1970), High Anxiety (1977), The Flamingo Kid (1984), The American President (1995), and The Ghosts of Mississippi (1996). Stahl landed his last role with a bit part in Garry Marshall's 1999 flop, The Other Sister. He spent his final seven years in retirement, battling Parkinson's Disease, and eventually succumbed to the illness on June 18, 2006. Stahl was seventy-four.

Trivia: Comic actor Robert Ball was a fixture in television and, to a lesser degree, movies, from the late 1950s until the early 1990s. Mostly seen in group settings and character roles -- and billed variously as Robert Ball, Robert E. Ball, Bob Ball, and Bobby Ball -- his somewhat diminutive size only served to accentuate the impact of his wry, sardonic delivery, an attribute that various producers (including Leonard Stern and, later, Carl Reiner and Garry Marshall) used to piercing effect in episodes of their television series. Ball made his small-screen debut during 1957 on the series The Adventures of McGraw, and a year later he was part of the cast of Bruno VeSota's The Brain Eaters (1958), a low-budget science fiction film. These were both straight acting jobs, and any humor in The Brain Eaters, in particular, was wholly unintended. But when VeSota -- a busy character actor who occasionally worked as a filmmaker -- next occupied the director's chair four years later for Invasion of the Star Creatures (1962), Ball (billed as Bob Ball) had the lead role of Private Philbrick and was running on all comic cylinders. Alas, the movie wasn't up to what Ball and costar Frankie Ray brought to their roles, and it was singularly unappreciated by most critics. It has since become a kind of cult touchstone among aficionados of low-budget science fiction, horror, and so-called "psychotronic" cinema. In between The Brain Eaters and Invasion of the Star Creatures, Ball busied himself with small roles on every kind of television series, including Peter Gunn, Perry Mason, Route 66, Frontier Circus, Dr. Kildare, The Twilight Zone, I'm Dickens...He's Fenster, Mr. Novak, Ben Casey, The Jack Benny Program, and The Dick Van Dyke Show. He was particularly effective on the latter, in the episode "Bupkis", as Rob Petrie's larcenous former Army buddy who had signed his name to a song he had almost nothing to do with. Ball was something of a chameleon-like presence and could melt into a part, and even those familiar with his work could miss him in some of those roles. But stars and producers obviously liked his work. Dick Van Dyke Show creator/producer Carl Reiner used him in The Comic (1969) and in the subsequent New Dick Van Dyke Show, and longtime Reiner cohort Howard Morris used him in Who's Minding the Mint (1967). Ball had a relatively easy time slipping into the counter-culture era, getting roles in such representative films of the period as Easy Rider (as one of the mimes), Bunny O'Hare, and Zachariah. Continuing in television, he worked steadily across genres, including Westerns such as Bonanza and '70s topical sitcoms like Maude. Producer Garry Marshall -- himself a Dick Van Dyke Show alumnus -- gave him memorable comedic roles in The Odd Couple, Laverne and Shirley, and Happy Days; and Ball was one of the Marshall stock company picked up for the feature films Young Doctors in Love (1982) and Beaches (1988). This was, of course, sandwiched in between work on Starsky and Hutch, Kojak, and a dozen other TV series. Ball retired after 1992.

Trivia: African-American character actor of screen and television Charles Lampkin began his long career in the 1951 apocalypse drama Five. On TV, he is best remembered for playing Tiger in the critically acclaimed but short-lived sitcom Frank's Place (1987-1988).

Trivia: Instantly recognizable for her cute overbite, raucous voice, and broad Bronx accent, Penny Marshall successfully made the transition from popular comic actress to a respected director and producer of popular mainstream feature films. A New York native (born Carole Penny Marsciarelli), Marshall is the daughter of an industrial filmmaker and a dance instructor. She started dancing herself as a toddler and as a teen competed on The Ted Mack Amateur Hour with a dance troupe comprised of several friends. The group also appeared on The Jackie Gleason Show. By the time she was a young adult and had graduated with degrees in math and psychology from the University of New Mexico, her older brother, Garry Marshall, had established himself as a successful television writer. It was Garry who provided Marshall with her first film role in his feature film debut effort as a screenwriter and producer in How Sweet It Is (1968).When her brother began creating and producing situation comedies, he made sure Marshall had parts in his shows, the first of which was My Friend Tony and the second was The Odd Couple, where she had a recurring role. Marshall also guest starred on other comedies, including The Mary Tyler Moore Show, but her big break didn't come until her brother cast her and her friend Cindy Williams as Laverne and Shirley in an episode of his popular series Happy Days. Her portrayal of a wiseacre working-class broad and Williams' take on the more innocent Shirley gained an instant fan base and so Garry Marshall was inspired to build a sitcom around the characters. Laverne and Shirley debuted in 1978 and ran through 1983. During this period, Marshall was married to actor-turned-director Rob Reiner. She divorced him in the early '80s. At that time, it was apparent that her acting career was on a dead-end street and Marshall decided to try out directing. Beginning with television movies and series such as The Tracey Ullman Show, Marshall learned to direct. She made her feature film directorial debut with the Whoopi Goldberg vehicle Jumpin' Jack Flash (1986) which had originally been slated for director Howard Zieff. Returning her brother's favors, she gave him a part in the film and also created a part for her daughter, Tracy Reiner (the offspring from Marshall's first marriage to Michael Henry). The film was a critical and box-office dud, but this did not deter Marshall from trying again. Her second attempt at directing, Big (1988), the story of a boy whose wish is granted and so finds himself stranded in a man's body, made actor Tom Hanks a movie star and established Marshall as a respectable big-league filmmaker. Still, she took two years to finish her next film, Awakenings (1990). This was due in part to 20th Century Fox's reluctance to have the story filmed until Marshall had engaged her friends Robin Williams, in a rare subdued dramatic role, and Robert De Niro. A well-made and poignant drama, Awakenings received three Academy Award nominations, including one for Best Picture. For her next film, Marshall offered up a sentimental, funny, and ebullient look at the women who kept professional baseball alive when all the young men were off fighting during WWII in A League of Their Own (1992). It was a well-crafted effort that has grown in popularity on video and netted star Geena Davis a Golden Globe nomination. Since then, Marshall's directorial output yielded uneven results and her films, while still loaded with mainstream appeal, had yet to reach the degree of popularity of her earlier work. In the late '90s, she and her much-younger pal, comedian Rosie O'Donnell, became popular for a series of television commercials for K-Mart. In addition to directing and producing, Marshall occasionally continued to work as an actress on television and in films, and earned a star on the Hollywood Walk of Fame (alongside her Laverne and Shirley co-star Cindy Williams) in 2004. Though at the time it appeared that Marshall had taken a hiatus from the director's chair, she would later resurface to direct episiodes of According to Jim and United States of Tara before lending her voice to the animated comedy series The Life and Times of Jim, and making an appearance in Fred Armisen and Carrie Brownstein's hipster-skewing sketch series Portlandia.

Trivia: With his chiseled, sharp features and distinctive raspy voice, American character actor Ed Peck was often cast as a policeman or a military man in feature films and television shows -- notably on the TV series Happy Days where he played police officer Kirk -- of the '60s through the early '80s. He made his debut on the afternoon television series Major Dell Conway of the Flying Tigers in the early '50s.