Trivia: Born in Canada, he was brought up in New York City. For a while he was a professional swimmer in a water carnival. He became a stage actor, appearing in many productions in stock and on Broadway; he often appeared in Shakespeare. In the mid '40s he began working in films, at first in lead roles that tended to be introspective; as time went by, he was cast in secondary roles, often as a pessimistic bad guy. For his work in All the King's Men (1949) he received a Best Supporting Actor Oscar nomination. In the '60s his career began to dry up, and he appeared in many low-budget Italian films; however, he stayed busy as a screen actor into the '80s, often appearing in action or horror films. He co-directed and co-produced the film Outlaw Territory (1953). From 1949-56 he was married to actress Joanne Dru.

Trivia: Radiantly beautiful blonde actress Virginia Mayo was a chorus dancer when she began her film career as a bit player in 1942. She rose to face as Danny Kaye's leading lady in a series of splashy Technicolor musicals produced by Samuel Goldwyn. Though never regarded as a great actress, she was disturbingly convincing as Dana Andrews' faithless wife in Goldwyn's The Best Years of Our Lives (1946) and as James Cagney's sluttish gun moll in White Heat (1949). In the late 1940s and early 1950s, Mayo was one of the most popular female stars at Warner Bros., appearing in musicals, melodramas and westerns. Many of her characters were so outre that one wonders whether Mayo was having some sport with us: her turn as Jack Palance's paramour in The Silver Chalice (1955) and as Cleopatra in the guilty pleasure The Story of Mankind (1957) immediately come to mind. And it is Mayo who, in Warners' King Richard and the Crusaders (1955), utters the immortal high-camp line "Fight, fight, fight! That's all you ever do, Dick Plantagenet!" When her film career faltered in the 1960s, Mayo turned to stage work on the touring-company and dinner-theatre circuit; more recently, she has been a frequent interview subject on TV documentaries dealing with the old Hollywood studio system. Virginia Mayo is the widow of actor Michael O'Shea.

Trivia: A onetime lumberjack, Scott Brady distinguished himself as a Navy boxing champion during the war. After VJ Day, Brady took drama classes, appearing in his first film, Canon City, in 1948. Usually assigned rough-and-tumble roles (many villainous in nature), Brady exhibited a normally untapped comic prowess in the 1952 film The Model and the Marriage Broker. He continued taking lead roles in cheap westerns, horror films and science-fiction pictures into the 1960s, occasionally surfacing in "A" films like Marooned (1969) and Gremlins (1985, his last film). In 1959, Brady starred in a syndicated western series, Shotgun Slade, which allowed him the opportunity to act opposite several of his non-showbiz idols, including war hero Pappy Boyington and athlete Elroy "Crazylegs" Hirsch; he also had a recurring role in the 1970s anthology Police Story. Scott Brady is the younger brother of Lawrence Tierney, an actor best known for his gangster portrayals.

Trivia: Two things American actor John Russell was not: he was not cinematographer John L. Russell, nor was he the Johnny Russell who appears as Shirley Temple's brother in 20th Century-Fox's The Blue Bird (1940). He was however, a contract juvenile at Fox from 1937 through 1941. Interrupting his career for war service, Russell emerged from his tour of duty as a highly decorated marine. Busy in postwar films and TV as a secondary lead and utility villain, Russell was given costar billing with Chick Chandler in the 1955 syndicated TV adventure series Soldiers of Fortune. Four years later, Russell (now sporting a mustache) was cast as Marshal Dan Troop on the Warner Bros. weekly western series Lawman. This assignment lasted three years, after which Russell became a journeyman actor again. John Russell was well served with character parts in 1984's Honkytonk Man and 1985's Pale Rider, both directed by and starring another ex-TV-cowboy, Clint Eastwood.

Trivia: Beefy, bulldog-visaged actor Robert Strauss was the son of a theatrical costume designer. Strauss tried his hand at a number of odd jobs before he, too, answered the call of the theater. His best-known Broadway role was the dimwitted, Betty Grable-loving Animal in Stalag 17, a role that he recreated for the 1953 film version, and was Oscar nominated for his efforts. Though he'd been seen onscreen as early as 1942, Strauss' film career didn't really take off until he garnered positive notices for Animal. He spent most of the 1950s at Paramount, working with everyone from William Holden to Jerry Lewis. In 1971, after several distinguished years in the business, Robert Strauss found himself the object of showbiz-column scrutiny when he agreed to co-star in the Danish "soft core" sex farce Dagmar's Hot Pants.

Trivia: A Rice Institute graduate, James Craig took his first acting lessons from prominent character player Cyril Delevanti. After taking a few extra jobs, Craig was given a speaking role in 1937's Sophie Lang Goes West. He appeared in the serials Fighting G-Men (1938) and Winners of the West (1940), and showed up in such two-reelers as the Three Stooges'Oil's Well that Ends Well (1939), before landing his first important "A" picture role opposite Ginger Rogers in Kitty Foyle (1940). Craig was then showered with critical praise for his portrayal of Jabez Stone, the New Hampshire farmer who sells his soul to the Devil in 1941's All That Money Can Buy (aka The Devil and Daniel Webster). During the war, Craig became an MGM leading man, chiefly by virtue of his resemblance to Clark Gable; his best films during this period include Our Vines Have Tender Grapes (1945) and a few interesting program westerns. His films declined in importance throughout the 1950s. By the mid-1960s, Craig was of one of several old-timers appearing in the inexpensive Technicolor westerns being produced by A.C. Lyles and Alex Gordon. After retiring from films, James Craig became a successful real estate agent.

Trivia: American actor Richard Arlen was working as a messenger boy at Paramount studios in the early 1920s when he was injured in a slight accident; the story goes that Arlen went to the studio heads to thank them for their prompt medical care, whereupon the executives, impressed by Arlen's good looks, hired him as an actor. Whether the story is true or not, it is a fact that Arlen soon became one of Paramount's most popular leading men, earning a measure of screen immortality by costarring with Buddy Rogers and Clara Bow in the first-ever Oscar winning picture, Wings (1927). Arlen was memorably cast as a World War I flying ace, a part in which he felt uniquely at home because he'd been a member of the Royal Canadian Flying Corps during the "real" war (though he never saw any combat!) The actor retained his popularity throughout the 1930s, and when roles became harder to come by in the 1940s, he wisely invested his savings in numerous successful businesses. Keeping in character, Arlen was also part-owner of a civilian flying service, and worked as an air safety expert for the government during World War II. Still acting in TV and commercials into the 1960s, Richard Arlen was reunited with his Wings costar Buddy Rogers in an amusing episode of the TV sitcom Petticoat Junction.

Trivia: A football star in his high school and college days, Donald Barry forsook an advertising career in favor of a stage acting job with a stock company. This barnstorming work led to movie bit parts, the first of which was in RKO's Night Waitress (1936). Barry's short stature, athletic build and pugnacious facial features made him a natural for bad guy parts in Westerns, but he was lucky enough to star in the 1940 Republic serial The Adventures of Red Ryder; this and subsequent appearance as "Lone Ranger" clone Red Ryder earned the actor the permanent sobriquet Donald "Red" Barry. Republic promoted the actor to bigger-budget features in the 1940s, casting him in the sort of roles James Cagney might have played had the studio been able to afford Cagney. Barry produced as well as starred in a number of Westerns, but this venture ultimately failed, and the actor, whose private life was tempestuous in the best of times, was consigned to supporting roles before the 1950s were over. By the late 1960s, Barry was compelled to publicly entreat his fans to contribute one dollar apiece for a new series of Westerns. Saving the actor from further self-humiliation were such Barry aficionados as actor Burt Reynolds and director Don Siegel, who saw to it that Don was cast in prominent supporting roles during the 1970s, notably a telling role in Hustle (1976). In 1980, Don "Red" Barry killed himself -- a sad end to an erratic life and career.

Trivia: General purpose actor Harry Lauter began showing up in films around 1948. Long associated with Columbia Pictures, Lauter appeared in featured roles in such major releases as The Big Heat (1953), Hellcats of the Navy (1957) and The Last Hurrah (1958). He also acted in the studio's "B"-western and horror product. Making occasional visits to Republic, Lauter starred in three serials: Canadian Mounties vs. the Atomic Invaders (1953), Trader Tom of the China Seas (1954) and King of the Carnival (1956), Republic's final chapter play. On TV, he co-starred with Preston Foster in Waterfront (1954) and was second-billed as Ranger Clay Morgan in Tales of the Texas Rangers (1955-59). After appearing in Escape from the Planet of the Apes (1971), Harry Lauter retired from acting to concentrate on painting and managing his art and antique gallery.

Trivia: Regis "Reg" Parton started out as a Hollywood stuntman in the 1940s and went on to play roles ranging from cowpokes to space aliens. His early credits include the Abbott and Costello fantasy Keep 'Em Flying (1941) and Backlash (1956). During the '50s, he specialized in westerns and in the '60s, Parton was a stunt coordinator for A.C. Lyles Paramount westerns. In addition to feature-film work, Parton has performed in numerous television series including Rawhide, Branded and The Green Hornet.

Trivia: Jim Davis' show business career began in a circus where he worked as a tent-rigger. He came to Los Angeles as a traveling salesman in 1940, gradually drifting into the movies following an MGM screen test with Esther Williams. After six long years in minor roles, he was "introduced" in 1948's Winter Meeting, co-starring with Bette Davis (no relation, though the Warner Bros. publicity department made much of the fact that the two stars shared the same name). He never caught on as a romantic lead, however, and spent most of the 1950s in secondary roles often as Western heavies. He starred in two syndicated TV series, Stories of the Century (1954) and Rescue 8 (1958-1959), and made at least 200 guest star appearances on other programs. Jim Davis is best known today for his work as oil-rich Jock Ewing on the prime time TV serial Dallas, a role he held down from 1978 to his unexpected death following surgery in 1981.

Trivia: Expert horseman Boyd "Red" Morgan entered films as a stunt man in 1937. Morgan was justifiably proud of his specialty: falling from a horse in the most convincingly bone-crushing manner possible. He doubled for several top western stars, including John Wayne and Wayne's protégé James Arness. He could also be seen in speaking roles in such films as The Amazing Transparent Man (1959), The Alamo (1960), True Grit (1968), The Wild Rovers (1969) and Rio Lobo (1970). According to one report, Boyd "Red" Morgan served as the model for the TV-commercial icon Mister Clean.