Trivia: Rocketing from obscure bit player to TV's resident über-sex god thanks to his role as FBI agent Fox Mulder on The X-Files, David Duchovny can claim to have had one of the 1990s' more remarkable career metamorphoses. Although his initial attempts to translate his TV stardom into celluloid success proved less than memorable, the tall, classically handsome actor has continued to enjoy a great deal of popularity, evidenced in particular by the countless estrogen-drenched internet shrines erected in his honor.Born in Manhattan on August 7, 1960, to a Jewish father and a Scottish mother, Duchovny did his undergraduate work at Princeton and then went on to pursue a Master's degree in English Literature at Yale. While working toward his degree, he began commuting to New York to study acting, and he was soon appearing in a few off-Broadway plays. His interest in acting ultimately eclipsed his dedication toward earning his degree, and Duchovny dropped out of Yale to pursue a career as a performer. He got his first break starring in a beer commercial, and in 1988, he made his film debut with a breathtakingly abbreviated appearance as a party guest in Mike Nichols's Working Girl. Work in a number of diverse and usually obscure films, including starring roles in Julia Has Two Lovers (1991), The Rapture (1991), and Kalifornia (1993), followed, but the actor was able to command a more steady paycheck from his TV work. Before The X-Files debuted in 1993, Duchovny was best-known to TV viewers as Dennis/Denise, Twin Peaks' resident transvestite detective. As The X-Files steadily grew from cult favorite to mainstream success, becoming recognized as one of the most groundbreaking shows of the decade, Duchovny also began to enjoy both industry respect and huge audience popularity. Dubbed as the latest in a long line of thinking women's sex symbols, he would also appear in films like Playing God and Return to Me.Duchovny would The X-Files during the show's seventh season, much to fans' dismay, returning only for the series finaly. Post X-files, Duchovny would continue to act on screen, most notably in films like Trust the Man and another X-Files movie, The X-Files: I Want to Believe, as well as on the debaucherous TV series Californication.

Trivia: When actress Gillian Anderson landed the role of Agent Scully for the Fox television series X-Files (1993- ) she could not have foreseen that within two years she would become an internationally known cult phenomenon. She was born in Chicago, but moved to London at age two and remained there until she was in her early teens. She and her family then moved to Grand Rapids, MI, where she rebelliously got heavily into the punk rock scene complete with spiky, brilliantly colored hair and body piercings with safety pins. When she was 14, she became romantically involved with a 20-year-old punk singer and occasionally sang in his band. Her punk period lasted through high school. Following graduation, she got involved in local theater and from there studied fine arts at the Goodman Theater School of Drama at Chicago's DePaul University. Following graduation, she moved to New York where she waited tables and appeared in off-Broadway plays, most notably in Absent Friends, in which she had a starring role that won her a Theater World Award. Anderson made her film debut in 1992 with the low-budget drama The Turning. She then appeared in a theatrical production of The Philanthropist and after that moved to Los Angeles. Though she was frequently courted for television roles, Anderson disdained the medium until the X-Files audition came along. Though the producers were looking for a brainy version of a Baywatch girl, the beautiful but more natural looking (having long passed her outrageous days) Anderson got the role thanks to the insistence of the show's creator Chris Carter. The show became a smash hit within two seasons and Anderson found herself an international star, as did her co-star David Duchovny, the subject of numerous pages on the Internet, and the recipient of such awards as a Golden Globe, an Emmy, and a Screen Actors Guild Award. In addition to continuing work on the X-Files, Anderson hosted a couple of television specials, including More Secrets of the X-Files and the BBC documentary series Future Fantastic. She also lent her voice as a documentary narrator on Spies Above and as animated characters on shows like The Simpsons and Reboot and films like the English version of Princess Mononoke.Anderson would spend the next several years working extensively in British television, starring in series like Bleak House, Any Human Heart, Moby Dick, and The Fall, as well as appearing in numerous UK films, like The Last King of Scotland and Shadow Dancer.

Trivia: She is best known for creating a multitude of memorable comic characters, including Ernestine the telephone operator and the rotten five-year-old rugrat Edith Ann, on television and in her stage shows, but let it not be forgotten that Lily Tomlin is also a talented dramatic actress, something she has thus far only demonstrated in two films. She was born Mary Tomlin in Detroit, MI. She was studying premed at Wayne State University when she heard the stage calling and so dropped out to perform skits and characterizations in cabarets and coffeehouses. Tomlin made her television debut on The Garry Moore Show but didn't get her first real break until she became a regular on Rowan and Martin's Laugh-In in 1970 and stayed through 1973. The series' machine gun pace proved the perfect outlet for Tomlin's offbeat humor and gave her the opportunity to hone her skills and develop her characters. She made an auspicious film debut with a touching dramatic role as a troubled gospel singer trying to deal with her hearing-impaired children and a womanizing Keith Carradine in Robert Altman's Nashville (1975), winning an Oscar nomination for Best Supporting Actress and a New York Film Critics award for the same category. Her next film, The Late Show (1977), was also more dramatic than comic and Tomlin again won kudos, though not in the form of awards, for her work. While she started off strongly in films, her subsequent output has been of uneven quality ranging from the entertaining All of Me (1984) to the abysmal Big Business (1988). But while her film career has never quite taken flight, Tomlin remained successful on-stage, in clubs, and on television. On Broadway, Tomlin has had two successful one-woman shows, Appearing Nitely (1976) and The Search for Signs of Intelligent Life in the Universe (1986), which Tomlin made into a film in 1991. In 1996, Tomlin became a regular on the cast of the long-running sitcom Murphy Brown playing a canny news producer and foil for Candice Bergan's Murphy. That same year she would work for the first time with director David O. Russell on the film Flirting With Disaster. After returning to film with the demise of Murphy Brown, Tomlin took on supporting roles in a variety of films, such as Tea with Mussolini and Disney's The Kid. But television soon came calling again in the form of a recurring role on NBC's The West Wing as The President's eccentric personal secretary.In 2004, Tomlin teamed with Russell again for the ensemble comedy I Heart Huckabees. A subsequent visit to the animated town of Springfield found Tomlin dropping in on The Simpsons the following year, withg recurring roles on both Will and Grace and The West Wing preceding a turn as one-half of a sisterly singing act along with Meryl Streep in the 2006 Robert Altman radio-show adaptation A Prairie Home Companion. At the Oscar telecast in 2006 Streep and Tomlin presented Altman with a lifetime achievement award, delivering their speech in a style that emulated the distinctive rhythms of his films. That same year she leant her vocal talents to an animated film for the first time in her career providing the voice for Mommo in The Ant Bully, which coincidently also featured her Prairie Home Companion cohort Meryl Streep. She had a major role in Paul Schrader's The Walker, and provided a voice in the English-language version of Ponyo. She joined the cast of the award-winning cable series Damages in 2010 for that show's third season and was a series regular on Malibu Country in 2012-13, playing Reba McEntire's mother.

Trivia: Raised in the only Jewish family in his neighborhood, American actor Ed Asner grew up having to defend himself both vocally and physically. A born competitor, he played championship football in high school and organized a top-notch basketball team which toured most of liberated Europe. Asner's performing career got its start while he was announcing for his high school radio station; moving to Chicago in the '50s, the actor was briefly a member of the Playwrights Theatre Club until he went to New York to try his luck on Broadway. Asner starred for several years in the off-Broadway production Threepenny Opera, and, toward the end of the '50s, picked up an occasional check as a film actor for industrial short subjects and TV appearances. Between 1960 and 1965, he established himself as one of television's most reliable villains; thanks to his resemblance to certain Soviet politicians, the actor was particularly busy during the spy-show boom of the mid-'60s. He also showed up briefly as a regular on the New York-filmed dramatic series Slattery's People. And though his film roles became larger, it was in a relatively minor part as a cop in Elvis Presley's Change of Habit (1969) that Asner first worked with Mary Tyler Moore. In 1970, over Moore's initial hesitation (she wasn't certain he was funny enough), Asner was cast as Lou Grant, the irascible head of the WJM newsroom on The Mary Tyler Moore Show. The popular series ran for seven seasons, during which time the actor received three Emmy awards. His new stardom allowed Asner a wider variety of select roles, including a continuing villainous appearance on the miniseries Roots -- which earned him another Emmy. When Moore ceased production in 1977, Asner took his Lou Grant character into an hour-long dramatic weekly about a Los Angeles newspaper. The show's title, of course, was Lou Grant, and its marked liberal stance seemed, to some viewers, to be an extension of Asner's real-life viewpoint. While Lou Grant was in production, Asner was twice elected head of the Screen Actors Guild, a position that he frequently utilized as a forum for his political opinions -- notably his opposition to U.S. involvement in Central America. When Asner suggested that each guild member contribute toward opposing the country's foreign policy, he clashed head to head with Charlton Heston, who wrested Asner's office from him in a highly publicized power play. Although no tangible proof has ever been offered, it was Asner's belief that CBS canceled Lou Grant in 1982 because of his politics and not dwindling ratings. The actor continued to prosper professionally after Lou Grant, however, and, during the remainder of the '80s and into the '90s, starred in several TV movies, had guest and recurring roles in a wide variety of both TV dramas and comedies, and headlining two regular series, Off the Rack and The Bronx Zoo. Slowed but hardly halted by health problems in the '90s, Asner managed to find time to appear in the weekly sitcoms Hearts Afire and Thunder Alley -- atypically cast in the latter show as an ineffective grouch who was easily brow-beaten by his daughter and grandchildren.