Trivia: The stepdaughter of TV director Montgomery Pittman, Sherry Jackson made her first film in 1950, at age 8. Jackson played Susie Kettle in a few of Universal's Ma and Pa Kettle entries, and was co-starred in a handful of Warner Bros. films, most prominently as John Wayne's daughter in Trouble Along the Way. In 1953, she was hired to play Danny Thomas' daughter Terry on the long-running TV sitcom Make Room for Daddy. Having outgrown the role by 1959, she free-lanced throughout the 1960s, showing up in guest-star assignments in such TV series as The Twilight Zone and Star Trek. Sporadically active into the 1990s, Sherry Jackson was most recently seen in the 1992 production Daughters of the Dust.

Trivia: The older sister of actress Lillian Randolph, Amanda Randolph worked her way up the black vaudeville circuit as a singer and comedienne. She made her first screen appearance in the Vitaphone two-reeler The Black Network (1935) as the supposedly untalented wife of a radio sponsor; ironically, she sounded better than the film's official leading lady Nina Mae McKinney. After appearing in a handful of all-black feature films she established herself as a character actress on network radio. In the 1950s she was generally cast as maidservants in films, with the notable exception of her performance as Sidney Poitier's mother in 1950's No Way Out. On television, Amanda Randolph was seen to excellent advantage as the Kingfish's domineering mother-in-law on The Amos 'N' Andy Show (1951-1953) and as Louise the maid on Make Room for Daddy (1954-1964).

Trivia: Nightclub comedian and character actor, onscreen from 1943.

Trivia: "I'm not a comic," insisted Mary Wickes. "I'm an actress who plays comedy." True enough; still Wickes was often heaps funnier than the so-called comics she supported. The daughter of a well-to-do St. Louis banker, Wickes was an excellent student, completing a political science degree at the University of Washington at the age of 18. She intended to become a lawyer, but she was deflected into theatre. During her stock company apprenticeship, Wickes befriended Broadway star Ina Claire, who wrote the young actress a letter of introduction to powerful New York producer Sam Harris. She made her Broadway debut in 1934, spending the next five seasons in a variety of characterizations (never the ingenue). In 1939, she found time to make her film bow in the Red Skelton 2-reeler Seein' Red. After a string of Broadway flops, Wickes scored a hit as long-suffering Nurse Preen (aka "Nurse Bedpan") in the Kaufman-Hart comedy classic The Man Who Came to Dinner. She was brought to Hollywood to repeat her role in the 1941 film version of Dinner. After a brief flurry of movie activity, Wickes went back to the stage, returning to Hollywood in 1948 in a role specifically written for her in The Decision of Christopher Blake. Thereafter, she remained in great demand in films, playing an exhausting variety of nosy neighbors, acerbic housekeepers and imperious maiden aunts. Though her characters were often snide and sarcastic, Wickes was careful to inject what she called "heart" into her portrayals; indeed, it is very hard to find an out-and-out villainess in her manifest. Even when she served as the model for Cruella DeVil in the 1961 animated feature 101 Dalmations, Cruella's voice was dubbed by the far more malevolent-sounding Betty Lou Gerson. Far busier on TV than in films, Wickes was a regular on ten weekly series between 1953 and 1985, earning an Emmy nomination for her work on 1961's The Gertrude Berg Show. She also has the distinction of being the first actress to essay the role of Mary Poppins in a 1949 Studio One presentation. Throughout the 1960s, 1970s and 1980s, Wickes did a great deal of guest-artist work in colleges and universities; during this period she herself went back to school, earning a master's degree from UCLA. Maintaining her professional pace into the 1990s, Wickes scored a hit with modern moviegoers as Sister Mary Lazarus in the two Sister Act comedies. Mary Wickes' final performance was a voiceover stint as one of the gargoyles in Disney's animated Hunchback of Notre Dame; she died a few days before finishing this assignment, whereupon Jane Withers dubbed in the leftover dialogue.

Trivia: The archetypal side-of-the-mouth Runyonesque gangster, Sheldon Leonard's actual mean-streets experience was confined to travelling with a fairly benign teenaged gang in a New York suburb. In fact, if we are to believe his future business partner Danny Thomas, Leonard never met a bonafide gangster until Thomas introduced him to one in the mid-1950s! A graduate of Syracuse University, Leonard began his acting career on radio and the stage, appearing in such Broadway productions as Kiss the Boys Goodbye and Having Wonderful Time. Starting with 1939's Another Thin Man, Leonard made a good living as a movie mob boss, henchman, and all-around tough guy. He played a rare leading role (and a romantic lead, to boot) in PRC's Why Girls Leave Home (1944). Leonard was also a regular on radio's Jack Benny Program, playing a laconic racetrack tout. During the 1950s and 1960s, Leonard became a successful television producer, overseeing such sitcoms as The Danny Thomas Show, The Andy Griffith Show, The Dick Van Dyke Show and Gomer Pyle USMC. He also spearheaded I Spy, the first TV action series with an African American star (Bill Cosby). His television activities extended to the domain of Saturday morning cartoons, as the voice of animated character Linus the Lionhearted. Sheldon Leonard continued producing into the mid-1970s, renaming his production company Deezdemandoze, in honor of his patented gangster patois. Leonard passed away in his home at age 89.